| # | Title | Artist | Rating | Length |
|---|
| 1 | My Man (Mon Homme) | Billie Holiday | 4 | 2:59 |
| 2 | Stormy Weather | Lena Horne | | 3:22 |
| 3 | Over the Rainbow- recording of:
- Over the Rainbow
- lyricist:
- Yip Harburg (in 1938)
- composer:
- Harold Arlen (in 1938)
- premiered by:
- Judy Garland (in 1939)
- publisher:
- EMI Feist Catalog Inc., EMI Music , EMI Partnership Ltd., EMI United Partnership Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
- sub-publisher:
- EMI Music Publishing (S.E. Asia) Ltd., Taiwan, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
- part of:
- The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 12)
- part of:
- The Wizard of Oz
- part of:
- The Wizard of Oz
| Judy Garland | 4 | 3:32 |
| 4 | What a Difference a Day Makes | Dinah Washington | | 2:30 |
| 5 | Broken Hearted Melody | Sarah Vaughan | | 2:24 |
| 6 | Someone to Watch Over Me | Ella Fitzgerald | | 3:16 |
| 7 | Midnight Train to Georgia | Gladys Knight | | 4:38 |
| 8 | What’s Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London , England, United Kingdom
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 134) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Tina Turner | 4.15 | 3:47 |
| 9 | Why- programming:
- Marius de Vries, Stephen Lipson and Peter-John Vettese
- engineer:
- Heff Moraes
- producer:
- Stephen Lipson
- assistant mixer:
- Will O'Donovan
- guitar:
- Stephen Lipson
- keyboard:
- Marius de Vries, Annie Lennox , Stephen Lipson and Peter-John Vettese
- recorder:
- Peter-John Vettese
- vocals:
- Annie Lennox
- phonographic copyright (℗) by:
- BMG Ariola Muenchen GmbH (in 1992) and Sony BMG Music Entertainment (UK) Ltd. (in 1992)
- recorded at:
- Mayfair Studios in London , England, United Kingdom and The Church Studios in London , England, United Kingdom
- mixed at:
- Mayfair Studios in London , England, United Kingdom
- recording of:
- Why
- lyricist and composer:
- Annie Lennox
- publisher:
- BMG Records , La Lennoxa Music Co. Ltd. and Universal Music Publishing MGB Ltd.
| Annie Lennox | 3.65 | 4:55 |
| 10 | Touch Me in the Morning | Diana Ross | 4 | 3:27 |
| 11 | I’ll Never Love This Way Again | Dionne Warwick | | 3:29 |
| 12 | Not Gon’ Cry | Mary J. Blige | | 4:56 |
| 13 | Un-Break My Heart | Toni Braxton | | 4:31 |
| 14 | I Have Nothing- engineer:
- David Reitzas
- producer:
- David Foster
- mixer:
- Mick Guzauski
- strings arranger:
- David Foster and Jeremy Lubbock
- arranger:
- David Foster
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1992) and RCA Records (in 1993)
- recorded at:
- Encore Recording Studios in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and The Hit Factory in Manhattan, New York, New York, United States
- recording of:
- I Have Nothing
- writer:
- David Foster and Linda Thompson
- part of:
- The 65th Academy Award for Best Original Song (number: 2)
| Whitney Houston | 4 | 4:51 |
| 15 | Nessun dorma | Aretha Franklin | 2 | 3:20 |
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