Passion: Music That Changed Our World

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Gregorian Chant: Passio Domini nostri Jesu Christi (for Good Friday)
choir vocals:
Choral Scholars of the Bendedictine Abbey Münsterschwarzach
chorus master:
Fr. Godehard Joppich
[anonymous]12:31
2Miserere
choir vocals:
Choir of Westminster Abbey (in 1985-02)
conductor:
Simon Preston (organist, conductor, composer) (in 1985-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Miserere mei, Deus (in 1985-02)
composer:
Gregorio Allegri (composer)
Gregorio Allegri311:54
3Tu es Petrus
choir vocals:
Choir of Westminster Abbey (in 1985-02)
conductor:
Simon Preston (organist, conductor, composer) (in 1985-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Motet “Tu es Petrus” a 6 (Motets book II, 1572) (in 1985-02)
composer:
Giovanni Pierluigi da Palestrina (composer)
Giovanni Pierluigi da Palestrina6:46
4Stabat Mater: I. Duet: Stabat Mater dolorosa
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi5:07
5Stabat Mater: II. Aria (soprano): Cuius animam gementem
organ:
Claudio D'Onofrio
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:57
6Stabat Mater: III. Duet: O quam tristis et afflicta
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:55
7Stabat Mater: IV. Aria (alto): Quae moerebat et dolebat
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: IV. Aria (alto): Quae moerebat et dolebat
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:53
8Stabat Mater: V. Duet: Quis est homo, qui non fleret
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: V. Duo: Quis est homo, qui non fleret
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:07
9Stabat Mater: VI. Aria (soprano): Vidit suum dulcem natum
organ:
Claudio D'Onofrio
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VI. Aria: Vidit suum dulcem natum
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:35
10Stabat Mater: VII. Aria (alto): Eja, Mater, fons amoris
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VII. Aria (alto): Eja, mater, fons amoris
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:08
11Stabat Mater: VIII. Duet: Fac, ut ardeat cor meum
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:17
12Stabat Mater: IX. Duet: Santa Mater, istud agas
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi5:14
13Stabat Mater: X. Aria (alto): Fac, ut portem Christi mortem
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut protem Christi mortem
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:13
14Stabat Mater: XI. Duet: Inflammatus et accensus
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
recording of:
Stabat Mater, FP 148: XI. Inflammatus et accensus
composer:
Francis Poulenc (pianist and composer) (in 1950)
part of:
Stabat Mater, FP 148
Giovanni Battista Pergolesi2:39
15Stabat Mater: XII. Duet: Quando corpus morietur
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur - Amen
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:41
▼ CD 2
#TitleArtistRatingLength
1St Matthew Passion, BWV 244 - Part One: Anointing in Bethany: No. 1 Chorus: Kommt, ihr Töchter, helft mir klagen
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Chorknaben (from 1958-06 until 1958-08) and Munich Bach Choir (from 1958-06 until 1958-08)
soprano vocals [Soprano in ripieno]:
Münchener Chorknaben (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach9:57
2St Matthew Passion, BWV 244 - Part Two: False Witness: No. 36 Aria (contralto): Ach, nun ist mein Jesus hin! with Chorus: Wo ist denn dein Freund hingegangen
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals and contralto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:01
3St Matthew Passion, BWV 244 - Part Two: False Witness: No. 37 Recitative (Evangelist): Die aber Jesum gegriffen hatten
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:06
4St Matthew Passion, BWV 244 - Part Two: False Witness: No. 38 Chorale: Mir hat die Welt trüglich gericht'
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08) and Münchener Chorknaben (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (from 1958-06 until 1958-08)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:51
5St Matthew Passion, BWV 244 - Part Two: False Witness: No. 39 Recitative (Evangelist, 2 Witnesses, High Priest): Und wiewohl viel falsche Zeugen herzutraten
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals and bass vocals [High Priest]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
tenor vocals and tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:29
6St Matthew Passion, BWV 244 - Part Two: False Witness: No. 40 Recitative (tenor): Mein Jesus schweigt zu falschen Lügen stille
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
tenor vocals:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:14
7St Matthew Passion, BWV 244 - Part Two: False Witness: No. 41 Aria (tenor): Geduld! Wenn mich falsche Zungen stechen!
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
tenor vocals:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:53
8St John Passion, BWV 245 - Denial: No. 12 Recitative (Evangelist): Simon Petrus aber folgete Jesu nach
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
tenor vocals and tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 8 "Simon Petrus aber folgete Jesu nach" (Evangelista) (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach0:20
9St John Passion, BWV 245 - Denial: No. 13 Aria (soprano): Ich folge dir gleichfalls
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
soprano vocals:
Evelyn Lear (soprano) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls" (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach3:51
10St John Passion, BWV 245 - Denial: No. 14 Recitative (Evangelist, Maid, Peter, Jesus, Servant): Derselbige Jünger war dem Hohenpriester bekannt
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
baritone vocals and bass vocals [Jesus]:
Hermann Prey (baritone) (from 1964-02 until 1964-03)
bass vocals [Peter]:
Kieth Engen (operatic bass) (from 1964-02 until 1964-03)
soprano vocals [Maid]:
Evelyn Lear (soprano) (from 1964-02 until 1964-03)
tenor vocals [Evangelist] and tenor vocals [Servant]:
Ernst Haefliger (tenor) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 10 "Derselbige Jünger war" (Evangelista, Ancilla, Servus, Petrus, Jesus) (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach4:11
11St John Passion, BWV 245 - Denial: No. 15 Chorale: Wer hat dich so geschlagen
organ:
Hedwig Bilgram (harpsichordist and organist)
choir vocals:
Münchener Bach‐Chor and Münchener Chorknaben
orchestra:
Münchener Bach‐Orchester
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
chorus master:
Fritz Rothschuh (chorus master)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen"
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:05
12St John Passion, BWV 245 - Denial: Nos. 16-18 Recitative (Evangeleist, Peter, Servant) & Chorus: Und Hannas sandte ihn gebunden / Bist du nicht seiner Jünger einer? / Er leugnete aber
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
bass vocals [Peter]:
Kieth Engen (operatic bass) (from 1964-02 until 1964-03)
choir vocals:
Münchener Bach‐Chor (from 1964-02 until 1964-03) and Münchener Chorknaben (from 1964-02 until 1964-03)
tenor vocals [Evangelist] and tenor vocals [Servant]:
Ernst Haefliger (tenor) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
chorus master:
Fritz Rothschuh (chorus master) (from 1964-02 until 1964-03)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 12 "Und Hannas sandte ihn gebunden" (Evangelista, Chorus, Servus, Petrus) (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach2:32
13St John Passion, BWV 245 - Denial: No. 17 Aria (tenor): Ach, mein Sinn
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
tenor vocals:
Ernst Haefliger (tenor) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 13 Aria (Tenor) "Ach, mein Sinn" (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach3:06
14St John Passion, BWV 245 - Denial: No. 18 Chorale: Petrus, der nicht denkt zurück
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
choir vocals:
Münchener Bach‐Chor (from 1964-02 until 1964-03) and Münchener Chorknaben (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
chorus master:
Fritz Rothschuh (chorus master) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 14 Choral "Petrus, der nicht denkt zurück" (from 1964-02 until 1964-03)
lyricist:
Paul Stockmann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 192)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach1:30
15Brockes Passion: No. 47 Recitative (Evangelist): Dies war zur neunten Stund'
tenor vocals:
Ernst Haefliger (tenor)
conductor:
August Wenzinger (cellist)
performer:
Schola Cantorum Basiliensis
George Frideric Handel1:40
16Brockes Passion: No. 48 Arioso (A Believer, soprano): Mein Heiland, Herr and Fürst
soprano vocals:
Edda Moser (soprano) and Maria Stader (soprano)
conductor:
August Wenzinger (cellist)
performer:
Schola Cantorum Basiliensis
George Frideric Handel2:29
17Brockes Passion: Recitative (Evangelist): Drauf leif ein Kriegsknecht hin
tenor vocals:
Ernst Haefliger (tenor)
conductor:
August Wenzinger (cellist)
performer:
Schola Cantorum Basiliensis
George Frideric Handel0:37
18Brockes Passion: No. 49 Terzetto (A Believer, soprano, alto, bass): O Donnerwort! O schrecklich schreien!
alto vocals:
Paul Esswood (countertenor)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer)
soprano vocals:
Edda Moser (soprano) and Maria Stader (soprano)
conductor:
August Wenzinger (cellist)
performer:
Schola Cantorum Basiliensis
George Frideric Handel4:10
19Brockes Passion: Recitative (A Believer, soprano, Evangelist): O selig, wer dies glaubt
soprano vocals:
Edda Moser (soprano) and Maria Stader (soprano)
tenor vocals:
Ernst Haefliger (tenor)
conductor:
August Wenzinger (cellist)
performer:
Schola Cantorum Basiliensis
George Frideric Handel0:49
20Brockes Passion: No. 50 Aria (Daughter of Zion, A Believer, soprano): Sind meiner Seelen tiefe Wunden
soprano vocals:
Edda Moser (soprano) and Maria Stader (soprano)
conductor:
August Wenzinger (cellist)
performer:
Schola Cantorum Basiliensis
George Frideric Handel3:37
21Brockes Passion: Recitative (Daughter of Zion, Evangelist): O Großmut!
soprano vocals:
Maria Stader (soprano)
tenor vocals:
Ernst Haefliger (tenor)
conductor:
August Wenzinger (cellist)
performer:
Schola Cantorum Basiliensis
George Frideric Handel0:35
22Brockes Passion: No. 51 Aria (A Believer, tenor): Brich, brüllender Abgrund
countertenor vocals:
Paul Esswood (countertenor)
tenor vocals:
Ernst Haefliger (tenor)
conductor:
August Wenzinger (cellist)
performer:
Schola Cantorum Basiliensis
George Frideric Handel4:42
23Brockes Passion: Recitative (A Believer, tenor, Captain): Ja, ja, es brüllet schon in unterrid'schen Grüften
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer)
countertenor vocals:
Paul Esswood (countertenor)
tenor vocals:
Ernst Haefliger (tenor)
conductor:
August Wenzinger (cellist)
performer:
Schola Cantorum Basiliensis
George Frideric Handel1:20
24Brockes Passion: No. 52 Aria (A Believer, bass): Wie kommt's, das da der Himmel weint
countertenor vocals:
Paul Esswood (countertenor)
vocals:
Jakob Stämpfli (operatic bass / recording engineer)
conductor:
August Wenzinger (cellist)
performer:
Schola Cantorum Basiliensis
George Frideric Handel2:38
25Brockes Passion: No. 53 Accompagnato (A Believer, soprano): Bei Jesu Tod und Leiden
soprano vocals:
Edda Moser (soprano) and Maria Stader (soprano)
conductor:
August Wenzinger (cellist)
performer:
Schola Cantorum Basiliensis
George Frideric Handel1:38
26Brockes Passion: No. 54 Chorus: Mein, Sünd' mich werden kränken sehr
choir vocals:
Regensburger Domchor (German / Regensburger cathedral choir)
conductor:
August Wenzinger (cellist)
chorus master:
Hans Schrems
performer:
Schola Cantorum Basiliensis
George Frideric Handel1:02
27Brockes Passion: No. 55 Aria (Daughter of Zion): Wisch ab der Tränen bittre Ströme
soprano vocals:
Maria Stader (soprano)
conductor:
August Wenzinger (cellist)
performer:
Schola Cantorum Basiliensis
George Frideric Handel6:21
28Brockes Passion: No. 56 Chorus: Ich bin ein Glied an deinem Leib
choir vocals:
Regensburger Domchor (German / Regensburger cathedral choir)
conductor:
August Wenzinger (cellist)
chorus master:
Hans Schrems
performer:
Schola Cantorum Basiliensis
George Frideric Handel1:11