Ride of the Valkyries: 50 Must-Have German Opera Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1The Valkyrie, WWV 86B, Act III: Ride of the Valkyries
orchestra:
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
conductor:
György Lehel (conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:17
2Fidelio, Op. 72, Act I: "O welche Lust" (Prisoner's Chorus)
choir vocals:
Bulgarian National Choir
orchestra:
Sofia Philharmonic Orchestra
conductor:
Georgi Robev (conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:41
3The Magic Flute, K. 620, Act II: "Der Hölle Rache" (The Queen of the Night's Aria)
soprano vocals and soprano vocals [Die Königin der Nacht]:
Sumi Jo (soprano)
orchestra:
Radio–Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Roberto Paternostro
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:58
4Tsar and Carpenter, Act III: Dance of the Clogs
orchestra:
Philharmonic Orchestra Bratislava (Slovak Philharmonic, Bratislava)
conductor:
Kurt Wöss (conductor)
recording of:
Zar und Zimmermann: Akt III. Nr. 16 Holzschuhtanz
composer and librettist:
Albert Lortzing (composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt III
Albert Lortzing3:33
5The Merry Widows Of Windsor, Act III: "O süßer Mond" (Moon Chorus)
choir vocals:
Bulgarian National Choir
orchestra:
Sofia Philharmonic Orchestra
conductor:
Georgi Robev (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt III. Nr. 12. „O süßer Mond“ (Chor)
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt III
Otto Nicolai3:32
6The Mastersingers of Nuremberg, WWV 96: Overture
orchestra:
Wiener Symphoniker
conductor:
Yuri Ahronovitch (conductor)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Vorspiel
composer:
Richard Wagner (composer) (from 1863 until 1867)
part of:
Die Meistersinger von Nürnberg, WWV 96
Richard Wagner10:45
7Der Freischütz, Act III: "Wir winden dir den Jungfernkranz" (Bridal Chorus)
choir vocals:
Bulgarischer Nationalchor „Svetoslav Obretenov“
orchestra:
Philharmonisches Orchester Sofia
conductor:
Georgi Robev (conductor)
recording of:
Der Freischütz: Akt III. Nr. 14. Volkslied, Soli und Chor der Brautjungfern „Wir winden dir den Jungfernkranz“ (Chor)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber3:08
8The Magic Flute, K. 620, Act I: "Dies Bildnis ist bezaubernd schön" (Tamino's Aria)
tenor vocals:
Josef Protschka (tenor)
orchestra:
Münchner Rundfunkorchester
conductor:
Kurt Eichhorn (conductor)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:31
9Fidelio, Op. 72, Act I: "Ha, welch ein Augenblick" (Pizarro's Aria)
bass vocals:
Boris Christoff (Bulgarian bass)
choir vocals:
Bulgarian National Choir
orchestra:
Bulgarian Symphony Orchestra
conductor:
Ettore Gracis (conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:16
10Hänsel und Gretel: Overture
orchestra:
Royal Philharmonic Orchestra
conductor:
Norman Sattler (Alfred Scholz related ?)
recording of:
Hänsel und Gretel: Vorspiel (Overture)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
part of:
Hansel and Gretel (english version)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck7:50
11The Magic Flute, K. 620, Act I: "Der Vogelfänger bin ich ja" (Papageno's Aria)
baritone vocals:
Hermann Prey (baritone)
orchestra:
Bratislava Philharmonic Orchestra (Slovak Philharmonic, Bratislava)
conductor:
Kurt Wöss (conductor)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:54
12Der Freischütz, Act III: "Was gleicht wohl auf Erden" (Huntsmen's Chorus)
choir vocals:
Bulgarian National Choir
vocals:
Bulgarian National Choir
orchestra and performer:
Sofia Philharmonic Orchestra
conductor:
Georgi Robev (conductor)
recording of:
Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber2:42
13The Abduction from the Seraglio, K. 384, Act II: "Wenn der Freude Tränen fließen" (Belmonte's Aria)
vocals:
Jerrold van der Schaaf
orchestra:
Frankfurt Radio Symphony Orchestra
conductor:
Marcello Viotti (conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart5:10
14Lohengrin, WWV 75, Act III: "Treulich geführt" (Prelude and Bride Chorus)
choir vocals:
Bulgarian National Choir
orchestra:
Sofia Philharmonic Orchestra
conductor:
Georgi Robev (conductor)
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor)
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner9:18
15Martha: Overture
orchestra:
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
conductor:
Tamás Pál (conductor)
recording of:
Martha: Ouverture
composer:
Friedrich von Flotow (composer)
part of:
Martha
Friedrich von Flotow8:24
16Tannhäuser, WWV 70, Act III: "Wie Todesahnung" (Wolfram's Song)
baritone vocals:
Hermann Prey (baritone)
choir vocals:
Slovenský filharmonický zbor
orchestra:
Philharmonie Bratislava (Slovak Philharmonic, Bratislava)
conductor:
Kurt Wöss (conductor)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene II. „Wie Todesahnung, Dämm'rung deckt die Lande … O du mein holder Abendstern”
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
Richard Wagner4:58
17The Merry Wives of Windsor, Act III: "Ihr Elfen weiß" (Fairy's Choir)
choir vocals:
Bulgarian National Choir
orchestra:
Sofia Philharmonic Orchestra
conductor:
Georgi Robev (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt III. Nr. 14. “Ihr Elfen, weiß und rot und grau” (Elfenchor)
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt III
Otto Nicolai1:31
18The Magic Flute K. 620, Act II: "Ach, ich fühl's es ist verschwunden" (Pamina's Aria)
soprano vocals:
Petra Maria Schnitzer (soprano)
orchestra:
Sofia Symphony Orchestra
conductor:
Dimiter Dimitrov (conductor)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:52
19Preziosa: "Im Wald die Sonn erwacht" (Gypsy Choir)
choir vocals:
Bulgarian National Choir
orchestra:
Sofia Philharmonic Orchestra
conductor:
Georgi Robev (conductor)
partial recording of:
Preziosa, op. 78, J. 279
composer:
Carl Maria von Weber (composer)
part of:
Works of Carl Maria von Weber by opus number (number: op. 78) and Carl Maria von Weber in seinen Werken. Chronologisch-thematisches Verzeichniss seiner sammtlichen Compositionen (number: J. 279)
Carl Maria von Weber3:08
20The Flying Dutchman, WWV 63: Overture
orchestra:
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
conductor:
György Lehel (conductor)
recording of:
Der fliegende Holländer, WWV 63: Ouvertüre
composer:
Richard Wagner (composer) (from 1840 until 1841)
part of:
Der fliegende Holländer, WWV 63
Richard Wagner9:48
21The Flying Dutchman, WWV 63, Act I: "Summ und brumm" (Song of the Spinner)
choir vocals:
Bulgarian National Choir
orchestra:
Sofia Philharmonic Orchestra
conductor:
Georgi Robev (conductor)
recording of:
Der fliegende Holländer, WWV 63: Akt II, Nr. 4. Lied, Scene, Ballade und Chor "Summ und brumm, du gutes Rädchen" (Chor der Spinnerinnen)
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63: Akt II
Richard Wagner4:57
22The Flying Dutchman, WWV 63, Act II: "Traft ihr das Schiff" (Senta's Ballade)
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus)
soprano vocals:
Sylvia Sass (Hungarian soprano)
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra)
conductor:
András Kórodi (conductor)
recording of:
Der fliegende Holländer, WWV 63: Akt II, Nr. 4. Lied, Scene, Ballade und Chor "Summ und brumm, du gutes Rädchen" (Chor der Spinnerinnen)
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63: Akt II
Richard Wagner7:32
23The Flying Dutchman, WWV 63, Act III: "Steuermann, lass die Wacht!" (Sailors' Choir)
choir vocals:
Bulgarian National Choir
orchestra:
Sofia Philharmonic Orchestra
conductor:
Georgi Robev (conductor)
recording of:
Der fliegende Holländer, WWV 63: Akt III, Nr. 7. Chor der Norvegischen Matrosen und Ensemble "Steuermann! Lass die Wacht!"
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63: Akt III
Richard Wagner3:59
24Der Wildschütz: Overture
orchestra:
Plovdiv Philharmonic Orchestra
conductor:
Rouslan Raichev (conductor)
recording of:
Der Freischütz: Ouvertüre
composer:
Carl Maria von Weber (composer)
part of:
Der Freischütz
Albert Lortzing6:32
25The Magic Flute, K. 620, Act II: "O Isis und Osiris" (Chorus of the Priests)
choir vocals:
Национален филхармоничен хор „Светослав Обретенов“
orchestra:
Sofia Philharmonic Orchestra
conductor:
Georgi Robev (conductor)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:05
26The Magic Flute, K. 620, Act I: "Du feines Täubchen nur herein" (Trio)
baritone vocals:
James Edwin Stith (baritone)
soprano vocals:
Petra Maria Schnitzer (soprano)
tenor vocals:
Christian Bauer (Tenor)
orchestra:
Sofia Symphony Orchestra
conductor:
Dimiter Dimitrov (conductor)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:53
27The Magic Flute, K. 620, Act I: "Bei Männern welche Liebe fühlen" (Duet Pamina & Papageno)
baritone vocals:
James Edwin Stith (baritone)
soprano vocals:
Petra Maria Schnitzer (soprano)
orchestra:
Sofia Symphony Orchestra
conductor:
Dimiter Dimitrov (conductor)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:03
28The Magic Flute, K. 620, Act II: "Ein Mädchen oder Weibchen" (Papageno's Aria)
baritone vocals:
Hermann Prey (baritone)
orchestra:
Slovenská filharmónia (Slovak Philharmonic, Bratislava)
conductor:
Kurt Wöss (conductor)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:19
29The Magic Flute, K. 620, Act II: "In diesen heil'gen Hallen" (Sarastro's Aria)
bass vocals:
Nicola Ghiuselev (operatic bass)
orchestra:
Sofia Philharmonic Orchestra
conductor:
Rouslan Raichev (conductor)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:17
30The Magic Flute, K. 620, Act II: "Heil sei euch Geweihten" (Final Chorus)
choir vocals:
Bulgarian National Choir
orchestra:
Sofia Philharmonic Orchestra
conductor:
Georgi Robev (conductor)
recording of:
Die Zauberflöte: Akt II. „Heil sei euch Geweihten” (Chor)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:42
31Fidelio, Op. 72: Overture
orchestra:
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
conductor:
Tamás Pál (conductor)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
Ludwig van Beethoven6:18
32A Night in Granada, Act II: "Schon die Abendglocken klangen" (Chorus)
choir vocals:
Bulgarischer Nationalchor „Svetoslav Obretenov“
orchestra:
Philharmonisches Orchester Sofia
conductor:
Georgi Robev (conductor)
recording of:
Das Nachtlager in Granada, Act II: "Schon die Abendglocken klangen" (Chorus)
composer:
Conradin Kreutzer
part of:
Das Nachtlager in Granada
Conradin Kreutzer3:04
33Tannhäuser, WWV 70, Act II: "Freudig begrüßen wir die edle Halle" (Entrance of the Guests at Wartburg)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera)
orchestra:
Orchester der Bayerischen Staatsoper (orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. Festmarsch (Grand March)
composer:
Richard Wagner (composer)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. "Freudig begrüssen wir die edle Halle" (Einzug der Gäste)
Richard Wagner5:58
34Tannhäuser, WWV 70, Act II: "Dich teure Halle grüß ich wieder" (Elisabeth's Aria)
soprano vocals:
Sylvia Sass (Hungarian soprano)
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra)
conductor:
András Kórodi (conductor)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Einleitung und Szene I. "Dich, teure Halle, grüss ich wieder"
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II
Richard Wagner3:04
35Tannhäuser, WWV 70, Act III: "Beglückt darf nun dich, O Heimat, ich schauen" (Pilgrims Choir)
baritone vocals:
Hermann Prey (baritone)
choir vocals:
Chor der Philharmonie Bratislava
vocals:
Chor der Philharmonie Bratislava
orchestra:
Philharmonie Bratislava (Slovak Philharmonic, Bratislava)
conductor:
Kurt Wöss (conductor)
performer:
Bratislava Philharmonic Orchestra (Slovak Philharmonic, Bratislava)
recording of:
Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. Pilgerchor: “Beglückt darf nun dich”
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. "Wohl wüsst ich hier sie im Gebet zu finden"
recording of:
Pilgerchor aus Tannhäuser, S. 443/1
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
is based on:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. "Wohl wüsst ich hier sie im Gebet zu finden"
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
partial recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. "Wohl wüsst ich hier sie im Gebet zu finden"
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
Richard Wagner5:22
36Tannhäuser, WWV 70, Act III: "Allmächt'ge Jungfrau" (Elisabeth's Prayer)
soprano vocals:
Sylvia Sass (Hungarian soprano)
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra)
conductor:
András Kórodi (conductor)
partial recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70
Richard Wagner5:12
37The Barber of Bagdad: Overture
orchestra:
Berlin Radio Symphony Orchestra (East Berlin, 1923–)
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Der Barbier von Bagdad: Ouvertüre
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad
Peter Cornelius8:47
38The Abduction from the Seraglio, K. 384, Act I: "Solche hergelauf'nen Laffen" (Osmin's Aria)
bass vocals:
Kurt Rydl (operatic bass)
orchestra:
Frankfurt Radio Symphony Orchestra
conductor:
Marcello Viotti (conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart4:17
39The Abduction from the Seraglio, K. 384, Act I: "Singt dem großen Bassa Lieder" (The Janissaries' Chorus)
orchestra:
Berlin Radio Symphony Orchestra (East Berlin, 1923–)
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:39
40The Abduction from the Seraglio, K. 384, Act II: "Martern aller Arten" (Konstanze's Aria)
vocals:
Sylvia Greenberg
orchestra:
Frankfurt Radio Symphony Orchestra
conductor:
Marcello Viotti (conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart8:58
41Fidelio, Op. 72, Act I: March
orchestra:
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
conductor:
Tamás Pál (conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:23
42Euryanthe, Op. 81: "Die Tale dampfen" (Huntsmen's Chorus)
choir vocals:
Bulgarian National Choir
orchestra:
Sofia Philharmonic Orchestra
conductor:
Georgi Robev (conductor)
recording of:
Euryanthe: Akt III, Nr. 18. Jägerchor "Die Tale dampfen, die Hoehen glüh'n" (Männerchor)
composer:
Carl Maria von Weber (composer)
part of:
Euryanthe: Akt III
Carl Maria von Weber1:32
43Lohengrin, WWV 75: Overture
orchestra:
Budapest Philharmonic Orchestra, Budapest Symphony Orchestra (a.k.a. Budapest Symphony) and Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
conductor:
György Lehel (conductor)
performer:
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75
Richard Wagner6:51
44Parsifal, WWV 111, Act III: "Geleiten wir" (Chorus of the Knights)
choir vocals:
Rundfunkchor Leipzig
orchestra:
Rundfunk-Sinfonieorchester Leipzig
conductor:
Herbert Kegel (conductor)
recording of:
Parsifal, WWV 111: III. Aufzug, 2. Szene
composer:
Richard Wagner (composer) (from 1877-09 until 1882-01)
librettist:
Richard Wagner (composer) (from 1865-08-27 until 1877-04-19)
part of:
Parsifal, WWV 111: III. Aufzug
Richard Wagner3:26
45The Rheingold, WWV 86A: "Entry of the Gods at Walhall" (Finale)
orchestra:
Sophia Symphony Orchestra
conductor:
Vassil Kazandjiev
recording of:
Excerpt from Das Rheingold: Entrance of the Gods into Valhalla
composer:
Richard Wagner (composer) (from 1851 until 1854)
part of:
Das Rheingold: Scene IV
Richard Wagner7:27
46The Valkyrie WWV 86B, Act III: Wotans Farewell and Magic Fire Music
bass vocals:
Nicola Ghiuselev (operatic bass)
orchestra:
Plovdiv Philharmonic Orchestra
conductor:
Rouslan Raychev (conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene III, Feuerzauber
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
part of:
Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach"
Richard Wagner16:49
47Siegfried, WWV 86C, Act I: "Hoho! Hoho! Hohei!" (Siegfried's Scene)
tenor vocals:
Reiner Goldberg (tenor)
vocals:
Günter Kurth
orchestra:
Staatskapelle Berlin
conductor:
Siegfried Kurz (conductor)
recording of:
Siegfried, WWV 86C: Akt I, Scene I "Zwangvolle Plage! Müh’ ohne Zweck!"
composer:
Richard Wagner (composer) (from 1856-09 until 1869-02-23)
librettist:
Richard Wagner (composer)
part of:
Siegfried, WWV 86C: Akt I
Richard Wagner6:13
48Twilight of the Gods, WWV 86D, Act III: Siegfried's Death and Funeral March
orchestra:
Sophia Symphony Orchestra
conductor:
Vassil Kazandjiev
recording of:
Excerpt from Götterdämmerung, WWV 86D: Akt III, Scene II. Trauermusik beim Tode Siegfrieds (Funeral March)
composer:
Richard Wagner (composer) (from 1869 until 1874, from 1872-01-04 until 1874-11-21)
part of:
Götterdämmerung, WWV 86D: Akt III, Scene II "Hoiho?" - "Hoiho!"
Richard Wagner6:51
49Tristan and Isolde, WWV 90: "Mild und leise" (Isoldes Liebestod Finale)
soprano vocals:
Sylvia Sass (Hungarian soprano)
orchestra:
Budapest Philharmonic Orchestra
conductor:
Géza Oberfrank (conductor)
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner5:59
50Salome, Op. 54, Act I: Dance of the Seven Veils
orchestra:
Berlin Radio Symphony Orchestra (East Berlin, 1923–)
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Salome: Vierte Szene. Tanz der sieben Schleier
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss10:16

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ASIN:US: B06Y98CSBZ [info]