Tracklist

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CD 1
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1Don Giovanni, K. 527: Ouverture
producer:
Otto Gerdes (conductor and producer)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Ouvertura (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
Wolfgang Amadeus Mozart6:05
2Don Giovanni, K. 527: Atto primo, N. 1. Introduzione: "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il commendatore)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Il commendatore]:
Walter Kreppel (operatic bass) (from 1958-09 until 1958-10)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Donna Anna]:
Sena Jurinac (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:20
3Don Giovanni, K. 527: Atto primo. Recitativo: "Leporello, ove sei?" (Don Giovanni, Leporello)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. Recitativo “Leporello, ove sei?” (Don Giovanni, Leporello) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:29
4Don Giovanni, K. 527: Atto primo. Recitativo: "Ah! del padre in periglio" (Donna Anna, Don Ottavio)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Donna Anna]:
Sena Jurinac (soprano) (from 1958-09 until 1958-10)
tenor vocals [Don Ottavio]:
Ernst Haefliger (tenor) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. Recitativo “Ah del padre in periglio” (Donna Anna, Don Ottavio) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:09
5Don Giovanni, K. 527: Atto primo, N. 2. Recitativo accompagnato e Duetto: "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Donna Anna]:
Sena Jurinac (soprano) (from 1958-09 until 1958-10)
tenor vocals [Don Ottavio]:
Ernst Haefliger (tenor) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:43
6Don Giovanni, K. 527: Atto primo. Duetto: "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Donna Anna]:
Sena Jurinac (soprano) (from 1958-09 until 1958-10)
tenor vocals [Don Ottavio]:
Ernst Haefliger (tenor) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:44
7Don Giovanni, K. 527: Atto primo. Recitativo: "Orsù, spicciati presto" (Don Giovanni, Leporello)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. Recitativo “Orsù, spicciati presto” (Don Giovanni, Leporello) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:23
8Don Giovanni, K. 527: Atto primo, N. 3. Aria: "Ah! chi mi dice mai" (Donna Elvira, Don Giovanni, Leporello)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Donna Elvira]:
Maria Stader (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:30
9Don Giovanni, K. 527: Atto primo. Recitativo: "Chi è lá? ... Stelle! che vedo!" (Donna Elvira, Don Giovanni, Leporello)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Donna Elvira]:
Maria Stader (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. Recitativo “Chi è là? Stelle! che vedo” (Donna Elvira, Don Giovanni, Leporello) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:35
10Don Giovanni, K. 527: Atto primo, N. 4. Aria: "Madamina, il catalogo è questo" (Leporello)
producer:
Otto Gerdes (conductor and producer)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart6:01
11Don Giovanni, K. 527: Atto primo, N. 5. Coro: "Giovinette, che fate all'amore" (Zerlina, Masetto, Coro di contadine e contadini)
producer:
Otto Gerdes (conductor and producer)
bass vocals [Masetto]:
Ivan Sardi (operatic bass) (from 1958-09 until 1958-10)
choir vocals [Coro di contadine e contadini]:
RIAS-Kammerchor (German chamber choir) (from 1958-09 until 1958-10)
soprano vocals [Zerlina]:
Irmgard Seefried (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
chorus master:
Günther Arndt (choral conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:24
12Don Giovanni, K. 527: Atto primo. Recitativo: "Manco male, è partita" (Don Giovanni, Leporello, Zerlina, Masetto)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
bass vocals [Masetto]:
Ivan Sardi (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Zerlina]:
Irmgard Seefried (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:11
13Don Giovanni, K. 527: Atto primo, N. 6. Aria: "Ho capito, signor sì!" (Masetto)
producer:
Otto Gerdes (conductor and producer)
bass vocals:
Ivan Sardi (operatic bass) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:35
14Don Giovanni, K. 527: Atto primo. Recitativo: "Alfin siam liberati" (Don Giovanni, Zerlina)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
soprano vocals [Zerlina]:
Irmgard Seefried (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:52
15Don Giovanni, K. 527: Atto primo, N. 7. Duettino: "Là ci darem la mano" (Don Giovanni, Zerlina)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
soprano vocals [Zerlina]:
Irmgard Seefried (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:13
16Don Giovanni, K. 527: Atto primo. Recitativo: "Fermati, scellerato!" (Donna Elvira, Zerlina, Don Giovanni)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
soprano vocals [Donna Elvira]:
Maria Stader (soprano) (from 1958-09 until 1958-10)
soprano vocals [Zerlina]:
Irmgard Seefried (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. Recitativo “Fermati scellerato” (Donna Elvira, Zerlina, Don Giovanni) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:42
17Don Giovanni, K. 527: Atto primo, N. 8. Aria: "Ah, fuggi il traditor" (Donna Elvira)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Donna Elvira]:
Maria Stader (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:06
18Don Giovanni, K. 527: Atto primo. Recitativo: "Mi par ch'oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
soprano vocals [Donna Anna]:
Sena Jurinac (soprano) (from 1958-09 until 1958-10)
tenor vocals [Don Ottavio]:
Ernst Haefliger (tenor) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:09
19Don Giovanni, K. 527: Atto primo, N. 9. Quartetto "Non ti fidar, o misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni)
producer:
Otto Gerdes (conductor and producer)
baritone vocals:
Don Giovanni (baritone) (from 1958-09 until 1958-10)
soprano vocals [Donna Anna]:
Sena Jurinac (soprano) (from 1958-09 until 1958-10)
soprano vocals [Donna Elvira]:
Maria Stader (soprano) (from 1958-09 until 1958-10)
tenor vocals [Don Ottavio]:
Ernst Haefliger (tenor) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:08
20Don Giovanni, K. 527: Atto primo. Recitativo: "Povera sventurata!" (Don Giovanni)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. Recitativo "Povera sventurata!" (Don Giovanni) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:27
21Don Giovanni, K. 527: Atto primo, N. 10. Recitativo accompagnato: "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Donna Anna]:
Sena Jurinac (soprano) (in 1958-09)
tenor vocals [Don Ottavio]:
Ernst Haefliger (tenor) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:54
22Don Giovanni, K. 527: Atto primo, Aria: "Or sai chi l'onore" (Donna Anna)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Donna Anna]:
Sena Jurinac (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:46
23Don Giovanni, K. 527: Atto primo. Recitativo: "Come mai creder deggio" (Don Ottavio)
producer:
Otto Gerdes (conductor and producer)
tenor vocals [Don Ottavio]:
Ernst Haefliger (tenor) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. Recitativo “Come mai creder deggio” (Don Ottavio) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:39
24Don Giovanni, K. 527: Atto primo, N. 10a. Aria: "Dalla sua pace" K. 540a (Don Ottavio)
producer:
Otto Gerdes (conductor and producer)
tenor vocals [Don Ottavio]:
Ernst Haefliger (tenor) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:35
CD 2
#TitleArtistRatingLength
1Don Giovanni, K. 527: Atto primo. Recitativo: "Io deggio ad ogni patto" (Leporello, Don Giovanni)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:33
2Don Giovanni, K. 527: Atto primo, N. 11. Aria: "Fin ch'han dal vino" (Don Giovanni)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:19
3Don Giovanni, K. 527: Atto primo. Recitativo: "Masetto: senti un po'!" (Zerlina, Masetto)
producer:
Otto Gerdes (conductor and producer)
bass vocals [Masetto]:
Ivan Sardi (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Zerlina]:
Irmgard Seefried (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:11
4Don Giovanni, K. 527: Atto primo, N. 12. Aria: "Batti, batti, o bel Masetto" (Zerlina)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Zerlina]:
Irmgard Seefried (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:37
5Don Giovanni, K. 527: Atto primo. Recitativo: "Guarda un po'" (Masetto, Don Giovanni, Zerlina)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Masetto]:
Ivan Sardi (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Zerlina]:
Irmgard Seefried (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:43
6Don Giovanni, K. 527: Atto primo, N. 13. Finale I. "Presto, presto, pria ch'ei venga" (Masetto, Zerlina, Don Giovanni, Coro)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Masetto]:
Ivan Sardi (operatic bass) (from 1958-09 until 1958-10)
choir vocals:
RIAS-Kammerchor (German chamber choir) (from 1958-09 until 1958-10)
soprano vocals [Zerlina]:
Irmgard Seefried (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
chorus master:
Günther Arndt (choral conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:47
7Don Giovanni, K. 527: Atto primo. "Tra quest'arbori celata" (Zerlina, Don Giovanni, Masetto)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Masetto]:
Ivan Sardi (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Zerlina]:
Irmgard Seefried (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:34
8Don Giovanni, K. 527: Atto primo. "Bisogna aver coraggio" (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Donna Anna]:
Sena Jurinac (soprano) (from 1958-09 until 1958-10)
soprano vocals [Donna Elvira]:
Maria Stader (soprano) (from 1958-09 until 1958-10)
tenor vocals [Don Ottavio]:
Ernst Haefliger (tenor) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:30
9Don Giovanni, K. 527: Atto primo. "Riposate, vezzose ragazze!" (Don Giovanni, Leporello, Masetto, Zerlina, Donna Anna, Donna Elvira, Don Ottavio)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
bass vocals [Masetto]:
Ivan Sardi (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Donna Anna]:
Sena Jurinac (soprano) (from 1958-09 until 1958-10)
soprano vocals [Donna Elvira]:
Maria Stader (soprano) (from 1958-09 until 1958-10)
soprano vocals [Zerlina]:
Irmgard Seefried (soprano) (from 1958-09 until 1958-10)
tenor vocals [Don Ottavio]:
Ernst Haefliger (tenor) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart8:47
10Don Giovanni, K. 527: Atto secondo, N. 14. Duetto: "Eh via, buffone" (Don Giovanni, Leporello)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:02
11Don Giovanni, K. 527: Atto secondo. Recitativo: "Leporello" - "Signore" (Don Giovanni, Leporello)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. Recitativo “Leporello! Signore?” (Don Giovanni, Leporello) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:42
12Don Giovanni, K. 527: Atto secondo, N. 15. Terzetto: "Ah! taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Donna Elvira]:
Maria Stader (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:59
13Don Giovanni, K. 527: Atto secondo. Recitativo: "Amico, che ti par?" (Don Giovanni, Leporello) - "Eccomi a voi" (Donna Elvira, Don Giovanni, Leporello)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Donna Elvira]:
Maria Stader (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:56
14Don Giovanni, K. 527: Atto secondo, N. 16. Canzonetta: "Deh, vieni alla finestra" (Don Giovanni)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:49
15Don Giovanni, K. 527: Atto secondo. Recitativo: "V'è gente alla finestra" (Don Giovanni) - Recitativo: "Non ci stanchiamo" (Masetto, Don Giovanni)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Masetta]:
Ivan Sardi (operatic bass) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. Recitativo “V’è gente alla finestra!” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:08
16Don Giovanni, K. 527: Atto secondo, N. 17. Aria: "Metà di voi qua vadano" (Don Giovanni)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:54
17Don Giovanni, K. 527: Atto secondo. Recitativo: "Zitto! lascia ch'io senta" (Don Giovanni, Masetto)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Masetto]:
Ivan Sardi (operatic bass) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:41
18Don Giovanni, K. 527: Atto secondo. Recitativo: "Ahi! ahi! la testa mia" (Masetto, Zerlina)
producer:
Otto Gerdes (conductor and producer)
bass vocals [Masetto]:
Ivan Sardi (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Zerlina]:
Irmgard Seefried (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. Recitativo “Ahi ahi! la testa mia” (Masetto, Zerlina) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:16
19Don Giovanni, K. 527: Atto secondo, N. 18. Aria: "Vedrai, carino" (Zerlina)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Zerlina]:
Irmgard Seefried (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:14
CD 3
#TitleArtistRatingLength
1Don Giovanni, K. 527: Atto secondo. Recitativo: "Di molte faci il lume" (Leporello, Donna Elvira)
producer:
Otto Gerdes (conductor and producer)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Donna Elvira]:
Maria Stader (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:26
2Don Giovanni, K. 527: Atto secondo, N. 19. Sestetto: "Sola, sola, in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
producer:
Otto Gerdes (conductor and producer)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
bass vocals [Masetto]:
Ivan Sardi (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Donna Anna]:
Sena Jurinac (soprano) (from 1958-09 until 1958-10)
soprano vocals [Donna Elvira]:
Maria Stader (soprano) (from 1958-09 until 1958-10)
soprano vocals [Zerlina]:
Irmgard Seefried (soprano) (from 1958-09 until 1958-10)
tenor vocals [Don Ottavio]:
Ernst Haefliger (tenor) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart7:31
3Don Giovanni, K. 527: Atto secondo. Recitativo: "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto)
producer:
Otto Gerdes (conductor and producer)
bass vocals [Masetto]:
Ivan Sardi (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Donna Elvira]:
Maria Stader (soprano) (from 1958-09 until 1958-10)
soprano vocals [Zerlina]:
Irmgard Seefried (soprano) (in 1958-09)
tenor vocals [Don Ottavio]:
Ernst Haefliger (tenor) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:22
4Don Giovanni, K. 527: Atto secondo, N. 20. Aria: "Ah! pietà, signori miei!" (Leporello)
producer:
Otto Gerdes (conductor and producer)
bass vocals and bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:44
5Don Giovanni, K. 527: Atto secondo. Recitativo: "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio)
producer:
Otto Gerdes (conductor and producer)
bass vocals [Masetto]:
Ivan Sardi (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Donna Elvira]:
Maria Stader (soprano) (from 1958-09 until 1958-10)
soprano vocals [Zerlina]:
Irmgard Seefried (soprano) (from 1958-09 until 1958-10)
tenor vocals [Don Ottavio]:
Ernst Haefliger (tenor) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:48
6Don Giovanni, K. 527: Atto secondo, N. 21a. Aria: "Il mio tesoro intanto" (Don Ottavio)
producer:
Otto Gerdes (conductor and producer)
tenor vocals [Don Ottavio]:
Ernst Haefliger (tenor) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:20
7Don Giovanni, K. 527: Atto secondo, N. 21b. Recitativo accompagnato: "I quali eccessi, o numi" (Donna Elvira)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Donna Elvira]:
Maria Stader (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:12
8Don Giovanni, K. 527: Atto secondo. Aria: "Mi tradì quell'alma ingrata" (Donna Elvira)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Donna Elvira]:
Maria Stader (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
partial recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:55
9Don Giovanni, K. 527: Atto secondo. Recitativo: "Ah! ah! ah! questa è buona!" (Don Giovanni, Leporello, Il commendatore)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Il commendatore]:
Walter Kreppel (operatic bass) (from 1958-09 until 1958-10)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. Recitativo “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:48
10Don Giovanni, K. 527: Atto secondo, N. 22. Duetto: "O statua gentillissima" (Leporello, Don Giovanni, Il commendatore)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Il commendatore]:
Walter Kreppel (operatic bass) (from 1958-09 until 1958-10)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. No. 22 Duetto “O statua gentilissima” (Leporello, Don Giovanni) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:26
11Don Giovanni, K. 527: Atto secondo. Recitativo: "Calmatevi, idol mio" (Don Ottavio, Donna Anna)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Donna Anna]:
Sena Jurinac (soprano) (from 1958-09 until 1958-10)
tenor vocals [Don Ottavio]:
Ernst Haefliger (tenor) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. Recitativo “Calmatevi, idol mio” (Don Ottavio, Donna Anna) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:59
12Don Giovanni, K. 527: Atto secondo, N. 23. Recitativo accompagnato: "Crudele? ... Ah no! mio bene!" (Donna Anna)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Donna Anna]:
Sena Jurinac (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. No. 23 Recitativo accompagnato “Crudele! - Ah no, mio bene!” (Donna Anna) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:54
13Don Giovanni, K. 527: Atto secondo. Rondo: "Non mi dir, bell'idol mio" (Donna Anna)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Donna Anna]:
Sena Jurinac (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:36
14Don Giovanni, K. 527: Atto secondo, N. 24. Finale II. "Già la mensa è preparata" (Don Giovanni, Leporello)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:48
15Don Giovanni, K. 527: Atto secondo. "L'ultima prova dell'amor mio" (Donna Elvira, Don Giovanni, Leporello)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Donna Elvira]:
Maria Stader (soprano) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. “L’ultima prova dell’amor mio” (Don Giovanni, Leporello, Donna Elvira) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:27
16Don Giovanni, K. 527: Atto secondo. "Don Giovanni, a cenar teco m'invitasti" (Il commendatore, Don Giovanni, Leporello, Coro)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (from 1958-09 until 1958-10)
bass vocals [Il commendatore]:
Walter Kreppel (operatic bass) (from 1958-09 until 1958-10)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
choir vocals:
RIAS-Kammerchor (German chamber choir) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
chorus master:
Günther Arndt (choral conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:55
17Don Giovanni, K. 527: Atto secondo. "Ah! dove'è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
producer:
Otto Gerdes (conductor and producer)
bass vocals [Leporello]:
Karl Christian Kohn (operatic bass) (from 1958-09 until 1958-10)
bass vocals [Masetto]:
Ivan Sardi (operatic bass) (from 1958-09 until 1958-10)
soprano vocals [Donna Anna]:
Sena Jurinac (soprano) (from 1958-09 until 1958-10)
soprano vocals [Donna Elvira]:
Maria Stader (soprano) (from 1958-09 until 1958-10)
soprano vocals [Zerlina]:
Irmgard Seefried (soprano) (from 1958-09 until 1958-10)
tenor vocals [Don Ottavio]:
Ernst Haefliger (tenor) (from 1958-09 until 1958-10)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-09 until 1958-10)
conductor:
Ferenc Fricsay (conductor) (from 1958-09 until 1958-10)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-09 until 1958-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-09 until 1958-10)
recording of:
Don Giovanni: Atto II. “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. “Or che tutti, o mio tesoro” … “Resti dunque quel birbon” (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. “Questo è il fin di chi fa mal” (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto) (from 1958-09 until 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:59

Credits

Release

part of:The Originals (Deutsche Grammophon/Archiv Produktion) (order: 148)
ASIN:UK: B000058BGU [info]
discography entry:http://www.deutschegrammophon.com/en/cat/4636292 [info]