Crosscurrents

~ Release by Bill Evans Trio With Lee Konitz & Warne Marsh (see all versions of this release, 6 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Eiderdown
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Eiderdown (from 1977-02-28 until 1977-03-02)
composer:
Steve Swallow
publisher:
Blue Horizon Music
8:17
A2Ev'ry Time We Say Goodbye
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (from 1977-02-28 until 1977-03-02)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:28
A3Pensativa
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Pensativa (from 1977-02-28 until 1977-03-02)
composer:
Clare Fischer
publisher:
Amestoy Music
5:35
B1Speak Low
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
Speak Low (One Touch of Venus) (from 1977-02-28 until 1977-03-02)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
6:30
B2When I Fall In Love
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental cover recording of:
When I Fall in Love (from 1977-02-28 until 1977-03-02)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:16
B3Night And Day
recording engineer:
Phil Kaffel (from 1977-02-28 until 1977-03-02)
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (from 1977-02-28 until 1977-03-02)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
6:05

Credits

Release

art direction:Phil Carroll (art direction)
photography:Phil Bray
mastering:David Turner (engineer fantasy studios)
design:Phil Carroll (art direction)
Georgia Gillfillan
phonographic copyright (℗) by:Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1978)
mastered at:Fantasy Studios (Berkeley) in Berkeley, California, United States
Discogs:https://www.discogs.com/release/2376685 [info]