Annotation

Individual barcode: 0745099175924

Annotation last modified on 2015-10-28 11:38 UTC.

Tracklist

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CD 1
#TitleArtistRatingLength
1Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 [Coro.] Gott, der Herr, ist Sonn und Schild
choir vocals:
Collegium Vocale Gent (from 1977-05-04 until 1977-05-06) and Knabenchor Hannover (German boys choir) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": I. Coro "Gott der Herr ist Sonn und Schild" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach5:02
2Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 Aria. Gott ist unsre Sonn und Schild
alto vocals:
Paul Esswood (countertenor) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": II. Aria (Alt) "Gott ist unser Sonn und Schild!" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:41
3Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 Choral. Nun danket alle Gott
choir vocals:
Collegium Vocale Gent (from 1977-05-04 until 1977-05-06) and Knabenchor Hannover (German boys choir) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": III. Choral "Nun danket alle gott'" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Breitkopf 389 Choralgesänge (number: 259)
is based on:
Nun danket alle Gott (Lutheran choral)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach2:13
4Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 Recitativo. Gottlob, wir wissen den rechten Weg
bass vocals:
Max van Egmond (bass-baritone) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": IV. Recitativo (Bass) "Gottlob, wir wissen den rechten Weg" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach0:52
5Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 Aria. Gott, ach Gott, verlaß die Deinen nimmermehr
bass vocals:
Max van Egmond (bass-baritone) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": V. Aria (Duetto Sopran, Bass) "Gott, ach Gott, verlaß die Deinen" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:12
6Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 Choral. Erhalt uns in der Wahrheit
choir vocals:
Collegium Vocale Gent (from 1977-05-04 until 1977-05-06) and Knabenchor Hannover (German boys choir) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": VI. Choral "Erhalt uns in der Wahrheit" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 267)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach0:45
7Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 [Coro.] Ein feste Burg ist unser Gott
choir vocals:
Tölzer Knabenchor (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach5:10
8Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Aria. Mit unser Macht
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:42
9Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Recitativo. Erwäge doch, Kind Gottes
bass vocals:
Ruud van der Meer (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:41
10Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Aria. Komm in mein Herzenshaus
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:08
11Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Choral. Und wenn die Welt voll Teufel wär
choir vocals:
Tölzer Knabenchor (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:18
12Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Recitativo. So stehe denn bei Christi blutgefärbten Fahne
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:13
13Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Duetto. Wie selig sind doch die
alto vocals:
Paul Esswood (countertenor) (from 1977-03 until 1977-05)
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:42
14Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Choral. Das Wort sie sollen lassen stahn
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1977-03 until 1977-05)
vocals:
Tölzer Knabenchor (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (from 1977-03 until 1977-05)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:12
15Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Aria. Jesus schläft, was soll ich hoffen?
alto vocals:
Paul Esswood (countertenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": I. Aria (Alt) "Jesus schläft, was soll ich hoffen?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach4:10
16Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Recitativo. Herr! warum trittest du so ferne?
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": II. Recitativo (Tenor) "Herr, warum trittest du so ferne?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach0:57
17Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Aria. Die schäumenden Wellen von Belials Bächen
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": III. Aria (Tenor) "Die schäumenden Wellen von Belials Bächen" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach3:01
18Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Arioso. Ihr Kleingläubigen, warum seid ihr so furchtsam?
bass vocals:
Ruud van der Meer (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": IV. Arioso (Bass) "Ihr Kleingläubigen, warum seid ihr so furchtsam?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach1:03
19Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Aria. Schweig, aufgetürmtes Meer!
bass vocals:
Philippe Huttenlocher (baritone) (in 1977-03) and Ruud van der Meer (in 1977-03)
orchestra:
Concentus Musicus Wien (in 1977-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1977-03)
recorded at:
Casino Zögernitz in Wien, Austria (in 1977-03, from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": V. Aria (Bass) "Schweig, aufgetürmtes Meer!" (in 1977-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach5:17
20Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Recitativo. Wohl mir, mein Jesus spricht ein Wort
alto vocals:
Paul Esswood (countertenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VI. Recitativo (Alt) "Wohl mir, mein Jesus spricht ein Wort" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach0:18
21Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Choral. Unter deinen Schirmen
choir vocals:
Tölzer Knabenchor (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VII. Choral "Unter deinen Schirmen" (from 1977-03 until 1977-05)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 197)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach1:15
22Cantata No. 82, "Ich habe genug," BWV 82 Aria. Ich habe genung
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach6:46
23Cantata No. 82, "Ich habe genug," BWV 82 Recitativo. Ich habe genung! Mein Trost ist nur allein
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:56
24Cantata No. 82, "Ich habe genug," BWV 82 Aria. Schlummert ein, ihr matten Augen
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach8:46
25Cantata No. 82, "Ich habe genug," BWV 82 Recitativo. Mein Gott! wann kommt das schöne: Nun!
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:42
26Cantata No. 82, "Ich habe genug," BWV 82 Aria. Ich freue mich auf meinen Tod
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:25
CD 2
#TitleArtistRatingLength
1Cantata No. 83, "Erfreute Zeit im neuen Bunde," BWV 83 [Aria.] Erfreute Zeit im neuen Bunde
orchestra:
Concentus Musicus Wien (from 1967-03-02 until 1967-09-18)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03-02 until 1967-09-18)
recorded at:
Casino Zögernitz in Wien, Austria (from 1967-03-02 until 1967-09-18)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": I. Aria (Alto) "Erfreute Zeit im neuen Bunde" (from 1967-03-02 until 1967-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach7:44
2Cantata No. 83, "Erfreute Zeit im neuen Bunde," BWV 83 Aria - Recitativo. Herr, nun lässet du deinen Diener in Friede fahren
bass vocals:
Max van Egmond (bass-baritone) (from 1967-03-02 until 1967-09-18)
orchestra:
Concentus Musicus Wien (from 1967-03-02 until 1967-09-18)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03-02 until 1967-09-18)
recorded at:
Casino Zögernitz in Wien, Austria (from 1967-03-02 until 1967-09-18)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": II. Aria (Bass) "Herr, nun lässest du deinen Diener" (from 1967-03-02 until 1967-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach4:04
3Cantata No. 83, "Erfreute Zeit im neuen Bunde," BWV 83 Aria. Eile, Herz, voll Freudigkeit
tenor vocals:
Kurt Equiluz (tenor) (from 1967-03-02 until 1967-09-18)
orchestra:
Concentus Musicus Wien (from 1967-03-02 until 1967-09-18)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03-02 until 1967-09-18)
recorded at:
Casino Zögernitz in Wien, Austria (from 1967-03-02 until 1967-09-18)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": III. Aria (Ten) "Eile, Herz, voll Freudigkeit" (from 1967-03-02 until 1967-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach6:58
4Cantata No. 83, "Erfreute Zeit im neuen Bunde," BWV 83 Recitativo. Ja, merkt dein Glaube noch viel Finsternis
orchestra:
Concentus Musicus Wien (from 1967-03-02 until 1967-09-18)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03-02 until 1967-09-18)
recorded at:
Casino Zögernitz in Wien, Austria (from 1967-03-02 until 1967-09-18)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": IV. Recitativo (Alto) "Ja, merkt dein Glaube noch viel Finsternis" (from 1967-03-02 until 1967-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach0:43
5Cantata No. 83, "Erfreute Zeit im neuen Bunde," BWV 83 Choral. Er ist das Heil und selig Licht
choir vocals:
Chorus Viennensis (from 1967-03-02 until 1967-09-18), Tölzer Knabenchor (from 1967-03-02 until 1967-09-18) and Wiener Sängerknaben (from 1967-03-02 until 1967-09-18)
orchestra:
Concentus Musicus Wien (from 1967-03-02 until 1967-09-18)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03-02 until 1967-09-18)
recorded at:
Casino Zögernitz in Wien, Austria (from 1967-03-02 until 1967-09-18)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": V. Choral (Coro) "Er ist das heil und selig Licht" (from 1967-03-02 until 1967-09-18)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 250)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach1:00
6Cantata No. 84, "Ich bin vergnügt mit meinem Glücke," BWV 84 Aria. Ich bin vergnügt mit meinem Glücke
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1978-03-18 until 1978-04-24)
orchestra:
Concentus Musicus Wien (from 1978-03-18 until 1978-04-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-03-18 until 1978-04-24)
recorded at:
Casino Zögernitz in Wien, Austria (from 1978-03-18 until 1978-04-24)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": I. Aria (Sopran) "Ich bin vergnügt mit meinem Glücke" (from 1978-03-18 until 1978-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach5:24
7Cantata No. 84, "Ich bin vergnügt mit meinem Glücke," BWV 84 Recitativo. Gott ist mir ja nichts schuldig
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1978-03-18 until 1978-04-24)
orchestra:
Concentus Musicus Wien (from 1978-03-18 until 1978-04-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-03-18 until 1978-04-24)
recorded at:
Casino Zögernitz in Wien, Austria (from 1978-03-18 until 1978-04-24)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": II. Recitativo (Sopran) "Gott ist mir ja nichts schuldig" (from 1978-03-18 until 1978-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach1:14
8Cantata No. 84, "Ich bin vergnügt mit meinem Glücke," BWV 84 Aria. Ich esse mit Freuden mein weniges Brot
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1978-03-18 until 1978-04-24)
orchestra:
Concentus Musicus Wien (from 1978-03-18 until 1978-04-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-03-18 until 1978-04-24)
recorded at:
Casino Zögernitz in Wien, Austria (from 1978-03-18 until 1978-04-24)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": III. Aria (Sopran) "Ich esse mit Freuden mein weniges Brot" (from 1978-03-18 until 1978-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach4:59
9Cantata No. 84, "Ich bin vergnügt mit meinem Glücke," BWV 84 Recitativo. Im Schweiße meines Angesichts
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1978-03-18 until 1978-04-24)
orchestra:
Concentus Musicus Wien (from 1978-03-18 until 1978-04-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-03-18 until 1978-04-24)
recorded at:
Casino Zögernitz in Wien, Austria (from 1978-03-18 until 1978-04-24)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": IV. Recitativo (Sopran) "Im Schweiße meines Angesichts" (from 1978-03-18 until 1978-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach0:51
10Cantata No. 84, "Ich bin vergnügt mit meinem Glücke," BWV 84 Choral. Ich leb indes in dir vergnüget
choir vocals:
Tölzer Knabenchor (from 1978-03-18 until 1978-04-24)
orchestra:
Concentus Musicus Wien (from 1978-03-18 until 1978-04-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-03-18 until 1978-04-24)
recorded at:
Casino Zögernitz in Wien, Austria (from 1978-03-18 until 1978-04-24)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": V. Choral (Coro) "Ich leb indes in dir vergnüget" (from 1978-03-18 until 1978-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1686)
part of:
Breitkopf 389 Choralgesänge (number: 373)
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach1:03
11Cantata No. 85, "Ich bin ein guter Hirt," BWV 85 [Aria.] Ich bin ein guter Hirt
bass vocals:
Ruud van der Meer (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": I. Aria (Bass) "Ich bin ein guter Hirt" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach2:58
12Cantata No. 85, "Ich bin ein guter Hirt," BWV 85 Aria. Jesus ist ein guter Hirt
alto vocals:
Paul Esswood (countertenor) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": II. Aria (Alt) "Jesus ist ein guter Hirt" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach3:11
13Cantata No. 85, "Ich bin ein guter Hirt," BWV 85 Choral. Der Herr ist mein getreuer Hirt
choir vocals:
Tölzer Knabenchor (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": III. Choral (Sop) "Der Herr ist mein getreuer Hirt" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Kornelius Becker (Lutheran pastor 1561-1604) (in 1598)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach4:52
14Cantata No. 85, "Ich bin ein guter Hirt," BWV 85 Recitativo. Wenn die Mietlinge schlafen
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": IV. Recitativo (Tenor) "Wann die Mietlinge schlafen" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach0:48
15Cantata No. 85, "Ich bin ein guter Hirt," BWV 85 Aria. Seht, was die Liebe tut
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": V. Aria (Tenor) "Seht, was die Liebe tut" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach2:25
16Cantata No. 85, "Ich bin ein guter Hirt," BWV 85 Choral. Ist Gott mein Schutz und treuer Hirt
choir vocals:
Tölzer Knabenchor (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": VI. Choral "Ist Gott mein Schutz und treuer Hirt" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ernst Christoph Homburg (in 1658)
part of:
Breitkopf 389 Choralgesänge (number: 216)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach1:04
17Cantata No. 86, "Wahrlich, wahrlich, ich sage euch," BWV 86 [Aria.] Wahrlich, wahrlich, ich sage euch
bass vocals:
Ruud van der Meer (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch": I. Aria (Bass) "Wahrlich, wahrlich, ich sage euch" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch"
Johann Sebastian Bach2:08
18Cantata No. 86, "Wahrlich, wahrlich, ich sage euch," BWV 86 Aria. Ich will doch wohl Rosen brechen
alto vocals:
Paul Esswood (countertenor) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch": II. Aria (Alt) "Ich will doch wohl Rosen brechen" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch"
Johann Sebastian Bach5:22
19Cantata No. 86, "Wahrlich, wahrlich, ich sage euch," BWV 86 Choral. Und was der ewig gütige Gott
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch": III. Choral (Sopran) "Und was der ewig gütig Gott" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch"
Johann Sebastian Bach1:46
20Cantata No. 86, "Wahrlich, wahrlich, ich sage euch," BWV 86 Recitativo. Gott macht es nicht gleich wie die Welt
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch": IV. Recitativo (Tenor) "Gott macht es nicht gleichwie die Welt" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch"
Johann Sebastian Bach0:20
21Cantata No. 86, "Wahrlich, wahrlich, ich sage euch," BWV 86 Aria. Gott hilft gewiß
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch": V. Aria (Tenor) "Gott hilft gewiß" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch"
Johann Sebastian Bach2:30
22Cantata No. 86, "Wahrlich, wahrlich, ich sage euch," BWV 86 Choral. Die Hoffnung wart' der rechten Zeit
choir vocals:
Tölzer Knabenchor (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch": VI. Choral "Die Hoffnung wart' der rechten Zeit" (from 1977-03-19 until 1977-05-20)
lyricist:
Paul Speratus
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 86)
part of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch"
Johann Sebastian Bach0:51
CD 3
#TitleArtistRatingLength
1Cantata No. 87, "Bisher habt ihr nichts gebeten," BWV 87 [Aria.] Bisher habt ihr nichts gebeten in meinem Namen
bass vocals:
Ruud van der Meer (from 1977-04-13 until 1977-05-22)
orchestra:
Concentus Musicus Wien (from 1977-04-13 until 1977-05-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-13 until 1977-05-22)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-04-13 until 1977-05-22)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": I. Arioso (Bass) "Bisher habt ihr nichts gebeten in meinem Namen" (from 1977-04-13 until 1977-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach1:44
2Cantata No. 87, "Bisher habt ihr nichts gebeten," BWV 87 Recitativo. O Wort, das Geist und Seel erschreckt
alto vocals:
Paul Esswood (countertenor) (from 1977-04-13 until 1977-05-22)
orchestra:
Concentus Musicus Wien (from 1977-04-13 until 1977-05-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-13 until 1977-05-22)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-04-13 until 1977-05-22)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": II. Recitativo (Alt) "O Wort, das Geist und Seel erschreckt" (from 1977-04-13 until 1977-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach0:32
3Cantata No. 87, "Bisher habt ihr nichts gebeten," BWV 87 Aria. Vergib, o Vater, unsre Schuld
alto vocals:
Paul Esswood (countertenor) (from 1977-04-13 until 1977-05-22)
orchestra:
Concentus Musicus Wien (from 1977-04-13 until 1977-05-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-13 until 1977-05-22)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-04-13 until 1977-05-22)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": III. Aria (Alt) "Vergib, o Vater, unsre Schuld" (from 1977-04-13 until 1977-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach7:35
4Cantata No. 87, "Bisher habt ihr nichts gebeten," BWV 87 Recitativo. Wenn unsre Schuld bis an den Himmel steigt
tenor vocals:
Kurt Equiluz (tenor) (from 1977-04-13 until 1977-05-22)
orchestra:
Concentus Musicus Wien (from 1977-04-13 until 1977-05-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-13 until 1977-05-22)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-04-13 until 1977-05-22)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": IV. Recitativo (Tenor) "Wenn unsre Schuld bis an den Himmel steigt" (from 1977-04-13 until 1977-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach0:47
5Cantata No. 87, "Bisher habt ihr nichts gebeten," BWV 87 [Aria.] In der Welt habt ihr Angst
bass vocals:
Ruud van der Meer (from 1977-04-13 until 1977-05-22)
orchestra:
Concentus Musicus Wien (from 1977-04-13 until 1977-05-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-13 until 1977-05-22)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-04-13 until 1977-05-22)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": V. Arioso (Bass) "In der Welt habt ihr Angst" (from 1977-04-13 until 1977-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach1:49
6Cantata No. 87, "Bisher habt ihr nichts gebeten," BWV 87 Aria. Ich will leiden, ich will schweigen
tenor vocals:
Kurt Equiluz (tenor) (from 1977-04-13 until 1977-05-22)
orchestra:
Concentus Musicus Wien (from 1977-04-13 until 1977-05-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-13 until 1977-05-22)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-04-13 until 1977-05-22)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": VI. Aria (Tenor) "Ich will leiden, ich will schweigen" (from 1977-04-13 until 1977-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach4:10
7Cantata No. 87, "Bisher habt ihr nichts gebeten," BWV 87 Choral. Muß ich sein betrübet?
choir vocals:
Tölzer Knabenchor (from 1977-04-13 until 1977-05-22)
orchestra:
Concentus Musicus Wien (from 1977-04-13 until 1977-05-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-13 until 1977-05-22)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-04-13 until 1977-05-22)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": VII. Choral "Muß ich sein betrübet" (from 1977-04-13 until 1977-05-22)
lyricist:
Heinrich von Mühler
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 201)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach1:24
8Cantata No. 88, "Siehe, ich will viel Fischer aussenden," BWV 88 Part 1. Aria. Siehe, ich will viel Fischer aussenden
bass vocals:
Max van Egmond (bass-baritone) (from 1978-03-01 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-16)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": I. Aria (Bass) "Siehe, ich will viel Fischer aussenden" (from 1978-03-01 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach6:52
9Cantata No. 88, "Siehe, ich will viel Fischer aussenden," BWV 88 Part 1. Recitativo. Wie leichtlich könnte doch der Höchste uns entbehren
tenor vocals:
Kurt Equiluz (tenor) (from 1978-03-01 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-16)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": II. Recitativo (Tenor) "Wie leichtlich könnte doch der Höchste uns entbehren" (from 1978-03-01 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach0:44
10Cantata No. 88, "Siehe, ich will viel Fischer aussenden," BWV 88 Part 1. Aria. Nein, Gott ist allezeit geflissen
tenor vocals:
Kurt Equiluz (tenor) (from 1978-03-01 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-16)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": III. Aria (Tenor), Ritornello "Nein, nein! Gott ist allezeit geflissen" (from 1978-03-01 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach4:00
11Cantata No. 88, "Siehe, ich will viel Fischer aussenden," BWV 88 Part 2. [Recitativo - Aria.] Jesus sprach zu Simon
bass vocals:
Max van Egmond (bass-baritone) (from 1978-03-01 until 1978-09-16)
tenor vocals:
Kurt Equiluz (tenor) (from 1978-03-01 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-16)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": IV. Recitativo ed Arioso (Tenor, Bass) "Jesus sprach zu Simon" (from 1978-03-01 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach2:16
12Cantata No. 88, "Siehe, ich will viel Fischer aussenden," BWV 88 Part 2. Duetto. Beruft Gott selbst, so muß der Segen
alto vocals:
Paul Esswood (countertenor) (from 1978-03-01 until 1978-09-16)
treble vocals:
Marcus Klein (boy soprano) (from 1978-03-01 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-16)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": V. Aria (Duetto Sopran, Alt) "Beruft Gott selbst, so muß der Segen" (from 1978-03-01 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach3:12
13Cantata No. 88, "Siehe, ich will viel Fischer aussenden," BWV 88 Part 2. Recitativo. Was kann dich denn in deinem Wandel schrecken
treble vocals:
Marcus Klein (boy soprano) (from 1978-03-01 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-16)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": VI. Recitativo (Sopran) "Was kann dich denn in deinem Wandel schrecken" (from 1978-03-01 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach1:20
14Cantata No. 88, "Siehe, ich will viel Fischer aussenden," BWV 88 Part 2. Choral. Sing, bet und geh auf Gottes Wegen
choir vocals:
Collegium Vocale Gent (from 1978-03-01 until 1978-09-16) and Knabenchor Hannover (German boys choir) (from 1978-03-01 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-16)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": VII. Choral "Sing, bet und geh auf Gottes Wegen" (from 1978-03-01 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Neumark (German hymn writer) (in 1657)
part of:
Breitkopf 389 Choralgesänge (number: 368)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach1:01
15Cantata No. 89, "Was soll ich aus dir machen, Ephraim?" BWV 89 [Aria.] Was soll ich aus dir machen, Ephraim?
bass vocals:
Max van Egmond (bass-baritone) (from 1978-03-01 until 1978-09-18)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-18)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": I. Aria (Bass) "Was soll ich aus dir machen, Ephraim?" (from 1978-03-01 until 1978-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach4:32
16Cantata No. 89, "Was soll ich aus dir machen, Ephraim?" BWV 89 Recitativo. Ja, freilich sollte Gott
alto vocals:
Paul Esswood (countertenor) (from 1978-03-01 until 1978-09-18)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-18)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": II. Recitativo (Alt) "Ja, freilich sollte Gott" (from 1978-03-01 until 1978-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach0:44
17Cantata No. 89, "Was soll ich aus dir machen, Ephraim?" BWV 89 Aria. Ein unbarmherziges Gerichte
alto vocals:
Paul Esswood (countertenor) (from 1978-03-01 until 1978-09-18)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-18)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": III. Aria (Alt) "Ein unbarmherziges Gerichte" (from 1978-03-01 until 1978-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach2:39
18Cantata No. 89, "Was soll ich aus dir machen, Ephraim?" BWV 89 Recitativo. Wohlan! mein Herze legt Zorn
treble vocals:
Marcus Klein (boy soprano) (from 1978-03-01 until 1978-09-18)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-18)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": IV. Recitativo (Sopran) "Wohlan! mein Herze legt Zorn, Zank und Zwietracht hin" (from 1978-03-01 until 1978-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach1:09
19Cantata No. 89, "Was soll ich aus dir machen, Ephraim?" BWV 89 Aria. Gerechter Gott, ach, rechnest du?
treble vocals:
Marcus Klein (boy soprano) (from 1978-03-01 until 1978-09-18)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-18)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": V. Aria (Sopran) "Gerechter Gott, ach, rechnest du?" (from 1978-03-01 until 1978-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach2:55
20Cantata No. 89, "Was soll ich aus dir machen, Ephraim?" BWV 89 Choral. Mir mangelt zwar sehr viel
choir vocals:
Collegium Vocale Gent (from 1978-03-01 until 1978-09-18) and Knabenchor Hannover (German boys choir) (from 1978-03-01 until 1978-09-18)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-18)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": VI. Choral "Mir mangelt zwar sehr viel" (from 1978-03-01 until 1978-09-18)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 26)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach0:53
21Cantata No. 90, "Es reisset euch ein schrecklich Ende," BWV 90 Aria. Es reißet euch ein schrecklich Ende
tenor vocals:
Kurt Equiluz (tenor) (from 1978-03-02 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-02 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-02 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-03-02 until 1978-09-16)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": I. Aria (Tenor) "Es reißet euch ein schrecklich Ende" (from 1978-03-02 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach6:10
22Cantata No. 90, "Es reisset euch ein schrecklich Ende," BWV 90 Recitativo. Des Höchsten Güte wird von Tag zu Tage neu
alto vocals:
Paul Esswood (countertenor) (from 1978-03-02 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-02 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-02 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-03-02 until 1978-09-16)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": II. Recitativo (Alt) "Des Höchsten Güte wird von Tag zu Tage neu" (from 1978-03-02 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach1:19
23Cantata No. 90, "Es reisset euch ein schrecklich Ende," BWV 90 Aria. So löschet im Eifer der rächende Richter
bass vocals:
Max van Egmond (bass-baritone) (from 1978-03-02 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-02 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-02 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-03-02 until 1978-09-16)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": III. Aria (Bass) "So löschet im Eifer der rächende Richter" (from 1978-03-02 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach3:37
24Cantata No. 90, "Es reisset euch ein schrecklich Ende," BWV 90 Recitativo. Doch Gottes Auge sieht auf uns als Auserwählte
tenor vocals:
Kurt Equiluz (tenor) (from 1978-03-02 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-02 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-02 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-03-02 until 1978-09-16)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": IV. Recitativo (Tenor) "Doch Gottes Auge sieht auf uns" (from 1978-03-02 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach0:38
25Cantata No. 90, "Es reisset euch ein schrecklich Ende," BWV 90 Choral. Leit uns mit deiner rechten Hand
choir vocals:
Collegium Vocale Gent (from 1978-03-02 until 1978-09-16) and Knabenchor Hannover (German boys choir) (from 1978-03-02 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-02 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-02 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-03-02 until 1978-09-16)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": V. Choral "Leit uns mit deiner rechten Hand" (from 1978-03-02 until 1978-09-16)
lyricist:
Martin Moller (german poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 319)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach0:43
CD 4
#TitleArtistRatingLength
1Cantata No. 91, "Gelobet seist su, Jesu Christ," BWV 91 [Coro.] Gelobet seist du, Jesu Christ
choir vocals:
Collegium Vocale Gent (on 1978-09-15) and Knabenchor Hannover (German boys choir) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": I. Coro "Gelobet seist du, Jesu Christ" (on 1978-09-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach3:00
2Cantata No. 91, "Gelobet seist su, Jesu Christ," BWV 91 Recitativo. Der Glanz der höchsten Herrlichkeit
treble vocals:
Detlef Bratschke (alto vocalist, conductor, organist and harpsichordist) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": II. Recitativo (Sopran) e Choral "Der Glanz der höchsten Herrlichkeit" (on 1978-09-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach1:38
3Cantata No. 91, "Gelobet seist su, Jesu Christ," BWV 91 Aria. Gott, dem der Erdenkreis zu klein
tenor vocals:
Kurt Equiluz (tenor) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": III. Aria (Tenor) "Gott, dem der Erden Kreis zu klein" (on 1978-09-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach3:15
4Cantata No. 91, "Gelobet seist su, Jesu Christ," BWV 91 Recitativo. O Christenheit, wohlan
bass vocals:
Max van Egmond (bass-baritone) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": IV. Recitativo (Bass) "O Christenheit!" (on 1978-09-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach1:14
5Cantata No. 91, "Gelobet seist su, Jesu Christ," BWV 91 Aria. (Duetto) Die Armut, so Gott auf sich nimmt
alto vocals:
Paul Esswood (countertenor) (on 1978-09-15)
treble vocals:
Detlef Bratschke (alto vocalist, conductor, organist and harpsichordist) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": V. Aria (Duetto Sopran, Alt) "Die Armut, so Gott auf sich nimmt" (on 1978-09-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach8:13
6Cantata No. 91, "Gelobet seist su, Jesu Christ," BWV 91 Choral. Das hat er alles uns getan
choir vocals:
Collegium Vocale Gent (on 1978-09-15) and Knabenchor Hannover (German boys choir) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": VI. Choral "Das hat er alles uns getan" (on 1978-09-15)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 109)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach0:48
7Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 [Coro.] Ich hab in Gottes Herz und Sinn
choir vocals:
Collegium Vocale Gent (from 1978-09-15 until 1978-09-16) and Knabenchor Hannover (German boys choir) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": I. Coro "Ich hab in Gottes Herz und Sinn" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach6:56
8Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Recitativo. Es kann mir fehlen nimmermehr
bass vocals:
Max van Egmond (bass-baritone) (from 1978-09-15 until 1978-09-16)
choir vocals:
Collegium Vocale Gent (from 1978-09-15 until 1978-09-16) and Knabenchor Hannover (German boys choir) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": II. Choral e Recitativo (Bass) "Es kann mir fehlen nimmermehr" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach3:27
9Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Aria. Seht, seht! wie reißt, wie bricht, wie fällt
tenor vocals:
Kurt Equiluz (tenor) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": III. Aria (Tenor) "Seht, seht! wie reißt, wie bricht, wie fällt" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach2:59
10Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Choral. Zudem ist Weisheit und Verstand
alto vocals:
Paul Esswood (countertenor) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": IV. Choral (Alt) "Zudem ist Weisheit und Verstand" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach3:22
11Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Recitativo. Wir wollen nun nicht länger zagen
tenor vocals:
Kurt Equiluz (tenor) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": V. Recitativo (Tenor) "Wir wollen nun nicht länger zagen" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach1:06
12Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Aria. Das Brausen von den rauhen Winden
bass vocals:
Max van Egmond (bass-baritone) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VI. Aria (Bass) "Das Stürmen von den rauhen Winden" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach4:46
13Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Choral. Ei nun, mein Gott, so fall ich dir
alto vocals:
Paul Esswood (countertenor) (from 1978-09-15 until 1978-09-16)
bass vocals:
Max van Egmond (bass-baritone) (from 1978-09-15 until 1978-09-16)
tenor vocals:
Kurt Equiluz (tenor) (from 1978-09-15 until 1978-09-16)
treble vocals:
Detlef Bratschke (alto vocalist, conductor, organist and harpsichordist) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VII. (Choral e) Recitativo (Bass, Tenor, Alt, Sopran) "Ei nun, mein Gott, so fall ich dir" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach2:13
14Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Aria. Meinem Hirten bleib ich treu
treble vocals:
Detlef Bratschke (alto vocalist, conductor, organist and harpsichordist) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VIII. Aria (Sopran) "Meinem Hirten bleib ich treu" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach3:17
15Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Choral. Soll ich denn auch des Todes Weg
choir vocals:
Collegium Vocale Gent (from 1978-09-15 until 1978-09-16) and Knabenchor Hannover (German boys choir) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": IX. Choral "Soll ich denn auch des Todes Weg" (from 1978-09-15 until 1978-09-16)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 347)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach1:14
16Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Coro. Wer nur den lieben Gott läßt walten
alto vocals:
Paul Esswood (countertenor) (on 1977-04-21)
bass vocals:
Ruud van der Meer (on 1977-04-21)
choir vocals:
Tölzer Knabenchor (on 1977-04-21)
tenor vocals:
Kurt Equiluz (tenor) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Wien, Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": I. Coro (Sopran, Alt, Tenor, Bass) "Wer nur den lieben Gott läßt walten" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach5:17
17Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Recitativo - Choral. Was helfen uns die schweren Sorgen
bass vocals:
Ruud van der Meer (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Wien, Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": II. Recitativo (e Choral) (Bass) "Was helfen uns die schweren Sorgen?" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach1:29
18Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Aria. Man halte nur ein wenig stille
tenor vocals:
Kurt Equiluz (tenor) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Wien, Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": III. Aria (Tenor) "Man halte nur ein wenig stille" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:53
19Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Aria - Choral. (Duetto) Er kennt die rechten Freudenstunden
alto vocals:
Paul Esswood (countertenor) (on 1977-04-21)
treble vocals:
Wilhelm Wiedl (boy soprano) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Wien, Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": IV. Aria (Duetto Sopran, Alt) (con Choral) "Er kennt die rechten Freudenstunden" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:49
20Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Recitativo - Choral. Denk nicht in deiner Drangsalshitze
tenor vocals:
Kurt Equiluz (tenor) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Wien, Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": V. Recitativo (e Choral) (Tenor) "Denk nicht in deiner Drangsalshitze" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:05
21Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Aria. Ich will auf den Herren schaun
treble vocals:
Wilhelm Wiedl (boy soprano) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Wien, Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VI. Aria (Sopran) "Ich will auf den Herren schaun" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:32
22Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Choral. Sing, bet und geh auf Gottes Wegen
choir vocals:
Tölzer Knabenchor (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Wien, Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VII. Choral "Sing, bet und geh auf Gottes Wegen" (on 1977-04-21)
lyricist:
Georg Neumark (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 369)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach0:55
CD 5
CD 6