Oorstrelend - NRC Handelsblad Muziekcollectie

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Zeventien legendarische opnamen uit de NRC Handelsblad Muziekselectie

Annotation last modified on 2017-07-30 19:26 UTC.

Tracklist

| |
▼ CD 1
#TitleArtistRatingLength
1Das himmlische Leben
engineer:
Graham Meek
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor) and Jenni Whiteside
soprano vocals:
Barbara Bonney (soprano) (from 2000-06-19 until 2000-06-23)
orchestra:
Royal Concertgebouw Orchestra (from 2000-06-19 until 2000-06-23)
conductor:
Riccardo Chailly (conductor) (from 2000-06-19 until 2000-06-23)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-06-19 until 2000-06-23)
recording of:
Des Knaben Wunderhorn: Das himmlische Leben (from 2000-06-19 until 2000-06-23)
composer:
Gustav Mahler (composer)
Gustav Mahler9:42
2Pianoconcert Nr. 2 in c, Op. 18: I Moderato
recording engineer:
Colin Moorfoot (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1984-09)
orchestra:
Royal Concertgebouw Orchestra (in 1984-09)
conductor:
Bernard Haitink (conductor) (in 1984-09)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1984-09)
recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato (in 1984-09)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Сергей Рахманинов (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Сергей Рахманинов11:35
3Symfonie Nr. 5 in d, Op. 47: II Allegretto
engineer:
Colin Moorfoot (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Koninklijk Concertgebouworkest (in 1981-05)
conductor:
Bernard Haitink (conductor) (in 1981-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1982)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1981-05)
recording of:
Symphony no. 5 in D minor, op. 47: II. Allegretto (in 1981-05)
composer:
Дмитрий Дмитриевич Шостакович (composer) (from 1937-04 until 1937-07)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 5 in D minor, op. 47
Дмитрий Дмитриевич Шостакович5:26
4Variaties op een thema van Haydn, op 56a
orchestra:
Royal Concertgebouw Orchestra (in 1958-09)
conductor:
Eduard van Beinum (conductor) (in 1958-09)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version) (in 1958-09)
premiered in:
Wien, Austria (on 1873-11-02)
composer:
Johannes Brahms (German composer) (in 1873)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 56a)
arrangement of:
Variations on a Theme by Joseph Haydn, op. 56b (for two pianos)
Johannes Brahms16:55
5Vioolromance Nr. 2 in f, Op. 50
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1970-09)
violin:
Henryk Szeryng (violinist) (in 1970-09)
orchestra:
Royal Concertgebouw Orchestra (in 1970-09)
conductor:
Bernard Haitink (conductor) (in 1970-09)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1970-09)
recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (in 1970-09)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 50)
Ludwig van Beethoven9:28
6Symfonie Nr. 1 in c "Linzer versie": IV Finale, Bewegt, feurig
producer:
Jaap van Ginneken
orchestra:
Royal Concertgebouw Orchestra (in 1972-05)
conductor:
Bernard Haitink (conductor) (in 1972-05)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1972-05)
recording of:
Symphony no. 1 in C-minor, WAB 101: IV. Finale: Bewegt und feurig (1877 Linz version, ed Haas 1935) (in 1972-05)
composer:
Anton Bruckner (composer) (in 1877)
part of:
Symphony no. 1 in C-minor, WAB 101 (1877 Linz version, ed Haas 1935)
Anton Bruckner12:43
7Slavische Mars, Op. 31
orchestra:
Royal Concertgebouw Orchestra
conductor:
Bernard Haitink (conductor)
recording of:
Marche slave in B-flat minor, op. 31
premiered in:
Moscow, Russia (on 1876-11-18)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1876-09 until 1876-10)
part of:
The Tchaikovsky Handbook (number: TH 45), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 42) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 31)
is based on:
Боже, Царя храни!
Пётр Ильич Чайковский9:38
▼ CD 2
#TitleArtistRatingLength
1Tristan und Isolde: Prelude
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Otto Gerdes (conductor and producer)
producer:
Wolfgang Lohse
orchestra:
Orchester der Bayreuther Festspiele (in 1966-08)
conductor:
Karl Böhm (Austrian conductor) (in 1966-08)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus in Bayreuth, Bayern, Germany (in 1966-08)
live recording of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel (in 1966-08)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner10:42
2La Damnation de Faust: Merci, doux crépuscule!
mezzo-soprano vocals:
Josephine Veasey (mezzo soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
La Damnation de Faust : Troisième Partie : Scène 9. Air de Faust « Merci, doux crépuscule ! » (Faust)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
Hector Berlioz4:49
3La Damnation de Faust: D'amour l'ardente flamme
mezzo-soprano vocals:
Josephine Veasey (mezzo soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
La damnation de Faust, op. 24: Quatrième Partie, scène 15. « D'amour l'ardente flamme » … « Au son des trompettes » (Marguerite, Chœur)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Hector Berlioz8:39
4La Traviata: È strano! È strano!...Ah! fors'è lui...
soprano vocals [Violetta]:
Joan Sutherland (soprano)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
Giuseppe Verdi6:57
5La Traviata: O mio rimorso!...Alfredo?
soprano vocals [Violetta]:
Joan Sutherland (soprano)
tenor vocals [Alfredo]:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La traviata: Atto II, scena 1. “Alfredo? Per Parigi or or partiva” (Violetta, Annina, Giuseppe, Germont)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
recording of:
La traviata: Atto II, scena 1. “Oh, mio rimorso! Oh, infamia!” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
Giuseppe Verdi6:49
6La Bohème: Che gelida manina
tenor vocals [Rodolfo]:
Roberto Alagna (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Riccardo Chailly (conductor)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:41
7La Bohème: Donde lieta uscì al tuo grido d'amore
soprano vocals [Mimì]:
Angela Gheorghiu (Romanian soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Riccardo Chailly (conductor)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
Giacomo Puccini3:04
8L'Orfeo - Ben mi lusinga - Ahi, sventurato amante: Ei dorme, e la mia cetra
bass vocals:
John Tomlinson (English operatic bass)
tenor vocals:
Anthony Rolfe Johnson (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recording of:
L'Orfeo: Atto terzo. Ahi, sventurato amante (Orfeo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Ben mi lusinga alquanto (Caronte)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Ei dorme, e la mia cetra (Orfeo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto terzo
Claudio Monteverdi5:25
9Don Giovanni: Don Giovanni, a cenar teco m'invitasti
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
bass vocals [Il commendatore]:
Andrea Silvestrelli (operatic bass) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:23
10Don Giovanni: Ah! dov'è il perfido?
baritone vocals:
Rod Gilfry (baritone)
soprano vocals [Donna Elvira]:
Charlotte Margiono (soprano)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recording of:
Don Giovanni: Atto II. “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:24