# | Title | Rating | Length |
---|
1 | Body and Soul- bass:
- Jack Lesberg (on 1956-01-20)
- bell:
- Phil Kraus (on 1956-01-20)
- celesta and piano:
- Hank Jones (on 1956-01-20)
- cello:
- Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20) and George Ricci (on 1956-01-20)
- clarinet:
- Sid Jekowsky (on 1956-01-20)
- drums (drum set):
- Osie Johnson (on 1956-01-20)
- French horn:
- Jimmy Buffington (on 1956-01-20)
- glockenspiel and xylophone:
- Marty Wilson (on 1956-01-20)
- tenor saxophone:
- Coleman Hawkins (on 1956-01-20)
- viola:
- Bert Fisch (on 1956-01-20)
- violin:
- Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
- arranger:
- Billy Byers
- phonographic copyright (℗) by:
- BMG Entertainment
- recorded at:
- Webster Hall in New York, New York, United States (on 1956-01-20)
- instrumental recording of:
- Body and Soul (on 1956-01-20)
- lyricist:
- Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
- composer:
- Johnny Green (in 1930)
- publisher:
- Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| | 5:00 |
2 | Little Girl Blue (take 3)- bass:
- Milt Hinton (on 1956-01-17)
- cello:
- Alan Shulman (on 1956-01-17)
- drums (drum set):
- Osie Johnson (on 1956-01-17)
- flute:
- Sid Jekowsky (on 1956-01-17)
- guitar:
- Barry Galbraith (on 1956-01-17)
- piano:
- Hank Jones (on 1956-01-17)
- tenor saxophone:
- Coleman Hawkins (on 1956-01-17)
- trombone:
- Urbie Green (on 1956-01-17), Fred Ohms (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (on 1956-01-17)
- trumpet:
- Jimmy Nottingham (on 1956-01-17)
- tuba:
- Don Butterfield (on 1956-01-17)
- vibraphone:
- Marty Wilson (on 1956-01-17)
- viola:
- Izzy Zir (on 1956-01-17)
- violin:
- Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
- arranger:
- Billy Byers
- phonographic copyright (℗) by:
- BMG Entertainment
- recorded at:
- Webster Hall in New York, New York, United States (on 1956-01-17)
- instrumental recording of:
- Little Girl Blue (on 1956-01-17)
- lyricist:
- Lorenz Hart (in 1935)
- composer:
- Richard Rodgers (in 1935)
- arranger:
- Sarah Latto
- publisher:
- Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. , Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Jumbo
| | 3:04 |
3 | I Never Knew (take 5) | | 3:07 |
4 | Dinner For One Please, James (take 3) | | 3:12 |
5 | The Bean Stalks Again | | 3:25 |
6 | His Very Own Blues | | 3:03 |
7 | The Day You Came Along | | 4:10 |
8 | Have You Met Miss Jones (take 7) | | 3:06 |
9 | The Essence of You- bell and tubular bells [bells]:
- Phil Kraus (on 1956-01-20)
- celesta and piano:
- Hank Jones (on 1956-01-20)
- cello:
- Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20), George Ricci (on 1956-01-20) and Edgardo Sodero (on 1956-01-20)
- clarinet:
- Sid Jekowsky (on 1956-01-20)
- double bass:
- Jack Lesberg (on 1956-01-20)
- drums (drum set):
- Osie Johnson (on 1956-01-20)
- flute:
- Julius Baker (on 1956-01-20)
- French horn:
- Jimmy Buffington (on 1956-01-20)
- glockenspiel and vibraphone:
- Marty Wilson (on 1956-01-20)
- oboe:
- Phil Bodner (on 1956-01-20)
- tenor saxophone:
- Coleman Hawkins (on 1956-01-20)
- viola:
- Bert Fisch (on 1956-01-20)
- violin:
- Max Cahn (on 1956-01-20), Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Max Hollander (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
- orchestra:
- Billy Byers & His Orchestra (on 1956-01-20)
- arranger:
- Billy Byers
- phonographic copyright (℗) by:
- BMG Entertainment
- recorded at:
- Webster Hall in New York, New York, United States (on 1956-01-20)
| | 3:30 |
10 | There Will Never Be Another You | | 3:01 |
11 | I'm Shooting High | | 2:36 |
12 | Bean and the Boys (issued as "39-25-39") | | 2:52 |
13 | There Will Never Be Another You (alternate take) | | 3:23 |
14 | There Will Never Be Another You (alternate take) | | 3:26 |
15 | Little Girl Blue (take 1)- bass:
- Milt Hinton (on 1956-01-17)
- cello:
- Alan Shulman (on 1956-01-17)
- drums (drum set):
- Osie Johnson (on 1956-01-17)
- flute:
- Sid Jekowsky (on 1956-01-17)
- guitar:
- Barry Galbraith (on 1956-01-17)
- piano:
- Hank Jones (on 1956-01-17)
- tenor saxophone:
- Coleman Hawkins (on 1956-01-17)
- trombone:
- Urbie Green (on 1956-01-17), Fred Ohms (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (on 1956-01-17)
- trumpet:
- Jimmy Nottingham (on 1956-01-17)
- tuba:
- Don Butterfield (on 1956-01-17)
- vibraphone:
- Marty Wilson (on 1956-01-17)
- viola:
- Izzy Zir (on 1956-01-17)
- violin:
- Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
- arranger:
- Billy Byers
- phonographic copyright (℗) by:
- BMG Entertainment
- recorded at:
- Webster Hall in New York, New York, United States (on 1956-01-17)
- instrumental recording of:
- Little Girl Blue (on 1956-01-17)
- lyricist:
- Lorenz Hart (in 1935)
- composer:
- Richard Rodgers (in 1935)
- arranger:
- Sarah Latto
- publisher:
- Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. , Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Jumbo
| | 3:09 |
16 | Dinner For One Please, James (take 2) | | 3:17 |
17 | I Never Knew (take 2) | | 3:18 |
18 | Have You Met Miss Jones (take 1) | | 3:10 |
19 | Have You Met Miss Jones (alternate take) | | 3:20 |
20 | Have You Met Miss Jones (alternate take) | | 2:38 |
21 | The Day You Came Along (alternate take) | | 3:15 |