Doxy

~ Release by Sonny Rollins (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: St. Thomas
#TitleRatingLength
1St. Thomas
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-06-22)
recording of:
St. Thomas (on 1956-06-22)
composer:
Sonny Rollins
publisher:
Prestige Music Co. (US, affiliated with BMI)
instrumental recording of:
St. Thomas
composer:
Sonny Rollins
publisher:
Prestige Music Co. (US, affiliated with BMI)
46:48
2You Don't Know What Love Is
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-06-22)
recording of:
You Don’t Know What Love Is (on 1956-06-22)
lyricist and composer:
Gene de Paul and Don Raye
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
6:29
3Strode Rode
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-06-22)
recording of:
Strode Rode (on 1956-05-22)
composer:
Sonny Rollins
recording of:
Strode Rode (on 1956-06-22)
composer:
Sonny Rollins
5:15
4Moritat
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-06-22)
instrumental cover recording of:
Mack the Knife (1954 Blitzstein translation) (on 1956-06-22)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
instrumental recording of:
Moritat (Mack the Knife) (Eric Bentley translation) (on 1956-06-22)
writer:
Bertolt Brecht
translator:
Eric Bentley (Brecht translator and playwright)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
10:06
5Blue Seven
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-06-22)
recording of:
Blue 7 (on 1956-06-22)
composer:
Sonny Rollins
411:14
6Valse Hot
recorded in:
New Jersey, United States (on 1956-03-22) and New York, New York, United States (on 1956-03-22)
recording engineer:
Rudy van Gelder
bass and double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recording of:
Valse Hot (on 1956-03-22)
composer:
Sonny Rollins
8:38
7Kiss and Run
recorded in:
New Jersey, United States (on 1956-03-22) and New York, New York, United States (on 1956-03-22)
recording engineer:
Rudy van Gelder
bass and double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recording of:
Kiss and Run (on 1956-03-22)
composer:
Sam Coslow
7:10
8I Feel a Song Coming On
recorded in:
New Jersey, United States (on 1956-03-22) and New York, New York, United States (on 1956-03-22)
recording engineer:
Rudy van Gelder
bass and double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
instrumental recording of:
I Feel a Song Comin’ On (on 1956-03-22)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter) and George Oppenheimer
5:16
9Count Your Blessings Instead of Sheep
recorded in:
New Jersey, United States (on 1956-03-22) and New York, New York, United States (on 1956-03-22)
recording engineer:
Rudy van Gelder
bass and double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
instrumental recording of:
Count Your Blessings (on 1956-03-22)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 27th Academy Award for Best Original Song (number: 2)
2:31
10Pent-Up House
recorded in:
New Jersey, United States (on 1956-03-22) and New York, New York, United States (on 1956-03-22)
recording engineer:
Rudy van Gelder
bass and double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recording of:
Pent-Up House (on 1956-03-22)
composer:
Sonny Rollins
part of:
The Real Book (compilation of jazz standards, Volume I)
8:53
▼ CD 2: Way Out West
#TitleRatingLength
1I'm an Ol' Cowhand
recording engineer:
Roy Du Nann (Audio Engineer)
sound engineer:
Roy DuNann
producer:
Lester Koenig
double bass:
Ray Brown (jazz bassist) (on 1957-03-07)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1957-03-07)
tenor saxophone:
Sonny Rollins (on 1957-03-07)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-03-07)
instrumental recording of:
I’m an Old Cowhand (From the Rio Grande) (on 1957-03-07)
lyricist and composer:
Johnny Mercer
publisher:
The Johnny Mercer Foundation and WC Music Corp.
5:44
2Solitude
recording engineer:
Roy DuNann
producer:
Lester Koenig
double bass:
Ray Brown (jazz bassist) (on 1957-03-07)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1957-03-07)
tenor saxophone:
Sonny Rollins (on 1957-03-07)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-03-07)
instrumental recording of:
(In My) Solitude (on 1957-03-07)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
7:51
3Come, Gone
recording engineer:
Roy DuNann
producer:
Lester Koenig
double bass:
Ray Brown (jazz bassist) (on 1957-03-07)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1957-03-07)
tenor saxophone:
Sonny Rollins (on 1957-03-07)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-03-07)
recording of:
Come, Gone (on 1957-03-07)
composer:
Sonny Rollins
7:53
4Wagon Wheels
recording engineer:
Roy DuNann
producer:
Lester Koenig
double bass:
Ray Brown (jazz bassist) (on 1957-03-07)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1957-03-07)
tenor saxophone:
Sonny Rollins (on 1957-03-07)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-03-07)
instrumental recording of:
Wagon Wheels (on 1957-03-07)
composer:
Peter de Rose and Billy Hill (US songwriter)
10:12
5There Is No Greater Love
recording engineer:
Roy DuNann
producer:
Lester Koenig
double bass:
Ray Brown (jazz bassist) (on 1957-03-07)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1957-03-07)
tenor saxophone:
Sonny Rollins (on 1957-03-07)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-03-07)
instrumental recording of:
There Is No Greater Love (on 1957-03-07)
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
5:16
6Way Out West
recording engineer:
Roy DuNann
producer:
Lester Koenig
double bass:
Ray Brown (jazz bassist) (on 1957-03-07)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1957-03-07)
tenor saxophone:
Sonny Rollins (on 1957-03-07)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-03-07)
recording of:
Way Out West (on 1957-03-07)
composer:
Sonny Rollins
6:32
7Just in Time
recorded in:
New York, New York, United States (from 1957-06-11 until 1957-06-12)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Percy Heath
double bass:
Percy Heath (from 1957-06-11 until 1957-06-12)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (, from 1957-06-11 until 1957-06-12)
piano:
Sonny Clark (from 1957-06-11 until 1957-06-12)
tenor saxophone:
Sonny Rollins (from 1957-06-11 until 1957-06-12)
engineered at:
Reeves Sound Studios in New York, New York, United States (from 1957-06-11 until 1957-06-12)
instrumental cover recording of:
Just in Time (Bells Are Ringing) (from 1957-06-11 until 1957-06-12)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Bells Are Ringing (stage musical)
4:00
8Cutie
recorded in:
New York, New York, United States (from 1957-06-11 until 1957-06-12)
bass:
Percy Heath (in 1957-06)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (in 1957-06)
piano:
Sonny Clark (in 1957-06)
tenor saxophone:
Sonny Rollins (in 1957-06)
recording of:
Cutie (in 1957-06)
composer:
Sonny Rollins
5:57
9Mangos
recorded in:
New York, New York, United States (from 1957-06-11 until 1957-06-12)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Percy Heath
double bass:
Percy Heath (from 1957-06-11 until 1957-06-12)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (, from 1957-06-11 until 1957-06-12)
piano:
Sonny Clark (from 1957-06-11 until 1957-06-12)
tenor saxophone:
Sonny Rollins (from 1957-06-11 until 1957-06-12)
engineered at:
Reeves Sound Studios in New York, New York, United States (from 1957-06-11 until 1957-06-12)
instrumental cover recording of:
Mangos (from 1957-06-11 until 1957-06-12)
lyricist:
Sid Wayne
composer:
Dee Libbey
publisher:
Holly-Hill Music Publishing Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント, フジパシフィックミュージック and ユニバーサル・ミュージック・パブリッシング Synch事業部
5:35
10Two Different Worlds
bass:
George Morrow (on 1956-12-07)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-12-07)
piano:
Kenny Drew (on 1956-12-07)
tenor saxophone:
Sonny Rollins (on 1956-12-07)
vocals:
Earl Coleman (on 1956-12-07)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-12-07)
cover recording of:
Two Different Worlds (on 1956-12-07)
composer:
Al Frisch and Sid Wayne
recording of:
Two Different Worlds (on 1956-12-07)
composer:
Al Frisch and Sid Wayne
7:42
▼ CD 3: The Stopper
#TitleRatingLength
1Compulsion
recorded in:
New York, New York, United States (on 1953-01-30)
recording engineer:
Rudy van Gelder (on 1953-01-30)
bass and double bass:
Percy Heath (on 1953-01-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1953-01-30)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1953-01-30)
tenor saxophone:
"Charlie Chan" (a.k.a. “Bird”, jazz alto saxophonist) (on 1953-01-30) and Sonny Rollins (on 1953-01-30)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1953-01-30)
recorded at:
WOR Studios in New York, New York, United States (on 1953-01-30)
recording of:
Compulsion (on 1953-01-30)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
5:48
2Almost Like Being in Love
recorded in:
New York, New York, United States (on 1953-10-07)
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Art Blakey and Kenny Clarke (on 1953-10-07)
piano:
Kenny Drew and John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
instrumental recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1953-10-07)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
Brigadoon (complete musical)
3:24
3In a Sentimental Mood
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Art Blakey (on 1953-10-07) and Kenny Clarke (on 1953-10-07)
piano:
Kenny Drew (on 1953-10-07) and John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
recording of:
In a Sentimental Mood (on 1953-10-07)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
instrumental recording of:
In a Sentimental Mood (on 1953-10-07)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
3:19
4No Moe
recorded in:
New York, New York, United States (on 1953-10-07)
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) and Kenny Clarke (on 1953-10-07)
piano:
Miles Davis (jazz trumpeter, bandleader, songwriter) and John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
recording of:
No Moe (on 1953-10-07)
composer:
Sonny Rollins
3:30
5The Stopper
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Art Blakey and Kenny Clarke (on 1953-10-07)
piano:
Kenny Drew and John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
recording of:
The Stopper (on 1953-10-07)
composer:
Sonny Rollins
2:57
6Friday the 13th
recorded in:
New Jersey, United States (on 1953-11-13)
recording engineer:
Rudy van Gelder
producer:
Ira Gitler
double bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1953-11-13) and Willie Jones III (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (on 1953-11-13)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-13)
recording of:
Friday the 13th (on 1953-11-13)
composer:
Thelonious Monk
10:34
7Let's Call This
double bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (on 1953-11-13)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-13)
recording of:
Let’s Call This (on 1953-11-13)
composer:
Thelonious Monk
5:05
8Think Of One (Take 1)
recorded in:
New Jersey, United States (on 1953-11-13)
bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (on 1953-11-13)
recording of:
Think of One (on 1953-11-13)
composer:
Thelonious Monk
publisher:
Thelonious Music
5:44
9Think of One (take 2)
recorded in:
New Jersey, United States (on 1953-11-13)
bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (on 1953-11-13)
recording of:
Think of One (on 1953-11-13)
composer:
Thelonious Monk
publisher:
Thelonious Music
5:36
▼ CD 4: Oleo
#TitleRatingLength
1Soft Shoe
bass:
Percy Heath (on 1954-01-20)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1954-01-20)
piano:
Horace Silver (on 1954-01-20)
tenor saxophone:
Sonny Rollins (on 1954-01-20)
trumpet:
Art Farmer (on 1954-01-20)
recording of:
Soft Shoe (on 1954-01-20)
composer:
Art Farmer
recording of:
Autumn Nocturne
lyricist:
Kim Gannon
composer:
Josef Myrow
5:00
2Airegin
recorded in:
New York, New York, United States (on 1954-06-29)
bass:
Percy Heath (on 1954-06-29)
drums (drum set):
Kenny Clarke (on 1954-06-29)
piano:
Horace Silver
tenor saxophone:
Sonny Rollins (on 1954-06-29)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1954-06-29)
recording of:
Airegin (instrumental) (on 1954-06-29)
composer:
Sonny Rollins (in 1954)
publisher:
Prestige (American jazz label) and Prestige Music
5:03
3Oleo
recorded in:
New York, New York, United States (on 1954-06-29)
bass:
Percy Heath (on 1954-06-29)
drums (drum set):
Kenny Clarke (on 1954-06-29)
piano:
Horace Silver (on 1954-06-29)
tenor saxophone:
Sonny Rollins (on 1954-06-29)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1954-06-29)
recording of:
Oleo (on 1954-06-29)
composer:
Sonny Rollins
publisher:
Jazz Horn Music Corporation, Prestige Music and Sony/ATV Songs (SOCAN)
5:17
4Doxy
recorded in:
New York, New York, United States (on 1954-06-29)
bass:
Percy Heath (on 1954-06-29)
drums (drum set):
Kenny Clarke (on 1954-06-29)
piano:
Horace Silver (on 1954-06-29)
tenor saxophone:
Sonny Rollins (on 1954-06-29)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1954-06-29)
recording of:
Doxy (on 1954-06-29)
composer:
Sonny Rollins
4:50
5Swingin' for Bumsy
recorded in:
New York, New York, United States (on 1954-08-18)
bass:
Percy Heath
drums (drum set):
Art Blakey
piano:
Elmo Hope
tenor saxophone:
Sonny Rollins
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer)
recording of:
Swingin' for Bumsy (on 1954-08-18)
composer:
Sonny Rollins
5:43
6Solid
recorded in:
New York, New York, United States (on 1954-08-18)
bass:
Percy Heath
drums (drum set):
Art Blakey
piano:
Elmo Hope
tenor saxophone:
Sonny Rollins
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer)
recording of:
Solid (on 1954-08-18)
composer:
Sonny Rollins
6:24
7Moving Out
bass:
Percy Heath (on 1954-08-18)
drums (drum set):
Art Blakey (on 1954-08-18)
piano:
Elmo Hope (on 1954-08-18)
tenor saxophone:
Sonny Rollins (on 1954-08-18)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1954-08-18)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-08-18)
recording of:
Moving Out (on 1954-08-18)
composer:
Sonny Rollins
4:28
8Silk 'n' Satin
recorded in:
New York, New York, United States (on 1954-08-18)
bass:
Percy Heath (on 1954-08-18)
drums (drum set):
Art Blakey (on 1954-08-18)
piano:
Elmo Hope (on 1954-08-18)
tenor saxophone:
Sonny Rollins (on 1954-08-18)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1954-08-18)
recording of:
Silk 'n' Satin (on 1954-08-18)
composer:
Sonny Rollins
3:58
9There Are Such Things
bass:
George Morrow (on 1955-12-02)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-12-02)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1955-12-02)
tenor saxophone:
Sonny Rollins (on 1955-12-02)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1955-12-02)
recording of:
There Are Such Things
writer:
Stanley Adams (US lyricist & songwriter) (in 1942), Abel Baer (in 1942) and George W. Meyer (Tin Pan Alley songwriter) (in 1942)
publisher:
Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
9:29
10The Way You Look Tonight
recorded in:
New York, New York, United States (on 1954-10-25)
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
double bass:
Tommy Potter (on 1954-10-25)
drums (drum set):
Art Taylor (on 1954-10-25)
piano:
Thelonious Monk (on 1954-10-25)
tenor saxophone:
Sonny Rollins (on 1954-10-25)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-10-25)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1954-10-25)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
5:09