Look to the Rainbow

~ Release by Al Jarreau (see all versions of this release, 8 available)

Tracklist

| |
▼ 12" Vinyl 1
#TitleRatingLength
A1Letter Perfect
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-02 until 1977-03)
live recording of:
Letter Perfect (from 1977-01 until 1977-02)
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
5:16
A2Rainbow in Your Eyes
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-02 until 1977-03)
live cover recording of:
Rainbow in Your Eyes (from 1977-01 until 1977-02)
lyricist and composer:
Leon Russell
publisher:
Embassy Music Corporation, Reservoir 416, Reservoir One America, Stuck On Music, ソニー・ミュージックパブリッシング A事業部, ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
6:17
A3One Good Turn
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-02 until 1977-03)
live recording of:
One Good Turn (from 1977-01 until 1977-02)
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
6:30
B1Could You Believe
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-02 until 1977-03)
live recording of:
Could You Believe (from 1977-01 until 1977-02)
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
6:49
B2Burst In With the Dawn
recording of:
Burst In With the Dawn
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
7:54
B3Better Than Anything
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-02 until 1977-03)
live cover recording of:
Better Than Anything (from 1977-01 until 1977-02)
writer:
Bill Loughborough and David Wheat
publisher:
Figs D Music, Inc., Sanga Music and Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
5:08
▼ 12" Vinyl 2
#TitleRatingLength
C1So Long Girl
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-02 until 1977-03)
live recording of:
So Long Girl (from 1977-01 until 1977-02)
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:43
C2Look to the Rainbow
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-02 until 1977-03)
live cover recording of:
Look to the Rainbow (from “Finian’s Rainbow”) (from 1977-01 until 1977-02)
lyricist:
EY. Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Glocca Morra Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Finian’s Rainbow (1947 Broadway musical)
7:54
C3You Don’t See Me
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-02 until 1977-03)
live recording of:
You Don’t See Me (from 1977-01 until 1977-02)
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
6:44
D1Take Five
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-02 until 1977-03)
live recording of:
Take Five (original instrumental version) (from 1977-01 until 1977-02)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ
part of:
The Real Book (compilation of jazz standards, Volume I)
7:20
D2Loving You
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-02 until 1977-03)
live recording of:
Loving You (from 1977-01 until 1977-02)
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
5:00
D3We Got By
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1977-02 until 1977-03)
live recording of:
We Got By (from 1977-01 until 1977-02)
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
6:47