Original Album Series

~ Release by Keith Jarrett (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Life Between The Exit Signs
#TitleRatingLength
1Lisbon Stomp
engineer:
Phil Ramone (on 1967-05-04)
producer:
George Avakian (on 1967-05-04)
double bass [bass]:
Charlie Haden (American jazz bassist) (on 1967-05-04)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1967-05-04)
piano:
Keith Jarrett (pianist) (on 1967-05-04)
recording of:
Lisbon Stomp (on 1967-05-04)
composer:
Keith Jarrett (pianist)
?:??
2Love No. 1
recording engineer:
Phil Ramone (on 1966-12-21)
engineer:
Phil Ramone
producer:
George Avakian
double bass [bass]:
Charlie Haden (American jazz bassist) (on 1966-12-21)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1966-12-21)
piano:
Keith Jarrett (pianist) (on 1966-12-21)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1966-12-21)
recording of:
Love No. 1 (on 1966-12-21)
composer:
Keith Jarrett (pianist)
?:??
3Love No. 2
engineer:
Phil Ramone (on 1967-05-04)
producer:
George Avakian (on 1967-05-04)
double bass [bass]:
Charlie Haden (American jazz bassist) (on 1967-05-04)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1967-05-04)
piano:
Keith Jarrett (pianist) (on 1967-05-04)
recording of:
Love No. 2 (on 1967-05-04)
composer:
Keith Jarrett (pianist)
?:??
4Everything I Love
engineer:
Phil Ramone (on 1967-05-04)
producer:
George Avakian (on 1967-05-04)
double bass [bass]:
Charlie Haden (American jazz bassist) (on 1967-05-04)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1967-05-04)
piano:
Keith Jarrett (pianist) (on 1967-05-04)
recording of:
Everything I Love (Let’s Face It! musical) (on 1967-05-04)
lyricist and composer:
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
?:??
5Margot
recording engineer:
Phil Ramone (on 1966-12-21)
engineer:
Phil Ramone
producer:
George Avakian
double bass [bass]:
Charlie Haden (American jazz bassist) (on 1966-12-21)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1966-12-21)
piano:
Keith Jarrett (pianist) (on 1966-12-21)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1966-12-21)
recording of:
Margot (on 1966-12-21)
composer:
Keith Jarrett (pianist)
?:??
6Long Time Gone (But Not Withdrawn)
engineer:
Phil Ramone (on 1967-05-04)
producer:
George Avakian (on 1967-05-04)
double bass [bass]:
Charlie Haden (American jazz bassist) (on 1967-05-04)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1967-05-04)
piano:
Keith Jarrett (pianist) (on 1967-05-04)
recording of:
Long Time Gone (But Not Withdrawn) (on 1967-05-04)
composer:
Keith Jarrett (pianist)
?:??
7Life Between the Exit Signs
engineer:
Phil Ramone (on 1967-05-04)
producer:
George Avakian (on 1967-05-04)
double bass [bass]:
Charlie Haden (American jazz bassist) (on 1967-05-04)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1967-05-04)
piano:
Keith Jarrett (pianist) (on 1967-05-04)
recording of:
Life Between the Exit Signs (on 1967-05-04)
composer:
Keith Jarrett (pianist)
?:??
8Church Dreams
engineer:
Phil Ramone (on 1967-05-04)
producer:
George Avakian (on 1967-05-04)
double bass [bass]:
Charlie Haden (American jazz bassist)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1967-05-04)
piano:
Keith Jarrett (pianist) (on 1967-05-04)
recording of:
Church Dreams (on 1967-05-04)
composer:
Keith Jarrett (pianist)
?:??
▼ CD 2: Restoration Ruin
#TitleRatingLength
1Restoration Ruin
recording engineer:
Bob Kovach and Bruce Tergesen
producer:
George Avakian
bongos, guitar and recorder:
Keith Jarrett (pianist) (on 1968-03-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-03-12)
recording of:
Restoration Ruin (on 1968-03-12)
composer:
Keith Jarrett (pianist)
2:24
2All Right
recording engineer:
Bob Kovach and Bruce Tergesen
producer:
George Avakian
drums (drum set), guitar, harmonica and piano:
Keith Jarrett (pianist) (on 1968-03-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-03-12)
recording of:
All Right (on 1968-03-12)
composer:
Keith Jarrett (pianist)
2:52
3For You and Me
recording engineer:
Bob Kovach and Bruce Tergesen
producer:
George Avakian
guitar:
Keith Jarrett (pianist) (on 1968-03-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-03-12)
recording of:
For You and Me (on 1968-03-12)
composer:
Keith Jarrett (pianist)
2:45
4Have a Real Time
recording engineer:
Bob Kovach and Bruce Tergesen
producer:
George Avakian
guitar, soprano saxophone and tambourine:
Keith Jarrett (pianist) (on 1968-03-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-03-12)
recording of:
Have a Real Time (on 1968-03-12)
composer:
Keith Jarrett (pianist)
2:56
5Sioux City Sue New
recording engineer:
Bob Kovach and Bruce Tergesen
producer:
George Avakian
guitar and recorder:
Keith Jarrett (pianist) (on 1968-03-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-03-12)
recording of:
Sioux City Sue New (on 1968-03-12)
composer:
Keith Jarrett (pianist)
2:54
6You're Fortunate
recording engineer:
Bob Kovach and Bruce Tergesen
producer:
George Avakian
bass guitar, guitar, harmonica, piano and tambourine:
Keith Jarrett (pianist) (on 1968-03-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-03-12)
recording of:
You're Fortunate (on 1968-03-12)
composer:
Keith Jarrett (pianist)
2:26
7Fire and Rain
recording engineer:
Bob Kovach and Bruce Tergesen
producer:
George Avakian
guitar, percussion [sistra], recorder and tambourine:
Keith Jarrett (pianist) (on 1968-03-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-03-12)
recording of:
Fire and Rain (on 1968-03-12)
composer:
Keith Jarrett (pianist)
2:55
8Now He Knows Better
recording engineer:
Bob Kovach and Bruce Tergesen
producer:
George Avakian
bass guitar, guitar and harmonica:
Keith Jarrett (pianist) (on 1968-03-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-03-12)
recording of:
Now He Knows Better (on 1968-03-12)
composer:
Keith Jarrett (pianist)
4:02
9Wonders
recording engineer:
Bob Kovach and Bruce Tergesen
producer:
George Avakian
guitar:
Keith Jarrett (pianist) (on 1968-03-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-03-12)
recording of:
Wonders (on 1968-03-12)
composer:
Keith Jarrett (pianist)
4:05
10Where Are You Going?
recording engineer:
Bob Kovach and Bruce Tergesen
producer:
George Avakian
drums (drum set), guitar and organ:
Keith Jarrett (pianist) (on 1968-03-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-03-12)
recording of:
Where Are You Going? (on 1968-03-12)
composer:
Keith Jarrett (pianist)
3:53
▼ CD 3: Somewhere Before
#TitleRatingLength
1My Back Pages
engineer:
Bill Halverson
producer:
George Avakian
double bass:
Charlie Haden (American jazz bassist) (from 1968-08-30 until 1968-08-31)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1968-08-30 until 1968-08-31)
piano:
Keith Jarrett (pianist) (from 1968-08-30 until 1968-08-31)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (from 1968-08-30 until 1968-08-31)
cover recording of:
My Back Pages (from 1968-08-30 until 1968-08-31)
lyricist and composer:
Bob Dylan (in 1964)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (from 1964 until 1992) and Special Rider Music (from 1992 to present)
?:??
2Pretty Ballad
engineer:
Bill Halverson
producer:
George Avakian
double bass:
Charlie Haden (American jazz bassist) (from 1968-08-30 until 1968-08-31)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1968-08-30 until 1968-08-31)
piano:
Keith Jarrett (pianist) (from 1968-08-30 until 1968-08-31)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (from 1968-08-30 until 1968-08-31)
recording of:
Pretty Ballad (from 1968-08-30 until 1968-08-31)
writer:
Keith Jarrett (pianist)
?:??
3Moving Soon
engineer:
Bill Halverson
producer:
George Avakian
double bass:
Charlie Haden (American jazz bassist) (from 1968-08-30 until 1968-08-31)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1968-08-30 until 1968-08-31)
piano:
Keith Jarrett (pianist) (from 1968-08-30 until 1968-08-31)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (from 1968-08-30 until 1968-08-31)
recording of:
Moving Soon (from 1968-08-30 until 1968-08-31)
writer:
Keith Jarrett (pianist)
?:??
4Somewhere Before
engineer:
Bill Halverson
producer:
George Avakian
double bass:
Charlie Haden (American jazz bassist) (from 1968-08-30 until 1968-08-31)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1968-08-30 until 1968-08-31)
piano:
Keith Jarrett (pianist) (from 1968-08-30 until 1968-08-31)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (from 1968-08-30 until 1968-08-31)
recording of:
Somewhere Before (from 1968-08-30 until 1968-08-31)
composer:
Keith Jarrett (pianist)
?:??
5New Rag
engineer:
Bill Halverson
producer:
George Avakian
double bass:
Charlie Haden (American jazz bassist) (from 1968-08-30 until 1968-08-31)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1968-08-30 until 1968-08-31)
piano:
Keith Jarrett (pianist) (from 1968-08-30 until 1968-08-31)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (from 1968-08-30 until 1968-08-31)
recording of:
New Rag (from 1968-08-30 until 1968-08-31)
writer:
Keith Jarrett (pianist)
?:??
6A Moment for Tears
engineer:
Bill Halverson
producer:
George Avakian
double bass:
Charlie Haden (American jazz bassist) (from 1968-08-30 until 1968-08-31)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1968-08-30 until 1968-08-31)
piano:
Keith Jarrett (pianist) (from 1968-08-30 until 1968-08-31)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (from 1968-08-30 until 1968-08-31)
recording of:
A Moment for Tears (from 1968-08-30 until 1968-08-31)
writer:
Keith Jarrett (pianist)
?:??
7Pouts' Over
engineer:
Bill Halverson
producer:
George Avakian
double bass:
Charlie Haden (American jazz bassist) (from 1968-08-30 until 1968-08-31)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1968-08-30 until 1968-08-31)
piano:
Keith Jarrett (pianist) (from 1968-08-30 until 1968-08-31)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (from 1968-08-30 until 1968-08-31)
recording of:
Pouts' Over (And the Day's Not Through) (from 1968-08-30 until 1968-08-31)
writer:
Keith Jarrett (pianist)
?:??
8Pouts' Over (And the Day's Not Through)
?:??
9Dedicated to You
engineer:
Bill Halverson
producer:
George Avakian
double bass:
Charlie Haden (American jazz bassist) (from 1968-08-30 until 1968-08-31)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1968-08-30 until 1968-08-31)
piano:
Keith Jarrett (pianist) (from 1968-08-30 until 1968-08-31)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (from 1968-08-30 until 1968-08-31)
cover recording of:
Dedicated to You (from 1968-08-30 until 1968-08-31)
writer:
Sammy Cahn, Saul Chaplin and Hy Zaret
?:??
10Old Rag
engineer:
Bill Halverson
producer:
George Avakian
double bass:
Charlie Haden (American jazz bassist) (from 1968-08-30 until 1968-08-31)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1968-08-30 until 1968-08-31)
piano:
Keith Jarrett (pianist) (from 1968-08-30 until 1968-08-31)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (from 1968-08-30 until 1968-08-31)
recording of:
Old Rag (from 1968-08-30 until 1968-08-31)
writer:
Keith Jarrett (pianist)
?:??
▼ CD 4: The Mourning Of A Star
#TitleRatingLength
1Follow the Crooked Path (Though It Be Longer)
engineer:
Lewis Hahn
producer:
George Avakian
bass:
Charlie Haden (American jazz bassist) (from 1971-07-08 until 1971-08-23)
percussion:
Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-08-23)
remixer:
Lewis Hahn
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-07-08 until 1971-08-23)
recording of:
Follow the Crooked Path (Though It Be Longer) (from 1971-07-08 until 1971-08-23)
composer:
Keith Jarrett (pianist)
publisher:
Kundalini
?:??
2Interlude No. 3
engineer:
Lewis Hahn
producer:
George Avakian
double bass [bass]:
Charlie Haden (American jazz bassist) (from 1971-07-08 until 1971-08-23)
percussion:
Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-08-23)
remixer:
Lewis Hahn
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-07-08 until 1971-08-23)
recording of:
Interlude No. 3 (from 1971-07-08 until 1971-08-23)
writer:
Keith Jarrett (pianist)
publisher:
Kundalini
?:??
3Standing Outside
recording engineer:
Lew Hahn (on 1971-07-08)
engineer:
Lewis Hahn
producer:
George Avakian
congas [conga drums] and piano:
Keith Jarrett (pianist) (on 1971-07-08)
double bass [bass]:
Charlie Haden (American jazz bassist) (on 1971-07-08)
drums (drum set) [drums] and percussion:
Paul Motian (US jazz drummer, percussionist & composer) (on 1971-07-08)
remixer:
Lewis Hahn
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1971-07-08, from 1971-07-08 until 1971-08-23)
recording of:
Standing Outside (on 1971-07-08)
writer:
Keith Jarrett (pianist)
publisher:
Kundalini
?:??
4Everything That Lives Laments
engineer:
Lewis Hahn
producer:
George Avakian
bass:
Charlie Haden (American jazz bassist) (from 1971-07-08 until 1971-08-23)
percussion:
Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-08-23)
remixer:
Lewis Hahn
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-07-08 until 1971-08-23)
recording of:
Everything That Lives Laments (from 1971-07-08 until 1971-08-23)
composer:
Keith Jarrett (pianist)
publisher:
Kundalini Music (publisher for Keith Jarrett)
?:??
5Interlude No. 1
engineer:
Lewis Hahn
producer:
George Avakian
bass:
Charlie Haden (American jazz bassist) (from 1971-07-08 until 1971-08-23)
percussion:
Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-08-23)
remixer:
Lewis Hahn
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-07-08 until 1971-08-23)
recording of:
Interlude No. 1 (from 1971-07-08 until 1971-08-23)
writer:
Keith Jarrett (pianist)
publisher:
Kundalini
?:??
6Trust
engineer:
Lewis Hahn
producer:
George Avakian
bass:
Charlie Haden (American jazz bassist) (from 1971-07-08 until 1971-08-23)
percussion:
Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-08-23)
remixer:
Lewis Hahn
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-07-08 until 1971-08-23)
recording of:
Trust (from 1971-07-08 until 1971-08-23)
writer:
Keith Jarrett (pianist)
publisher:
Kundalini
?:??
7All I Want
engineer:
Lewis Hahn
producer:
George Avakian
bass:
Charlie Haden (American jazz bassist) (from 1971-07-08 until 1971-08-23)
congas [Conga Drums] and percussion:
Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-08-23)
remixer:
Lewis Hahn
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-07-08 until 1971-08-23)
instrumental cover recording of:
All I Want (from 1971-07-08 until 1971-08-23)
lyricist and composer:
Joni Mitchell
publisher:
Joni Mitchell Publishing Corp., ソニー・ミュージックパブリッシング A事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
?:??
8Traces of You
engineer:
Lewis Hahn
producer:
George Avakian
bass:
Charlie Haden (American jazz bassist) (from 1971-07-08 until 1971-08-23)
percussion:
Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-08-23)
remixer:
Lewis Hahn
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-07-08 until 1971-08-23)
recording of:
Traces of You (from 1971-07-08 until 1971-08-23)
writer:
Keith Jarrett (pianist)
publisher:
Kundalini
?:??
9The Mourning of a Star
engineer:
Lewis Hahn
producer:
George Avakian
double bass [bass]:
Charlie Haden (American jazz bassist) (from 1971-07-08 until 1971-08-23)
percussion:
Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-08-23)
remixer:
Lewis Hahn
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-07-08 until 1971-08-23)
recording of:
The Mourning of a Star (from 1971-07-08 until 1971-08-23)
writer:
Keith Jarrett (pianist)
publisher:
Kundalini
?:??
10Interlude No. 2
engineer:
Lewis Hahn
producer:
George Avakian
bass:
Charlie Haden (American jazz bassist) (from 1971-07-08 until 1971-08-23)
percussion:
Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-08-23)
remixer:
Lewis Hahn
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-07-08 until 1971-08-23)
recording of:
Interlude No. 2 (from 1971-07-08 until 1971-08-23)
writer:
Keith Jarrett (pianist)
publisher:
Kundalini
?:??
11Sympathy
engineer:
Lewis Hahn
producer:
George Avakian
double bass [bass]:
Charlie Haden (American jazz bassist) (from 1971-07-08 until 1971-08-23)
percussion:
Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-08-23)
remixer:
Lewis Hahn
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-07-08 until 1971-08-23)
recording of:
Sympathy (from 1971-07-08 until 1971-08-23)
writer:
Keith Jarrett (pianist)
publisher:
Kundalini
?:??
▼ CD 5: El Juicio (The Judgment)
#TitleRatingLength
1Gypsy Moth
recording engineer:
Lewis Hahn (from 1971-07-08 until 1971-07-16)
producer:
George Avakian
double bass [bass]:
Charlie Haden (American jazz bassist) (from 1971-07-08 until 1971-07-16)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-07-16)
remixer:
Lew Hahn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-07-08 until 1971-07-16)
recording of:
Gypsy Moth (from 1971-07-08 until 1971-07-16)
composer:
Keith Jarrett (pianist)
?:??
2Toll Road
recording engineer:
Lewis Hahn (from 1971-07-08 until 1971-07-16)
producer:
George Avakian
double bass [bass]:
Charlie Haden (American jazz bassist) (from 1971-07-08 until 1971-07-16)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-07-16)
remixer:
Lew Hahn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-07-08 until 1971-07-16)
recording of:
Toll Road (from 1971-07-08 until 1971-07-16)
composer:
Keith Jarrett (pianist)
?:??
3Pardon My Rags
recording engineer:
Lewis Hahn (from 1971-07-08 until 1971-07-16)
producer:
George Avakian
double bass [bass]:
Charlie Haden (American jazz bassist) (from 1971-07-08 until 1971-07-16)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-07-16)
remixer:
Lew Hahn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-07-08 until 1971-07-16)
recording of:
Pardon My Rags (from 1971-07-08 until 1971-07-16)
composer:
Keith Jarrett (pianist)
?:??
4Pre-judgement Atmosphere
recording engineer:
Lewis Hahn (from 1971-07-08 until 1971-07-16)
producer:
George Avakian
double bass [bass] and percussion and steelpan [steel drums]:
Charlie Haden (American jazz bassist) (from 1971-07-08 until 1971-07-16)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-07-16)
percussion and steelpan [steel drums]:
Keith Jarrett (pianist) (from 1971-07-08 until 1971-07-16), Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-07-16) and Dewey Redman (from 1971-07-08 until 1971-07-16)
remixer:
Lew Hahn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-07-08 until 1971-07-16)
recording of:
Pre-Judgement Atmosphere (from 1971-07-08 until 1971-07-16)
composer:
Keith Jarrett (pianist)
?:??
5El Juicio
recording engineer:
Lewis Hahn (from 1971-07-08 until 1971-07-16)
producer:
George Avakian
bass:
Charlie Haden (American jazz bassist) (from 1971-07-08 until 1971-07-16)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-07-16)
remixer:
Lew Hahn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-07-08 until 1971-07-16)
recording of:
El Juicio (from 1971-07-08 until 1971-07-16)
composer:
Keith Jarrett (pianist)
?:??
6Piece for Ornette (L. V.)
recording engineer:
Lewis Hahn (from 1971-07-08 until 1971-07-16)
producer:
George Avakian
double bass [bass]:
Charlie Haden (American jazz bassist) (from 1971-07-08 until 1971-07-16)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-07-16)
remixer:
Lew Hahn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-07-08 until 1971-07-16)
recording of:
Piece for Ornette (long version) (from 1971-07-08 until 1971-07-16)
composer:
Keith Jarrett (pianist)
?:??
7Piece for Ornette (S. V.)
recording engineer:
Lewis Hahn (from 1971-07-08 until 1971-07-16)
producer:
George Avakian
double bass [bass]:
Charlie Haden (American jazz bassist) (from 1971-07-08 until 1971-07-16)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1971-07-08 until 1971-07-16)
remixer:
Lew Hahn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-07-08 until 1971-07-16)
recording of:
Piece for Ornette (short version) (from 1971-07-08 until 1971-07-16)
composer:
Keith Jarrett (pianist)
?:??