Le classique a l'écran : Suspense

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Seven : Suite n°3 en ré majeur BWV 1068 : Air
producer:
Hubert Geschwandtner (producer/engineer) (from 1989-01 until 1989-03) and Karol Kopernický (producer) (from 1989-01 until 1989-03)
orchestra:
Capella Istropolitana (from 1989-01 until 1989-03)
conductor:
Jaroslav Dvořák (from 1989-01 until 1989-03)
phonographic copyright (℗) by:
Naxos International
recorded at:
Moyzesova sieň in Bratislava, Bratislavský kraj, Slovakia (from 1989-01 until 1989-03)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) (from 1989-01 until 1989-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
Jean-Sebastien Bach5:21
2Usual Suspects : Le son et les parfums tournent dans l'air du soir
producer:
Joël Perrot (French sound engineer)
piano:
François‐Joël Thiollier (French-American pianist) (from 1996-09-25 until 1996-09-27)
recorded at:
Temple Saint‐Marcel in Paris, Île-de-France, France (from 1996-09-25 until 1996-09-27)
recording of:
Préludes, Livre I, L. 117, CD 125: IV. «Les sons et les parfums tournent dans l'air du soir». Modéré (from 1996-09-25 until 1996-09-27)
composer:
Claude Debussy (composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-01-16)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:00
3Le silence des agneaux : Variations Goldberg BWV 988 : Aria
producer:
Wolfgang Seikritt (in 1985-10)
piano:
Chen Pi-hsien (pianist) (in 1985-10)
recorded at:
Festeburgkirche in Frankfurt am Main, Hessen, Germany (in 1985-10)
recording of:
Goldberg-Variationen, BWV 988: Aria (in 1985-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988
Jean-Sebastien Bach3:18
4Copy cat : Requiem op.48 : in Paradisum
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
organ:
Colm Carey (keyboard instrumentalist) (from 1993-05-17 until 1993-05-18)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18) and Schola Cantorum of Oxford (from 1993-05-17 until 1993-05-18)
orchestra:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Requiem, op. 48: VII. In Paradisum (from 1993-05-17 until 1993-05-18)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48
Gabriel Fauré3:21
5Copy cat : Tosca : "Vissi d'arte, vissi d'amore"
producer:
Günter Appenheimer (producer/engineer) (in 1990-04)
soprano vocals [Tosca]:
Nelly Miricioiu (soprano) (from 1990-04-07 until 1990-04-14)
orchestra:
Czecho‐Slovak Radio Symphony Orchestra (Bratislava) (Slovak Radio Symphony Orchestra) (from 1990-04-07 until 1990-04-14)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-04-07 until 1990-04-14)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj, Slovakia (from 1990-04-07 until 1990-04-14)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1990-04-07 until 1990-04-14)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini4:01
6Copy cat : Le Barbier de Séville : Largo al factotum della cita
engineer:
Gábor Mocsáry (in 1992-11)
producer:
Tamás Benedek (in 1992-11)
baritone vocals and baritone vocals [Figaro]:
Roberto Servile (baritone) (from 1992-11-16 until 1992-11-28)
orchestra:
Failoni Chamber Orchestra (from 1992-11-16 until 1992-11-28)
conductor:
Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (from 1992-11-16 until 1992-11-28)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:39
7Volte face : Miserere mei
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
choir vocals:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!) (in 1992)
recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
Gregorio Allegri10:13
8Volte face : Prélude n°15 op.28 "La goutte d'eau"
producer:
Martin Sauer (engineer/producer) (in 1992-02)
piano:
İdil Biret (pianist) (in 1992-02)
recorded at:
Clara-Wieck-Auditorium (Sandhausen/Heidelberg) in Sandhausen, Baden-Württemberg, Germany (in 1992-02)
recording of:
Prélude no. 15 in D-flat major, op. 28: Sostenuto (in 1992-02)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin5:51
9Volte face : La Flûte enchantée : "Ach ich fühl's"
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
soprano vocals [Pamina]:
Elizabeth Norberg-Schulz (soprano) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:17
10Orange mécanique : Musique funèbre pour la Reine Mary : marche
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
organ:
Laurence Cummings (harpsichordist, organist and conductor) (from 1994-06-09 until 1994-06-10)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-06-09 until 1994-06-10)
conductor:
Jeremy Summerly (conductor) (from 1994-06-09 until 1994-06-10)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-06-09 until 1994-06-10)
recording of:
Funeral Music on the Death of Queen Mary: I. March, Z. 860 (from 1994-06-09 until 1994-06-10)
composer:
Henry Purcell (baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell1:27
11Orange mécanique : Symphonie n°9 : Finale, presto
engineer:
János Bohus (Hungarian sound engineer.) (in 1996-08)
producer:
Ibolya Tóth (in 1996-08)
bass-baritone vocals:
Claudio Otelli (bass-baritone) (in 1996-08)
choir vocals:
Nicolaus Esterházy Choir (in 1996-08)
mezzo-soprano vocals:
Ruxandra Donose (mezzo-soprano) (in 1986-08)
soprano vocals:
Hasmik Papian (soprano) (in 1996-08)
tenor vocals:
Manfred Fink (tenor) (in 1996-08)
orchestra:
Nicolaus Esterházy Sinfonia (in 1996-08)
conductor:
Béla Drahos (flutist and conductor) (in 1996-08)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (in 1996-08)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
is based on:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven13:54
12Les nuits avec mon ennemi : Symphonie fantastique : un bal
orchestra:
Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) (from 1987-12-05 until 1987-12-07)
conductor:
Pinchas Steinberg (conductor) (from 1987-12-05 until 1987-12-07)
recording of:
Symphonie fantastique, op. 14: II. Un bal (from 1987-12-05 until 1987-12-07)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:33
13Misery : Sonate pour piano n°14 op.27 n°2 "Clair de lune" : adagio sostenuto
engineer:
Mónika Feszler (producer)
producer:
Horváth János (engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
Naxos International and HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
cover recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven35:16