Blade Runner 2049: Original Motion Picture Soundtrack

~ Release by Hans Zimmer & Benjamin Wallfisch (see all versions of this release, 7 available)

Tracklist

| |
CD 1
#TitleArtistRatingLength
12049
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
2049
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch3:37
2Sapper’s Tree
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Sapper’s Tree
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch1:36
3Flight to LAPD
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Flight to LAPD
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch1:47
4Summer Wind
recorded in and engineered in:
Hollywood, Los Angeles, California, United States (on 1966-05-16)
engineer:
Eddie Brackett (on 1966-05-16) and Lee Herschberg (on 1966-05-16)
producer:
Sonny Burke (producer, songwriter and Big Band leader) (on 1966-05-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1966-05-16)
conductor:
Nelson Riddle (on 1966-05-16)
arranger:
Nelson Riddle (on 1966-05-16)
phonographic copyright (℗) by:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
cover recording of:
Summer Wind (on 1966-05-16)
lyricist:
Johnny Mercer
composer:
Henry Mayer
publisher:
Edition Primus Rolf Budde KG, M. Witmark & Sons, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and フジパシフィックミュージック
translated version of:
Sommerwind
Frank Sinatra2:56
5Rain
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Rain
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch2:26
6Wallace
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Wallace
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
is based on:
New Model
is based on:
Wallace
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch5:23
7Memory
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Memory
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch2:29
8Mesa
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Mesa
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
is based on:
Trash Mesa
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch3:10
9Orphanage
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Orphanage
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch1:13
10Furnace
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Furnace
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch3:40
11Someone Lived This
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Someone Lived This
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch3:02
12Joi
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Joi
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch3:51
CD 2
#TitleArtistRatingLength
1Pilot
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Pilot
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
is based on:
Pilotfish
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch2:17
2Suspicious Minds
engineer:
Al Pachucki
producer:
Felton Jarvis and Chips Moman
bass:
Tommy Cogbill (on 1969-01-23) and Mike Leech (on 1969-01-23)
drums (drum set):
Gene Chrisman (on 1969-01-23)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-23) and Reggie Young (guitarist and songwriter) (on 1969-01-23)
organ:
Bobby Emmons (on 1969-01-23)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1969-01-23)
steel guitar:
John Hughey (on 1969-01-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations and Kathy Westmoreland
arranger:
Mike Leech and Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
phonographic copyright (℗) by:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-23) and United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (on 1969-08-07)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 91)
cover recording of:
Suspicious Minds (from 1969-01-23 until 1969-08-07)
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sony/ATV Songs LLC
Elvis Presley44:23
3Can’t Help Falling in Love
bass:
Bob Moore (U.S. bassist and bandleader) (on 1961-03-23)
celesta [celeste]:
Dudley Brooks (on 1961-03-23)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1961-03-23), D.J. Fontana (on 1961-03-23) and Bernie Mattinson (on 1961-03-23)
guitar:
Hank Garland (on 1961-03-23), Scotty Moore (American guitarist and recording engineer) (on 1961-03-23) and Tiny Timbrell (on 1961-03-23)
harmonica:
George Fields (on 1961-03-23)
piano:
Dudley Brooks (on 1961-03-23) and Floyd Cramer (on 1961-03-23)
saxophone:
Boots Randolph (on 1961-03-23)
steel guitar:
Alvino Rey (on 1961-03-23)
ukulele:
Bernie Lewis (on 1961-03-23) and Fred Tavares (on 1961-03-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1961-03-23)
vocals:
The Jordanaires (on 1961-03-23) and The Surfers (a.k.a. The Hawaiian Surfers) (on 1961-03-23)
additional performer:
The Jordanaires (on 1961-03-23)
phonographic copyright (℗) by:
BMG Entertainment (in 1961), BMG Music (in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1961) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recording of:
Can’t Help Falling in Love (on 1961-03-23)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (ended), フジパシフィックミュージック, ヤマハミュージックEH(CM) and 日音 Synch事業部
is based on:
Plaisir d’amour (Romance du chevrier)
cover recording of:
Can’t Help Falling in Love
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (ended), フジパシフィックミュージック, ヤマハミュージックEH(CM) and 日音 Synch事業部
is based on:
Plaisir d’amour (Romance du chevrier)
Elvis Presley & The Jordanaires4.153:03
4One for My Baby (And One More for the Road)
producer:
Voyle Gilmore
bassoon:
Don Christlieb (on 1958-06-25) and Norman Herzberg (bassoon) (on 1958-06-25)
cello:
James Arkatov (on 1958-06-25), Armand Kaproff (on 1958-06-25), Joseph Saxon (on 1958-06-25) and Eleanor Slatkin (on 1958-06-25)
clarinet:
Gus Bivona (on 1958-06-25), Sal Franzella (on 1958-06-25), Chuck Gentry (on 1958-06-25) and Morris Bercov (on 1958-06-25)
double bass:
Joe Comfort (on 1958-06-25) and Eddie Gilbert (on 1958-06-25)
drums (drum set) and percussion:
Frank Flynn (on 1958-06-25) and Bill Richmond (on 1958-06-25)
flute:
Arthur Gleghorn (on 1958-06-25) and Harry Klee (on 1958-06-25)
French horn:
James Decker (French hornist) (on 1958-06-25), James McGee (on 1958-06-25) and George Price (on 1958-06-25)
guitar:
Al Hendrickson (on 1958-06-25) and Al Viola (on 1958-06-25)
harp:
Kathryn Julye (on 1958-06-25)
oboe:
Arnold Koblentz (Oboe player) (on 1958-06-25) and Champ Webb (on 1958-06-25)
piano:
Bill Miller (pianist) (on 1958-06-25)
trombone:
Milt Bernhart (on 1958-06-25), Russell Brown (Swing trombonist) (on 1958-06-25), Ray Sims (on 1958-06-25) and Tommy Pederson (on 1958-06-25)
trumpet:
Cappy Lewis (on 1958-06-25)
viola:
Alvin Dinkin (on 1958-06-25), Stanley Harris (US big band viola player) (on 1958-06-25), Paul Robyn (on 1958-06-25) and Dave Sterkin (on 1958-06-25)
violin:
Israel Baker (violinist) (on 1958-06-25), Victor Bay (on 1958-06-25), Alex Beller (on 1958-06-25), Arnold Belnick (on 1958-06-25), Daniel Karpilowsky (on 1958-06-25), Emo Neufeld (on 1958-06-25), Ben Gill (on 1958-06-25), Paul Shure (on 1958-06-25), Felix Slatkin (on 1958-06-25), Marshall Sosson (on 1958-06-25), Victor Amo (on 1958-06-25) and Gerald Vinci (American violinist and strings conductor) (on 1958-06-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-06-25)
orchestra:
The Nelson Riddle Orchestra (on 1958-06-25)
conductor:
Nelson Riddle (on 1958-06-26)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-06-25)
cover recording of:
One for My Baby (and One More for the Road) (on 1958-06-26)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Frank Sinatra34:25
5Hijack
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Hijack
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
is based on:
Crushing Joi
is based on:
K Rescued
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch5:32
6That’s Why We Believe
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
That’s Why We Believe
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
is based on:
Must Protect the Child
is based on:
You Imagined It Was You
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch3:36
7Her Eyes Were Green
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Her Eyes Were Green
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch6:11
8Sea Wall
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Sea Wall
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch9:52
9All the Best Memories Are Hers
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
All the Best Memories Are Hers
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch3:22
10Tears in the Rain
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
cover recording of:
Farewell (Tears in Rain)
composer:
Vangelis (Greek composer of electronic, new age and classical)
part of:
Blade Runner
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch2:10
11Blade Runner
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Blade Runner
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
is based on:
Blade Runner
is based on:
Main on Ends
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch10:05
12Almost Human
additional programming:
Michael Hodges and Ghian Wright
programming:
Scott “Fritzy” Fritz (engineer) and Gerald Trottman
producer:
Michael Hodges and Kayla Morrison
mixer:
Ghian Wright
grand piano and keyboard:
Gerald Trottman (in 2017)
background vocals:
Lauren Daigle (in 2017) and Michael Hodges (in 2017)
vocals:
Lauren Daigle (in 2017)
recording of:
Almost Human (in 2017)
writer:
Lauren Daigle, Michael Hodges, Kayla Morrison, Gerald Trottman and Ghian Wright
publisher:
Alcon Sleeping Giant
part of:
Blade Runner 2049
Lauren Daigle3:22