150 nejslavnějších klasických melodií

~ Release by Various Artists (see all versions of this release, 6 available)

Tracklist

▼ CD 1
# Title Artist Rating Length
1 Malá noční hudba - Allegro Wolfgang Amadeus Mozart 4:19
2 Italské capriccio Пётр Ильич Чайковский 3:26
3 La Danza Gioachino Rossini 1:48
4 Preludium z Carmen Georges Bizet 2:17
5 Píseň indického kupce z opery Sadko Николай Андреевич Римский‐Корсаков 3:30
6 Téma ze Šeherezády Николай Андреевич Римский‐Корсаков 3:01
7 Ave Maria Franz Schubert 2:52
8 Greensleeves [unknown] 1:03
9 Nimrod z Variací Enigma Sir Edward Elgar 3:18
10 Norský tanec č. 2 Edvard Grieg 2:29
11 Malagueña Isaac Albéniz 3:06
12 España Emmanuel Chabrier 2:56
13 Rapsodie v modrém George Gershwin 4:14
14 Jaro ze Čtvera ročních dob Antonio Vivaldi 3:36
15 Jitro z 1. suity Peer Gynt Edvard Grieg 3:30
16 Rašení jara Christian Sinding 2:39
17 Pstruh Franz Schubert 3:29
18 Vesnické vlaštovky Josef Strauss 2:44
19 Tanec labutí z Labutího jezera Пётр Ильич Чайковский 1:31
20 20 Labuť z Karnevalu zvířat Camille Saint‐Saëns 3:07
21 Téma z Pastorální symfonie Ludwig van Beethoven 2:47
22 Venkovské zahrady Percy Grainger 2:38
23 Summertime George Gershwin 2:44
24 Bruslaři Émile Waldteufel 3:23
25 Jízda na saních Johann Georg Leopold Mozart 3:14
26 Zima - Largo ze Čtvera ročních dob Antonio Vivaldi 2:18
▼ CD 2
# Title Artist Rating Length
1 Na krásném modrém Dunaji Johann Strauss II 4:50
2 Povídky z Vídenského lesa Johann Strauss II 2:56
3 Pizzicato Johann Strauss II and Josef Strauss 2:44
4 Vídeň, město mých snů Rudolf Sieczyński 2:36
5 Vídeňské capriccio Fritz Kreisler 4:41
6 Tritsch-Tratsch Polka Johann Strauss II 2:44
7 Císařský valčík Johann Strauss II 3:09
8 Dunajské vlny Iosif Ivanovici 3:07
9 Serenáda Joseph Haydn 1:39
10 Menuet Wolfgang Amadeus Mozart 3:16
11 Lehká kavalerie Franz von Suppé 2:55
12 Pochod Radeckého Johann Strauss I 2:34
13 Vyzvání k tanci Carl Maria von Weber 3:05
14 Valčík ze Smyčcové serenády Пётр Ильич Чайковский 3:55
15 Květinový valčík z Louskácka Пётр Ильич Чайковский 2:50
16 Hlasy jara Johann Strauss II 2:44
17 Valčík ze Šípkové Růženky Пётр Ильич Чайковский 2:37
18 Velký valčík z Labutího jezera Пётр Ильич Чайковский 3:40
19 Valčík z Fausta a Markétky Charles‐François Gounod 2:36
20 Cikánský tanec z Carmen Georges Bizet 4:33
21 Tango Isaac Albéniz 3:10
22 Pochod z Louskácka Пётр Ильич Чайковский 2:24
23 Polovecké tance z Knížete Igora Александр Порфирьевич Бородин 3:15
24 Kankán z Orfea v podsvětí Jacques Offenbach 2:12
▼ CD 3
# Title Artist Rating Length
1 Clair de Lune Claude Debussy 4:38
2 Melodie F dur Антон Григорьевич Рубинштейн 2:04
3 Serenáda Enrico Toselli 2:47
4 Měsíční sonáta, první věta Ludwig van Beethoven 3:01
5 Etuda E dur Frédéric Chopin 3:12
6 Estrellita Manuel María Ponce 3:33
7 Nocturno ze Snu noci svatojánské Felix Mendelssohn 2:48
8 Plaisir d'Amour Jean‐Paul‐Égide Martini 3:44
9 Reverie Claude Debussy 3:20
10 Nocturno Es dur Frédéric Chopin 4:41
11 Zastaveníčko Franz Schubert 2:07
12 Ukolébavka Johannes Brahms 2:03
13 Celé mé srdce patří Tobě Franz Lehár 3:44
14 Má píseň lásky Robert Stolz 2:58
15 Cikánská láska Franz Lehár 3:20
16 Schon Rosmarin Fritz Kreisler 2:15
17 Sen lásky Franz Liszt 3:07
18 Dvě srdce bijí v rytmu valčíku Robert Stolz 3:18
19 Tisíc a jedna noc Johann Strauss II 2:16
20 Snění Robert Schumann 2:31
21 Růže z jihu Johann Strauss II 3:07
22 Valčík z Veselé vdovy Franz Lehár 3:27
23 Milostné téma z Romea a Julie Пётр Ильич Чайковский 3:15
24 Poem Zdeněk Fibich 2:24
25 Poslední růže léta z opery Marta Friedrich von Flotow 2:29
▼ CD 4
# Title Artist Rating Length
1 Tak pravil Zarathustra Richard Strauss 2:04
2 Bolero Maurice Ravel 5:58
3 Šavlový tanec Արամ Խաչատրյան 2:38
4 Andaluzie ze Španělských tanců Enrique Granados 3:37
5 Ohňový tanec Manuel de Falla 2:01
6 Let čmeláka Николай Андреевич Римский‐Корсаков 1:28
7 Čardáš z Netopýra Johann Strauss II 2:45
8 Farandola z Artézanky Georges Bizet 3:17
9 Danse Macabre Camille Saint‐Saëns 2:13
10 Ve sluji krále hor z Peer Gynta Edvard Grieg 2:30
11 Jízda valkýr z opery Valkýra Richard Wagner 4:40
12 Vilém Tell, předehra Gioachino Rossini 3:31
13 Pro Elišku Ludwig van Beethoven 2:13
14 Vilja z Veselé vdovy Franz Lehár 1:57
15 Duet z Lovců perel Georges Bizet 2:47
16 Klavírní koncert C dur č. 21 Wolfgang Amadeus Mozart 2:37
17 Sbor židů z Nabucca Giuseppe Verdi 4:58
18 Nedokončená symfonie Franz Schubert 2:28
19 Celeste Aida z Aidy Giuseppe Verdi 2:21
20 Romance Антон Григорьевич Рубинштейн 4:14
21 Píseň o Večernici z opery Tannhäuser Richard Wagner 2:23
22 Intermezzo ze Sedláka kavalíra Pietro Mascagni 3:02
23 Barkaroka z Hoffmannových povídek Jacques Offenbach 4:11
24 Aleluja, sbor z Mesiáše Georg Friedrich Händel 2:20
▼ CD 5
# Title Artist Rating Length
1 Alžbětinská serenáda Ronald Binge 2:56
2 Menuet Luigi Boccherini 3:40
3 Valčík Musetty z Bohémy Giacomo Puccini 2:35
4 Menuet Ignacy Jan Paderewski 2:58
5 Badinerie ze Suity pro flétnu a smyčcový orchestr č. 2 Johann Sebastian Bach 1:27
6 Menuet G dur Ludwig van Beethoven 2:50
7 Vojenský pochod Franz Schubert 4:50
8 Mattinata Ruggero Leoncavallo 2:34
9 Sbor jeptišek z Casanovy Johann Strauss II 4:30
10 Péťa a vlk Сергей Сергеевич Прокофьев 2:59
11 Minutový valčík Frédéric Chopin 1:54
12 Valčík As dur Johannes Brahms 1:28
13 Symfonie č. 40, první věta Wolfgang Amadeus Mozart 4:26
14 Trumpet Voluntary Jeremiah Clarke 2:14
15 Te Deum - znělka Eurovize Marc‐Antoine Charpentier 2:09
16 Melodie z Vodní hudby Georg Friedrich Händel 2:27
17 Příjezd královny ze Sáby Georg Friedrich Händel 3:17
18 Císařský kvartet Joseph Haydn 3:48
19 Symfonie č. 5 Ludwig van Beethoven 2:57
20 Sbor vojáků z Fausta a Markétky Charles‐François Gounod 2:42
21 Svatební pochod ze Snů noci svatojanské Felix Mendelssohn 3:27
22 Svatební sbor z Lohengrina Richard Wagner 4:32
23 Triumfalní pochod z Aidy Giuseppe Verdi 3:09
24 Země naděje a slávy - Slavnostni pochod č. 1 Sir Edward Elgar 2:59
25 1812, Předehra Пётр Ильич Чайковский 2:51
26 Óda na radost ze Symfonie č. 9 Ludwig van Beethoven 2:50
▼ CD 6
# Title Artist Rating Length
1 Vltava z Mé vlasti Bedřich Smetana 2:35
2 Humoreska Antonín Dvořák 3:22
3 Uhersky tanec č.5 Johannes Brahms 2:19
4 Cikánské melodie Pablo de Sarasate 3:05
5 Slovanský tanec č.7 Antonín Dvořák 3:18
6 Rákocziho pochod Hector Berlioz 3:25
7 Cikánsky tanec z Hraběnky Marici Imre Kálmán 2:20
8 Když mě má matka Antonín Dvořák 3:14
9 Largo ze Symfonie č.9, Novosvětské Antonín Dvořák 3:44
10 Solvejžina píseň z Peer Gynta Edvard Grieg 2:44
11 Na křídlech písně Felix Mendelssohn 2:59
12 Švédská rapsodie Hugo Alfvén 2:15
13 Finlandia Jean Sibelius 2:18
14 Sbor myslivců z Čarostřelce Carl Maria von Weber 2:49
15 Meditace z Thais Jules Massenet 5:11
16 Panis angelicus César Franck 3:15
17 Jesus bleibt meine Freude Johann Sebastian Bach 3:56
18 Kánon Johann Pachelbel 2:58
19 Adagio Tomaso Giovanni Albinoni 3:19
20 Largo z opery Xerxes Georg Friedrich Händel 2:14
21 Ave Maria Johann Sebastian Bach 3:07
22 Večerní modlitba z Perníkové chaloupky Engelbert Humperdinck 3:01
23 V klášterní zahradě Albert William Ketèlbey 3:07
24 Ave Verum Corpus Wolfgang Amadeus Mozart 3:50
25 Melodie na struně G Johann Sebastian Bach 4:02

Credits

CD 1

premiered in:
Moskva, Russia (1880-12-18) (track 2)
arranger:
Percy Grainger (1918 – 1952) (track 22)
Ralph Greaves (1934) (tracks 8, 8)
composer:
Georges Bizet (French romantic composer) (track 4)
[traditional] (Special Purpose Artist) (track 22)
Wolfgang Amadeus Mozart (classical composer) (1787) (track 1)
Ludwig van Beethoven (1808) (track 21)
Franz Schubert (Austrian composer Franz Peter Schubert) (1816-11 – 1817-07) (track 17)
Josef Strauss (composer) (1864) (track 18)
Edvard Grieg (composer) (1875) (track 15)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1880-01 – 1880-05) (track 2)
Camille Saint‐Saëns (1886-02) (track 20)
Николай Андреевич Римский‐Корсаков (composer) (1888) (track 6)
Edward Elgar (composer) (1899) (track 9)
George Gershwin (composer) (1924) (track 13)
Ralph Vaughan Williams (English composer) (1924 – 1928) (track 8)
conductor:
Douglas Gamley (track 25)
Charles Gerhardt (conductor) (tracks 1–2)
Tadeusz Wojciechowski (conductor) (track 15)
dedicated to:
Карл Юльевич Давыдов (track 2)
Augustus J. Jaeger (track 9)
Joseph Franz von Lobkowitz (track 21)
Андрей Кириллович Разумовский (track 21)
lyricist:
Christian Friedrich Daniel Schubart (German poet) (1777 – 1787) (track 17)
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) (track 1)
London Symphony Orchestra (tracks 2, 25)
Polish Radio Symphony Orchestra (track 15)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (1942) (track 13)
publisher:
Sir Edward Elgar (dec’d) (composer) (track 9)
revised by:
Edvard Grieg (composer) (1888) (track 15)
premiered at:
Ludwig van Beethoven at Theater an der Wien (1808-12-22) (track 21)
publisher:
Chappell Music Ltd. (track 13)
Ferde Grofé Music Publishing (New York) (track 13)
New World Music Co. (track 13)
Schott & Co. Ltd. (track 22)
Warner Bros. Music (publisher; do NOT use as release label) (track 13)
G. Schirmer Inc. (1919) (track 22)
Oxford University Press (1936) (track 8)
premiered at:
Theater an der Wien in Wien, Austria (1808-12-22) (track 21)
part of:
The Tchaikovsky Handbook (number: TH 47) (track 2)
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 44) (track 2)
Works of Josef Strauss by opus number (number: op. 164) (track 18)
Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 45) (track 2)
Works of Ludwig van Beethoven by opus number (number: op. 68) (track 21)
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 550) (track 17)
arrangements:
"The Swan" from The Carnival of the Animals (for two pianos, Anderson & Roe) (track 20)
Capriccio Italien (catch-all for arrangements) (track 2)
Capriccio Italien, op. 45 (for wind band, Winterbottom) (track 2)
Die Forelle, D. 550 (catch-all for arrangements) (track 17)
Die Forelle, S. 563 no. 6 (for solo piano, Liszt) (track 17)
Die Forelle, S. 564 (for piano, Liszt - second version) (track 17)
Enigma Variations, op. 36: IX. Nimrod (for piano) (track 9)
Le Carnaval des animaux: XIII. Le Cygne (for violin and piano, arr. Heifetz) (track 20)
Le Carnaval des animaux: XIII. Le Cygne (for solo piano, Godowsky) (track 20)
Le Carnaval des animaux: XIII. Le Cygne (for organ, Guilmant) (track 20)
Le Carnaval des animaux: XIII. Le Cygne (catch-all for unknown arrangement) (track 20)
Le Carnaval des animaux: XIII. Le Cygne (for solo piano, Siloti) (track 20)
Le Carnaval des animaux: XIII. Le Cygne (for cello (or violin) + piano, by composer) (track 20)
Nimrod (for organ, Harris) (track 9)
Nimrod (for brass band, Denis Wright) (track 9)
Rhapsody in Blue (arr. Dokshitser for trumpet and orchestra) (track 13)
Rhapsody in Blue (transcription for solo piano by Gershwin) (track 13)
Rhapsody in Blue (Glenn Miller arrangement) (track 13)
Rhapsody in Blue (catch-all for arrangements) (track 13)
Rhapsody in Blue (arr. Carlos Barbosa-Lima) (track 13)
Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro (catch-all for arrangements) (track 1)
Symphony no. 6 in F major, S. 463b "Pastorale" (for piano solo, Liszt) (track 21)
Symphony no. 6 in F major, S. 463c "Pastorale" (for piano solo, Liszt) (track 21)
Symphony no. 6 in F major, op. 68 "Pastoral", S. 464 no. 6 (for piano solo, Liszt) (track 21)
Symphony no. 6 in F major, op. 68 "Pastorale" (for string sextet, M.G. Fischer) (track 21)
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (catch-all for arrangements) (track 9)
is based on:
Die Forelle (Schubart poem, not the Schubert song) (track 17)
Greensleeves (track 8)
Lovely Joan (traditional English folk song) (track 8)
Sir John in Love (track 8)
is the basis for:
Blue (track 13)
Carmen Suite no. 1: VI. Les Toréadors (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (track 4)
Eine kleine Gutenachtmusik (track 1)
Game Start A (Mario Bros.) (track 1)
In the Hush of the Night (track 6)
Sanctus (based on "Nimrod" from Variations on an Original Theme ('Enigma'), op. 36) (track 9)
Sanctus Dei (track 9)
The Globalist (track 9)
The Moment (track 21)
What Child Is This? (for organ, Roper) (track 8)
What Happened (Sublime) (track 13)
later versions:
Die Forelle, D. 550 (orchestrated by Britten) (track 17)
Hover Bovver (Tune 2) (C64 Game) (track 22)
Light Eternal (Lux aeterna) (track 9)
Nimrod (track 9)
白鳥 (track 20)
orchestrations:
Le Carnaval des animaux: XIII. Le Cygne (for cello and orchestra, arr. Vidal) (track 20)
part of:
Carmen (Opera by Georges Bizet) (track 4)
Peer Gynt Suite no. 1, op. 46 (track 15)
Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik” (movement) (track 1)
Variations on an Original Theme (‘Enigma’), op. 36 (movement) (track 9)
Le Carnaval des animaux (track 20)
partial recording of:
Rhapsody in Blue (standard 1942 orchestration) (track 13)
Symphony no. 6 in F major, op. 68 “Pastorale” (track 21)
parts:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (movement) (track 21)
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (movement) (track 21)
Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro "Happy gathering of country folk" (movement) (track 21)
Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro "Thunderstorm" (movement) (track 21)
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (movement) (track 21)
recording of:
Capriccio Italien, op. 45 (track 2)
Carmen: Prélude (track 4)
Country Gardens (track 22)
Die Forelle, D. 550 (track 17)
Dorfschwalben aus Österreich, op. 164 (track 18)
Fantasia on “Greensleeves” (track 8)
Le Carnaval des animaux : XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano) (track 20)
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (track 15)
Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro (track 1)
Thème de "Shéhérazade" (track 6)
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (track 9)
referred to in medleys:
Hooked on America (track 13)
Hooked on Classics, Parts 1 & 2 (track 13)
Hooked on Romance, Part 2 (track 9)
Barcelona Games Medley (track 4)
Relax and Unwind With the Classics (preview) (track 15)
revision of:
Rhapsody in Blue (original jazz band version, less often performed) (track 13)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (track 15)

CD 2

premiered in:
Wien, Austria (1867-02-15) (track 1)
Berlin, Germany (1889-10-21) (track 7)
composer:
Wolfgang Amadeus Mozart (classical composer) (track 10)
Johann Strauss (Austro-German composer, “Walzerkönig”, Johann Strauss II, Sohn, Jr., the Younger, the Son) (tracks 2, 6)
Franz von Suppé (composer) (track 11)
Carl Maria von Weber (track 13)
Johann Strauss (Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (1848) (track 12)
Johann Strauss (Austro-German composer, “Walzerkönig”, Johann Strauss II, Sohn, Jr., the Younger, the Son) (1866) (track 1)
Johann Strauss (Austro-German composer, “Walzerkönig”, Johann Strauss II, Sohn, Jr., the Younger, the Son) (1869) (track 3)
Josef Strauss (composer) (1869) (track 3)
Iosif Ivanovici (1880) (track 8)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1880) (track 14)
Johann Strauss (Austro-German composer, “Walzerkönig”, Johann Strauss II, Sohn, Jr., the Younger, the Son) (1882) (track 16)
Johann Strauss (Austro-German composer, “Walzerkönig”, Johann Strauss II, Sohn, Jr., the Younger, the Son) (1889) (track 7)
Isaac Albéniz (1890) (track 21)
conductor:
Peter Falk (conductor) (track 3)
Joseph Francek (conductor, probably a pseudonym for Alfred Scholz) (track 3)
Charles Gerhardt (conductor) (tracks 10, 21)
Peter Guth (violinist & conductor) (track 12)
Philippe Entremont (pianist) (1990-02-19 – 1990-02-21) (track 14)
dedicated to:
Joseph Radetzky von Radetz (track 12)
orchestra:
National Philharmonic Orchestra (of London, mostly film music) (tracks 10, 21)
Wiener Volksoper Orchestra (track 3)
Royal Philharmonic Orchestra (track 12)
Wiener Johann Strauss Orchester (track 3)
Wiener Kammerorchester (1990-02-19 – 1990-02-21) (track 14)
orchestrator:
Felix Weingartner (conductor) (track 13)
producer:
Hubert Geschwandtner (producer/engineer) (track 14)
Karol Kopernický (producer) (track 14)
premiered at:
Wasserglacis in Wien, Austria (1848-08-31) (track 12)
recorded at:
Casino Baumgarten in Wien, Austria (1990-02-19 – 1990-02-21) (track 14)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228) (track 12)
Works of Josef Strauss by opus number (number: op. 234) (track 3)
Works of Johann Strauss Jr. by opus number (number: op. 214) (track 6)
Works of Johann Strauss Jr. by opus number (number: op. 314) (track 1)
Works of Johann Strauss Jr. by opus number (number: op. 325) (track 2)
Works of Johann Strauss Jr. by opus number (number: op. 410) (track 16)
Works of Johann Strauss Jr. by opus number (number: op. 437) (track 7)
arrangements:
An der schönen blauen Donau, op. 314 (catch-all for arrangements) (track 1)
An der schönen, blauen Donau, op. 314 (for piano, by Cziffra) (track 1)
Blue Danube (Trapeze) (track 1)
España, seis hojas de álbum, op. 165: II. Tango (for piano, Godowsky version) (track 21)
España, seis hojas de álbum, op. 165: II. Tango (catch-all for arrangements) (track 21)
España, seis hojas de álbum, op. 165: II. Tango (for violin and piano, arr. Kreisler) (track 21)
España, seis hojas de álbum, op. 165: II. Tango (for cello and piano, Maréchal) (track 21)
España, seis hojas de álbum, op. 165: II. Tango (for guitar duo, Hill) (track 21)
España, seis hojas de álbum, op. 165: II. Tango (for violin and piano, Dushkin) (track 21)
Frühlingsstimmen, op. 410 (catch-all for arrangements) (track 16)
Frühlingsstimmen, op. 410 (for piano, arr. Alfred Grünfeld) (track 16)
Geschichten aus dem Wienerwald, op. 325 (catch-all for arrangements) (track 2)
G’schichten aus dem Wienerwald (track 2)
Kaiser-Walzer (for chamber ensemble, Schönberg) (track 7)
Leichte Kavallerie: Ouvertüre (catch-all for arrangements) (track 11)
Light Cavalry Overture (for brass band, Langford) (track 11)
Plesový marš (track 12)
Radetzky March (for handbell ensemble) (track 12)
Radetzky March, op. 228 (catch-all for arrangements) (track 12)
Radetzky-Marsch (choir arrangement by Karl Hlinak) (track 12)
Radetzky-Marsch (track 12)
Tritsch Tratsch Polka (arr. Hennessy, Holshuysen) (track 6)
Tritsch-Tratsch Polka (for piano, arr. Cziffra) (track 6)
Tritsch-Tratsch Polka, op. 214 (catch-all for arrangements) (track 6)
Tritsch–Tratsch Polka, op. 214 (for brass, Richards) (track 6)
美しく蒼きガンジス河 (track 1)
is the basis for:
3. Juni 1899 (track 1)
An der schönen blauen Donau (Comedian Harmonists version) (track 1)
Arabesques on "An der schönen, blauen Donau" (track 1)
Blue Danube Fantasy: A New Account of the Blue Danube Waltzes (track 1)
From the Heart of a Lonely Poet (track 14)
G’schichten aus dem Wienerwald (vocal version) (track 2)
Improvisation über den Walzer "An der schönen blauen Donau" (track 1)
Parafraas valsist "Ilusal sinisel Doonaul" (track 1)
Radetzky Waltz (track 12)
Red Danube (track 1)
The Blue Danube (Spike Jones version) (track 1)
The Otherwise Very Beautiful Blue Danube Waltz (track 1)
later translated versions:
Le beau Danube bleu (track 1)
Rêves de printemps (track 16)
Valse de l'Empereur (track 7)
Vīnes meža stāsti (track 2)
later versions:
Anniversary Song (track 8)
River of Light (track 1)
Sweet Wings of Love (“Blue Danube”) (track 1)
Voci di Primavera (version with solo voice; “Frühlingsstimmen” in Italian) (track 16)
orchestration of:
Aufforderung zum Tanze, op. 65 (for piano) (track 13)
orchestrations:
Two Tangos by Albéniz: II. Andantino (track 21)
Waves of the Danube (track 8)
part of:
Leichte Kavallerie (track 11)
España, seis hojas de álbum, op. 165 (track 21)
Serenade for Strings in C major, op. 48 (track 14)
recording of:
An der schönen blauen Donau, op. 314 (track 1)
Aufforderung zum Tanz, op. 65 (orchestrated by Weingartner) (track 13)
España, seis hojas de álbum, op. 165: II. Tango (track 21)
Frühlingsstimmen, op. 410 (track 16)
Geschichten aus dem Wienerwald, op. 325 (track 2)
Kaiser-Walzer, op. 437 (track 7)
Leichte Kavallerie: Ouvertüre (track 11)
Pizzicato-Polka, op. 234 (track 3)
Radetzky March, op. 228 (track 12)
Tritsch–Tratsch Polka, op. 214 (track 6)
Valurile Dunării (track 8)
[unknown work by Mozart] (catch-all for unknown works) (track 10)
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse (1990-02-19 – 1990-02-21) (track 14)
referred to in medleys:
Hooked on Classics, Part 3 (track 12)
Three Borge Favorites (track 21)
Comedy in Music, Part II (tracks 1–2)

CD 3

harp:
Skaila Kanga (harpist) (track 1)
composer:
Zdeněk Fibich (Czech composer) (track 24)
Johann Strauss (Austro-German composer, “Walzerkönig”, Johann Strauss II, Sohn, Jr., the Younger, the Son) (track 21)
Антон Григорьевич Рубинштейн (Russian composer) (1852) (track 2)
Johann Strauss (Austro-German composer, “Walzerkönig”, Johann Strauss II, Sohn, Jr., the Younger, the Son) (1871) (track 19)
Claude Debussy (1890) (track 9)
Claude Debussy (1890 – 1905) (track 1)
Manuel María Ponce (1912) (tracks 6, 6)
conductor:
Charles Gerhardt (conductor) (track 1)
lyricist:
Manuel María Ponce (1912) (track 6)
orchestra:
National Philharmonic Orchestra (of London, mostly film music) (track 1)
premiered at:
[concert] (1899-02-27) (track 9)
publisher:
Choudens (1891) (track 9)
Eugène Fromont (1905) (track 9)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 68) (track 9)
Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 76) (track 9)
Works of Johann Strauss Jr. by opus number (number: op. 346) (track 19)
Works of Johann Strauss Jr. by opus number (number: op. 388) (track 21)
arrangement of:
Estrellita (track 6)
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano) (track 1)
arrangements:
2 Mélodies, op. 3: No. 1 in F major (catch-all unknown arrangement) (track 2)
2 Mélodies, op. 3: No. 1 in F major (for cello and piano, arr. David Popper) (track 2)
Estrellita (for violin and piano, arr. Heifetz) (track 6)
Estrellita (for guitar, Abril) (track 6)
Estrellita (catch-all for arrangements) (track 6)
My Reverie (arr. Shaw) (track 9)
My Reverie (Debussy's "Reverie") (arr. Greeley) (track 9)
Poème in D-flat major (for violin and piano) (track 24)
Rosen aus dem Süden (for chamber ensemble, Schönberg) (track 21)
Rêverie (for cello and orchestra, arr. Ronchini) (track 9)
Rêverie (for cello and orchestra, arr. Cullen) (track 9)
Rêverie (catch-all for arrangements) (track 9)
Souvenirs, op. 41 Part IV: No. 139 in D-flat major (Poème, version for solo piano) (track 24)
Suite pour violoncelle et orchestre: II. Rêverie (track 9)
Tausend und eine Nacht, op. 346 (catch-all for arrangements) (track 19)
is the basis for:
Little Star (track 6)
My Reverie (english lyrics) (track 9)
Schani's Jubilee (track 21)
orchestrations:
2 Mélodies, op. 3: No. 1 in F major (orchestrated by D'Indy) (track 2)
part of:
V podvečer, op. 39 (track 24)
2 Mélodies, op. 3 (track 2)
recording of:
2 Mélodies, op. 3: No. 1 in F major (for solo piano) (track 2)
Estrellita (catch-all for arrangements) (track 6)
Estrellita (track 6)
Poème (orchestral excerpt of the Lento from symphonic poem "At Twilight") (track 24)
Rosen aus dem Süden, op. 388 (track 21)
Rêverie, L. 68, CD 76 (for piano) (track 9)
Suite bergamasque : III. Clair de lune (catch-all for arrangements) (track 1)
Tausend und eine Nacht, op. 346 (track 19)

CD 4

cello and piano arranger:
Leo Schulz (track 21)
composer:
Manuel de Falla (Spanish composer) (track 5)
Enrique Granados (composer) (track 4)
George Frideric Handel (German‐British baroque composer) (1741) (track 24)
Wolfgang Amadeus Mozart (classical composer) (1785 – 1785-03-09) (track 16)
Ludwig van Beethoven (1808 – 1810) (track 13)
Richard Wagner (composer) (1845) (track 21)
Richard Wagner (composer) (1854 – 1856) (track 11)
Camille Saint‐Saëns (1874) (track 9)
Richard Strauss (German composer) (1896) (track 1)
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (1942) (tracks 3, 3)
conductor:
Charles Gerhardt (conductor) (track 16)
orchestra:
Philharmonic Symphony of London (track 16)
publisher:
Schott Music International (publisher; do not use as label) (track 11)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 40) (track 9)
Kinsky catalogue (Beethoven WoO works) (number: WoO 59) (track 13)
Köchelverzeichnis (original numbering) (number: 467) (track 16)
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 467) (track 16)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance (track 3)
arrangements:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (for cello and piano, Casals) (track 4)
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (for violin and piano, Kreisler) (track 4)
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (catch-all for arrangements) (track 4)
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (for cello and piano, Calvo) (track 4)
Aus Richard Wagner’s “Der Ring des Nibelungen”: 4. Der Ritt der Walküren (for piano, Brassin) (track 11)
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (catch-all for arrangements) (track 13)
Concerto for Piano no. 21 in C major, K. 467 (catch-all for arrangements) (track 16)
Concerto for Piano no. 21 in C major, K. 467 (for flute, violin, cello and piano, Cramer - Munich 1836) (track 16)
Concerto for Piano no. 21 in C major, K. 467 (for flute, violin, cello and piano, Cramer - London 1827) (track 16)
Danse Macabre, op. 40 (catch-all for arrangements) (track 9)
Danse macabre, S. 555, R. 240 (for piano, Liszt) (track 9)
Danse macabre, op 40 (for Brass Quintet / David Marlatt) (track 9)
Danse macabre, op. 40 (arr. for organ / Edwin Lemare) (track 9)
Danza ritual del fuego (for cello and piano, Piatigorsky) (track 5)
Die Walküre: Der Ritt der Walküren (for piano solo, Stradal) (track 11)
Die Walküre: Walkürenritt (arr. Hutschenruyter) (track 11)
El amor brujo, G. 69: IV. Danza ritual del fuego (for piano solo) (track 5)
El amor brujo: VIII. Danza ritual del fuego (catch-all for arrangements) (track 5)
For Aleeza (Beethoven's "Für Elise" • an abridged arrangement) (track 13)
Gayane: Sabre Dance (for organ, Kiviniemi) (track 3)
Highly Strung (track 3)
Ride of the Valkyries (OpenBSD 5.6 theme) (track 11)
Ride of the Valkyries (for brass band, Owen) (track 11)
Ride of the Valkyries from “Die Walküre” (for organ, Lemare) (track 11)
The Grand Halleluiah in the Messiah (for two organists, Marsh) (track 24)
エリーゼのために (フォーバブルボウズ) (track 13)
is based on:
Danse macabre (song for voice and piano) (track 9)
is the basis for:
Cadenzas to Mozart’s Piano Concerto no. 21 in C (track 16)
Caprichos no. 11 (Abstractions of Granados): II. (Abstraction of Danza Española no. 5) (track 4)
Caprichos no. 12 (Abstractions of "El amor brujo" of Falla): IV. Abstractions of "Danza ritual del fuego" (track 5)
Danse Macabre: Remix (track 9)
La andaluza (track 4)
Organ improvisation on Wagner’s “Ride of the Valkyries” (track 11)
Passion Flower (track 13)
Più delle valchirie (Il mio nome è Nessuno) (track 11)
Song Sung Blue (track 16)
Space Fantasy 2015: 1. Valse Triste - 2. Ride of the Valkyries - 3. Tannhäuser-Ouverture (track 11)
Technical Difficulties Part II (track 24)
The Hula Hoop (track 3)
The Three Kings and I (What Really Happened) (track 24)
イヴの誘惑 (track 13)
キッスは目にして! (track 13)
ワルキューレの騎行 (スーパーロボット大戦F) (track 11)
熱情的花朵 (track 13)
第六惑星「要星」のテーマ(フェイト・オブ・オクトパス) (Parodius) (track 11)
later parody versions:
The Hallelujah Patrol (track 24)
later versions:
Also sprach Zarathustra (2001) (arr. Deodato) (track 1)
D2 (track 9)
Der Messias: 32. Chor: Halleluja (track 24)
情熱の花 (PASSION FLOWER) (track 13)
給愛麗斯 (track 13)
orchestrations:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (for orchestra, Ferrer) (track 4)
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (orch. Wood) (track 4)
Tres danzas españolas: II. Andaluza (track 4)
part of:
Die Walküre: Act III, Scene I. Vorspiel “Hojotoho! Hojotoho! Heiaha! Heiaha!” (track 11)
Also sprach Zarathustra (op 30; TrV 176) (track 1)
12 danzas españolas, op. 37 (track 4)
Third Suite from the ballet “Gayaneh” for orchestra, op. 55 (track 3)
El amor brujo (for symphony orchestra) (track 5)
Messiah, HWV 56: Part II (track 24)
partial recording of:
Concerto for Piano no. 21 in C major, K. 467 (track 16)
parts:
Concerto for Piano no. 21 in C major, K. 467: I. Allegro (track 16)
Concerto for Piano no. 21 in C major, K. 467: II. Andante (track 16)
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (track 16)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (track 4)
Also sprach Zarathustra, op. 30: I. Einleitung (track 1)
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (track 13)
Danse Macabre, op. 40 (track 9)
Die Walküre: Walkürenritt (track 11)
El amor brujo: VIII. Danza ritual del fuego (track 5)
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (track 24)
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions) (track 3)
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance (track 3)
To the Evening Star, from Tannhäuser (track 21)
referred to in medleys:
Can’t Stop the Classics (track 3)
Can’t Stop the Classics, Part 2 (track 13)
Hooked on Classics, Part 3 (track 11)
Hooked on Classics, Parts 1 & 2 (track 24)
The Saints’ Hallelujah (track 24)
Alma Barca (track 4)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance (track 3)

CD 5

premiered in:
Moskva, Russia (1882-08-20) (track 25)
Liverpool, Merseyside, England, United Kingdom (1901-10-19) (track 24)
flute:
Edward Beckett (Classical flautist) (track 5)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (track 5)
Ronald Binge (British composer and arranger of light music) (track 1)
Marc‐Antoine Charpentier (composer) (track 15)
George Frideric Handel (German‐British baroque composer) (1748) (track 17)
Wolfgang Amadeus Mozart (classical composer) (1788 – 1788-07-25) (track 13)
Ludwig van Beethoven (1804 – 1808) (track 19)
Ludwig van Beethoven (1822 – 1824) (track 26)
Felix Mendelssohn (composer) (1842) (track 21)
Pyotr Ilyich Tchaikovsky (Tchaikovsky - Russian romantic composer) (1880-09 – 1880-11) (track 25)
Edward Elgar (composer) (1901) (track 24)
Сергей Сергеевич Прокофьев (Russian composer) (1936) (track 10)
conductor:
Charles Gerhardt (conductor) (tracks 5, 13)
librettist:
Friedrich Schiller (German poet and playwright) (track 26)
Сергей Сергеевич Прокофьев (Russian composer) (1936) (track 10)
orchestra:
London Symphony Orchestra (track 13)
National Philharmonic Orchestra (of London, mostly film music) (track 5)
publisher:
Sir Edward Elgar (dec’d) (composer) (track 24)
publisher:
Boosey & Co. Ltd. (track 24)
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft (track 17)
premiered at:
Nezlobin Theatre in Moskva, Russia (1936-05-02) (track 10)
part of:
The Tchaikovsky Handbook (number: TH 49) (track 25)
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) (track 25)
Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49) (track 25)
Works of Sergei Prokofiev by opus number (number: op. 67) (track 10)
arrangements:
1812 Ofarture (track 25)
1812 Overture (arranged for piano by Nacar) (track 25)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements) (track 5)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (for piano 4 hands, Reger) (track 5)
Peter and the Wolf, op. 67 (piano reduction by the composer) (track 10)
Peter and the Wolf, op. 67 (for piano, Nikolayeva) (track 10)
Peter and the Wolf, op. 67 (catch-all for arrangements) (track 10)
Pierre et le Loup et le Jazz (track 10)
Pomp and Circumstance Marches, op. 39: March no. 1 in D major (for organ, Lemare) (track 24)
Pomp and Circumstance Marches, op. 39: March no. 1 in D major (catch-all for arrangements) (track 24)
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (catch all for arrangements) (track 17)
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (chamber arr. by Hummel) (track 13)
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (catch-all for arrangements) (track 13)
Symphony no. 5 in C minor, S. 463a: I. Allegro con brio (for piano solo, Liszt) (track 19)
Symphony no. 5 in C minor, S. 464 no. 5: I. Allegro con brio (for piano solo, Liszt) (track 19)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (catch all for arrangements) (track 19)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (for brass, Frackenpohl) (track 19)
Symphony no. 9 in D minor, op. 125 “Choral”, S. 464 no. 9: IV. Presto – Allegro assai "Ode to Joy" (for piano, Liszt) (track 26)
Symphony no. 9 in D minor, op. 125, S. 657 “Choral”: IV. Finale. Presto (for two pianos, Liszt) (track 26)
The 5th (track 19)
The Arrival of the Queen of Sheba (arranged by Beecham) (track 17)
The Year 1812, Festival Overture in E-flat major (catch-all for arrangements) (track 25)
Wedding March from “A Midsummer Night’s Dream” (for organ, Woods) (track 21)
is based on:
An die Freude (track 26)
Боже, Царя храни! (track 25)
is the basis for:
1812 Overdrive (track 25)
1812 Overture (Stan LePard adaptation) (track 25)
A Beethoven Lullaby (Air on Ode to Joy) (track 26)
A Last Illusion (track 26)
Alle Menschen san ma zwider (track 26)
Beethoven’s New 9th (track 26)
Chou, I’m Gonna Marry You (track 21)
Coronation Ode, op. 44: VI. Finale: "Land of Hope and Glory" (contralto soloist, with chorus) (track 24)
Difficult to Cure (Beethoven’s Ninth) (track 26)
Euroopa hümn (track 26)
Here Comes the Broad (track 21)
Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum, S. 410 (track 21)
Ode an die Freude (track 26)
On the Fritz (Electronic derivative of Beethoven's 9th) (track 26)
Overture (track 26)
Peace Planet (track 5)
Symphony no. 9 in D minor “Ode to Joy” (excerpt) (Stan LePard adaptation) (track 26)
The Anthem of Europe (unknown English version) (track 26)
The Viking Song (track 24)
What Is Eternal (track 26)
エクストラステージのテーマ(スウィートエモーション) (Parodius) (track 19)
第六惑星「要星」のテーマ(フェイト・オブ・オクトパス) (Parodius) (track 19)
later parody versions:
Peter and the Wolf (Wendy Carlos/Weird Al version) (track 10)
later versions:
A Fifth of Beethoven (track 19)
Elisabeth Serenad (track 1)
March from A Clockwork Orange (Beethoven: Ninth Symphony: Fourth Movement, abridged) (track 26)
Shotgun Wedding March (track 21)
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto - Allegro assai (arranged by Mahler for large orchestra) (track 26)
This Is the End (Beethoven’s “Symphony no. 5”) (track 19)
地球交響曲－合唱－ (Hanjuku Hero 4: The 7 Hanjuku Heroes) (track 26)
orchestrations:
Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie (orch. Mahler) (track 5)
part of:
Solomon, HWV 67: Act III (track 17)
Pomp and Circumstance Military Marches, op. 39 (track 24)
Symphony no. 40 in G minor, K. 550 “Great” (2nd version) (movement) (track 13)
Symphony no. 5 in C minor, op. 67 (track 19)
Te Deum, H. 146 (track 15)
Symphony no. 9 in D minor, op. 125 “Choral” (movement) (track 26)
Ein Sommernachtstraum, op. 61 (track 21)
Orchestersuite Nr. 2 h-Moll, BWV 1067 (track 5)
partial recording of:
Peter and the Wolf, op. 67 (track 10)
Pomp and Circumstance Marches, op. 39: March no. 1 in D major (track 24)
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (track 13)
The Year 1812, Festival Overture in E-flat major, op. 49 (track 25)
parts:
Peter and the Wolf, op. 67: 1. Introduction (track 10)
Peter and the Wolf, op. 67: 2. The Story Begins (track 10)
Peter and the Wolf, op. 67: 3. The Bird (track 10)
Peter and the Wolf, op. 67: 4. The Duck; Dialogue With The Birds; Attack Of The Cat (track 10)
Peter and the Wolf, op. 67: 5. Grandfather (track 10)
Peter and the Wolf, op. 67: 6. The Wolf (track 10)
Peter and the Wolf, op. 67: 7. The Duck Is Caught (track 10)
Peter and the Wolf, op. 67: 8. The Wolf Stalks The Bird And Cat (track 10)
Peter and the Wolf, op. 67: 9. Peter Prepares To Catch The Wolf (track 10)
Peter and the Wolf, op. 67: 10. The Bird Diverts The Wolf (track 10)
Peter and the Wolf, op. 67: 11. Peter Catches The Wolf (track 10)
Peter and the Wolf, op. 67: 12. The Hunters Arrive (track 10)
Peter and the Wolf, op. 67: 13. The Procession To The Zoo (track 10)
recording of:
Ein Sommernachtstraum, op. 61 no. 7: Hochzeitsmarsch: Allegro vivace (track 21)
Elizabethan Serenade (track 1)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (track 5)
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (track 17)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (track 19)
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (track 26)
Te Deum, H. 146: Prélude (track 15)
referred to in medleys:
Hooked on Bach (track 5)
Hooked on Classics, Part 3 (tracks 17, 21)
Hooked on Classics, Parts 1 & 2 (track 25)
My Generation / Land of Hope and Glory (track 24)

CD 6

premiered in:
Helsinki, Uusimaa, Finland (1900-07-02) (track 13)
violin:
Patrice Fontanarosa (track 8)
brass:
St. Louis Brass Quintet (track 17)
arranger:
Charles‐François Gounod (French composer) (track 21)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (track 24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (track 17)
Hector Berlioz (composer) (track 6)
Johannes Brahms (track 3)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 25)
Wolfgang Amadeus Mozart (classical composer) (1791) (tracks 24, 24)
César Franck (Belgian-born French composer) (1860) (track 16)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1871-12 – 1872-01) (track 2)
Bedřich Smetana (composer) (1874-11-20 – 1874-12-08) (track 1)
Pablo de Sarasate (violinist and composer) (1878) (track 4)
Antonín Dvořák (composer) (1880-01 – 1880-02) (track 8)
Antonín Dvořák (composer) (1886-11 – 1887-01-05) (track 5)
Antonín Dvořák (composer) (1893-01-10 – 1893-05-24) (track 9)
Jules Massenet (French Romantic composer) (1894) (track 15)
Jean Sibelius (1899) (track 13)
Hugo Alfvén (composer and conductor) (1903) (track 12)
Albert Ketèlbey (English composer) (1915) (track 23)
conductor:
Douglas Gamley (track 8)
Charles Gerhardt (conductor) (tracks 2, 9, 13, 24–25)
Zdeněk Košler (conductor) (1988-03-19 – 1988-03-22) (track 5)
István Bogár (1988-03-21 – 1988-03-26) (track 3)
engineer:
István Berényi (engineer) (1988-03) (track 3)
lyricist:
St. Thomas Aquinas (track 16)
orchestra:
Budapest Symphony Orchestra (unspecified orchestra) (track 3)
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) (track 2)
London Symphony Orchestra (track 8)
National Philharmonic Orchestra (of London, mostly film music) (tracks 24–25)
Philharmonic Symphony of London (tracks 9, 13)
St. Louis Brass Quintet (track 17)
Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava) (1988-03-19 – 1988-03-22) (track 5)
Budapest Symphony Orchestra (a.k.a. Budapest Symphony) (1988-03-21 – 1988-03-26) (track 3)
orchestrator:
Martin Schmeling (track 3)
Leopold Stokowski (conductor) (track 2)
producer:
Günter Appenheimer (producer/engineer) (track 5)
Teije van Geest (engineer/producer) (track 5)
Jenő Simon (1988-03) (track 3)
revised by:
Jean Sibelius (1900) (track 13)
premiered at:
Konsertti (1900-07-02) (track 13)
[concert] (1887-01-06) (track 5)
publisher:
Breitkopf & Härtel (track 3)
Breitkopf & Härtel (1905) (track 13)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia (1988-03-19 – 1988-03-22) (track 5)
Instituto Italiano di Cultura in Budapest, Hungary (1988-03-21 – 1988-03-26) (track 3)
part of:
Works of Pablo de Sarasate by opus number (number: op. 20) (track 4)
B. number catalogue by František Bartoš (number: B. 111) (track 1)
Works of Jean Sibelius by opus number (number: op. 26) (track 13)
Köchelverzeichnis (original numbering) (number: 618) (track 24)
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 618) (track 24)
arrangement of:
Ave verum corpus, K. 618 (for chorus, string and organ) (track 24)
Gipsy Songs, op. 55: IV. Songs My Mother Taught Me (for voice and piano) (track 8)
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (track 17)
Zigeunerweisen, op. 20 (for violin and piano) (track 4)
arrangements:
Air de J.S. Bach (Suite in D) (for organ, Jongen) (track 25)
Air in D, BWV 1068 (arr. Heimer Sjöblom for organ) (track 25)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 25)
Air on the G String (for cello and orchestra, arr. Cullen) (track 25)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 25)
Ave verum corpus (for band, Buehlman) (track 24)
Ave verum corpus de Mozart, S. 461a (for piano solo, Liszt) (track 24)
Ave verum corpus de Mozart, S. 674d (for organ, Liszt) (track 24)
Cosmic Chorale (track 17)
Finlandia (Nightwish’s version) (track 13)
Finlandia, op. 26 (catch-all for arrangements) (track 13)
Finlandia, op. 26 (for organ, Fricker) (track 13)
Finlandia, op. 26 (for piano) (track 13)
Finlandia-hymni, op. 26 (for mixed choir, arr. Jorma Panula) (track 13)
Finlandia-hymni, op. 26 (for male choir) (track 13)
Finlandia-hymni, op. 26 (for mixed choir in A-flat major, arr. Jean Sibelius) (track 13)
Finlandia-hymni, op. 26 (for mixed choir in F major, arr. Jean Sibelius) (track 13)
G線上のゾンビ達のアリア (track 25)
Hymne de Finlandia, op. 26 no. 1 (for guitar, transcr. Unger) (track 13)
In a Monastery Garden (for organ, Ware) (track 23)
Largo (New World Symphony) (arr. Ellerby) (track 9)
Marche hongroise de “La damnation de Faust” (for organ, Büsser) (track 6)
Meditation from Thaïs (for violin and piano, arr. Marsick) (track 15)
Meditation from Thaïs (for trumpet and orchestra, arr. Nakariakov) (track 15)
Meditation from Thaïs (catch-all for arrangements) (track 15)
Meditation from Thaïs (for orchestra, arr. Cullen) (track 15)
Motet in D major, K. 618: "Ave verum corpus" (catch-all for arrangements) (track 24)
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (catch-all for arrangements) (track 1)
New World Symphony, mvt. II (arranged for piano by Nacar) (track 9)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 25)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 25)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 25)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 25)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 25)
Ouverture (Orchestral Suite) no. 3, BWV 1068: Aria (for organ, Isoir) (track 25)
Panis Angelicus (catch-all for arrangements) (track 16)
Rákóczi March from La Damnation de Faust (for organ, Best) (track 6)
Solo Amore (track 25)
Swedish Rhapsody no. 1, op. 19 "Midsommarvaka" (for piano duet) (track 12)
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (catch-all for arrangements) (track 9)
Vltava (for baritone and orchestra) (track 1)
Vltava, op. 43 (track 1)
is based on:
La Mantovana (track 1)
is the basis for:
A New World (track 9)
A Whiter Shade of Pale (track 25)
Bach Aire (track 25)
Be Still My Soul (track 13)
Evocation à la Chapelle Sixtine, S. 658 (for organ) (track 24)
Goin’ Home (track 9)
Gweddi Dros Gymru ("Dros Gymru'n gwlad, o Dad dyrchafwn gri" (Finlandia)) (track 13)
Is uwe lamp wel brandend? (track 1)
Ma rivière (track 1)
Más allá (track 9)
Orchestral Suite no. 3 in D major, BWV 1068: Air on the G String (arranged by M. Sargent) (track 25)
Rancho das flores (track 17)
Sweetest Love (track 25)
Vegli al mattino (track 13)
We Rest on Thee (track 13)
À la Chapelle Sixtine, S. 360 (for orchestra) (track 24)
À la Chapelle Sixtine, S. 461/1 (for solo piano, first version) (track 24)
À la Chapelle Sixtine, S. 461/2 (for solo piano, final version) (track 24)
À la Chapelle Sixtine, S. 633 (for piano four hands) (track 24)
タイスの瞑想曲 (track 15)
夕陽下 (track 9)
神様 見てよ (track 17)
later translated versions:
Panis angelicus / Leivästä enkelten (track 16)
later versions:
Going Home (Largo “From the New World”) (James Last pop arrangement) (track 9)
Negro Spiritual Melody (for violin and piano, Kreisler) (track 9)
O Lord Most Holy (track 16)
Sinfonía N.° 9, op. 95 “Nuevo mundo”: IV. Allegro con fuoco / II. Largo (track 9)
Swedish Rhapsody (Midsummer Vigil) (track 12)
遠き山に日は落ちて (track 9)
orchestration of:
Deux morceaux, op. 10: No. 2. Humoresque in G major (track 2)
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace (track 3)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 25)
Orchestral Suite no. 3 in D major, BWV 1068: Air (orch. Mahler) (track 25)
Panis Angelicus (orch. Stokowski) (track 16)
part of:
Hungarian Dances for orchestra (Schmeling orchestration) (track 3)
Neon Genesis Evangelion (track 25)
Thaïs: Acte II (track 15)
Má vlast, JB 1:112 (My Country / My Fatherland) (part of collection) (track 1)
Orchestersuite Nr. 3 D-Dur, BWV 1068 (track 25)
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (movement) (track 9)
La Damnation de Faust, op. 24: Première Partie (track 6)
Messe solennelle en la majeur, op. 12 (track 16)
Slawische Tänze, op. 72, B. 147 (for orchestra) (part of collection) (track 5)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (track 1)
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (track 9)
Zigeunerweisen, op. 20 (for violin and orchestra) (track 4)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (track 24)
Finlandia, op. 26 (for orchestra) (track 13)
Gipsy Songs, op. 55: IV. Songs My Mother Taught Me (catch-all for arrangements) (track 8)
Humoresque, op. 10 no. 2 (orch. Stokowski) (track 2)
In a Monastery Garden (track 23)
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Mans Desiring; catch-all for arrangements) (track 17)
La damnation de Faust, op. 24: Première Partie, scène 3. “Marche hongroise” (track 6)
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus (track 16)
Motet in D major, K. 618: "Ave verum corpus" (catch-all for arrangements) (track 24)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (track 25)
Swedish Rhapsody no. 1, op. 19 "Midsommarvaka" (track 12)
Thaïs: Acte II. Entr’acte “Méditation” (track 15)
Slavonic Dances, op. 72: No. 7 in C major: Allegro vivace (for orchestra) (1988-03-19 – 1988-03-22) (track 5)
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (orch. Schmeling) (1988-03-21 – 1988-03-26) (track 3)
referred to in medleys:
Can’t Stop the Classics, Part 2 (track 13)
Hooked on Classics, Part 3 (track 9)
Hooked on Romance (track 25)
Joy / Angels We Have Heard on High (track 17)
version of:
Sanomalehdistön päivien musiikki, op. 25/26: VII. Tableau 6. Finland Awakes (track 13)