Complete Cantatas, Volume 2

~ Release by Bach; The Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:20
2Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:24
3Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal"
alto vocals:
Kai Wessel (countertenor) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:44
4Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden"
alto vocals:
Kai Wessel (countertenor) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:33
5Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach1:59
6Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein"
tenor vocals:
Christoph Prégardien (tenor) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach3:47
7Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan"
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (in 1995-05)
lyricist:
Samuel Rodigast (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Breitkopf 389 Choralgesänge (number: 340)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:58
8Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": I. Sinfonia
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": I. Sinfonia (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
version of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": Appendix, I. Sinfonia
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
Johann Sebastian Bach3:26
9Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": II. Recitativo (Basso) "Gleichwie der Regen und Schnee"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": II. Recitativo (Basso) "Gleichwie der Regen und Schnee" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
Johann Sebastian Bach1:08
10Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": III. Recitativo (Tenore, Basso, Coro) "Mein Gott, hier wird mein Herze sein"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-05)
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
tenor vocals:
Christoph Prégardien (tenor) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": III. Recitativo (Tenore, Basso, Coro) "Mein Gott, hier wird mein Herze sein" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
Johann Sebastian Bach5:03
11Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": IV. Aria (Soprano) "Mein Seelenschatz ist Gottes Wort"
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": IV. Aria (Soprano) "Mein Seelenschatz ist Gottes Wort" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
Johann Sebastian Bach2:48
12Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Herr, aus Herzensgrund"
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" (in 1995-05)
lyricist:
Lazarus Spengler (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
librettist:
Salomon Franck
part of:
Breitkopf 389 Choralgesänge (number: 73)
version of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" Appendix,
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
Johann Sebastian Bach1:14
13Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland"
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach3:38
14Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen"
tenor vocals:
Christoph Prégardien (tenor) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:12
15Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche"
tenor vocals:
Christoph Prégardien (tenor) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach3:33
16Kantate, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitative (Basso) "Siehe, ich stehe vor der Tür"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür und klopfe an" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:53
17Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze"
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach4:22
18Kantate, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral "Amen"
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral "Amen, Amen" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:54
19Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt" (Appendix): I. Sinfonia
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": Appendix, I. Sinfonia (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
Johann Sebastian Bach3:31
20Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt" (Appendix): II. Chorale "Ich bitt, o Herr, aus Herzensgrund"
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" Appendix, (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
Johann Sebastian Bach1:09
▼ CD 2
#TitleArtistRatingLength
1Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten!": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten!"
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach3:53
2Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten!": II. Recitativo (Basso) "Wer mich liebet, der wird mein Wort halten"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach0:44
3Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten!": III. Aria (Basso) "Heiligste Dreieinigkeit"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach2:08
4Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten!": IV. Aria (Tenore) "O Seelenparadies"
tenor vocals:
Christoph Prégardien (tenor) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach4:06
5Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten!": V. Aria (Duetto: Soprano, Alto) "Komm, laß mich nicht länger warten"
alto vocals:
Kai Wessel (countertenor) (in 1995-05)
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach3:39
6Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten!": VI. Choral "Von Gott kömmt mir ein Freudenschein"
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 376)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach1:25
7Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten!": VII. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten!"
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach3:59
8Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": I. Aria (Soprano) "Bereitet die Wege, bereitet die Bahn"
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": I. Aria (Sopran) "Bereitet die Wege, bereitet die Bahn!" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach5:30
9Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": II. Recitativo (Tenore) "Willst du dich Gottes Kind und Christi Bruder nennen?"
tenor vocals:
Christoph Prégardien (tenor) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": II. Recitativo (Tenor) "Willst du dich Gottes Kind und Christi Bruder nennen" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach1:50
10Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": III. Aria (Basso) "Wer bist du? frage dein Gewissen"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": III. Aria (Bass) "Wer bist du? Frage dein Gewissen" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach3:01
11Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": IV. Recitativo (Alto) "Ich will, mein Gott, dir frei heraus bekennen"
alto vocals:
Kai Wessel (countertenor) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": IV. Recitativo (Alt) "Ich will, mein Gott, dir frei heraus bekennen" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach1:33
12Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": V. Aria (Alto) "Christi Glieder, ach bedenket"
alto vocals:
Kai Wessel (countertenor) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": V. Aria (Alt) "Christi Glieder, ach bedenket" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach3:23
13Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": VI. Chorale "Ertöt uns durch dein Güte"
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": VI. Choral "Ertöt uns durch dein Güte" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach0:56
14Kantate, BWV 182 "Himmelskönig, sei willkommen": I. Sonata (Concerto: Grave, Adagio)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": I. Sonata (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach2:02
15Kantate, BWV 182 "Himmelskönig, sei willkommen": II. Coro "Himmelskönig, sei willkommen"
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": II. Coro "Himmelskönig, sei willkommen" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach3:00
16Kantate, BWV 182 "Himmelskönig, sei willkommen": III. Recitativo (Basso) "Siehe, siehe, ich komme"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": III. Recitativo (Bass) "Siehe, ich komme" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach0:31
17Kantate, BWV 182 "Himmelskönig, sei willkommen": IV. Aria (Basso) "Starkes Leben"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": IV. Aria (Bass) "Starkes Lieben" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach2:35
18Kantate, BWV 182 "Himmelskönig, sei willkommen": V. Aria (Alto) "Leget euch dem Heiland unter"
alto vocals:
Kai Wessel (countertenor) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": V. Aria (Alt) "Leget euch dem Heiland unter" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach6:37
19Kantate, BWV 182 "Himmelskönig, sei willkommen": VI. Aria (Tenore) "Jesu, laß durch Wohl und Weh"
tenor vocals:
Christoph Prégardien (tenor) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": VI. Aria (Tenor) "Jesus, laß durch Wohl und Weh" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach3:40
20Kantate, BWV 182 "Himmelskönig, sei willkommen": VII. Choral "Jesu, deine Passion"
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": VII. Choral "Jesu, deine Passion" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Paul Stockmann (in 1633)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: VII. Choral "Jesu, deine Passion"
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach2:30
21Kantate, BWV 182 "Himmelskönig, sei willkommen": VIII. Coro "So lasset uns gehen in Salem"
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": VIII. Coro "So lasset uns gehen in Salem der Freuden" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach3:53
22Kantate, BWV 182 "Himmelskönig, sei willkommen" (Appendix): I. Sonata (Concerto: Grave, Adagio)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
Johann Sebastian Bach2:08
23Kantate, BWV 182 "Himmelskönig, sei willkommen" (Appendix): VII. Choral "Jesu, deine Passion"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: VII. Choral "Jesu, deine Passion" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
Johann Sebastian Bach2:38
▼ CD 3
#TitleArtistRatingLength
1Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Concerto
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach3:15
2Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach2:42
3Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach1:42
4Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Soprano) "Stein, der über alle Schätze"
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach3:42
5Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Basso) "Er ärgre sich die kluge Welt"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Bass) "Es ärgre sich die kluge Welt" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach1:22
6Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-05)
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?" (in 1995-05)
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach4:25
7Kantate, BWV 199 "Mein Herze schwimmt im Blut": I. Recitativo (Soprano) "Mein Herze schwimmt im Blut"
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": I. Recitativo "Mein Herze schwimmt im Blut" (in 1995-05)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach1:54
8Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria e Recitativo (Soprano) "Stumme Seufzer, stille Klagen"
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen" (in 1995-05)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach6:37
9Kantate, BWV 199 "Mein Herze schwimmt im Blut": III. Recitativo (Soprano) "Doch Gott muß mir genädig sein"
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": III. Recitativo "Doch Gott muß mir gnädig sein" (in 1995-05)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach1:04
10Kantate, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria (Soprano) "Tief gebückt und voller Reue"
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria "Tief gebückt und voller Reue" (in 1995-05)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach6:59
11Kantate, BWV 199 "Mein Herze schwimmt im Blut": V. Recitativo (Soprano) "Auf diese Schmerzensreu"
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": V. Recitativo "Auf diese Schmerzensreu" (in 1995-05)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach0:13
12Kantate, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral "Ich, dein betrübtes Kind"
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral "Ich, dein betrübtes Kind" (in 1995-05)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach1:39
13Kantate, BWV 199 "Mein Herze schwimmt im Blut": VII. Recitativo (Soprano) "Ich lege mich in diese Wunden"
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VII. Recitativo "Ich lege mich in diese Wunden" (in 1995-05)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach0:45
14Kantate, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria (Soprano) "Wie freudig ist mein Herz"
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria "Wie freudig ist mein Herz" (in 1995-05)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach2:17
15Kantate, BWV 203 "Amore traditore": I. Aria (Basso) "Amore traditore"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 203 "Amore traditore": I. Aria (Bass) "Amore traditore" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 203 "Amore traditore"
Johann Sebastian Bach6:07
16Kantate, BWV 203 "Amore traditore": II. Recitativo (Basso) "Voglio provar"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 203 "Amore traditore": II. Recitativo (Bass) "Voglio provar" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 203 "Amore traditore"
Johann Sebastian Bach0:42
17Kantate, BWV 203 "Amore traditore": III. Aria (Basso) "Chi in amore ha nemica la sorte"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 203 "Amore traditore": III. Aria (Bass) "Chi in amore ha nemica la sorte" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 203 "Amore traditore"
Johann Sebastian Bach6:28
18Quodlibet, BWV 524 "Hochzeits-Quodlibet"
alto vocals:
Kai Wessel (countertenor) (in 1995-05)
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-05)
soprano vocals:
Barbara Schlick (soprano) (in 1995-05)
tenor vocals:
Christoph Prégardien (tenor) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Quodlibet, BWV 524 (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Bach-Werke-Verzeichnis (number: BWV 524)
Johann Sebastian Bach9:21

Credits

Release group

part of:Complete Cantatas (Ton Koopmans complete Bach Cantatas for Erato) (order: 1)