Up to Date (LP content with bonus tracks)

~ Release by Earl Hines (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Linger Awhile
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
instrumental recording of:
Linger Awhile (in 1964-11)
lyricist:
Harry Owens
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader) and Paul Whiteman
2:07
2Wrap Your Troubles in Dreams
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
instrumental recording of:
Wrap Your Troubles in Dreams (in 1964-11)
lyricist:
Ted Koehler (in 1931) and Billy Moll (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Ted Koehler Music Co.
3:01
3It's a Pity to Say Goodnight
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
instrumental recording of:
It’s a Pity to Say Goodnight (in 1964-11)
lyricist and composer:
Billy Reid (UK orchestra leader and songwriter)
2:45
4I've Got the World on a String
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
instrumental recording of:
I’ve Got the World on a String (in 1964-11)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:23
5Sunday
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
instrumental recording of:
Sunday (famously sung by Frank Sinatra & others) (in 1964-11)
writer:
Chester Conn (until 1926), Benny Krueger (jazz saxophonist) (until 1926), Ned Miller (Nathan "Ned" Miller) (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd.
2:01
6It Had to Be You
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
instrumental recording of:
It Had to Be You (in 1964-11)
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
6:52
7A Cottage for Sale
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
instrumental recording of:
A Cottage for Sale (in 1964-11)
lyricist:
Larry Conley (jazz bandleader/songwriter/trombonist)
composer:
Willard Robison
publisher:
Chappell & Co.
3:22
8Father's Freeway
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
2:52
9The Man With the Horn
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
3:38
10But Not for Me
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
instrumental recording of:
But Not for Me (in 1964-11)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:22
11Everything Depends on You
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
instrumental recording of:
Everything Depends on You (in 1964-11)
writer:
Charles Carpenter, Louis Dunlap and Earl Hines (jazz pianist and bandleader)
2:15
12The Hour of Parting
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
instrumental recording of:
The Hour of Parting (in 1964-11)
lyricist:
Gus Kahn
composer:
Mischa Spoliansky (composer)
3:52
13Linger Awhile (alt take)
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
instrumental recording of:
Linger Awhile (in 1964-11)
lyricist:
Harry Owens
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader) and Paul Whiteman
2:13
14Wrap Your Troubles in Dreams (alt take)
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
instrumental recording of:
Wrap Your Troubles in Dreams (in 1964-11)
lyricist:
Ted Koehler (in 1931) and Billy Moll (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Ted Koehler Music Co.
3:38
15It's a Pity to Say Goodnight (alt take)
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
instrumental recording of:
It’s a Pity to Say Goodnight (in 1964-11)
lyricist and composer:
Billy Reid (UK orchestra leader and songwriter)
2:49
16Sunday (alt take)
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
instrumental recording of:
Sunday (famously sung by Frank Sinatra & others) (in 1964-11)
writer:
Chester Conn (until 1926), Benny Krueger (jazz saxophonist) (until 1926), Ned Miller (Nathan "Ned" Miller) (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd.
2:07
17A Cottage for Sale (alt take)
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
instrumental recording of:
A Cottage for Sale (in 1964-11)
lyricist:
Larry Conley (jazz bandleader/songwriter/trombonist)
composer:
Willard Robison
publisher:
Chappell & Co.
4:04
18The Hour of Parting (alt take)
engineer:
Bob Simpson (US jazz engineer/producer) (in 1964-11)
producer:
Brad McCuen (producer) (in 1964-11)
bass:
Aaron Bell (jazz double bassist) (in 1964-11)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (in 1964-11)
piano:
Earl Hines (jazz pianist and bandleader) (in 1964-11)
tenor saxophone:
Budd Johnson (in 1964-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (in 1964-11)
instrumental recording of:
The Hour of Parting (in 1964-11)
lyricist:
Gus Kahn
composer:
Mischa Spoliansky (composer)
3:59