Complete Recordings on Deutsche Grammophon (box 6: 1973-1975)

~ Release by Herbert von Karajan (see all versions of this release, 11 available)

Tracklist

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▼ CD 103
#TitleArtistRatingLength
1Also sprach Zarathustra, op. 30: Einleitung
producer:
Hans Weber (producer/engineer)
violin:
Michel Schwalbé (Polish violinist) (from 1973-01-26 until 1973-03-06)
orchestra:
Berliner Philharmoniker (from 1973-01-26 until 1973-03-06)
conductor:
Herbert von Karajan (conductor) (from 1973-01-26 until 1973-03-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-01-06 until 1973-03-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-01-26 until 1973-03-06)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (from 1973-01-26 until 1973-03-06)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss1:50
2Also sprach Zarathustra, op. 30: Von den Hinterweltlern
producer:
Hans Weber (producer/engineer)
violin:
Michel Schwalbé (Polish violinist)
orchestra:
Berliner Philharmoniker (from 1973-01-26 until 1973-03-06)
conductor:
Herbert von Karajan (conductor) (from 1973-01-26 until 1973-03-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-01-06 until 1973-03-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-01-26 until 1973-03-06)
recording of:
Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern (from 1973-01-26 until 1973-03-06)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss3:29
3Also sprach Zarathustra, op. 30: Von der grossen Sehnsucht
producer:
Hans Weber (producer/engineer)
violin:
Michel Schwalbé (Polish violinist)
orchestra:
Berliner Philharmoniker (from 1973-01-26 until 1973-03-06)
conductor:
Herbert von Karajan (conductor) (from 1973-01-26 until 1973-03-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-01-06 until 1973-03-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-01-26 until 1973-03-06)
recording of:
Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht (from 1973-01-26 until 1973-03-06)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss2:07
4Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften
producer:
Hans Weber (producer/engineer)
violin:
Michel Schwalbé (Polish violinist)
orchestra:
Berliner Philharmoniker (from 1973-01-26 until 1973-03-06)
conductor:
Herbert von Karajan (conductor) (from 1973-01-26 until 1973-03-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-01-06 until 1973-03-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-01-26 until 1973-03-06)
recording of:
Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften (from 1973-01-26 until 1973-03-06)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss2:05
5Also sprach Zarathustra, op. 30: Das Grablied
producer:
Hans Weber (producer/engineer)
solo violin:
Michel Schwalbé (Polish violinist) (from 1973-01-26 until 1973-03-06)
orchestra:
Berliner Philharmoniker (from 1973-01-26 until 1973-03-06)
conductor:
Herbert von Karajan (conductor) (from 1973-01-26 until 1973-03-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-01-06 until 1973-03-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-01-26 until 1973-03-06)
recording of:
Also sprach Zarathustra, op. 30: V. Das Grablied (from 1973-01-26 until 1973-03-06)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss2:43
6Also sprach Zarathustra, op. 30: Von der Wissenschaft
producer:
Hans Weber (producer/engineer)
violin:
Michel Schwalbé (Polish violinist)
orchestra:
Berliner Philharmoniker (from 1973-01-26 until 1973-03-06)
conductor:
Herbert von Karajan (conductor) (from 1973-01-26 until 1973-03-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-01-06 until 1973-03-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-01-26 until 1973-03-06)
recording of:
Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft (from 1973-01-26 until 1973-03-06)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss4:32
7Also sprach Zarathustra, op. 30: Der Genesende
producer:
Hans Weber (producer/engineer)
violin:
Michel Schwalbé (Polish violinist)
orchestra:
Berliner Philharmoniker (from 1973-01-26 until 1973-03-06)
conductor:
Herbert von Karajan (conductor) (from 1973-01-26 until 1973-03-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-01-06 until 1973-03-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-01-26 until 1973-03-06)
recording of:
Also sprach Zarathustra, op. 30: VII. Der Genesende (from 1973-01-06 until 1973-03-06)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss5:15
8Also sprach Zarathustra, op. 30: Das Tanzlied
producer:
Hans Weber (producer/engineer)
solo violin:
Michel Schwalbé (Polish violinist) (from 1973-01-26 until 1973-03-06)
orchestra:
Berliner Philharmoniker (from 1973-01-26 until 1973-03-06)
conductor:
Herbert von Karajan (conductor) (from 1973-01-26 until 1973-03-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-01-06 until 1973-03-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-01-26 until 1973-03-06)
recording of:
Also sprach Zarathustra, op. 30: VIII. Das Tanzlied (from 1973-01-26 until 1973-03-06)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss8:00
9Also sprach Zarathustra, op. 30: Das Nachtwandlerlied
producer:
Hans Weber (producer/engineer)
violin:
Michel Schwalbé (Polish violinist)
orchestra:
Berliner Philharmoniker (from 1973-01-26 until 1973-03-06)
conductor:
Herbert von Karajan (conductor) (from 1973-01-26 until 1973-03-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-01-06 until 1973-03-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-01-26 until 1973-03-06)
recording of:
Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied (from 1973-01-06 until 1973-03-06)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss5:10
10Vier letzte Lieder, AV 150: I. Frühling
recording engineer:
Volker Martin
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
soprano vocals:
Gundula Janowitz (soprano) (from 1973-02-13 until 1973-02-14)
orchestra:
Berliner Philharmoniker (from 1973-02-13 until 1973-02-14)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-14)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-14)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-14)
recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (from 1973-02-13 until 1973-02-14)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss4:05
11Vier letzte Lieder, AV 150: II. September
recording engineer:
Volker Martin
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (from 1973-02-13 until 1973-02-14)
orchestra:
Berliner Philharmoniker (from 1973-02-13 until 1973-02-14)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-14)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-14)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-14)
recording of:
Vier letzte Lieder, AV 150: II. „September“ (from 1973-02-13 until 1973-02-14)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-09-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss4:54
12Vier letzte Lieder, AV 150: III. Beim Schlafengehen
recording engineer:
Volker Martin
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (from 1973-02-13 until 1973-02-14)
orchestra:
Berliner Philharmoniker (from 1973-02-13 until 1973-02-14)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-14)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-14)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-14)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (from 1973-02-13 until 1973-02-14)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss6:18
13Vier letzte Lieder, AV 150: IV. Im Abendrot
recording engineer:
Volker Martin
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (from 1973-02-13 until 1973-02-14)
orchestra:
Berliner Philharmoniker (from 1973-02-13 until 1973-02-14)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-14)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-14)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-14)
recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (from 1973-02-13 until 1973-02-14)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (German composer) (on 1948-05-06)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss7:04
▼ CD 104
#TitleArtistRatingLength
1Symphonie Nr. 5 cis-moll: I. Satz: Trauermarsch (In genessenem Schritt, Streng, wie ein Kondukt-Plötzich schneller, Leidenschaftlich, Wild - Tempo I)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-02-13 until 1973-02-16)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-16)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-16)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-16)
recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (from 1973-02-13 until 1973-02-16)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler13:05
2Symphonie Nr. 5 cis-moll: II. Satz: Stürmich bewegt. Mit größter Vehemenz
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-02-13 until 1973-02-16)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-16)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-16)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-16)
recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (from 1973-02-13 until 1973-02-16)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler15:12
3Symphonie Nr. 5 cis-moll: III. Satz: Scherzo (Kräftig, nicht zu schnell)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-02-13 until 1973-02-16)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-16)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-16)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-16)
recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (from 1973-02-13 until 1973-02-16)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler18:10
4Symphonie Nr. 5 cis-moll: IV. Satz: Adagietto (Sehr langsam)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-02-13 until 1973-02-16)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-16)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-16)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-16)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 1973-02-13 until 1973-02-16)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler11:53
5Symphonie Nr. 5 cis-moll: V. Satz: Rondo-Finale (Allegro - Allegro giocoso, Frisch)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-02-13 until 1973-02-16)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-16)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-16)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-16)
recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (from 1973-02-13 until 1973-02-16)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler15:25
▼ CD 105
#TitleArtistRatingLength
1Yorck'scher Marsch
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
wind instruments:
Berlin Philharmonic Wind Ensemble
orchestra:
Berliner Philharmonisches Bläserensemble and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
March for Military Band in F major, WoO 18 (from 1973-03-02 until 1973-03-08)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 18)
part of:
2 Marches for Military Band, WoO 18-19
Ludwig van Beethoven2:32
2Torgauer Marsch
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Torgauer Marsch (from 1973-03-02 until 1973-03-08)
composer:
[anonymous] (special purpose artist)
[anonymous]3:09
3O du mein Österreich
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
O du mein Österreich (from 1973-03-02 until 1973-03-08)
composer:
Franz von Suppè (composer) (in 1849) and Ferdinand Preis (in 1852)
version of:
O du mein Österreich
Ferdinand Preis2:10
4Unter dem Grillenbanner
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Unter dem Grillenbanner (from 1973-03-02 until 1973-03-08)
composer:
Wilhelm Lindemann
Wilhelm Lindemann2:43
5Des Großen Kurfürsten Reitermarsch
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Des Großen Kurfürsten Reitermarsch (from 1973-03-02 until 1973-03-08)
composer:
Kuno von Moltke (in 1892)
Kuno Graf von Moltke3:04
6Pariser Einzugmarsch
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Pariser Einzugmarsch (from 1973-03-02 until 1973-03-08)
composer:
Johann Heinrich Walch
Johann Heinrich Walch2:07
7Unter dem Doppeladler
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Unter dem Doppeladler, op. 159 (from 1973-03-02 until 1973-03-08)
composer:
J. F. Wagner (in 1893)
Josef Franz Wagner3:26
8Mir sein die Kaiserjäger
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Mir sein die Kaiserjäger (from 1973-03-02 until 1973-03-08)
composer:
Karl Mühlberger (military band conductor/composer)
Karl Mühlberger2:30
9Florentiner Marsch
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Florentiner Marsch, op. 214 (from 1973-03-02 until 1973-03-08)
composed in:
Budapest, Hungary (on 1907-09-15)
composer:
Julius Fučík (Czech composer) (on 1907-09-15)
Julius Fučík5:24
10Marsch der Finnländischen Reiterei
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Marsch der Finnländischen Reiterei (from 1973-03-02 until 1973-03-08)
composer:
[anonymous] (special purpose artist)
[anonymous]3:04
11Königgrätzer Marsch
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Königgrätzer Marsch (from 1973-03-02 until 1973-03-08)
composer:
Johann Gottfried Piefke
Johann Gottfried Piefke2:26
12Die Regimentskinder
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Die Regimentskinder, op. 169 (from 1973-03-02 until 1973-03-08)
composed in:
Budapest, Hungary (on 1905-11-14)
composer:
Julius Fučík (Czech composer) (on 1905-11-14)
Julius Fučík3:17
13Wien bleibt Wien
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Wien bleibt Wien (from 1973-03-02 until 1973-03-08)
composer:
Johann Schrammel
Johann Schrammel3:03
14Kreuzritter-Fanfare
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
arranger:
Hermann Männeke
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Kreuzritter-Fanfare (from 1973-03-02 until 1973-03-08)
composer:
Richard Henrion
Richard Henrion2:22
15Petersburger Marsch
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Petersburger Marsch (from 1973-03-02 until 1973-03-08)
composer:
[anonymous] (special purpose artist)
[anonymous]2:20
▼ CD 106
#TitleArtistRatingLength
1Fehrbelliner Reitermarsch
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Fehrbelliner Reitermarsch
composer:
Richard Henrion (in 1893)
Richard Henrion2:29
2Pappenheimer-Marsch
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
[anonymous]1:23
3Hoch-und Deutschmeister-Marsch
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Hoch- und Deutschmeister Marsch
composer:
Dominik Ertl
Dominik Ertl2:30
4Vindobona-Marsch
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Vindobona-Marsch
composer:
Karel Komzák II
Karel Komzák2:32
5Hohenfriedberger Marsch
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Hohenfriedberger Marsch
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
Friedrich II von Preußen1:27
6Erhenzog-Albrecht-Marsch
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Erzherzog Albrecht Marsch
composer:
Hermann Josef Schneider
recording of:
Erzherzog-Albrecht-Marsch, op. 136
composer:
Karel Komzák II
Karel Komzák2:45
7Tiroler Holzhackerbuab'n
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Tiroler Holzhackerbuab'n
composer:
Josef Franz Wagner
Josef Franz Wagner3:05
8Preußen Gloria
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Preußens Gloria
composer:
Johann Gottfried Piefke (in 1871)
Johann Gottfried Piefke1:42
9Coburger Marsch
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Coburger Marsch (from 1973-03-02 until 1973-03-08)
composer:
[anonymous] (special purpose artist)
[anonymous]3:28
10Kärntnerlieder-Marsch
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Kärntnerlieder-Marsch (from 1973-03-02 until 1973-03-08)
composer:
Anton Seifert
Anton Seifert2:34
11Die Bosniaken kommen
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Die Bosniaken kommen (from 1973-03-02 until 1973-03-08)
composer:
Eduard Wagnes
Eduard Wagnes2:24
12Fridericus-Rex-Grenadiermarsch
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Fridericus-Rex-Grenadiermarsch
composer:
Ferdinand Radeck
publisher:
Bote & Bock
Ferdinand Radeck2:43
13Alte Kameraden
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Alte Kameraden
composer:
Carl Teike (in 1889)
publisher:
Edition Eurocord
Carl Teike4:29
14Einzugsmarsch aus "Der Zigeunerbaron"
producer:
Hans Weber (producer/engineer)
orchestra:
Bläser der Berliner Philharmoniker and Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
arranger:
Max Villinger
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Marsch aus dem Zigeunerbaron
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
Johann Strauss II2:57
15Nibelungenmarsch
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
arranger:
Max Villinger
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Nibelungenmarsch (from 1973-03-02 until 1973-03-08)
composer:
Gottfried Sonntag
Gottfried Sonntag3:32
▼ CD 107
#TitleArtistRatingLength
1Sechs Stücke für Orchester, op. 6: 1. Langsam
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (on 1973-03-03)
conductor:
Herbert von Karajan (conductor) (on 1973-03-03)
balance engineer:
Günter Hermanns (producer/engineer) (on 1973-03-03)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1973-03-03)
recording of:
Sechs Stücke für Orchester, op. 6: I. Langsam (1928 revision) (on 1973-03-03)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: I. Etwas bewegte Achtel (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (1928 revision)
Anton Webern51:09
2Sechs Stücke für Orchester, op. 6: 2. Bewegt
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (on 1973-03-03)
conductor:
Herbert von Karajan (conductor) (on 1973-03-03)
balance engineer:
Günter Hermanns (producer/engineer) (on 1973-03-03)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1973-03-03)
recording of:
Sechs Stücke für Orchester, op. 6: II. Bewegt (1928 revision) (on 1973-03-03)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: II. Bewegt (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (1928 revision)
Anton Webern51:32
3Sechs Stücke für Orchester, op. 6: 3. Mäßig
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (on 1973-03-03)
conductor:
Herbert von Karajan (conductor) (on 1973-03-03)
balance engineer:
Günter Hermanns (producer/engineer) (on 1973-03-03)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1973-03-03)
recording of:
Sechs Stücke für Orchester, op. 6: III. Mäßig (1928 revision) (on 1973-03-03)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: III. Zart bewegt (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (1928 revision)
Anton Webern51:02
4Sechs Stücke für Orchester, op. 6: 4. Sehr mäßig
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (on 1973-03-03)
conductor:
Herbert von Karajan (conductor) (on 1973-03-03)
balance engineer:
Günter Hermanns (producer/engineer) (on 1973-03-03)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1973-03-03)
recording of:
Sechs Stücke für Orchester, op. 6: IV. Sehr mäßig (1928 revision) (from 1973-03 until 1973-03-03)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: IV. Langsam (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (1928 revision)
Anton Webern54:20
5Sechs Stücke für Orchester, op. 6: 5. Sehr langsam
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (on 1973-03-03)
conductor:
Herbert von Karajan (conductor) (on 1973-03-03)
balance engineer:
Günter Hermanns (producer/engineer) (on 1973-03-03)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1973-03-03)
recording of:
Sechs Stücke für Orchester, op. 6: V. Sehr langsam (1928 revision) (on 1973-03-03)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: V. Sehr langsam (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (1928 revision)
Anton Webern52:52
6Sechs Stücke für Orchester, op. 6: 6. Langsam
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (on 1973-03-03)
conductor:
Herbert von Karajan (conductor) (on 1973-03-03)
balance engineer:
Günter Hermanns (producer/engineer) (on 1973-03-03)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1973-03-03)
recording of:
Sechs Stücke für Orchester, op. 6: VI. Langsam (1928 revision) (on 1973-03-03)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: VI. Zart bewegt (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (1928 revision)
Anton Webern52:12
7Konzert für Horn und Orchester Nr. 2 Es-dur, AV 132: 1. Allegro
producer:
Hans Weber (producer/engineer)
horn:
Norbert Hauptmann (horn player) (in 1973-03)
orchestra:
Berliner Philharmoniker (on 1973-03-08)
conductor:
Herbert von Karajan (conductor) (on 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (on 1973-03-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1973-03-08)
recording of:
Konzert für Horn und Orchester Nr. 2 Es-Dur, AV 132: I. Allegro (on 1973-03-08)
composer:
Richard Strauss (German composer) (in 1942)
part of:
Konzert für Horn und Orchester Nr. 2 Es-Dur, AV 132
Richard Strauss9:02
8Konzert für Horn und Orchester Nr. 2 Es-dur, AV 132: 2. Andante con moto
producer:
Hans Weber (producer/engineer)
horn:
Norbert Hauptmann (horn player) (in 1973-03)
orchestra:
Berliner Philharmoniker (on 1973-03-08)
conductor:
Herbert von Karajan (conductor) (on 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (on 1973-03-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1973-03-08)
recording of:
Konzert für Horn und Orchester Nr. 2 Es-Dur, AV 132: II. Andante con moto (on 1973-03-08)
composer:
Richard Strauss (German composer) (in 1942)
part of:
Konzert für Horn und Orchester Nr. 2 Es-Dur, AV 132
Richard Strauss5:37
9Konzert für Horn und Orchester Nr. 2 Es-dur, AV 132: 3. Rondo (Allegro molto)
producer:
Hans Weber (producer/engineer)
horn:
Norbert Hauptmann (horn player) (in 1973-03)
orchestra:
Berliner Philharmoniker (on 1973-03-08)
conductor:
Herbert von Karajan (conductor) (on 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (on 1973-03-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1973-03-08)
recording of:
Konzert für Horn und Orchester Nr. 2 Es-Dur, AV 132: III. Rondo (Allegro molto) (on 1973-03-08)
composer:
Richard Strauss (German composer) (in 1942)
part of:
Konzert für Horn und Orchester Nr. 2 Es-Dur, AV 132
Richard Strauss5:23
10Drei Stücke aus der "Lyrische Suite": 1. Andante amoroso
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-09-09 until 1973-12-06)
conductor:
Herbert von Karajan (conductor) (from 1973-09-09 until 1973-12-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-09 until 1973-12-06)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-09 until 1973-12-06)
recording of:
Lyrische Suite: I. Andante amoroso (for string orchestra) (from 1973-09-09 until 1973-12-06)
composer:
Alban Berg (composer) (from 1925 until 1926)
arranger:
Alban Berg (composer)
orchestration of:
Lyrische Suite: II. Andante amoroso
part of:
Lyrische Suite (for string orchestra)
recording of:
Lyrische Suite: II. Andante amoroso
composer:
Alban Berg (composer) (from 1925 until 1926)
part of:
Lyrische Suite
Alban Berg56:42
11Drei Stücke aus der "Lyrische Suite": 2. Allegro misterioso
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-09-09 until 1973-12-06)
conductor:
Herbert von Karajan (conductor) (from 1973-09-09 until 1973-12-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-09 until 1973-12-06)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-09 until 1973-12-06)
recording of:
Lyrische Suite: II. Allegro misterioso (for string orchestra) (from 1973-09-09 until 1973-12-06)
composer:
Alban Berg (composer) (from 1925 until 1926)
arranger:
Alban Berg (composer)
orchestration of:
Lyrische Suite: III. Allegro misterioso
part of:
Lyrische Suite (for string orchestra)
recording of:
Lyrische Suite: III. Allegro misterioso
composer:
Alban Berg (composer) (from 1925 until 1926)
part of:
Lyrische Suite
Alban Berg53:30
12Drei Stücke aus der "Lyrische Suite": 3. Adagio appassionato
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-09-09 until 1973-12-06)
conductor:
Herbert von Karajan (conductor) (from 1973-09-09 until 1973-12-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-09 until 1973-12-06)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-09 until 1973-12-06)
recording of:
Lyrische Suite: III. Adagio appassionato (for string orchestra) (from 1973-09-09 until 1973-12-06)
composer:
Alban Berg (composer) (from 1925 until 1926)
arranger:
Alban Berg (composer)
orchestration of:
Lyrische Suite: IV. Adagio appassionato
part of:
Lyrische Suite (for string orchestra)
recording of:
Lyrische Suite: IV. Adagio appassionato
composer:
Alban Berg (composer) (from 1925 until 1926)
part of:
Lyrische Suite
Alban Berg57:17
13Fünf Sätze, op. 5: 1. Heftig bewegt
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-11-19 until 1973-12-06)
conductor:
Herbert von Karajan (conductor) (from 1973-11-19 until 1973-12-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-11-19 until 1973-12-06)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-11-19 until 1973-12-06)
recording of:
Fünf Sätze for String Orchestra, op. 5: I. Heftig bewegt (from 1973-11-19 until 1973-12-06)
orchestrator:
Anton Webern (composer)
composer:
Anton Webern (composer) (in 1909)
orchestration of:
Five Movements for String Quartet, op. 5: I. Heftig bewegt
part of:
Fünf Sätze for String Orchestra, op. 5
Anton Webern52:42
14Fünf Sätze, op. 5: 2. Sehr langsam
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-11-19 until 1973-12-06)
conductor:
Herbert von Karajan (conductor) (from 1973-11-19 until 1973-12-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-11-19 until 1973-12-06)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-11-19 until 1973-12-06)
recording of:
Fünf Sätze for String Orchestra, op. 5: II. Sehr langsam (from 1973-11-19 until 1973-12-06)
orchestrator:
Anton Webern (composer)
composer:
Anton Webern (composer) (in 1909)
orchestration of:
Five Movements for String Quartet, op. 5: II. Sehr langsam
part of:
Fünf Sätze for String Orchestra, op. 5
Anton Webern52:05
15Fünf Sätze, op. 5: 3. Sehr lebhaft
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-11-19 until 1973-12-06)
conductor:
Herbert von Karajan (conductor) (from 1973-11-19 until 1973-12-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-11-19 until 1973-12-06)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-11-19 until 1973-12-06)
recording of:
Fünf Sätze for String Orchestra, op. 5: III. Sehr lebhaft (from 1973-11-19 until 1973-12-06)
orchestrator:
Anton Webern (composer)
composer:
Anton Webern (composer) (in 1909)
orchestration of:
Five Movements for String Quartet, op. 5: III. Sehr bewegt
part of:
Fünf Sätze for String Orchestra, op. 5
Anton Webern50:43
16Fünf Sätze, op. 5: 4. Sehr langsam
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-11-19 until 1973-12-06)
conductor:
Herbert von Karajan (conductor) (from 1973-11-19 until 1973-12-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-11-19 until 1973-12-06)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-11-19 until 1973-12-06)
recording of:
Fünf Sätze for String Orchestra, op. 5: IV. Sehr langsam (from 1973-11-19 until 1973-12-06)
orchestrator:
Anton Webern (composer)
composer:
Anton Webern (composer) (in 1909)
orchestration of:
Five Movements for String Quartet, op. 5: IV. Sehr langsam
part of:
Fünf Sätze for String Orchestra, op. 5
Anton Webern51:28
17Fünf Sätze, op. 5: 5. In zarter Bewegung
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-11-19 until 1973-12-06)
conductor:
Herbert von Karajan (conductor) (from 1973-11-19 until 1973-12-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-11-19 until 1973-12-06)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-11-19 until 1973-12-06)
recording of:
Fünf Sätze for String Orchestra, op. 5: V. In zarter Bewegung (from 1973-11-19 until 1973-12-06)
orchestrator:
Anton Webern (composer)
composer:
Anton Webern (composer) (in 1909)
orchestration of:
Five Movements for String Quartet, op. 5: V. In zarter Bewegung
part of:
Fünf Sätze for String Orchestra, op. 5
Anton Webern53:23
▼ CD 108
#TitleArtistRatingLength
1De temporum fine comoedia: I. Die Sibyllen. "Heis theós estin anarchos, hypermegéthaes, agénaetos"
producer:
Hans Weber (producer/engineer)
solo contralto vocals:
Gwendolyn Killebrew (contralto) (from 1973-07-16 until 1973-07-21)
solo mezzo-soprano vocals:
Heljä Angervo (mezzo-soprano) (from 1973-07-16 until 1973-07-21) and Glenys Linos (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo soprano vocals:
Kay Griffel (American soprano) (from 1973-07-16 until 1973-07-21), Colette Lorand (soprano) (from 1973-07-16 until 1973-07-21), Kari Lövaas (Norwegian soprano) (from 1973-07-16 until 1973-07-21), Jane Marsh (soprano) (from 1973-07-16 until 1973-07-21) and Anna Tomowa‐Sintow (soprano) (on 1973-07-21)
spoken vocals:
Sylvia Anderson (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: I. Die Sibyllen. "Heis theós estin anarchos, hypermegéthaes, agénaetos" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff7:09
2De temporum fine comoedia: I. Die Sibyllen. "Opse theü g'aléüsi myloi"
producer:
Hans Weber (producer/engineer)
solo contralto vocals:
Gwendolyn Killebrew (contralto) (from 1973-07-16 until 1973-07-21)
solo mezzo-soprano vocals:
Heljä Angervo (mezzo-soprano) (from 1973-07-16 until 1973-07-21) and Glenys Linos (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo soprano vocals:
Kay Griffel (American soprano) (from 1973-07-16 until 1973-07-21), Colette Lorand (soprano) (from 1973-07-16 until 1973-07-21), Kari Lövaas (Norwegian soprano) (from 1973-07-16 until 1973-07-21), Jane Marsh (soprano) (from 1973-07-16 until 1973-07-21) and Anna Tomowa‐Sintow (soprano) (on 1973-07-21)
spoken vocals:
Sylvia Anderson (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: I. Die Sibyllen. "Opse theü g'aléüsi myloi" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff3:18
3De temporum fine comoedia: I. Die Sibyllen. "Pasin homü nyx estin isae tois plüton echusin kai ptochois"
producer:
Hans Weber (producer/engineer)
solo contralto vocals:
Gwendolyn Killebrew (contralto) (from 1973-07-16 until 1973-07-21)
solo mezzo-soprano vocals:
Heljä Angervo (mezzo-soprano) (from 1973-07-16 until 1973-07-21) and Glenys Linos (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo soprano vocals:
Kay Griffel (American soprano) (from 1973-07-16 until 1973-07-21), Colette Lorand (soprano) (from 1973-07-16 until 1973-07-21), Kari Lövaas (Norwegian soprano) (from 1973-07-16 until 1973-07-21), Jane Marsh (soprano) (from 1973-07-16 until 1973-07-21) and Anna Tomowa‐Sintow (soprano) (on 1973-07-21)
spoken vocals:
Sylvia Anderson (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: I. Die Sibyllen. "Pasin homü nyx estin isae tois plüton echusin kai ptochois" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff8:49
4De temporum fine comoedia: I. Die Sibyllen. "Choneusó gar hapanta kai eis katharón dialéxo"
producer:
Hans Weber (producer/engineer)
solo contralto vocals:
Gwendolyn Killebrew (contralto) (from 1973-07-16 until 1973-07-21)
solo mezzo-soprano vocals:
Heljä Angervo (mezzo-soprano) (from 1973-07-16 until 1973-07-21) and Glenys Linos (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo soprano vocals:
Kay Griffel (American soprano) (from 1973-07-16 until 1973-07-21), Colette Lorand (soprano) (from 1973-07-16 until 1973-07-21), Kari Lövaas (Norwegian soprano) (from 1973-07-16 until 1973-07-21), Jane Marsh (soprano) (from 1973-07-16 until 1973-07-21) and Anna Tomowa‐Sintow (soprano) (on 1973-07-21)
spoken vocals:
Sylvia Anderson (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: I. Die Sibyllen. "Choneusó gar hapanta kai eis katharón dialéxo" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff3:01
5De temporum fine comoedia: I. Die Sibyllen. "Vae! Ibunt impii in gehennam ignis eterni"
producer:
Hans Weber (producer/engineer)
solo contralto vocals:
Gwendolyn Killebrew (contralto) (from 1973-07-16 until 1973-07-21)
solo mezzo-soprano vocals:
Heljä Angervo (mezzo-soprano) (from 1973-07-16 until 1973-07-21) and Glenys Linos (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo soprano vocals:
Kay Griffel (American soprano) (from 1973-07-16 until 1973-07-21), Colette Lorand (soprano) (from 1973-07-16 until 1973-07-21), Kari Lövaas (Norwegian soprano) (from 1973-07-16 until 1973-07-21), Jane Marsh (soprano) (from 1973-07-16 until 1973-07-21) and Anna Tomowa‐Sintow (soprano) (on 1973-07-21)
spoken vocals:
Sylvia Anderson (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: I. Die Sibyllen. "Vae! Ibunt impii in gehennam ignis eterni" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff0:58
6De temporum fine comoedia: II. Die Anachoreten. "Upote, maepote, maepu, maedépote... ignis eterni immensa tormenta"
producer:
Hans Weber (producer/engineer)
solo baritone vocals:
Wolfgang Anheisser (from 1973-07-16 until 1973-07-21), Hans Helm (baritone) (from 1973-07-16 until 1973-07-21) and Hermann Patzalt (German baritone) (from 1973-07-16 until 1973-07-21)
solo bass vocals:
Boris Carmeli (from 1973-07-16 until 1973-07-21) and Anton Diakov (Bulgarian operatic bass) (from 1973-07-16 until 1973-07-21)
solo bass-baritone vocals:
Siegfried Rudolf Frese (German operatic bass-baritone) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: II. Die Anachoreten. "Upote, maepote, maepu, maedépote... ignis eterni immensa tormenta" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff3:25
7De temporum fine comoedia: II. Die Anachoreten. "Unos solus Deus ab aeterno in aeternum"
producer:
Hans Weber (producer/engineer)
solo baritone vocals:
Wolfgang Anheisser (from 1973-07-16 until 1973-07-21), Hans Helm (baritone) (from 1973-07-16 until 1973-07-21) and Hermann Patzalt (German baritone) (from 1973-07-16 until 1973-07-21)
solo bass vocals:
Boris Carmeli (from 1973-07-16 until 1973-07-21) and Anton Diakov (Bulgarian operatic bass) (from 1973-07-16 until 1973-07-21)
solo bass-baritone vocals:
Siegfried Rudolf Frese (German operatic bass-baritone) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: II. Die Anachoreten. "Unos solus Deus ab aeterno in aeternum" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff2:35
8De temporum fine comoedia: II. Die Anachoreten. "Nicht Satanas... nicht Lucifer... damnatus nunquam condemnatus in aeternam"
producer:
Hans Weber (producer/engineer)
solo baritone vocals:
Wolfgang Anheisser (from 1973-07-16 until 1973-07-21), Hans Helm (baritone) (from 1973-07-16 until 1973-07-21) and Hermann Patzalt (German baritone) (from 1973-07-16 until 1973-07-21)
solo bass vocals:
Boris Carmeli (from 1973-07-16 until 1973-07-21) and Anton Diakov (Bulgarian operatic bass) (from 1973-07-16 until 1973-07-21)
solo bass-baritone vocals:
Siegfried Rudolf Frese (German operatic bass-baritone) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: II. Die Anachoreten. "Nicht Satanas... nicht Lucifer... damnatus nunquam condemnatus in aeternam" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff1:01
9De temporum fine comoedia: II. Die Anachoreten. "Mundus terrenus volvitur"
producer:
Hans Weber (producer/engineer)
solo baritone vocals:
Wolfgang Anheisser (from 1973-07-16 until 1973-07-21), Hans Helm (baritone) (from 1973-07-16 until 1973-07-21) and Hermann Patzalt (German baritone) (from 1973-07-16 until 1973-07-21)
solo bass vocals:
Boris Carmeli (from 1973-07-16 until 1973-07-21) and Anton Diakov (Bulgarian operatic bass) (from 1973-07-16 until 1973-07-21)
solo bass-baritone vocals:
Siegfried Rudolf Frese (German operatic bass-baritone) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: II. Die Anachoreten. "Mundus terrenus volvitur" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff4:12
10De temporum fine comoedia: II. Die Anachoreten. "Wann endet die Zeit?"
producer:
Hans Weber (producer/engineer)
solo baritone vocals:
Wolfgang Anheisser (from 1973-07-16 until 1973-07-21), Hans Helm (baritone) (from 1973-07-16 until 1973-07-21) and Hermann Patzalt (German baritone) (from 1973-07-16 until 1973-07-21)
solo bass vocals:
Boris Carmeli (from 1973-07-16 until 1973-07-21) and Anton Diakov (Bulgarian operatic bass) (from 1973-07-16 until 1973-07-21)
solo bass-baritone vocals:
Siegfried Rudolf Frese (German operatic bass-baritone) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: II. Die Anachoreten. "Wann endet die Zeit?" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff1:15
11De temporum fine comoedia: II. Die Anachoreten. "Gott, schenk uns Wahrsagung, Weissagung, Hellsicht im Traum. Gott, schenk uns den Traum"
producer:
Hans Weber (producer/engineer)
solo baritone vocals:
Wolfgang Anheisser (from 1973-07-16 until 1973-07-21), Hans Helm (baritone) (from 1973-07-16 until 1973-07-21) and Hermann Patzalt (German baritone) (from 1973-07-16 until 1973-07-21)
solo bass vocals:
Boris Carmeli (from 1973-07-16 until 1973-07-21) and Anton Diakov (Bulgarian operatic bass) (from 1973-07-16 until 1973-07-21)
solo bass-baritone vocals:
Siegfried Rudolf Frese (German operatic bass-baritone) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: II. Die Anachoreten. "Gott, schenk uns Wahrsagung, Weissagung, Hellsicht im Traum. Gott, schenk uns den Traum" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff4:00
12De temporum fine comoedia: III. Dies Illa. "Wo irren wir hin, verlosen, verlassen"
producer:
Hans Weber (producer/engineer)
bass vocals:
Josef Greindl (operatic bass) (from 1973-07-16 until 1973-07-21)
solo contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo tenor vocals:
Peter Schreier (German tenor and conductor) (from 1973-07-16 until 1973-07-21)
spoken vocals:
Rolf Boysen (German actor) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: III. "Dies Illa". "Wo irren wir hin, verlosen, verlassen" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff6:39
13De temporum fine comoedia: III. Dies Illa. "Kyrie" / "Serva nos, salva nos, eripe nos!"
producer:
Hans Weber (producer/engineer)
bass vocals:
Josef Greindl (operatic bass) (from 1973-07-16 until 1973-07-21)
solo contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo tenor vocals:
Peter Schreier (German tenor and conductor) (from 1973-07-16 until 1973-07-21)
spoken vocals:
Rolf Boysen (German actor) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: III. "Dies Illa". "Kyrie" / "Serva nos, salva nos, eripe nos!" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff1:24
14De temporum fine comoedia: III. Dies Illa. "Angor, timor, horror, terror ac pavor invadit omnes"
producer:
Hans Weber (producer/engineer)
bass vocals:
Josef Greindl (operatic bass) (from 1973-07-16 until 1973-07-21)
solo contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo tenor vocals:
Peter Schreier (German tenor and conductor) (from 1973-07-16 until 1973-07-21)
spoken vocals:
Rolf Boysen (German actor) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: III. "Dies Illa". "Angor, timor, horror, terror ac pavor invadit omnes" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff2:58
15De temporum fine comoedia: III. Dies Illa. "Omne genus daemoniorum caecorum, claudorum sive confusorum, attendite iussum meorum et vocationem verborum"
producer:
Hans Weber (producer/engineer)
bass vocals:
Josef Greindl (operatic bass) (from 1973-07-16 until 1973-07-21)
solo contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo tenor vocals:
Peter Schreier (German tenor and conductor) (from 1973-07-16 until 1973-07-21)
spoken vocals:
Rolf Boysen (German actor) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: III. "Dies Illa". "Omne genus daemoniorum caecorum, claudorum sive confusorum, attendite iussum meorum et vocationem verborum" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff1:35
16De temporum fine comoedia: III. Dies Illa. "Vae, Portae Inferi oculus aspicit nos tenebrarius tenebris"
producer:
Hans Weber (producer/engineer)
bass vocals:
Josef Greindl (operatic bass) (from 1973-07-16 until 1973-07-21)
solo contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo tenor vocals:
Peter Schreier (German tenor and conductor) (from 1973-07-16 until 1973-07-21)
spoken vocals:
Rolf Boysen (German actor) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: III. "Dies Illa". "Vae, Portae Inferi oculus aspicit nos tenebrarius tenebris" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff0:53
17De temporum fine comoedia: III. Dies Illa. "Pater peccavi"
producer:
Hans Weber (producer/engineer)
bass vocals:
Josef Greindl (operatic bass) (from 1973-07-16 until 1973-07-21)
solo contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo tenor vocals:
Peter Schreier (German tenor and conductor) (from 1973-07-16 until 1973-07-21)
spoken vocals:
Rolf Boysen (German actor) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: III. "Dies Illa". "Pater peccavi" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff4:35
18De temporum fine comoedia: III. Dies Illa. Con sublima spiritualità
producer:
Hans Weber (producer/engineer)
bass vocals:
Josef Greindl (operatic bass) (from 1973-07-16 until 1973-07-21)
solo contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo tenor vocals:
Peter Schreier (German tenor and conductor) (from 1973-07-16 until 1973-07-21)
spoken vocals:
Rolf Boysen (German actor) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: III. "Dies Illa". Con sublima spiritualità (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff4:51
▼ CD 109
#TitleArtistRatingLength
1Messe h-moll, BWV 232: Kyrie: Kyrie eleison
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach11:48
2Messe h-moll, BWV 232: Kyrie: Christe eleison
producer:
Hans Weber (producer/engineer)
soprano vocals [Soprano 2]:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
soprano vocals [Soprano I]:
Gundula Janowitz (soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:15
3Messe h-moll, BWV 232: Kyrie: Kyrie eleison
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:20
4Messe h-moll, BWV 232: Gloria: Gloria in excelsis Deo
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:55
5Messe h-moll, BWV 232: Gloria: Et in terra pax
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:03
6Messe h-moll, BWV 232: Gloria: Laudamus te
producer:
Hans Weber (producer/engineer)
soprano vocals [Soprano 2]:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:25
7Messe h-moll, BWV 232: Gloria: Gratias agimus tibi
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:45
8Messe h-moll, BWV 232: Gloria: Domine Deus
producer:
Hans Weber (producer/engineer)
soprano vocals [Soprano I]:
Gundula Janowitz (soprano) (from 1973-09-23 until 1974-01-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:11
9Messe h-moll, BWV 232: Gloria: Qui tollis pecca mundi
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:50
10Messe h-moll, BWV 232: Gloria: Qui sedes
producer:
Hans Weber (producer/engineer)
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:47
11Messe h-moll, BWV 232: Gloria: Quoiam tu solus Sanctus
producer:
Hans Weber (producer/engineer)
bass vocals:
Karl Ridderbusch (operatic bass) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:55
12Messe h-moll, BWV 232: Gloria: Cun Sancto Spiritu
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:13
▶ CD 110
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▶ CD 115
▶ CD 116
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▶ CD 119
▶ CD 120
▶ CD 121
▶ CD 122
▶ CD 123
▶ CD 124
▶ CD 125
▶ CD 126
▶ CD 127
▶ CD 128
▶ CD 129