Soul Español (Universal “Suburbia Suite Collection”)

~ Release by Oscar Peterson (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Mas que nada
bass:
Sam Jones (US jazz bassist) (from 1966-12-12 until 1966-12-14)
drums (drum set):
Louis Hayes (from 1966-12-12 until 1966-12-14)
percussion:
Harold Jones (jazz drummer) (from 1966-12-12 until 1966-12-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1966-12-12 until 1966-12-14)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (from 1966-12-12 until 1966-12-14)
instrumental recording of:
Mas, que nada! (in 1966-12)
lyricist and composer:
Jorge Ben Jor
2:28
2Manhã de carnaval
bass:
Sam Jones (US jazz bassist) (from 1966-12-12 until 1966-12-14)
drums (drum set):
Louis Hayes (from 1966-12-12 until 1966-12-14)
percussion:
Harold Jones (jazz drummer) (from 1966-12-12 until 1966-12-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1966-12-12 until 1966-12-14)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (from 1966-12-12 until 1966-12-14)
instrumental recording of:
Manhã de Carnaval (in 1966-12)
lyricist:
Antônio Maria
composer:
Luiz Bonfá
3:45
3Call Me
bass:
Sam Jones (US jazz bassist) (from 1966-12-12 until 1966-12-14)
drums (drum set):
Louis Hayes (from 1966-12-12 until 1966-12-14)
percussion:
Harold Jones (jazz drummer) (from 1966-12-12 until 1966-12-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1966-12-12 until 1966-12-14)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (from 1966-12-12 until 1966-12-14)
instrumental recording of:
Call Me (in 1966-12)
lyricist and composer:
Tony Hatch
publisher:
ATV Music Ltd., Duchess Music Corporation (BMI-affiliated) and Songs of Universal, Inc.
5:20
4How Insensitive
bass:
Sam Jones (US jazz bassist) (from 1966-12-12 until 1966-12-14)
drums (drum set):
Louis Hayes (from 1966-12-12 until 1966-12-14)
percussion:
Harold Jones (jazz drummer) (from 1966-12-12 until 1966-12-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1966-12-12 until 1966-12-14)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (from 1966-12-12 until 1966-12-14)
instrumental recording of:
How Insensitive (from 1966-12-12 until 1966-12-14)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Duchess Music Corporation (BMI-affiliated)
translated version of:
Insensatez
4:03
5Carioca
bass:
Sam Jones (US jazz bassist) (from 1966-12-12 until 1966-12-14)
drums (drum set):
Louis Hayes (from 1966-12-12 until 1966-12-14)
percussion:
Harold Jones (jazz drummer) (from 1966-12-12 until 1966-12-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1966-12-12 until 1966-12-14)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (from 1966-12-12 until 1966-12-14)
instrumental recording of:
Carioca (from "Flying Down to Rio")
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
part of:
The 7th Academy Award for Best Original Song (number: 2)
4:32
6Soulville Samba
bass:
Sam Jones (US jazz bassist) (from 1966-12-12 until 1966-12-14)
drums (drum set):
Louis Hayes (from 1966-12-12 until 1966-12-14)
percussion:
Harold Jones (jazz drummer) (from 1966-12-12 until 1966-12-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1966-12-12 until 1966-12-14)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (from 1966-12-12 until 1966-12-14)
2:25
7Amanhã (Tomorrow)
bass:
Sam Jones (US jazz bassist) (from 1966-12-12 until 1966-12-14)
drums (drum set):
Louis Hayes (from 1966-12-12 until 1966-12-14)
percussion:
Harold Jones (jazz drummer) (from 1966-12-12 until 1966-12-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1966-12-12 until 1966-12-14)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (from 1966-12-12 until 1966-12-14)
4:22
8Meditation
bass:
Sam Jones (US jazz bassist) (from 1966-12-12 until 1966-12-14)
drums (drum set):
Louis Hayes (from 1966-12-12 until 1966-12-14)
percussion:
Harold Jones (jazz drummer) (from 1966-12-12 until 1966-12-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1966-12-12 until 1966-12-14)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (from 1966-12-12 until 1966-12-14)
recording of:
Meditation (in 1966-12)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
additional translator:
Eddy Marnay
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), New Thunder Music Co., Songs of Universal, Inc. and 大洋音楽
translated version of:
Meditação
4:15
9Samba Sensitive
bass:
Sam Jones (US jazz bassist) (from 1966-12-12 until 1966-12-14)
drums (drum set):
Louis Hayes (from 1966-12-12 until 1966-12-14)
percussion:
Harold Jones (jazz drummer) (from 1966-12-12 until 1966-12-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1966-12-12 until 1966-12-14)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (from 1966-12-12 until 1966-12-14)
recording of:
Samba Sensitive
3:20
10Samba de Orfeu
bass:
Sam Jones (US jazz bassist) (from 1966-12-12 until 1966-12-14)
drums (drum set):
Louis Hayes (from 1966-12-12 until 1966-12-14)
percussion:
Harold Jones (jazz drummer) (from 1966-12-12 until 1966-12-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1966-12-12 until 1966-12-14)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (from 1966-12-12 until 1966-12-14)
instrumental recording of:
Samba de Orfeu (in 1966-12)
writer:
Luiz Bonfá and Antônio Maria
3:52