# | Title | Rating | Length |
---|
1 | Tuning Reference | | 0:37 |
2 | Chord Progressions | | 1:36 |
3 | Kumbaya | | 0:36 |
4 | Swing Low, Sweet Chariot | | 0:23 |
5 | Auld Lang Syne | | 0:40 |
6 | Michael, Row the Boat Ashore | | 0:21 |
7 | Simple Melody | | 0:13 |
8 | Little Brown Jug | | 0:15 |
9 | On Top of Old Smoky | | 0:22 |
10 | Swanee River (Old Folks at Home) | | 0:22 |
11 | Home on the Range | | 0:26 |
12 | All Through the Night | | 0:24 |
13 | Over the River and Through the Woods | | 0:25 |
14 | It's Raining, It's Pouring | | 0:23 |
15 | Oh, Susanna | | 0:18 |
16 | 12-Bar Blues Progression | | 0:46 |
17 | Permutation Exercises and C-Major Up-The-Neck Double-Stop Scale | | 0:28 |
18 | C-Major Across-The-Neck Double-Stop Scale | | 0:23 |
19 | Simple Gifts | | 0:22 |
20 | Turkey in the Straw | | 0:18 |
21 | Aura Lee | | 0:43 |
22 | The Streets of Laredo | | 0:29 |
23 | E-Based Progressions | | 1:07 |
24 | Christmas Song E-Based Progression | | 0:27 |
25 | A-Based Progressions | | 1:12 |
26 | Christmas Song A-Based Progression | | 0:26 |
27 | Power Chord Progressions | | 0:25 |
28 | We Wish You a Merry Christmas | | 0:27 |
29 | Power Play | | 0:22 |
30 | Hammer-Ons | | 0:54 |
31 | Single-Note Hammer-Ons From Open Strings | | 0:10 |
32 | Strumming a Chord While Hammering a Note | | 0:15 |
33 | Single-Note Hammer-Ons From Fretted Strings | | 0:09 |
34 | Double-Stop Hammer-Ons and Hammer-On From Nowhere | | 0:07 |
35 | Pull-Offs | | 0:47 |
36 | Single-Note Pull-Offs to Open Strings and Strumming a Chord While Pulling Off | | 0:21 |
37 | Slides | | 0:28 |
38 | Chuck Berry-Like Slides | | 0:07 |
39 | Changing Positions With Slides | | 0:10 |
40 | Bend and Release | | 0:19 |
41 | 3-String Bending Rock 'n' Roll Progression | | 0:09 |
42 | 2nd-String Bending in a Lead Lick | | 0:10 |
43 | Bend and Release in a Lead Lick | | 0:10 |
44 | Bending in Different Directions | | 0:08 |
45 | Intricate Bending Lick | | 0:08 |
46 | Double-Stop Bend and Release | | 0:11 |
47 | Vibrato | | 0:21 |
48 | Muting | | 0:16 |
49 | Syncopation Through Muting | | 0:09 |
50 | Palm Muting in a Hard-Rock Riff | | 0:14 |
51 | Palm Muting in a Country Riff | | 0:10 |
52 | Articulate Blues | | 0:27 |
53 | Chuck Berry Accompaniment Riff | | 0:25 |
54 | 12-Bar Blues Progression in A Using Double-Stops | | 0:54 |
55 | Box I Hammer-ons and Pull-offs | | 0:14 |
56 | Bending in Box I | | 0:14 |
57 | Double-Stop Bend in Box I | | 0:11 |
58 | Box I Solo | | 0:30 |
59 | Typical Box II Lick | | 0:11 |
60 | Typical Box III Lick | | 0:10 |
61 | 12-Bar Solo Using Boxes I, II and III | | 0:30 |
62 | Sus and Add Chord Progressions | | 0:29 |
63 | Slash Chord Progression | | 0:15 |
64 | Drop-D Tuning | | 0:20 |
65 | Typical Phase in Drop-D Tuning | | 0:14 |
66 | Southern-Rock Lead-Lick in A | | 0:14 |
67 | Chuck's Duck | | 0:28 |
68 | Southern Hospitality | | 0:39 |
69 | 12-Bar Blues Accompaniment | | 1:12 |
70 | 12-Bar Blues With Boogie-Woogie Riff | | 1:00 |
71 | Box IV Riff With Triplet Feel and Box V Lick With Slide to Box I | | 0:21 |
72 | Boxes I, II and IV Blues Licks | | 0:35 |
73 | Box I Blues Licks | | 0:19 |
74 | Riff Showing Typical Blues Phrasing | | 0:12 |
75 | Typical Blues Moves | | 0:38 |
76 | Steady Bass Notes With the E Blues Scale | | 0:12 |
77 | Repeated Motive at the Same and at Different Pitch | | 0:22 |
78 | Alternating and Combining | | 0:39 |
79 | Blues Turnarounds | | 0:52 |
80 | Chicago Shuffle | | 0:34 |
81 | Mississippi Mud | | 0:36 |
82 | Arpeggios | | 0:15 |
83 | Lullaby and Thumb-Brush Patterns | | 0:20 |
84 | Thumb-Brush-Up and Carter Style Patterns | | 0:22 |
85 | Travis Style | | 0:39 |
86 | Oh, Susanna in Travis Style | | 0:10 |
87 | Travis Style With Open G Tuning | | 0:19 |
88 | House of the Rising Sun | | 0:33 |
89 | The Cruel War is Raging | | 0:23 |
90 | Gospel Ship | | 0:27 |
91 | All My Trials | | 0:32 |
92 | Freight Train | | 0:28 |
93 | Free Stroke Classical Exercise | | 0:15 |
94 | Arpeggio Classical Exercise | | 0:33 |
95 | Contrapuntal Classical Exercise | | 0:21 |
96 | Romanza | | 0:38 |
97 | Bourrée in E Minor | | 0:22 |