Gloria in excelsis Deo

~ Release by Johann Sebastian Bach: Münchener Bach‐Orchester, Münchener Bach‐Chor, Karl Richter (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Messe in h-moll BWV 232: Gloria in excelsis Deo
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:03
2Messe in h-moll BWV 232: Et in terra pax
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:50
3Messe in h-moll BWV 232: Sanctus
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:49
4Messe in h-moll BWV 232: Dona nobis pacem
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:30
5Matthäus Passion, BWV 244: Da nahmen die Kriegsknechte
recording engineer:
Hans-Peter Schweigmann
executive producer:
Dr. Gerd Ploebsch
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (from 1979-06 until 1979-08)
cello:
Fritz Kiskalt (cellist) (from 1979-06 until 1979-08)
double bass:
Herbert Duft (double bass player) (from 1979-06 until 1979-08)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1979-06 until 1979-08)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1979-06 until 1979-08)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1979-06 until 1979-08)
oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1979-06 until 1979-08)
oboe da caccia [oboe da caccia II]:
Andreas Schwinn (oboist) (from 1979-06 until 1979-08)
organ:
Friedemann Winkelhofer (organist) (from 1979-06 until 1979-08) and Elmar Schloter (organist) (from 1979-06 until 1979-08)
transverse flute [transverse flute I]:
Aurèle Nicolet (flutist) (from 1979-06 until 1979-08)
transverse flute [transverse flute II]:
Wolfgang Haag (flautist) (from 1979-06 until 1979-08)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (from 1979-06 until 1979-08)
violin:
Gerhart Hetzel (violinist) (from 1979-06 until 1979-08)
choir vocals:
Münchener Bach‐Chor (from 1979-06 until 1979-08)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1979-06 until 1979-08)
orchestra:
Münchener Bach‐Orchester (from 1979-06 until 1979-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1979-06 until 1979-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1979-06 until 1979-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) (from 1979-06 until 1979-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach1:22
6Matthäus Passion, BWV 244: O Haupt voll Blut und Wunden
recording engineer:
Hans-Peter Schweigmann
executive producer:
Dr. Gerd Ploebsch
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (bassoonist) (from 1979-06 until 1979-08)
cello:
Fritz Kiskalt (cellist) (from 1979-06 until 1979-08)
double bass:
Herbert Duft (double bass player) (from 1979-06 until 1979-08)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1979-06 until 1979-08)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1979-06 until 1979-08)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1979-06 until 1979-08)
oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1979-06 until 1979-08)
oboe da caccia [oboe da caccia II]:
Andreas Schwinn (oboist) (from 1979-06 until 1979-08)
organ:
Friedemann Winkelhofer (organist) (from 1979-06 until 1979-08) and Elmar Schloter (organist) (from 1979-06 until 1979-08)
transverse flute [transverse flute I]:
Aurèle Nicolet (flutist) (from 1979-06 until 1979-08)
transverse flute [transverse flute II]:
Wolfgang Haag (flautist) (from 1979-06 until 1979-08)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (from 1979-06 until 1979-08)
violin:
Gerhart Hetzel (violinist) (from 1979-06 until 1979-08)
choir vocals:
Münchener Bach‐Chor (from 1979-06 until 1979-08) and Regensburger Domspatzen (German / Regensburger cathedral choir) (from 1979-06 until 1979-08)
orchestra:
Münchener Bach‐Orchester (from 1979-06 until 1979-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1979-06 until 1979-08)
chorus master:
Georg Ratzinger (chorus master) (from 1979-06 until 1979-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1980)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1979-06 until 1979-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1979-06 until 1979-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:56
7Matthäus Passion, BWV 244: Wir setzen uns mit Tranen nieder
choir vocals:
Münchener Bach‐Chor
orchestra:
Münchener Bach‐Orchester
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:06
8Magnificat BWV 243: Magnificat animea mea
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
choir vocals:
Münchener Bach‐Chor (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
balance engineer:
Walter Alfred Wettler
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1961-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:07
9Herz und Mund und Tat und Leben Kantate BWV 147: Jesu bleibt meine Freude
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern, Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1961-07)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:34
10Johannes Passion BWV 245: Wer hat dich so geschlagen
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
choir vocals:
Münchener Bach‐Chor (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 11 Choral "Wer hat dich so geschlagen" (from 1964-02 until 1964-03)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 293)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach2:08
11Johannes Passion BWV 245: Ruhet wohl, ihr heiligen Gebeine
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
choir vocals:
Münchener Bach‐Chor (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine" (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach8:17
12Johannes Passion BWV 245: Ach Herr, laß dein lieb Engelein
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
choir vocals:
Münchener Bach‐Chor (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 40 Choral "Ach Herr, laß dein lieb Engelein" (from 1964-02 until 1964-03)
lyricist:
Martin Schalling
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 154)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach2:50
13Gottes Zeit ist die allerbeste Zeit Kantate BWV 106: Gottes Zeit ist die allerbeste Zeit
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (in 1966-10)
orchestra:
Münchener Bach‐Orchester (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:25
14Gottes Zeit ist die allerbeste Zeit Kantate BWV 106: Glorie, Lob, Ehr und Herrlichkeit
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (in 1966-10)
orchestra:
Münchener Bach‐Orchester (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:02
15Ein feste Burg ist unser Gott Kantate BWV 80: Ein feste Burg ist unser Gott
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach5:51
16Ein feste Burg ist unser Gott Kantate BWV 80: Und wenn die Welt voll Teufel war
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:12
17Wachet auf, ruft uns die Stimme Kantate BWV 140: Gloria sei Dir gesungen
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: VII. Choral "Gloria sei dir gesungen" (in 1978-05)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach1:54
18Weihnachtsoratorium BWV 248: "Jauchzet, Frohlocket"
recording engineer:
Hans-Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber (producer/engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1965-02 until 1965-06) and Detlev Kühl (bassoonist) (from 1965-02 until 1965-06)
cello:
Kurt Engert (cellist) (from 1965-02 until 1965-06) and Oswald Uhl (cellist) (from 1965-02 until 1965-06)
double bass:
Herbert Duft (double bass player) (from 1965-02 until 1965-06) and Ludwig Kiblböck (double bass player) (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (German horn player) (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (classical horn player) (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (oboist) (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (flautist) (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (French trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (trumpeter) (from 1965-02 until 1965-06)
violin:
Otto Büchner (violinist) (from 1965-02 until 1965-06)
choir vocals:
Münchener Bach‐Chor (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1965-02 until 1965-06)
balance engineer:
Hans-Peter Schweigmann (from 1965-02 until 1965-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1965-02 until 1965-06)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach8:17