Personally Trisha

~ Release by Trisha Yearwood (see all versions of this release, 1 available)

Tracklist

Hybrid SACD 1
#TitleRatingLength
1The Song Remembers When
assistant recording engineer:
Ken Hutton
recording engineer:
Gary Laney and Dave Sinko
assistant producer:
Scott Paschall
producer and mixer:
Garth Fundis
assistant mixer:
Ken Hutton, Gary Laney, Mark Ralston and Dave Sinko
acoustic guitar:
Billy Walker, Jr.
bass guitar:
Dave Pomeroy
drums (drum set):
Milton Sledge
electric guitar:
Brent Mason
piano:
Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
background vocals [harmony vocals]:
Trisha Yearwood
strings arranger:
Carl Marsh (production music composer)
recorded at and mixed at:
Sound Emporium Studios in Nashville, Tennessee, United States
recording of:
The Song Remembers When
lyricist and composer:
Hugh Prestwood
publisher:
Careers‐BMG Music Publishing, Inc. (from 1993 to present) and Hugh Prestwood Music (from 1993 to present)
5?:??
2Perfect Love
assistant recording engineer:
Glenn Spinner
recording engineer and mixer:
Jeff Balding
producer:
Tony Brown (US producer, pianist and keyboardist) and Trisha Yearwood
assistant mixer:
Chris Davie
acoustic guitar:
Larry Byrom
bass guitar:
Michael Rhodes
drums (drum set):
Paul Leim
electric guitar:
Steve Gibson (US country vocalist and guitarist)
keyboard:
Steve Nathan and Matt Rollings (American composer, musician and record producer)
steel guitar:
Paul Franklin (steel guitarist)
background vocals [harmony vocals]:
Judson Spence and Trisha Yearwood
recorded at:
Ocean Way Studios in Nashville, Tennessee, United States
mixed at:
Tracking Room in Nashville, Tennessee, United States
recording of:
Perfect Love
writer:
Sunny Russ (American songwriter, married to Billy Crittenden) and Stephony Smith (American singer/songwriter)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) (from 1997 to present), Missoula Music (from 1997 to present), Singles Only Music (from 1997 to present) and Starstruck Angel Music Inc. (from 1997 to present)
?:??
3Wouldn't Any Woman
assistant recording engineer:
David Hall (engineer) and Glenn Spinner
recording engineer:
Jeff Balding
producer:
Tony Brown (US producer, pianist and keyboardist) and Trisha Yearwood
assistant mixer:
Mark Ralston
mixer:
Chuck Ainlay
acoustic guitar:
Larry Byrom and Brent Mason
bass guitar:
Michael Rhodes
drums (drum set) and percussion:
Paul Leim
electric guitar:
Steve Gibson (US country vocalist and guitarist) and Brent Mason
keyboard:
Steve Nathan
piano:
Matt Rollings (American composer, musician and record producer)
solo electric guitar:
Larry Byrom
steel guitar:
Paul Franklin (steel guitarist)
background vocals:
Kim Richey, John Wesley Ryles and Trisha Yearwood
recorded at:
Ocean Way Studios in Nashville, Tennessee, United States
mixed at:
Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
Wouldn’t Any Woman
writer:
Bob DiPiero (Award-winning American country music songwriter), Michele McCord and Mark D. Sanders (American Country Music songwriter)
publisher:
American Made Music (from 1998 to present), Little Big Town Music (from 1998 to present), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (from 1998 to present), Starstruck Angel Music Inc. (from 1998 to present) and Starstruck Writers Group, Inc. (from 1998 to present)
?:??
4Believe Me Baby (I Lied)
producer:
Garth Fundis
12 string guitar [12 string electric]:
Dan Dugmore
acoustic guitar:
Billy Joe Walker, Jr. and Biff Watson
bass guitar:
Leland Sklar (bassist, session musician)
drums (drum set):
Eddie Bayers
electric guitar:
Brent Mason
organ:
Matt Rollings (American composer, musician and record producer)
tambourine:
Tom Roady
background vocals [harmony vocals]:
Kim Richey
recording of:
Believe Me Baby (I Lied)
writer:
Angelo, Wendell Mobley (American country music songwriter) and Kim Richey
publisher:
Julann Music (from 1996 to present), Mighty Nice Music (from 1996 to present), PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (from 1996 to present) and Wait No More Music (from 1996 to present)
?:??
5For A While
?:??
6Down On My Knees
assistant recording engineer:
Linelle and Dave Sinko
recording engineer:
Gary Laney
assistant producer:
Scott Paschall
producer:
Garth Fundis
mixer:
Garth Fundis, Gary Laney and Dave Sinko
acoustic guitar:
Don Potter
bass guitar:
Dave Pomeroy
drums (drum set):
Eddie Bayers
electric guitar:
Brent Mason
piano:
Matt Rollings (American composer, musician and record producer)
recorded at and mixed at:
Sound Emporium Studios in Nashville, Tennessee, United States
recording of:
Down on My Knees
lyricist and composer:
Beth Nielsen Chapman (American singer and songwriter)
publisher:
BMG Songs, Inc. (from 1990 to present)
?:??
7How Do I Live
?:??
8I'll Still Love You More
assistant recording engineer:
David Hall (engineer) and Glenn Spinner
recording engineer:
Jeff Balding
producer:
Tony Brown (US producer, pianist and keyboardist) and Trisha Yearwood
assistant mixer:
Mark Ralston
mixer:
Chuck Ainlay
bass guitar:
Michael Rhodes
drums (drum set):
Paul Leim
electric guitar:
Steve Gibson (US country vocalist and guitarist) and Steuart Smith
keyboard:
John Hobbs
piano:
Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
background vocals:
Gordon Kennedy (US country/bluegrass songwriter/musician), Wayne Kirkpatrick (American songwriter, musician and producer) and Trisha Yearwood
recorded at:
Ocean Way Studios in Nashville, Tennessee, United States
mixed at:
Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
I'll Still Love You More
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs (from 1998 to present)
?:??
9I'll Still Love You More (rare pop mix)
?:??
10In Another's Eyes (With Garth Brooks)
assistant recording engineer:
Duke Duczer (engineer) and Joe Hayden
recording engineer and mixer:
Mark Miller (Louisiana producer, engineer, bassist & studio owner)
producer:
Allen Reynolds
assistant mixer:
Duke Duczer (engineer)
acoustic guitar:
Mark Casstevens
bass:
Mike Chapman (Bassist)
classical guitar [nylon string guitar] and electric guitar:
Chris Leuzinger
drums (drum set):
Milton Sledge
keyboard:
Bobby Wood (American pianist, keyboard player and songwriter)
steel guitar:
Bruce Bouton
strings:
Nashville String Machine
vocals:
Garth Brooks and Trisha Yearwood
conductor:
Jim Ed Norman
strings arranger:
Jim Ed Norman
recorded at:
Jack’s Tracks in Nashville, Tennessee, United States and Javelina Recording in Nashville, Tennessee, United States
mixed at:
Jack’s Tracks in Nashville, Tennessee, United States
recording of:
In Another's Eyes
writer:
Garth Brooks, John Peppard and Bobby Wood (American pianist, keyboard player and songwriter)
publisher:
Cat's Eye Music (from 1997 to present), Major Bob Music Co., Inc. (from 1997 to present), No Fences Music (from 1997 to present) and Rio Bravo Music, Inc. (from 1997 to present)
4?:??
11You're Where I Belong
?:??
12It's Alright
?:??
13Like We Never Had A Broken Heart
assistant recording engineer:
Dave Sinko
recording engineer:
Gary Laney
producer and mixer:
Garth Fundis
bass guitar:
Dave Pomeroy
drums (drum set):
Eddie Bayers
electric guitar:
Brent Mason
fiddle:
Stuart Duncan
piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Paul Franklin (steel guitarist)
background vocals [harmony vocal]:
Garth Brooks
recorded at and mixed at:
Sound Emporium Studios in Nashville, Tennessee, United States
recording of:
Like We Never Had a Broken Heart
writer:
Pat Alger and Garth Brooks
publisher:
Bait and Beer Music (from 1991 to present), Forerunner Music, Inc. (from 1991 to present), Major Bob Music Co., Inc. (from 1991 to present) and Mid-Summer Music, Inc. (from 1991 to present)
?:??
14Love Wouldn't Lie To Me
assistant recording engineer:
David Hall (engineer) and Glenn Spinner
recording engineer:
Jeff Balding
producer:
Tony Brown (US producer, pianist and keyboardist) and Trisha Yearwood
assistant mixer:
Mark Ralston
mixer:
Chuck Ainlay
acoustic guitar:
Larry Byrom
bass guitar:
Michael Rhodes
drums (drum set):
Paul Leim
electric guitar:
Larry Byrom and Steve Gibson (US country vocalist and guitarist)
keyboard:
Steve Nathan
piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Paul Franklin (steel guitarist)
recorded at:
Ocean Way Studios in Nashville, Tennessee, United States
mixed at:
Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
Love Wouldn’t Lie to Me
writer:
Terry Radigan and Don Schlitz
?:??
15Love Wouldnt Lie To Me (rare pop mix)
?:??
16This Is Me You're Talking To
?:??
17Xxx's And Ooo's (An American Girl)
assistant recording engineer:
Ken Hutton
recording engineer:
Dave Sinko
assistant producer:
Scott Paschall
producer:
Garth Fundis and Harry Stinson
assistant mixer:
Amy Hughes and Graham Lewis (US engineer)
mixer:
Chuck Ainlay
editor:
Carlos Grier
acoustic guitar:
Billy Joe Walker, Jr.
bass guitar:
Dave Pomeroy
drums (drum set):
Eddie Bayers
electric guitar:
Brent Mason
fiddle:
Rob Hajacos
organ:
Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
background vocals [harmony vocals]:
Kim Richey and Harry Stinson
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States
mixed at:
Woodland Digital in Nashville, Tennessee, United States
live recording of:
Xxx's and Ooo's (An American Girl)
writer:
Matraca Berg and Alice Randall
publisher:
August Wind Music (from 1994 to present), Great Broad Music (from 1994 to present), Longitude Music Co. (from 1994 to present), Mother Dixie Songs (from 1994 to present) and Sony Tunes, Inc. (from 1994 to present)
?:??
18Never Let You Go Again
assistant recording engineer:
David Hall (engineer) and Glenn Spinner
recording engineer:
Jeff Balding
producer:
Tony Brown (US producer, pianist and keyboardist) and Trisha Yearwood
assistant mixer:
Mark Ralston
mixer:
Chuck Ainlay
acoustic guitar:
Larry Byrom and Steve Gibson (US country vocalist and guitarist)
bass guitar:
Michael Rhodes
drums (drum set):
Paul Leim
keyboard:
Matt Rollings (American composer, musician and record producer)
piano:
Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
background vocals:
Gordon Kennedy (US country/bluegrass songwriter/musician) and Wayne Kirkpatrick (American songwriter, musician and producer)
recorded at:
Ocean Way Studios in Nashville, Tennessee, United States
mixed at:
Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
Never Let You Go Again
writer:
Gordon Kennedy (US country/bluegrass songwriter/musician), Wayne Kirkpatrick (American songwriter, musician and producer) and Tommy Sims (r&b, ccm)
publisher:
Bases Loaded Music (from 1998 to present), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (from 1998 to present), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (from 1998 to present), Sell the Cow Music (from 1998 to present), Sondance Kid Music (from 1998 to present) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1998 to present)
?:??
19I'm Still Alive
?:??
20One Love
?:??
21Powerful Thing
?:??
22Heart Like A Sad Song
assistant recording engineer:
David Hall (engineer) and Glenn Spinner
recording engineer:
Jeff Balding
producer:
Tony Brown (US producer, pianist and keyboardist) and Trisha Yearwood
assistant mixer:
Mark Ralston
mixer:
Chuck Ainlay
acoustic guitar:
Steve Gibson (US country vocalist and guitarist)
bass guitar:
Michael Rhodes
drums (drum set):
Paul Leim
electric guitar:
Steuart Smith
keyboard:
Steve Nathan
piano:
John Hobbs
steel guitar:
Paul Franklin (steel guitarist)
strings:
Conni Ellisor, James Grosjean, Bob Mason (cellist) and Pamela Sixfin
strings arranger:
Conni Ellisor
recorded at:
Ocean Way Studios in Nashville, Tennessee, United States
mixed at:
Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
Heart Like a Sad Song
writer:
Annie Roboff (American songwriter, musician and producer) and Arnie Roman
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (from 1998 to present), Annotation Music (from 1998 to present), Anwa Music (from 1998 to present), Romanesque Music (from 1998 to present) and WB Music Corp. (1929–2019) (from 1998 to present)
?:??
23Sad Eyes
?:??
24Let It Snow! Let It Snow! Let It Snow! (non HDCD)
?:??
25For only you (Sex And The City Soundtrack) (non HDCD)
?:??
26New Kid in Town (non HDCD)
?:??
27On My Own (non HDCD)
?:??
28Something So Right (non HDCD)
?:??
29An Angel Gets Its Wings (non HDCD)
?:??
30Save The Land (non HDCD)
recording of:
Save the Land
lyricist and composer:
Lee Kernaghan
?:??
31On a Bus to St. Cloud (non HDCD)
assistant recording engineer:
Ken Hutton
recording engineer:
Dave Sinko
miscellaneous support:
Carl Gorodetzky (task: contractor)
assistant producer:
Scott Paschall
producer:
Garth Fundis
assistant mixer:
Amy Hughes and Graham Lewis (US engineer)
mixer:
Chuck Ainlay
editor:
Carlos Grier
acoustic guitar:
Billy Joe Walker, Jr.
bass guitar:
Dave Pomeroy
drums (drum set):
Eddie Bayers
electric guitar:
Brent Mason
fiddle:
Aubrey Haynie
piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Paul Franklin (steel guitarist)
strings:
Nashville String Machine
conductor:
Mark Watters
strings arranger:
Mark Watters
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States
mixed at:
Woodland Digital in Nashville, Tennessee, United States
recording of:
On a Bus to St. Cloud
lyricist and composer:
Gretchen Peters
publisher:
Cross Keys Publishing Co. (from 1994 to present) and Purple Grayon Music (from 1994 to present)
?:??
32She's In Love With The Boy
assistant recording engineer:
Dave Sinko
recording engineer:
Gary Laney
producer and mixer:
Garth Fundis
acoustic guitar:
Bobby All
bass guitar:
Dave Pomeroy
drums (drum set):
Eddie Bayers
electric guitar:
Brent Mason
fiddle:
Rob Hajacos
piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Paul Franklin (steel guitarist)
background vocals [harmony vocal]:
Garth Fundis and Trisha Yearwood
recorded at and mixed at:
Sound Emporium Studios in Nashville, Tennessee, United States
recording of:
She’s in Love with the Boy
lyricist and composer:
Jon Ims
publisher:
Asylum Music, Inc. (from 1989 to present) and Rites of Passage Music (from 1989 to present)
5?:??
33That Ain't The Way I Heard It
assistant recording engineer:
David Hall (engineer) and Glenn Spinner
recording engineer:
Jeff Balding
producer:
Tony Brown (US producer, pianist and keyboardist) and Trisha Yearwood
assistant mixer:
Mark Ralston
mixer:
Chuck Ainlay
acoustic guitar:
Steve Gibson (US country vocalist and guitarist)
bass guitar:
Michael Rhodes
drums (drum set):
Paul Leim
electric guitar:
Steve Gibson (US country vocalist and guitarist) and Steuart Smith
Hammond organ [B-3]:
Steve Nathan
mandolin:
Sam Bush (bluegrass fiddler/mandolinist)
piano:
John Hobbs
steel guitar:
Paul Franklin (steel guitarist)
background vocals:
Harry Stinson
recorded at:
Ocean Way Studios in Nashville, Tennessee, United States
mixed at:
Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
That Ain’t the Way I Heard It
lyricist and composer:
Jamie O’Hara
publisher:
Magic Knee (from 1997 to present) and Sony/ATV Songs LLC (from 1997 to present)
?:??
34The Wrong Side Of Memphis
assistant recording engineer:
Linelle and Dave Sinko
recording engineer:
Gary Laney
assistant producer:
Scott Paschall
producer:
Garth Fundis
mixer:
Garth Fundis, Gary Laney and Dave Sinko
acoustic guitar:
Billy Walker, Jr.
bass guitar:
Dave Pomeroy
drums (drum set):
Eddie Bayers
electric guitar:
Brent Mason
fiddle:
Rob Hajacos
piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Weldon Myrick
background vocals [harmony vocals]:
Raul Malo, Harry Stinson and Trisha Yearwood
recorded at and mixed at:
Sound Emporium Studios in Nashville, Tennessee, United States
recording of:
Wrong Side of Memphis
writer:
Matraca Berg and Gary Harrison (US country songwriter)
publisher:
Patrick Joseph Music, Inc. (from 1992 to present) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1992 to present)
?:??
35Thinkin' About You
assistant recording engineer:
Ken Hutton
recording engineer:
Dave Sinko
assistant producer:
Scott Paschall
producer:
Garth Fundis
assistant mixer:
Amy Hughes and Graham Lewis (US engineer)
mixer:
Chuck Ainlay
editor:
Carlos Grier
acoustic guitar:
Billy Joe Walker, Jr.
bass guitar:
Dave Pomeroy
congas and tambourine:
Tom Roady
drums (drum set):
Eddie Bayers
electric guitar:
Brent Mason
fiddle:
Aubrey Haynie
organ and piano:
Matt Rollings (American composer, musician and record producer)
slide guitar [electric slide guitar]:
Lee Roy Parnell
steel guitar:
Paul Franklin (steel guitarist)
background vocals [harmony vocals]:
Chuck Cannon and Lari White
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States
mixed at:
Woodland Digital in Nashville, Tennessee, United States
recording of:
Thinkin' About You
writer:
Bob Regan (US country singer / songwriter) and Tom Shapiro
publisher:
AMR Publications, Inc. (from 1994 to present), Diamond Struck Music (BMI) (from 1994 to present), Great Cumberland Music (from 1994 to present) and Sierra Home Music (from 1994 to present)
?:??
36Under The Rainbow
producer:
Garth Fundis
acoustic guitar:
Billy Joe Walker, Jr.
bass guitar:
Dave Pomeroy
drums (drum set):
Eddie Bayers
electric guitar:
Brent Mason
fiddle:
Rob Hajacos
Hawaiian guitar [hawaiian slide guitar] and steel guitar:
Paul Franklin (steel guitarist)
organ:
Steve Nathan
piano:
Matt Rollings (American composer, musician and record producer)
background vocals [harmony vocals]:
Matraca Berg and Harry Stinson
recording of:
Under the Rainbow
writer:
Matraca Berg and Randy Scruggs
publisher:
August Wind Music (from 1994 to present), Great Broad Music (from 1994 to present), Heart of Hearts Music (from 1994 to present) and Longitude Music Co. (from 1994 to present)
?:??
37Love Let Go
?:??
38Walkaway Joe
assistant recording engineer:
Linelle and Dave Sinko
recording engineer:
Gary Laney
assistant producer:
Scott Paschall
producer:
Garth Fundis
mixer:
Garth Fundis, Gary Laney and Dave Sinko
acoustic guitar:
Billy Walker, Jr.
bass guitar:
Dave Pomeroy
drums (drum set):
Eddie Bayers
electric guitar:
Brent Mason
piano:
Matt Rollings (American composer, musician and record producer)
resonator guitar [dobro]:
Jerry Douglas (US guitar and dobro player)
background vocals [harmony vocal]:
Don Henley
performer:
Don Henley
recorded at and mixed at:
Sound Emporium Studios in Nashville, Tennessee, United States
recording of:
Walkaway Joe
writer:
Greg Barnhill and Vince Melamed
publisher:
Songs of Universal, Inc., Patrick Joseph Music, Inc. (from 1990 to present), Warner-Refuge Music, Inc. (from 1990 to present) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1990 to present)
?:??
39I Don't Want To Be The One
assistant recording engineer:
David Hall (engineer) and Glenn Spinner
recording engineer:
Jeff Balding
producer:
Tony Brown (US producer, pianist and keyboardist) and Trisha Yearwood
assistant mixer:
Mark Ralston
mixer:
Chuck Ainlay
acoustic guitar:
Larry Byrom
bass guitar:
Michael Rhodes
drums (drum set):
Paul Leim
electric guitar:
Steve Gibson (US country vocalist and guitarist)
keyboard:
Steve Nathan
piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Paul Franklin (steel guitarist)
background vocals:
Tabitha Fair and Trisha Yearwood
recorded at:
Ocean Way Studios in Nashville, Tennessee, United States
mixed at:
Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
I Don’t Want to Be the One
writer:
Paul Brady and Carole King
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (from 1998 to present), Lushmole Music (from 1998 to present) and Rondor Music (London) Ltd. (from 1998 to present)
?:??
40Maybe It's Love
producer:
Garth Fundis
acoustic guitar:
Billy Joe Walker, Jr.
bass guitar:
Dave Pomeroy
classical guitar [gut string guitar] and electric guitar:
Brent Mason
drums (drum set):
Owen Hale
keyboard [electronic keyboards]:
Steve Nathan
piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Paul Franklin (steel guitarist)
background vocals [harmony vocals]:
Vince Gill
strings arranger:
Kristin Wilkinson (Nashville songwriter and viola player)
recording of:
Maybe It’s Love
writer:
Beth Nielsen Chapman (American singer and songwriter) and Annie Roboff (American songwriter, musician and producer)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (from 1996 to present), Anwa Music (from 1996 to present) and BNC Songs (from 1996 to present)
?:??
41Better Your Heart Than Mine
assistant recording engineer:
Ken Hutton
recording engineer:
Gary Laney and Dave Sinko
assistant producer:
Scott Paschall
producer and mixer:
Garth Fundis
assistant mixer:
Ken Hutton, Gary Laney and Dave Sinko
acoustic guitar:
Billy Walker, Jr.
bass guitar:
Dave Pomeroy
drums (drum set):
Eddie Bayers
electric guitar:
Steuart Smith
fiddle:
Rob Hajacos
keyboard [electric keyboard]:
Matt Rollings (American composer, musician and record producer)
slide guitar [slide box]:
Paul Franklin (steel guitarist)
background vocals [harmony vocals]:
Lisa Angelle and Andrew Gold
strings arranger:
Carl Marsh (production music composer)
recorded at and mixed at:
Sound Emporium Studios in Nashville, Tennessee, United States
recording of:
Better Your Heart Than Mine
writer:
Lisa Angelle and Andrew Gold
publisher:
Sister Elisabeth Music (from 1993 to present) and Sluggosongs (from 1993 to present)
?:??
42Not A Bad Thing
?:??
43Here Comes Temptation
assistant recording engineer:
Ken Hutton
recording engineer:
Gary Laney and Dave Sinko
assistant producer:
Scott Paschall
producer and mixer:
Garth Fundis
assistant mixer:
Ken Hutton, Gary Laney and Dave Sinko
acoustic guitar:
Billy Walker, Jr.
bass guitar:
Dave Pomeroy
drums (drum set):
Eddie Bayers
electric guitar:
George Marinelli and Steuart Smith
piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Paul Franklin (steel guitarist)
background vocals [harmony vocals]:
Raul Malo and Trisha Yearwood
strings arranger:
Carl Marsh (production music composer)
recorded at and mixed at:
Sound Emporium Studios in Nashville, Tennessee, United States
recording of:
Here Comes Temptation
lyricist and composer:
Kostas (US country songwriter)
publisher:
Songs of PolyGram International, Inc. (from 1993 to present)
?:??
44I Don't Fall in Love So Easy
assistant recording engineer:
Ken Hutton
recording engineer:
Gary Laney and Dave Sinko
assistant producer:
Scott Paschall
producer and mixer:
Garth Fundis
assistant mixer:
Ken Hutton, Gary Laney and Dave Sinko
acoustic guitar:
Billy Walker, Jr.
bass guitar:
Dave Pomeroy
drums (drum set):
Milton Sledge
electric guitar:
Steuart Smith
organ and piano:
Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
background vocals [harmony vocals]:
Rodney Crowell and Garth Fundis
strings arranger:
Carl Marsh (production music composer)
recorded at and mixed at:
Sound Emporium Studios in Nashville, Tennessee, United States
recording of:
I Don’t Fall in Love So Easy
lyricist and composer:
Rodney Crowell
publisher:
Sony Tunes, Inc. (from 1993 to present)
?:??
45Mr. Radio
assistant recording engineer:
Ken Hutton
recording engineer:
Gary Laney and Dave Sinko
assistant producer:
Scott Paschall
producer and mixer:
Garth Fundis
assistant mixer:
Ken Hutton, Gary Laney and Dave Sinko
acoustic guitar:
Billy Walker, Jr.
bass guitar:
Dave Pomeroy
drums (drum set):
Eddie Bayers
electric guitar:
Steuart Smith
fiddle:
Rob Hajacos
piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Paul Franklin (steel guitarist)
background vocals [harmony vocals]:
Raul Malo and Lisa Silver
strings arranger:
Carl Marsh (production music composer)
recorded at and mixed at:
Sound Emporium Studios in Nashville, Tennessee, United States
cover recording of:
Mr. Radio
lyricist and composer:
Rod Taylor
publisher:
Rat’s God Music (from 1982 to present)
?:??
46Inside Out (with Don Henley)
?:??
47Nothin' About You Is Good For Me
?:??
48Harmless Heart
?:??
49Let The Wind Chase You
?:??
50Love Alone
?:??
51Bring Me All Your Lovin'
assistant recording engineer:
David Hall (engineer) and Glenn Spinner
recording engineer:
Jeff Balding
producer:
Tony Brown (US producer, pianist and keyboardist) and Trisha Yearwood
assistant mixer:
Mark Ralston
mixer:
Chuck Ainlay
acoustic guitar:
Kenny Greenberg
bass guitar:
Michael Rhodes
drums (drum set):
Paul Leim
electric guitar:
Steve Gibson (US country vocalist and guitarist), Kenny Greenberg and Steuart Smith
keyboard:
Steve Nathan
mandolin:
Sam Bush (bluegrass fiddler/mandolinist)
steel guitar:
Paul Franklin (steel guitarist)
background vocals:
Buddy Miller (Nashville singer-songwriter, married to Julie Miller)
recorded at:
Ocean Way Studios in Nashville, Tennessee, United States
mixed at:
Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
Bring Me All Your Lovin’
writer:
Kenny Greenberg, Allison Moorer and Doyle Primm
publisher:
Full Pull Music (from 1998 to present), Greenberg Music (from 1998 to present), Longitude Music Co. (from 1998 to present) and Louise Red Songs (from 1998 to present)
?:??
52One in a Row
assistant recording engineer:
Ken Hutton
recording engineer:
Gary Laney and Dave Sinko
assistant producer:
Scott Paschall
producer and mixer:
Garth Fundis
assistant mixer:
Ken Hutton, Gary Laney and Dave Sinko
acoustic guitar:
Billy Walker, Jr.
bass guitar:
Dave Pomeroy
drums (drum set):
Milton Sledge
electric guitar:
Brent Mason
fiddle:
Rob Hajacos
piano:
Matt Rollings (American composer, musician and record producer)
solo acoustic guitar:
Willie Nelson
steel guitar:
Paul Franklin (steel guitarist)
background vocals [harmony vocals]:
Thom Flora and Lisa Silver
strings arranger:
Carl Marsh (production music composer)
recorded at and mixed at:
Sound Emporium Studios in Nashville, Tennessee, United States
cover recording of:
One in a Row
lyricist and composer:
Willie Nelson
publisher:
Tree Publishing Co., Inc. (from 1966 to present)
?:??
53Real Live Woman
?:??
54Too Bad You're No Good
?:??
55When A Love Song Sings The Blues
?:??
56The Dreaming Fields
?:??
57There Goes My Baby
assistant recording engineer:
David Hall (engineer) and Glenn Spinner
recording engineer:
Jeff Balding
producer:
Tony Brown (US producer, pianist and keyboardist) and Trisha Yearwood
assistant mixer:
Mark Ralston
mixer:
Chuck Ainlay
acoustic guitar:
Larry Byrom
bass guitar:
Michael Rhodes
drums (drum set):
Paul Leim
electric guitar:
Larry Byrom and Steve Gibson (US country vocalist and guitarist)
keyboard:
Steve Nathan
piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Paul Franklin (steel guitarist)
background vocals:
Tim Buppert, Gordon Kennedy (US country/bluegrass songwriter/musician) and Wayne Kirkpatrick (American songwriter, musician and producer)
recorded at:
Ocean Way Studios in Nashville, Tennessee, United States
mixed at:
Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
There Goes My Baby
writer:
Annie Roboff (American songwriter, musician and producer) and Arnie Roman
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (from 1997 to present), Annotation Music (from 1997 to present), Anwa Music (from 1997 to present) and Romanesque Music (from 1997 to present)
5?:??