Tracklist

Hybrid SACD 1
#TitleArtistRatingLength
1Herr, deine Augen sehen nach dem Glauben, BWV 102: I. [Chorus] "Herr, deine Augen sehen nach dem Glauben!"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach5:42
2Herr, deine Augen sehen nach dem Glauben, BWV 102: II. Recitativo "Wo ist das Ebenbild, das Gott uns eingepräget" (Basso)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
bass vocals:
Peter Kooij (baritone) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": II. Recitativo (Bass) "Wo ist das Ebenbild, das Gott uns eingepräget" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:00
3Herr, deine Augen sehen nach dem Glauben, BWV 102: III. Aria "Weh der Seele, die den Schaden" (Alto)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
countertenor vocals:
Robin Blaze (countertenor) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": III. Aria (Alt) "Weh der Seele, die den Schaden" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach5:20
4Herr, deine Augen sehen nach dem Glauben, BWV 102: IV. Arioso "Verachtest du den Reichtum seiner Gnade" (Basso)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
bass vocals:
Peter Kooij (baritone) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": IV. Arioso (Bass) "Verachtest du den Reichtum deiner Gnad" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach2:52
5Herr, deine Augen sehen nach dem Glauben, BWV 102: V. Aria "Erschrecke doch" (Tenore)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
tenor vocals:
Gerd Türk (German tenor) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
revision of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (for tenor, flauto traverso and continuo)
Johann Sebastian Bach3:24
6Herr, deine Augen sehen nach dem Glauben, BWV 102: VI. Recitativo "Beim Warten ist Gefahr" (Alto)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
countertenor vocals:
Robin Blaze (countertenor) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VI. Recitativo (Alt) "Beim Warten ist Gefahr" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:06
7Herr, deine Augen sehen nach dem Glauben, BWV 102: VII. Choral "Heut lebst du, heut bekehre dich"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VII. Choral "Heute lebst du, heut bekehre dich" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 320)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:38
8Es ist dir gesagt, Mensch, was gut ist, BWV 45: I. [Chorus] "Es ist dir gesagt, Mensch, was gut ist"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": I. Coro "Es ist dir gesagt, Mensch, was gut ist" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach5:23
9Es ist dir gesagt, Mensch, was gut ist, BWV 45: II. Recitativo "Der Höchste lässt mich seinen Willen wissen" (Tenore)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
tenor vocals:
Gerd Türk (German tenor) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": II. Recitativo (Tenore) "Der Höchste läßt mich seinen Willen wissen" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach0:57
10Es ist dir gesagt, Mensch, was gut ist, BWV 45: III. Aria "Weiß ich Gottes Rechte" (Tenore)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
tenor vocals:
Gerd Türk (German tenor) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": III. Aria (Tenore) "Weiß ich Gottes Rechte" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach3:28
11Es ist dir gesagt, Mensch, was gut ist, BWV 45: IV. Arioso "Es werden viele zu mir sagen an jenem Tage" (Basso)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
bass vocals:
Peter Kooij (baritone) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": IV. Arioso (Basso) "Es werden viele zu mir sagen" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach2:41
12Es ist dir gesagt, Mensch, was gut ist, BWV 45: V. Aria (Alto). Wer Gott bekennt…
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
countertenor vocals:
Robin Blaze (countertenor) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": V. Aria (Alto) "Wer Gott bekennt aus wahrem Herzensgrund" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach3:13
13Es ist dir gesagt, Mensch, was gut ist, BWV 45: VI. Recitativo "So wird denn Herz und Mund" (Alto)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
countertenor vocals:
Robin Blaze (countertenor) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": VI. Recitativo (Alto) "So wird denn Herz und Mund" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach0:55
14Es ist dir gesagt, Mensch, was gut ist, BWV 45: VII. Choral "Gib, dass ich tu mit Fleiß"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": VII. Choral "Gib, daß ich tu mit Fleiß" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
translator:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 278)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach1:11
15Wer Dank opfert, der preiset mich, BWV 17: I. [Chorus] "Wer Dank opfert, der preiset mich"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach4:12
16Wer Dank opfert, der preiset mich, BWV 17: II. Recitativo "Es muss die ganze Welt ein stummer Zeuge werden" (Alto)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
countertenor vocals:
Robin Blaze (countertenor) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, II. Recitativo (Alto) "Er muß die ganze Welt ein stummer Zeuge werden" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach1:00
17Wer Dank opfert, der preiset mich, BWV 17: III. Aria "Herr, deine Güte reicht, so weit der Himmel ist" (Soprano)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
soprano vocals:
Hana Blažíková (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, III. Aria (Soprano) "Herr, deine Güte reicht, so weit der Himmel ist" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach3:07
18Wer Dank opfert, der preiset mich, BWV 17: IV. Recitativo "Einer aber unter ihnen, da er sahe" (Tenore).
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
tenor vocals:
Gerd Türk (German tenor) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, IV. Recitativo (Tenore) "Einer aber unter ihnen" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach0:43
19Wer Dank opfert, der preiset mich, BWV 17: V. Aria "Welch Übermaß der Güte" (Tenore)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
tenor vocals:
Gerd Türk (German tenor) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, V. Aria (Tenore) "Welch Übermaß der Güte" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach3:13
20Wer Dank opfert, der preiset mich, BWV 17: VI. Recitativo "Sieh meinen Willen an, ich kenne, was ich bin" (Basso)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
bass vocals:
Peter Kooij (baritone) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, VI. Recitativo (Basso) "Sieh meinen Willen an" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach1:11
21Wer Dank opfert, der preiset mich, BWV 17: VII. Choral "Wie sich ein Vatr erbarmet"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, VII. Choral "Wie sich ein Vat'r erbarmet" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Gramann (in 1530)
part of:
Breitkopf 389 Choralgesänge (number: 271)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach1:59
22Es erhub sich ein Streit, BWV 19: I. [Chorus] "Es erhub sich ein Streit…
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": I. Coro "Es erhub sich ein Streit" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach4:13
23Es erhub sich ein Streit, BWV 19: II. Recitativo "Gottlob! der Drache liegt" (Basso)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
bass vocals:
Peter Kooij (baritone) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": II. Recitativo (Basso) "Gottlob! der Drache liegt" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach0:58
24Es erhub sich ein Streit, BWV 19: III. Aria "Gott schickt uns Mahanaim zu" (Soprano)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
soprano vocals:
Hana Blažíková (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": III. Aria (Soprano) "Gott schickt uns Mahanaim zu" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach3:42
25Es erhub sich ein Streit, BWV 19: IV. Recitativo "Was ist der schnöde Mensch, das Erdenkind?" (Tenore)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
tenor vocals:
Gerd Türk (German tenor) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": IV. Recitativo (Tenore) "Was ist der schnöde Mensch, das Erdenkind?" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach0:51
26Es erhub sich ein Streit, BWV 19: V. Aria "Bleibt, ihr Engel, bleibt bei mir!" (Tenore)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
tenor vocals:
Gerd Türk (German tenor) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": V. Aria (Tenore) "Bleibt, ihr Engel, bleibt bei mir!" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach6:13
27Es erhub sich ein Streit, BWV 19: VI. Recitativo "Lasst uns das Angesicht" (Soprano)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
soprano vocals:
Hana Blažíková (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VI. Recitativo (Soprano) "Laßt uns das Angesicht" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach0:41
28Es erhub sich ein Streit, BWV 19: VII. Choral "Lass dein’ Engel mit mir fahren"
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VII. Choral "Laß dein' Engel mit mir fahren" (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Breitkopf 389 Choralgesänge (number: 99)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach1:34
29Herr, deine Augen sehen nach dem Glauben, BWV 102: Aria "Erschrecke doch" (Tenore) (Traverso version)
sound engineer:
Thore Brinkmann (from 2009-09 until 2009-10)
producer:
Marion Schwebel
tenor vocals:
Gerd Türk (German tenor) (from 2009-09 until 2009-10)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2009-09 until 2009-10)
performer:
Bach Collegium Japan (from 2009-09 until 2009-10)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2009-09 until 2009-10)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (for tenor, flauto traverso and continuo) (from 2009-09 until 2009-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
Johann Sebastian Bach3:57

Credits

Release

part of:Cantatas (J.S. Bach) (BIS / Masaaki Suzuki) (number: 46) (order: 46)
ASIN:UK: B003KRAS0C [info]
discography entry:http://bis.se/index.php?op=album&aID=BIS-SACD-1851 [info]