Thèmes Légendaires

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Paris, Texas
recording of:
Paris, Texas
composer:
Ry Cooder
Ry Cooder2:55
2Thème principal de Blade Runner
The New American Orchestra5:03
3Two Hearts
producer:
Phil Collins (of Genesis), Lamont Dozier and Hugh Padgham
bass:
Freddie Washington (US session bassist)
drums (drum set) and lead vocals:
Phil Collins (of Genesis)
guitar:
Michael Landau
percussion:
Paulinho da Costa (Brazilian percussionist)
recording of:
Two Hearts
writer:
Phil Collins (of Genesis) and Lamont Dozier
publisher:
Beau‐Di‐O‐Do Music (in 1988), Hit & Run Music (Publishing) Ltd (in 1988), Philip Collins Ltd. (in 1988) and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1988)
part of:
The 61st Academy Award for Best Original Song (number: 2)
Phil Collins33:24
4The Rose
recording of:
The Rose
lyricist and composer:
Amanda McBroom
publisher:
Cedos Music, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Bette Midler3:42
5Thème principal du Fugitif
James Newton Howard3:48
6The Living Daylights
recording of:
The Living Daylights
writer:
Paul Waaktaar-Savoy
publisher:
ATV Music and BMG Music
a‐ha34:46
7Thème d’Arthur
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing, Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 54)
Christopher Cross53:52
8Separate Lives
producer:
Arif Mardin
drums (drum set):
Phil Collins (of Genesis)
guitar:
Daryl Stuermer
keyboard:
Nick Glennie‐Smith
lead vocals:
Phil Collins (of Genesis) and Marilyn Martin
cover recording of:
Separate Lives (White Nights)
lyricist and composer:
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング (Avex Music Publishing), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1985), Gold Horizon Music Corp. (in 1985), Hit & Run Music (Publishing) Ltd (in 1985), Intersong Music Ltd. (in 1985), Stephen Bishop Music Publishing (in 1985) and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1985)
part of:
The 58th Academy Award for Best Original Song (number: 2)
recording of:
Separate Lives (White Nights)
lyricist and composer:
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング (Avex Music Publishing), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1985), Gold Horizon Music Corp. (in 1985), Hit & Run Music (Publishing) Ltd (in 1985), Intersong Music Ltd. (in 1985), Stephen Bishop Music Publishing (in 1985) and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1985)
part of:
The 58th Academy Award for Best Original Song (number: 2)
Phil Collins & M. Martin3.54:07
9I’m Gonna Lose You
recording engineer:
Bruce Lampcov
producer:
Mick Hucknall (lead singer of Simply Red)
performer:
Simply Red
recording of:
I'm Gonna Lose You
writer:
Mick Hucknall (lead singer of Simply Red)
Simply Red4:04
10Thème de Twin Peaks
Angelo Badalamenti6:44
11Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World and New York Post: 100 Greatest Covers (2007) (number: 52)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Aretha Franklin3.92:23
12Everybody Needs Somebody to Love
producer:
Bob Tischler
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Willie "Too Big" Hall
guitar:
Steve Cropper and Matt Murphy (US blues guitarist)
keyboard:
Murphy Dunne
saxophone:
Tom “Bones” Malone (US trombonist) and Lou Marini
trumpet:
Al Rubin
vocals:
Elwood J. Blues (Saturday Night Live character portrayed by Dan Aykroyd) and Jake E. “Joliet” Blues (Saturday Night Live character portrayed by John Belushi)
background vocals arranger:
Paul Schaffer (pianist, bandleader, Dave Letterman's sidekick)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
cover recording of:
Everybody Needs Somebody to Love
writer:
Bert Russell Berns, Solomon Burke and Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC and Musical Lights Tokyo
The Blues Brothers4.153:24
13Thème de J.F.K.
John Williams2:24
14Dark Moon
recording of:
Dark Moon
lyricist and composer:
Ned Miller
Chris Isaak2:30
15Dueling Banjos
Eric Weissberg3:16
16Fretless
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
guest background vocals:
Kate Pierson
recording of:
Fretless
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.54:50
17Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 131)
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher) and Unichappell Music
Ben E. King4.62:54
18Conquest of Paradise
recording engineer and mixer:
Philippe Colonna
assistant producer:
Frederick Rousseau
producer:
Vangelis (Greek composer of electronic, new age and classical)
classical guitar [Spanish guitar]:
Bruno Manjarrés and Pepe Martinez (flamenco guitar player)
flute:
Didier Malherbe
mandolin and violin:
Francis Darizcuren
choir vocals:
English Chamber Choir
vocals:
Bruno Manjarrés, Pepe Martinez (flamenco guitar player) and Guy Protheroe
conductor:
Guy Protheroe
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographic copyright (℗) by:
Warner Music U.K. Ltd. (not for release label use!) (in 1992)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (choir vocals) and Epsilon Laboratory in Paris, Île-de-France, France
mixed at:
Epsilon Laboratory in Paris, Île-de-France, France
recording of:
Conquest of Paradise (1492: Conquest of Paradise)
composer:
Vangelis (Greek composer of electronic, new age and classical)
publisher:
Spheric BV
Vangelis44:54