Tracklist

CD 1
# Title Artist Rating Length
1 Libertango
Astor Piazzolla 5:37
2 Violin Romance in F major, op. 50
Ludwig van Beethoven 8:18
3 Symphony no. 8: III. Allegretto grazioso
Antonín Dvořák 5:58
4 Jesus bleibet meine Freude
Johann Sebastian Bach 2:33
5 Nabucco: Va’ pensiero sull’ali dorate
Giuseppe Verdi 4:54
6 Carmen Suite: Les Toreadors
Georges Bizet 2:07
7 L’Arlesienne Suite no. 1: Prelude
Georges Bizet 7:08
8 Symphonie fantastique, op. 14: Marches au supplice
Hector Berlioz 4:31
9 Romeo and Juliet: The Montagues and the Capulets
Sergei Prokofiev 4:13
10 Ave verum corpus, K. 618
Wolfgang Amadeus Mozart 3:36
11 Stabat Mater: Cujus animam gementem
Gioachino Rossini 5:29
12 Triple Concerto: II. Largo
Ludwig van Beethoven 5:05
13 Romance cantabile for Piano, Flute and Bassoon
Ludwig van Beethoven 4:52
CD 2
# Title Artist Rating Length
1 Messiah: Hallelujah Chorus
George Frideric Handel 3:16
2 Requiem, op. 48: Libera me
Gabriel Fauré 4:51
3 Requiem in D minor, K. 626: Lacrimosa
Wolfgang Amadeus Mozart 3:42
4 L’Arlesienne Suite no. 2: Farandole
Georges Bizet 3:21
5 La Traviata, Act I: Prelude
Giuseppe Verdi 4:09
6 Marche Hongroise
Hector Berlioz 4:39
7 D’amour l’ardente flamme
Hector Berlioz 8:17
8 Marche Pontificale
Charles Gounod 2:35
9 Locus Iste
Anton Bruckner 3:48
10 Serenade in E major for String Orchestra, op. 22: Moderato
Antonín Dvořák 4:23
11 L’Oiseau de feu: Final
Igor Stravinsky 3:46
12 L’Olimpiade: Sinfonia
Giovanni Battista Pergolesi 5:43
13 Turangalila Symphonie: Turangalila 1
Olivier Messiaen 5:23
14 Gloria, RV 589: Gloria in excelsis deo
Antonio Vivaldi 2:05

Credits

CD 1

premiered in:
Leipzig, Sachsen, Germany (1723-07-02) (track 4)
bandoneón:
Héctor Ulises Passarella (1999-02) (track 1)
violin:
Kyung-Wha Chung (violinist) (1996-04) (track 2)
bassoon:
Pascal Gallois (1996-04) (track 13)
flute:
Patrick Gallois (flutist) (1996-04) (track 13)
organ:
Daniele Rossi (Italian organist) (1997-06) (tracks 4, 10)
piano:
Myung-Whun Chung (pianist and conductor) (1996-04) (track 13)
Luis Bacalov (1999-02) (track 1)
additional composer:
Willy Hess (Swiss musicologist) (track 13)
balance engineer:
Gernot von Schultzendorff (Engineer) (1996-04) (track 2)
Gernot von Schultzendorff (Engineer) (1996-08) (track 13)
Wolfgang Mitlehner (1997-06) (tracks 4, 10)
choir vocals:
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (tracks 4, 10)
composer:
Georges Bizet (French romantic composer) (track 6)
Astor Piazzolla (composer and bandoneon player) (track 1)
Johann Sebastian Bach (German Baroque period composer & musician) (1723) (track 4)
Ludwig van Beethoven (1786) (track 13)
Wolfgang Amadeus Mozart (classical composer) (1791) (track 10)
Ludwig van Beethoven (1798) (track 2)
Ludwig van Beethoven (1803) (track 12)
Hector Berlioz (composer) (1830) (track 8)
Gioachino Rossini (Italian composer 1792-1868) (1832 – 1839) (track 11)
Giuseppe Verdi (Italian opera composer) (1841) (track 5)
Georges Bizet (French romantic composer) (1872) (track 7)
Antonín Dvořák (composer) (1889-08-26 – 1889-11-08) (track 3)
conductor:
Myung-Whun Chung (pianist and conductor) (tracks 5, 7, 11–12)
Myung-Whun Chung (pianist and conductor) (1991-03) (track 6)
Myung-Whun Chung (pianist and conductor) (1993-10) (track 8)
Myung-Whun Chung (pianist and conductor) (1996-04) (tracks 2, 13)
Myung-Whun Chung (pianist and conductor) (1997-06) (tracks 4, 10)
Myung-Whun Chung (pianist and conductor) (1999-02) (track 1)
Myung-Whun Chung (pianist and conductor) (1999-04) (track 3)
engineer:
Jürgen Bulgrin (1997-06) (tracks 4, 10)
librettist:
Temistocle Solera (track 5)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (1665) (track 4)
orchestra:
Orchestre de l’Opéra Bastille (1991-03) (track 6)
Orchestre de l’Opéra Bastille (1993-10) (track 8)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (1996-04) (tracks 2, 13)
Wiener Philharmoniker (1999-04) (track 3)
orchestrator:
Luis Bacalov (track 1)
producer:
Helmut Burk (tracks 2, 13)
Lennart Dehn (1997-06) (tracks 4, 10)
recorded at:
Opéra Bastille in Paris, Île-de-France, France (1991-03) (track 6)
Auditorium Conciliazione in Rome, Roma, Lazio, Italy (1997-06) (tracks 4, 10)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 13) (track 13)
Köchelverzeichnis (original numbering) (number: 618) (track 10)
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 618) (track 10)
arrangements:
Ave verum corpus (for band, Buehlman) (track 10)
Ave verum corpus de Mozart, S. 461a (for piano solo, Liszt) (track 10)
Ave verum corpus de Mozart, S. 674d (for organ, Liszt) (track 10)
Carmen (arrangement for strings by Louise-Andrée Baril) (track 6)
Carmen Suite no. 1: VI. Les toréadors (catch-all for arrangements) (track 6)
Jesu bleibet meine Freude, BWV 147 (arr. Harald Göransson for organ) (track 4)
Jesu, Joy of Man’s Desire, from BWV 147 (for piano, Myra Hess) (track 4)
Jesu, Joy of Man’s Desiring (for band, Reed) (track 4)
Jesu, Joy of Man’s Desiring (arr. H.P. Allen) (track 4)
Jesu, Joy of Men’s Desiring (Sportiello arrangement) (track 4)
Jesu, bleibet meine Freunde (Jesu, Joy of Man’s Desiring) (arr. for piano by Richard Tilling) (track 4)
Jesus bleibet meine Freude (for trumpet and organ, Alain) (track 4)
Jesus bleibet meine Freude (for organ, Duruflé) (track 4)
Jesus bleibet meine Freude, BWV 147 (arr. Wilhelm Kempff for piano) (track 4)
Libertango (for string quartet, Zhurbin) (track 1)
March of the Kings (Geoff Zanelli's arrangement) (track 7)
March of the Kings (non-choir) (Geoff Zanelli's arrangement) (track 7)
Marche au supplice de la Symphonie fantastique, S. 470a no. 2 (for piano solo, Liszt, revised version) (track 8)
Motet in D major, K. 618: "Ave verum corpus" (catch-all for arrangements) (track 10)
Nabucco: Atto III. “Va, pensiero” (Coro) (catch-all for arrangements) (track 5)
Romance (track 2)
Symphonie fantastique, S. 470: IV. Marche au supplice (for piano solo, Liszt) (track 8)
Symphonie fantastique, op. 14: IV. Marche au supplice (catch all for arrangements) (track 8)
Symphonie fantastique, op. 14: IV. Marche au supplice (arr. Jean‐François Heisser for two pianos) (track 8)
The March of the Kings (Trans‐Siberian Orchestra arrangement) (track 7)
Three Chorales: Jesu, Joy of Man‘s Desiring (Milko Kelemen arrangement) (track 4)
“Jesus bleibet meine Freude” from Cantata, BWV 147 (for piano, Chuquisengo) (track 4)
is based on:
Carmen: Prélude (track 6)
is the basis for:
Början (track 4)
Ecos (track 4)
Lady Lynda (track 4)
À la Chapelle Sixtine, S. 360 (for orchestra) (track 10)
À la Chapelle Sixtine, S. 461/1 (for solo piano, first version) (track 10)
À la Chapelle Sixtine, S. 461/2 (for solo piano, final version) (track 10)
À la Chapelle Sixtine, S. 633 (for piano four hands) (track 10)
蜘蛛女之吻 (track 1)
later translated versions:
later versions:
L'Arlésienne Suite no. 1: I. Prélude (for piano, Bizet) (track 7)
orchestrations:
Jesu, Joy of Man’s Desiring, BWV 147/10 (Stokowski orchestration) (track 4)
part of:
Nabucco: Atto III (track 5)
L'Arlésienne Suite no. 1, op. 23bis (for orchestra) (track 7)
Stabat Mater (track 11)
Symphony no. 8 in G major, op. 88 (movement) (track 3)
Carmen Suite no. 1 (track 6)
recording of:
Libertango (track 1)
Nabucco: Atto III, Scena IV. “Va, pensiero” (Coro) (Chorus of the Hebrew Slaves) (track 5)
Carmen Suite no. 1: VI. Les Toréadors (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (1991-03) (track 6)
Ave verum corpus, K. 618 (for chorus, string and organ) (1997-06) (track 10)
referred to in medleys:

CD 2

ondes Martenot:
Jeanne Loriod (1990-10) (track 13)
organ:
Daniele Rossi (Italian organist) (1997-06) (tracks 1, 14)
piano:
Yvonne Loriod (pianist) (1990-10) (track 13)
arranger:
Ernest Guiraud (track 4)
balance engineer:
Michael Bergek (1990-10) (track 13)
Wolfgang Mitlehner (1997-06) (tracks 1, 8, 14)
baritone vocals:
Bryn Terfel (bass-baritone opera singer) (track 2)
bass-baritone vocals:
Bryn Terfel (bass-baritone opera singer) (track 2)
choir vocals:
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (track 1)
Norbert Balatsch (baritone, chorus master and conductor) (1997-06) (track 14)
composer:
Hector Berlioz (composer) (tracks 6–7)
Charles‐François Gounod (French composer) (track 8)
Giovanni Battista Pergolesi (composer) (track 12)
Giuseppe Verdi (Italian opera composer) (track 5)
Antonio Vivaldi (track 14)
George Frideric Handel (German‐British baroque composer) (1741) (track 1)
Wolfgang Amadeus Mozart (classical composer) (1791) (track 3)
Anton Bruckner (composer) (1869) (track 9)
Georges Bizet (French romantic composer) (1872) (track 4)
Antonín Dvořák (composer) (1875-05-03 – 1875-05-14) (track 10)
Gabriel Fauré (French composer) (1886 – 1900) (track 2)
Olivier Messiaen (1946 – 1948) (track 13)
conductor:
Myung-Whun Chung (pianist and conductor) (tracks 2–7, 9–12)
Myung-Whun Chung (pianist and conductor) (1990-10) (track 13)
Myung-Whun Chung (pianist and conductor) (1997-06) (tracks 1, 8, 14)
engineer:
Jürgen Bulgrin (1997-06) (tracks 1, 8, 14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (tracks 6–7)
Orchestre de l’Opéra Bastille (1990-10) (track 13)
producer:
Lennart Dehn (track 13)
Lennart Dehn (1997-06) (tracks 1, 8, 14)
revised by:
Antonín Dvořák (composer) (1878) (track 10)
recorded at:
Opéra Bastille in Paris, Île-de-France, France (1990-10) (track 13)
Auditorium Conciliazione in Rome, Roma, Lazio, Italy (1997-06) (tracks 1, 8, 14)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 23) (track 9)
arrangements:
Marche hongroise de "La damnation de Faust" (for organ, Büsser) (track 6)
Rákóczi March from La Damnation de Faust (for organ, Best) (track 6)
The Grand Halleluiah in the Messiah (for two organists, Marsh) (track 1)
is the basis for:
Lacrymosa (track 3)
later parody versions:
later versions:
L'Arlésienne Suite no. 2: IV. Farandole (for piano, Bizet) (track 4)
part of:
Gloria, RV 589 (edited by Malipiero) (movement) (track 14)
L'Olimpiade, P. 145 (track 12)
La traviata (track 5)
L'Arlésienne Suite no. 2 (for orchestra) (track 4)
Requiem, op. 48 (track 2)
Firebird Suite (catch-all for unknown versions) (track 11)
Requiem in D minor, K. 626 (catch-all for unknown editions) (track 3)
recording of:
Firebird Suite: VII. Finale (catch-all for unknown versions) (track 11)
L'Arlésienne Suite no. 2: IV. Farandole (for orchestra) (track 4)
Locus iste, WAB 23 (track 9)
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions) (track 3)
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero) (1997-06) (track 14)
Marche pontificale (1997-06) (track 8)
referred to in medleys:

Release

ASIN:US: B00CH8846U [info]