Chuck Berry in London / Fresh Berry's

~ Release by Chuck Berry (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleRatingLength
1My Little Love Light
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
bass guitar:
Louis Cennamo (on 1965-01-31)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-31)
guitar:
Chuck Berry (on 1965-01-31) and Jeff Krivet (on 1965-01-31)
piano:
Bob Scrivens (on 1965-01-31)
lead vocals:
Chuck Berry (on 1965-01-31)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-31)
recording of:
My Little Love Light (on 1965-01-31)
lyricist and composer:
Chuck Berry
42:40
2She Once Was Mine
recording of:
She Once Was Mine
lyricist and composer:
Chuck Berry
2:39
3After It's Over
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
bass guitar:
Louis Cennamo (on 1965-01-09)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-09)
guitar:
Chuck Berry (on 1965-01-09) and Jeff Krivet (on 1965-01-09)
harmonica:
Peter John Hogman (on 1965-01-09)
piano:
Bob Scrivens (on 1965-01-09)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-09)
recording of:
After It's Over (on 1965-01-09)
composer:
Chuck Berry
42:22
4I Got a Booking
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
bass guitar:
Louis Cennamo (on 1965-01-31)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-31)
guitar:
Chuck Berry (on 1965-01-31) and Jeff Krivet (on 1965-01-31)
harmonica:
Peter John Hogman (on 1965-01-31)
piano:
Bob Scrivens (on 1965-01-31)
lead vocals:
Chuck Berry (on 1965-01-31)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-31)
recording of:
I Got a Booking (on 1965-01-31)
lyricist and composer:
Chuck Berry
42:55
5Night Beat
producer:
Leonard & Phil Chess (Legendary US production duo)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
guitar:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (from 1957-12-29 until 1957-12-30)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (from 1957-12-29 until 1957-12-30)
recording of:
Night Beat (from 1957-12-29 until 1957-12-30)
composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
52:46
6His Daughter Caroline
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
bass guitar:
Bill Bixler (on 1964-12-16)
drums (drum set):
Howard Jones (US session drummer) (on 1964-12-16)
guitar:
Chuck Berry (on 1964-12-16) and Jules Blattner (on 1964-12-16)
lead vocals:
Chuck Berry (on 1964-12-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-12-16)
recording of:
His Daughter Caroline (on 1964-12-16)
lyricist and composer:
Chuck Berry
33:15
7You Came a Long Way From St. Louis
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
bass guitar:
Louis Cennamo (on 1965-01-09)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-09)
guitar:
Chuck Berry (on 1965-01-09) and Jeff Krivet (on 1965-01-09)
harmonica:
Peter John Hogman (on 1965-01-09)
piano:
Bob Scrivens (on 1965-01-09)
background vocals:
Bill Armstrong (vocalist, performed with Chuck Berry) (on 1965-01-09), Mike Boocock (on 1965-01-09), Neil Carter (vocalist, performed with Chuck Berry) (on 1965-01-09), Roger Eagle (on 1965-01-09), Roger Fairhurst (on 1965-01-09), Rick Green (vocalist, performed with Chuck Berry) (on 1965-01-09), Peter John Hogman (on 1965-01-09) and Brian Smith (vocalist, performed with Chuck Berry) (on 1965-01-09)
lead vocals:
Chuck Berry (on 1965-01-09)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-09)
recording of:
You Came a Long Way From St. Louis (on 1965-01-09)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
John Benson Brooks
32:10
8St. Louis Blues
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (from 1965-01-09 until 1965-01-31)
recording of:
St. Louis Blues (from 1965-01-09 until 1965-01-31)
lyricist and composer:
William Christopher Handy (in 1913)
sub-publisher:
Reuter & Reuter Förlags AB
42:39
9Jamaica Farewell
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
bass guitar:
Louis Cennamo (on 1965-01-09)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-09)
guitar:
Chuck Berry (on 1965-01-09) and Jeff Krivet (on 1965-01-09)
piano:
Bob Scrivens (on 1965-01-09)
lead vocals:
Chuck Berry (on 1965-01-09)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-09)
cover recording of:
Jamaica Farewell (on 1965-01-09)
lyricist and composer:
Irving Burgie
publisher:
Cherry Lane Music Ltd.
2:10
10Dear Dad
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
bass guitar:
Bill Bixler (on 1964-12-16)
drums (drum set):
Howard Jones (US session drummer) (on 1964-12-16)
guitar:
Chuck Berry (on 1964-12-16) and Jules Blattner (on 1964-12-16)
lead vocals:
Chuck Berry (on 1964-12-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-12-16)
recording of:
Dear Dad (on 1964-12-16)
lyricist and composer:
Chuck Berry
publisher:
Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
41:53
11Butterscotch
recorded at:
Chess Studios in Chicago, Illinois, United States (on 1964-12-15)
recording of:
Butterscotch (on 1964-12-15)
composer:
Chuck Berry
42:42
12The Song of My Love
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
bass guitar:
Bill Bixler (on 1964-12-16)
drums (drum set):
Howard Jones (US session drummer) (on 1964-12-16)
guitar:
Chuck Berry (on 1964-12-16) and Jules Blattner (on 1964-12-16)
lead vocals:
Chuck Berry (on 1964-12-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-12-16)
recording of:
The Song of My Love (on 1964-12-16)
lyricist and composer:
Chuck Berry
42:31
13Why Should We End This Way
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
bass guitar:
Louis Cennamo (on 1965-01-09)
drums (drum set):
Brian David "Chick" Kattenhorn (on 1965-01-09)
guitar:
Chuck Berry (on 1965-01-09) and Jeff Krivet (on 1965-01-09)
harmonica:
Peter John Hogman (on 1965-01-09)
piano:
Bob Scrivens (on 1965-01-09)
lead vocals:
Chuck Berry (on 1965-01-09)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1965-01-09)
recording of:
Why Should We End This Way (on 1965-01-09)
lyricist and composer:
Chuck Berry
42:57
14I Want to Be Your Driver
producer:
Leonard & Phil Chess (Legendary US production duo)
bass:
Bill Bixler (on 1964-12-16)
drums (drum set):
Howard Jones (US session drummer) (on 1964-12-16)
guitar:
Chuck Berry (on 1964-12-16) and Jules Blattner (on 1964-12-16)
lead vocals:
Chuck Berry (on 1964-12-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-12-16)
recording of:
I Want to Be Your Driver (on 1964-12-16)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
42:16
15It Wasn't Me
engineer:
Ron Malo
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
additional guitar:
Mike Bloomfield (on 1965-09-03)
additional harmonica:
Paul Butterfield (on 1965-09-03)
bass guitar:
Bryce Roberson (on 1965-09-03)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-03)
guitar and lead vocals:
Chuck Berry (on 1965-09-03)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-03)
recording of:
It Wasn't Me (on 1965-09-03)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
42:38
16Run Joe
engineer:
Ron Malo
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
bass guitar:
Bryce Roberson (on 1965-09-01)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-01)
guitar and lead vocals:
Chuck Berry (on 1965-09-01)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-01)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-01)
cover recording of:
Run Joe (on 1965-09-01)
writer:
Louis Jordan (US jazz, blues and r&b musician and songwriter), Walter Merrick and Joe Willoughby
publisher:
Cherio Music
42:21
17Everybody We Rock and Roll
recording of:
Every Day We Rock and Roll
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
2:15
18One for My Baby (And One for the Road)
cover recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
2:47
19Sad Day, Long Night
recorded in:
Chicago, Illinois, United States (in 1965)
recording of:
Sad Day, Long Night (in 1965)
composer:
Chuck Berry
2:46
20It's My Own Business
engineer:
Ron Malo
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
bass guitar:
Bryce Roberson (on 1965-09-01)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-01)
guitar and lead vocals:
Chuck Berry (on 1965-09-01)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-01)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-01)
recording of:
It's My Own Business (on 1965-09-01)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
42:13
21Right Off Rampart Street
engineer:
Ron Malo
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
bass guitar:
Bryce Roberson (on 1965-09-03)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-03)
guitar and lead vocals:
Chuck Berry (on 1965-09-03)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-03)
recording of:
Right Off Rampart Street (on 1965-09-03)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
42:27
22Vaya con dios
engineer:
Ron Malo
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
bass guitar:
Bryce Roberson (on 1965-09-02)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-02)
guitar and lead vocals:
Chuck Berry (on 1965-09-02)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-02)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-02)
cover recording of:
Vaya con Dios (original) (on 1965-09-02)
writer:
Inez James, Buddy Pepper and Larry Russell (Film composer)
publisher:
Ardmore Music Corp., Chappell Music Ltd. and Manuskript (not for release label use! this is only for copyrights and publishing relationships)
42:41
23Merrily We Rock and Roll
recording of:
Merrily We Rock and Roll
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
2:16
24My Mustang Ford
engineer:
Ron Malo
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
bass guitar:
Bryce Roberson (on 1965-09-01)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-01)
guitar and lead vocals:
Chuck Berry (on 1965-09-01)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-01)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-01)
recording of:
My Mustang Ford (on 1965-09-01)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
42:21
25Ain't That Just Like a Woman (They'll Do It Every Time)
engineer:
Ron Malo
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
bass guitar:
Bryce Roberson (on 1965-09-03)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-03)
guitar and lead vocals:
Chuck Berry (on 1965-09-03)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-03)
cover recording of:
Ain’t That Just Like a Woman (on 1965-09-03)
writer:
Claude Demetrius and Fleecie Moore
publisher:
Cherio Music
32:17
26Wee Hour Blues
engineer:
Ron Malo
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
bass guitar:
Bryce Roberson (on 1965-09-02)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-02)
guitar and lead vocals:
Chuck Berry (on 1965-09-02)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-02)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-02)
recording of:
Wee Hour Blues (on 1965-09-02)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
43:17

Credits

Release

manufactured in:England, United Kingdom
copyrighted (©) by:BGO Records (BGO Records) (in 1998)
phonographic copyright (℗) by:MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
licensed from:Universal Music (UK) Ltd.
ASIN:UK: B0000089FE [info]