Trésors d’Archiv: The Best Early Music Recordings

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

DG cat. no.
449 393-2 SET
449 394-2 CD 1
449 395-2 CD 2
449 396-2 CD 3
449 397-2 CD 4
449 398-2 CD 5

Annotation last modified on 2018-08-18 12:03 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Concerto Grosso no. 8 in G minor “Christmas Concerto”: I. Vivace - Grave. Arcate, sostenuto e como stà
recording engineer:
Volker Martin and Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Bruno Nellesen
cello [violoncello]:
Jaap ter Linden (cellist/violist/conductor) (in 1987-04)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
violin:
Micaela Comberti (violinist) (in 1987-04) and Simon Standage (violinist and conductor) (in 1987-04)
orchestra:
The English Concert (in 1987-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: I. Vivace - Grave (in 1987-04)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli1:31
2Concerto Grosso no. 8 in G minor “Christmas Concerto”: II. Allegro
recording engineer:
Volker Martin and Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Bruno Nellesen
cello [violoncello]:
Jaap ter Linden (cellist/violist/conductor) (in 1987-04)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
violin:
Micaela Comberti (violinist) (in 1987-04) and Simon Standage (violinist and conductor) (in 1987-04)
orchestra:
The English Concert (in 1987-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: II. Allegro (in 1987-04)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli2:00
3Concerto Grosso no. 8 in G minor “Christmas Concerto”: III. Adagio - Allegro - Adagio
recording engineer:
Volker Martin and Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Bruno Nellesen
cello [violoncello]:
Jaap ter Linden (cellist/violist/conductor) (in 1987-04)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
violin:
Micaela Comberti (violinist) (in 1987-04) and Simon Standage (violinist and conductor) (in 1987-04)
orchestra:
The English Concert (in 1987-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio (in 1987-04)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli3:20
4Concerto Grosso no. 8 in G minor “Christmas Concerto”: IV. Vivace
recording engineer:
Volker Martin and Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Bruno Nellesen
cello [violoncello]:
Jaap ter Linden (cellist/violist/conductor) (in 1987-04)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
violin:
Micaela Comberti (violinist) (in 1987-04) and Simon Standage (violinist and conductor) (in 1987-04)
orchestra:
The English Concert (in 1987-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: IV. Vivace (in 1987-04)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli1:00
5Concerto Grosso no. 8 in G minor “Christmas Concerto”: V. Allegro
recording engineer:
Volker Martin and Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Bruno Nellesen
cello [violoncello]:
Jaap ter Linden (cellist/violist/conductor) (in 1987-04)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
violin:
Micaela Comberti (violinist) (in 1987-04) and Simon Standage (violinist and conductor) (in 1987-04)
orchestra:
The English Concert (in 1987-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: V. Allegro (in 1987-04)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli2:05
6Concerto Grosso no. 8 in G minor “Christmas Concerto”: Largo. Pastorale ad libitum
recording engineer:
Volker Martin and Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Bruno Nellesen
cello [violoncello]:
Jaap ter Linden (cellist/violist/conductor) (in 1987-04)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
violin:
Micaela Comberti (violinist) (in 1987-04) and Simon Standage (violinist and conductor) (in 1987-04)
orchestra:
The English Concert (in 1987-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale (Largo) (in 1987-04)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli4:09
7La Sonnerie de Sainte Geneviève du Mont de Paris
orchestra and performer:
Musica Antiqua Köln
conductor:
Reinhard Goebel (violinist and conductor)
recording of:
La sonnerie de Sainte-Geneviève du Mont
composer:
Marin Marais (composer)
Marin Marais7:53
8Sonate “La Sultane”: I. Gravement
orchestra:
Musica Antiqua Köln
conductor:
Reinhard Goebel (violinist and conductor)
recording of:
Sonate “La Sultane”: I. Gravement
composer:
François Couperin (French composer of the Baroque era) and Jean Gilles
part of:
Sonate "La Sultane"
François Couperin5:00
9Sonate “La Sultane”: II. Gaiement
orchestra:
Musica Antiqua Köln
conductor:
Reinhard Goebel (violinist and conductor)
recording of:
Sonate “La Sultane”: II. Gaiement
composer:
François Couperin (French composer of the Baroque era) and Jean Gilles
part of:
Sonate "La Sultane"
François Couperin1:56
10Sonate “La Sultane”: III. Air (Tendrement) - Gravement
orchestra:
Musica Antiqua Köln
conductor:
Reinhard Goebel (violinist and conductor)
recording of:
Sonate “La Sultane”: III. Air (Tendrement) - Gravement
composer:
François Couperin (French composer of the Baroque era) and Jean Gilles
part of:
Sonate "La Sultane"
François Couperin3:05
11Sonate “La Sultane”: IV. Légèrment - Vivement
orchestra:
Musica Antiqua Köln
conductor:
Reinhard Goebel (violinist and conductor)
recording of:
Sonate “La Sultane”: IV. Légèrment - Vivement
composer:
François Couperin (French composer of the Baroque era) and Jean Gilles
part of:
Sonate "La Sultane"
François Couperin1:49
12Concerto for Flute no. 1 in F major, op. 10 RV 433, “La Tempesta di Mare”: I. Allegro
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (from 1987-11 until 1987-12)
editor:
Christian Feldgen (Engineer)
cello:
Jane Coe (cellist) (from 1987-11 until 1987-12)
cello [violoncello]:
Christopher Poffley (from 1987-11 until 1987-12)
double bass:
Amanda MacNamara (double bass player) (from 1987-11 until 1987-12)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1987-11 until 1987-12)
transverse flute:
Lisa Beznosiuk (flautist) (from 1987-11 until 1987-12)
viola:
Rupert Bawden (from 1987-11 until 1987-12) and Trevor Jones (British violist, ex. Salomon Quartet) (from 1987-11 until 1987-12)
violin [violin I]:
Graham Cracknell (from 1987-11 until 1987-12), Miles Golding (violinist) (from 1987-11 until 1987-12), Pauline Nobes (violinist) (from 1987-11 until 1987-12) and Simon Standage (violinist and conductor) (from 1987-11 until 1987-12)
violin [violin II]:
Micaela Comberti (violinist) (from 1987-11 until 1987-12), Walter Reiter (violinist) (from 1987-11 until 1987-12), Frances Turner (classical violinist) (from 1987-11 until 1987-12) and Maurice Whitaker (Violinist) (from 1987-11 until 1987-12)
orchestra:
The English Concert (from 1987-11 until 1987-12)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1987-11 until 1987-12)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-11 until 1987-12)
recording of:
Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare": I. Allegro (from 1987-11 until 1987-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare"
Antonio Vivaldi3:01
13Concerto for Flute no. 1 in F major, op. 10 RV 433, “La Tempesta di Mare”: II. Largo
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (from 1987-11 until 1987-12)
editor:
Christian Feldgen (Engineer)
cello:
Jane Coe (cellist) (from 1987-11 until 1987-12)
cello [violoncello]:
Christopher Poffley (from 1987-11 until 1987-12)
double bass:
Amanda MacNamara (double bass player) (from 1987-11 until 1987-12)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1987-11 until 1987-12)
transverse flute:
Lisa Beznosiuk (flautist) (from 1987-11 until 1987-12)
viola:
Rupert Bawden (from 1987-11 until 1987-12) and Trevor Jones (British violist, ex. Salomon Quartet) (from 1987-11 until 1987-12)
violin [violin I]:
Graham Cracknell (from 1987-11 until 1987-12), Miles Golding (violinist) (from 1987-11 until 1987-12), Pauline Nobes (violinist) (from 1987-11 until 1987-12) and Simon Standage (violinist and conductor) (from 1987-11 until 1987-12)
violin [violin II]:
Micaela Comberti (violinist) (from 1987-11 until 1987-12), Walter Reiter (violinist) (from 1987-11 until 1987-12), Frances Turner (classical violinist) (from 1987-11 until 1987-12) and Maurice Whitaker (Violinist) (from 1987-11 until 1987-12)
orchestra:
The English Concert (from 1987-11 until 1987-12)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1987-11 until 1987-12)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-11 until 1987-12)
recording of:
Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare": II: Largo (from 1987-11 until 1987-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare"
Antonio Vivaldi1:48
14Concerto for Flute no. 1 in F major, op. 10 RV 433, “La Tempesta di Mare”: III. Presto
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (from 1987-11 until 1987-12)
editor:
Christian Feldgen (Engineer)
cello:
Jane Coe (cellist) (from 1987-11 until 1987-12)
cello [violoncello]:
Christopher Poffley (from 1987-11 until 1987-12)
double bass:
Amanda MacNamara (double bass player) (from 1987-11 until 1987-12)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1987-11 until 1987-12)
transverse flute:
Lisa Beznosiuk (flautist) (from 1987-11 until 1987-12)
viola:
Rupert Bawden (from 1987-11 until 1987-12) and Trevor Jones (British violist, ex. Salomon Quartet) (from 1987-11 until 1987-12)
violin [violin I]:
Graham Cracknell (from 1987-11 until 1987-12), Miles Golding (violinist) (from 1987-11 until 1987-12), Pauline Nobes (violinist) (from 1987-11 until 1987-12) and Simon Standage (violinist and conductor) (from 1987-11 until 1987-12)
violin [violin II]:
Micaela Comberti (violinist) (from 1987-11 until 1987-12), Walter Reiter (violinist) (from 1987-11 until 1987-12), Frances Turner (classical violinist) (from 1987-11 until 1987-12) and Maurice Whitaker (Violinist) (from 1987-11 until 1987-12)
orchestra:
The English Concert (from 1987-11 until 1987-12)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1987-11 until 1987-12)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-11 until 1987-12)
recording of:
Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare": III. Presto (from 1987-11 until 1987-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare"
Antonio Vivaldi2:06
15Concerto no. 1 in B-flat major, op. 4 RV 383A, “La Stravaganza”: I. Allegro
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
cello:
Jane Coe (cellist) (in 1989-11)
violin:
Simon Standage (violinist and conductor) (in 1989-11)
violin [violin II]:
Micaela Comberti (violinist) (in 1989-11)
orchestra:
The English Concert (in 1989-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1989-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-11)
recording of:
Violin Concerto in B-flat major, op. 4 no. 1, RV 383a: I. Allegro (in 1989-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1716)
part of:
Violin Concerto in B-flat major, op. 4 no. 1, RV 383a
Antonio Vivaldi3:12
16Concerto no. 1 in B-flat major, op. 4 RV 383A, “La Stravaganza”: II. Largo
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
cello:
Jane Coe (cellist) (in 1989-11)
violin:
Simon Standage (violinist and conductor) (in 1989-11)
violin [violin II]:
Micaela Comberti (violinist) (in 1989-11)
orchestra:
The English Concert (in 1989-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1989-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-11)
recording of:
Violin Concerto in B-flat major, op. 4 no. 1, RV 383a: II. Largo e cantabile (in 1989-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1716)
part of:
Violin Concerto in B-flat major, op. 4 no. 1, RV 383a
Antonio Vivaldi2:20
17Concerto no. 1 in B-flat major, op. 4 RV 383A, “La Stravaganza”: III. Allegro
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
cello:
Jane Coe (cellist) (in 1989-11)
violin:
Simon Standage (violinist and conductor) (in 1989-11)
violin [violin II]:
Micaela Comberti (violinist) (in 1989-11)
orchestra:
The English Concert (in 1989-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1989-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-11)
recording of:
Violin Concerto in B-flat major, op. 4 no. 1, RV 383a: III. Allegro (in 1989-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1716)
part of:
Violin Concerto in B-flat major, op. 4 no. 1, RV 383a
Antonio Vivaldi2:27
18Concerto no. 10 in B minor, RV 580, “L’Estro Armonico”: I. Allegro
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580
Antonio Vivaldi3:50
19Concerto no. 10 in B minor, RV 580, “L’Estro Armonico”: II. Largo - Larghetto - Adagio - Largo
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580
Antonio Vivaldi2:13
20Concerto no. 10 in B minor, RV 580, “L’Estro Armonico”: III. Allegro
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580
Antonio Vivaldi3:13
21Dresden Concerti: Concerto in F major: I. Vivace
orchestra:
Musica Antiqua Köln
conductor:
Reinhard Goebel (violinist and conductor)
Johann David Heinichen2:37
22Dresden Concerti: Concerto in F major: II. Adagio
orchestra:
Musica Antiqua Köln
conductor:
Reinhard Goebel (violinist and conductor)
Johann David Heinichen0:45
23Dresden Concerti: Concerto in F major: III. Un poco Allegro
orchestra:
Musica Antiqua Köln
conductor:
Reinhard Goebel (violinist and conductor)
Johann David Heinichen2:23
24Dresden Concerti: Concerto in F major: IV. Allegro
orchestra:
Musica Antiqua Köln
conductor:
Reinhard Goebel (violinist and conductor)
Johann David Heinichen2:53
25Overture no. 6 in B-flat major: I. Allegro
orchestra:
Musica Antiqua Köln
conductor:
Reinhard Goebel (violinist and conductor)
Francesco Maria Veracini3:24
26Overture no. 6 in B-flat major: II. Largo
orchestra:
Musica Antiqua Köln
conductor:
Reinhard Goebel (violinist and conductor)
Francesco Maria Veracini2:25
27Overture no. 6 in B-flat major: III. Allegro
orchestra:
Musica Antiqua Köln
conductor:
Reinhard Goebel (violinist and conductor)
Francesco Maria Veracini3:00
28Overture no. 6 in B-flat major: IV. Menuet
orchestra:
Musica Antiqua Köln
conductor:
Reinhard Goebel (violinist and conductor)
Francesco Maria Veracini2:01
▼ CD 2
#TitleArtistRatingLength
1Brandenburg Concerto No. 5 in D major, BWV 1050: I. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
transverse flute:
Lisa Beznosiuk (flautist) (from 1982-03 until 1982-05)
violin:
Simon Standage (violinist and conductor) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050
Johann Sebastian Bach9:50
2Brandenburg Concerto No. 5 in D major, BWV 1050: II. Affettuoso
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
transverse flute:
Lisa Beznosiuk (flautist) (from 1982-03 until 1982-05)
violin:
Simon Standage (violinist and conductor) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050
Johann Sebastian Bach5:11
3Brandenburg Concerto No. 5 in D major, BWV 1050: III. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
transverse flute:
Lisa Beznosiuk (flautist) (from 1982-03 until 1982-05)
violin:
Simon Standage (violinist and conductor) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050
Johann Sebastian Bach5:08
4Suite for Orchestra in B minor, BWV 1067: I. Overture
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (cellist) (in 1978-06)
double bass and violone:
Richard Webb (cellist) (in 1978-06)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
transverse flute:
Stephen Preston (flutist) (in 1978-06)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
violin:
Monica Huggett (violinist) (in 1978-06) and Simon Standage (violinist and conductor) (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (in 1978-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
Johann Sebastian Bach6:10
5Suite for Orchestra in B minor, BWV 1067: II. Rondeau
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (cellist) (in 1978-06)
double bass and violone:
Richard Webb (cellist) (in 1978-06)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
transverse flute:
Stephen Preston (flutist) (in 1978-06)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
violin:
Monica Huggett (violinist) (in 1978-06) and Simon Standage (violinist and conductor) (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (in 1978-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
Johann Sebastian Bach1:59
6Suite for Orchestra in B minor, BWV 1067: III. Sarabande
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (cellist) (in 1978-06)
double bass and violone:
Richard Webb (cellist) (in 1978-06)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
transverse flute:
Stephen Preston (flutist) (in 1978-06)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
violin:
Monica Huggett (violinist) (in 1978-06) and Simon Standage (violinist and conductor) (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (in 1978-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
Johann Sebastian Bach2:53
7Suite for Orchestra in B minor, BWV 1067: IV. Bourée I / II
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (cellist) (in 1978-06)
double bass and violone:
Richard Webb (cellist) (in 1978-06)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
transverse flute:
Stephen Preston (flutist) (in 1978-06)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
violin:
Monica Huggett (violinist) (in 1978-06) and Simon Standage (violinist and conductor) (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (in 1978-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
Johann Sebastian Bach1:57
8Suite for Orchestra in B minor, BWV 1067: V. Polonaise - Double
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (cellist) (in 1978-06)
double bass and violone:
Richard Webb (cellist) (in 1978-06)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
transverse flute:
Stephen Preston (flutist) (in 1978-06)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
violin:
Monica Huggett (violinist) (in 1978-06) and Simon Standage (violinist and conductor) (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (in 1978-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
Johann Sebastian Bach3:42
9Suite for Orchestra in B minor, BWV 1067: VI. Menuet
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (cellist) (in 1978-06)
double bass and violone:
Richard Webb (cellist) (in 1978-06)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
transverse flute:
Stephen Preston (flutist) (in 1978-06)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
violin:
Monica Huggett (violinist) (in 1978-06) and Simon Standage (violinist and conductor) (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (in 1978-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
Johann Sebastian Bach1:30
10Suite for Orchestra in B minor, BWV 1067: VII. Badinerie
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (cellist) (in 1978-06)
double bass and violone:
Richard Webb (cellist) (in 1978-06)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
transverse flute:
Stephen Preston (flutist) (in 1978-06)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
violin:
Monica Huggett (violinist) (in 1978-06) and Simon Standage (violinist and conductor) (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (in 1978-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
Johann Sebastian Bach1:36
11Six "Schübler" Chorales: I. Wachet auf, ruft uns die Stimme, BWV 645
organ:
Helmut Walcha (German organist) (in 1956-09)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1956-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1956-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach4:15
12Six "Schübler" Chorales: II. Wo soll ich fliehin hin, oder: Auf meinen lieben Gott, BWV 646
organ:
Helmut Walcha (German organist) (in 1971-05)
balance engineer:
Hansjoachim Reiser (engineer/producer)
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est, France (in 1971-05)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wo soll ich fliehen hin, BWV 646 (in 1971-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1748 until 1749)
part of:
Bach-Werke-Verzeichnis (number: BWV 646)
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach2:04
13Six "Schübler" Chorales: III. Wer nur den lieben Gott läßt walten, BWV 647
organ:
Helmut Walcha (German organist) (in 1971-05)
balance engineer:
Hansjoachim Reiser (engineer/producer)
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est, France (in 1971-05)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wer nur den lieben Gott läßt walten, BWV 647 (in 1971-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 647)
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach3:11
14Six "Schübler" Chorales: IV. Meine Seele erhebt den Herrn, BWV 648
organ:
Helmut Walcha (German organist) (in 1971-05)
balance engineer:
Hansjoachim Reiser (engineer/producer)
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est, France (in 1971-05)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Meine Seele erhebet den Herren, BWV 648 (in 1971-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 648)
is based on:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit"
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach1:54
15Six "Schübler" Chorales: V. Ach, bleib bei uns, Herr Jesu Christ, BWV 649
organ:
Helmut Walcha (German organist) (in 1971-05)
balance engineer:
Hansjoachim Reiser (engineer/producer)
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est, France (in 1971-05)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (in 1971-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 649)
is based on:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ"
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach3:08
16Six "Schübler" Chorales: VI. Kommst du nun, Jesus, vom Himmel herunter, BWV 650
organ:
Helmut Walcha (German organist) (in 1971-05)
balance engineer:
Hansjoachim Reiser (engineer/producer)
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est, France (in 1971-05)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (in 1971-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 650)
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach3:31
17Actus tragicus "Gottes Zeit ist die allerbeste Zeit", BWV 106: I. Molto adagio
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:37
18Actus tragicus "Gottes Zeit ist die allerbeste Zeit", BWV 106: II. "Gottes Zeit ist die allerbeste Zeit" / "Ach, Herr lehre uns bendenken" / "Bestelle dein Haus" / "Es ist alte Bund"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1989-09)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-09)
soprano vocals:
Nancy Argenta (soprano) (in 1989-09)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach7:56
19Actus tragicus "Gottes Zeit ist die allerbeste Zeit", BWV 106: III. "In deine Hände befehl ich meinen Geist" / "Heute wirst du mit mir"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1989-09)
choir vocals [altos]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-09)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
compilation of:
Actus tragicus, BWV106: Arioso 'In deine Hände befehl ich meinen Geist' by Michael Chance (British countertenor), English Baroque Soloists, Sir John Eliot Gardiner
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach5:47
20Actus tragicus "Gottes Zeit ist die allerbeste Zeit", BWV 106: IV. "Glorie, Lob, Ehr und Herrlichkeit"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:30
▼ CD 3
#TitleArtistRatingLength
1Missa "Hodie Christus Natus Est": I. Kyrie
orchestra and performer:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa "Hodie Christus natus est": I. Kyrie Eleison
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (composer)
part of:
Missa "Hodie Christus natus est"
Giovanni Pierluigi da Palestrina2:43
2Missa "Hodie Christus Natus Est": II. Gloria
orchestra and performer:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa "Hodie Christus natus est": II. Gloria
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (composer)
part of:
Missa "Hodie Christus natus est"
Giovanni Pierluigi da Palestrina3:58
3Missa "Hodie Christus Natus Est": III. Credo
orchestra and performer:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa "Hodie Christus natus est": III. Credo
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (composer)
part of:
Missa "Hodie Christus natus est"
Giovanni Pierluigi da Palestrina6:05
4Missa "Hodie Christus Natus Est": IV. Sanctus
orchestra and performer:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa "Hodie Christus natus est": IV. Sanctus & Benedictus
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (composer)
part of:
Missa "Hodie Christus natus est"
Giovanni Pierluigi da Palestrina5:23
5Missa "Hodie Christus Natus Est": V. Agnus Dei
orchestra and performer:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa "Hodie Christus natus est": V. Agnus dei
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (composer)
part of:
Missa "Hodie Christus natus est"
Giovanni Pierluigi da Palestrina3:03
6Hodie Christus natus est
orchestra:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Hodie Christus natus est
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (composer)
Giovanni Pierluigi da Palestrina1:43
7Christmas Mass: Resonet in Laudibus
choir vocals:
Congregational Choir of Roskilde Cathedral, Denmark and Boy's Choir of Roskilde Cathedral
orchestra:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
Michael Praetorius1:09
8Christmas Mass: Quem pastores laudavere
choir vocals:
Congregational Choir of Roskilde Cathedral, Denmark and Boy's Choir of Roskilde Cathedral
orchestra:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Quem pastores laudavere
composer:
Michael Praetorius (composer and organist)
Michael Praetorius4:42
9Requiem: I. Introitus
choir vocals:
Collegium Vocale Gent
orchestra:
Musica Antiqua Köln
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Requiem: I. Introitus
composer:
Jean Gilles
part of:
Requiem
Jean Gilles14:12
10Requiem: II. Kyrie
choir vocals:
Collegium Vocale Gent
orchestra:
Musica Antiqua Köln
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Requiem: II. Kyrie
composer:
Jean Gilles
part of:
Requiem
Jean Gilles2:20
11Requiem: III. Graduale
choir vocals:
Collegium Vocale Gent
orchestra:
Musica Antiqua Köln
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Requiem: III. Graduale
composer:
Jean Gilles
part of:
Requiem
Jean Gilles5:13
12Requiem: IV. Offertorium
choir vocals:
Collegium Vocale Gent
orchestra:
Musica Antiqua Köln
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Requiem: IV. Offertorium
composer:
Jean Gilles
part of:
Requiem
Jean Gilles9:42
13Requiem: V. Sanctus
choir vocals:
Collegium Vocale Gent
orchestra:
Musica Antiqua Köln
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Requiem: V. Sanctus
composer:
Jean Gilles
part of:
Requiem
Jean Gilles3:57
14Requiem: VI. Agnus Dei
choir vocals:
Collegium Vocale Gent
orchestra:
Musica Antiqua Köln
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Requiem: VI. Agnus Dei
composer:
Jean Gilles
part of:
Requiem
Jean Gilles3:54
15Requiem: VII. Communio
choir vocals:
Collegium Vocale Gent
orchestra:
Musica Antiqua Köln
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Requiem: VII. Communio
composer:
Jean Gilles
part of:
Requiem
Jean Gilles4:39
▼ CD 4
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1Vespers of the Blessed Virgin: I. Magnificat
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
English Baroque Soloists
conductor:
John Eliot Gardiner
recording of:
Vespro della Beata Vergine, SV 206: XIIIa. Magnificat (I): "Magnificat" (in 1989-07)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi0:31
2Vespers of the Blessed Virgin: II. Anima mea
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
English Baroque Soloists
conductor:
John Eliot Gardiner
Claudio Monteverdi0:44
3Vespers of the Blessed Virgin: III. Et exultavit
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
English Baroque Soloists
conductor:
John Eliot Gardiner
recording of:
Vespro della Beata Vergine, SV 206: XIVb. Magnificat (II): "Et exsultavit" (in 1989-07)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:15
4Vespers of the Blessed Virgin: IV. Quia respexit
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
English Baroque Soloists
conductor:
John Eliot Gardiner
recording of:
Vespro della Beata Vergine, SV 206: XIVc. Magnificat (II): "Quia respexit" (in 1989-07)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:24
5Vespers of the Blessed Virgin: V. Quia fecit
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
English Baroque Soloists
conductor:
John Eliot Gardiner
recording of:
Vespro della Beata Vergine, SV 206: XIVd. Magnificat (II): "Quia fecit mihi magna" (in 1989-07)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:45
6Vespers of the Blessed Virgin: VI. Et misericordia
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
English Baroque Soloists
conductor:
John Eliot Gardiner
recording of:
Vespro della Beata Vergine, SV 206: XIVe. Magnificat (II): "Et misericordia" (in 1989-07)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:17
7Vespers of the Blessed Virgin: VII. Fecit potentiam
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
English Baroque Soloists
conductor:
John Eliot Gardiner
recording of:
Vespro della Beata Vergine, SV 206: XIVf. Magnificat (II): "Fecit potentiam" (in 1989-07)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi0:52
8Vespers of the Blessed Virgin: VIII. Deposuit potentes
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
English Baroque Soloists
conductor:
John Eliot Gardiner
recording of:
Vespro della Beata Vergine, SV 206: XIVg. Magnificat (II): "Deposuit potentes de sede" (in 1989-07)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi2:30
9Vespers of the Blessed Virgin: IX. Esurientes implevit
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
English Baroque Soloists
conductor:
John Eliot Gardiner
recording of:
Vespro della Beata Vergine, SV 206: XIVh. Magnificat (II): "Esurientes implevit bonis" (in 1989-07)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:55
10Vespers of the Blessed Virgin: X. Suscepit Israel
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
English Baroque Soloists
conductor:
John Eliot Gardiner
recording of:
Vespro della Beata Vergine, SV 206: XIVi. Magnificat (II): "Suscepit Israel"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:54
11Vespers of the Blessed Virgin: XI. Sicut locutus est
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
English Baroque Soloists
conductor:
John Eliot Gardiner
recording of:
Vespro della Beata Vergine, SV 206: XIVj. Magnificat (II): "Sicut locutus est" (in 1989-07)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:08
12Vespers of the Blessed Virgin: XII. Gloria Patri et Filio
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
English Baroque Soloists
conductor:
John Eliot Gardiner
recording of:
Vespro della Beata Vergine, SV 206: XIIIk. Magnificat (I): "Gloria Patri" (in 1989-07)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:39
13Vespers of the Blessed Virgin: XIII. Sicut erat in principio
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
English Baroque Soloists
conductor:
John Eliot Gardiner
recording of:
Vespro della Beata Vergine, SV 206: XIIIl. Magnificat (I): "Sicut erat in principio" (in 1989-07)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:23
14Marian Cantatas and Arias "Ah! Che troppo ineguali", HWV 230: Ah! Che troppo ineguali
orchestra:
Musica Antiqua Köln
conductor:
Reinhard Goebel (violinist and conductor)
recording of:
Ah! che troppo ineguali, HWV 230
composer:
George Frideric Handel (German‐British baroque composer) (from 1707 until 1708)
part of:
Händel-Werke-Verzeichnis (number: HWV 230)
Georg Friedrich Händel1:08
15Marian Cantatas and Arias "Ah! Che troppo ineguali", HWV 230: O del ciel Maria regina
orchestra:
Musica Antiqua Köln
conductor:
Reinhard Goebel (violinist and conductor)
Georg Friedrich Händel9:22
16Stabat Mater: I. Duo: Stabat Mater dolorosa
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi5:09
17Stabat Mater: II. Air: Cuius animam gementem
organ:
Claudio D'Onofrio
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:57
18Stabat Mater: III. Duo: O quam tristis et afflicta
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:55
19Stabat Mater: IV. Air: Quae maerebat et dolebat
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: IV. Aria (alto): Quae moerebat et dolebat
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:50
20Stabat Mater: V. Duo: Quis est homo, qui non fleret
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: V. Duo: Quis est homo, qui non fleret
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:07
21Stabat Mater: VI. Air: Vidit suum dulcem natum
organ:
Claudio D'Onofrio
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VI. Aria: Vidit suum dulcem natum
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:34
22Stabat Mater: VII. Air: Eia, Mater, fons amoris
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VII. Aria (alto): Eja, mater, fons amoris
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:06
23Stabat Mater: VIII. Duo: Fac, ut ardeat cor meum
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:18
24Stabat Mater: IX. Duo: Sancta Mater, istud agas
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi5:13
25Stabat Mater: X. Air: Fac, ut portem Christi mortem
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut protem Christi mortem
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:12
26Stabat Mater: XI. Duo: Inflammatus et accensus
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
recording of:
Stabat Mater, FP 148: XI. Inflammatus et accensus
composer:
Francis Poulenc (pianist and composer) (in 1950)
part of:
Stabat Mater, FP 148
Giovanni Battista Pergolesi2:34
27Stabat Mater: XII. Duo: Quando corpus morietur
organ:
Claudio D'Onofrio
alto vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano)
orchestra:
Scarlatti Orchestra, Naples and Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur - Amen
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:32
▶ CD 5