Clair de lune: Debussy Favourites

~ Release by Debussy (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Clair de lune (piano original)
piano:
Zoltán Kocsis (pianist) (in 1983-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984) and Universal International Music B.V. (company, do not use as label) (in 1984)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1983-09)
recording of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano) (in 1983-09)
composer:
Claude Debussy (composer) (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
Claude Debussy5:53
2La Fille aux cheveux de lin (for piano)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Hermine Sterringa
piano:
Zoltán Kocsis (pianist) (in 1996-03)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (in 1996-03)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (in 1996-03)
composer:
Claude Debussy (composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy1:54
3Prélude à l'après-midi d'un faune (for orchestra)
producer:
Ray Minshull (record producer)
flute:
Timothy Hutchins (flautist) (in 1989-10)
orchestra:
Orchestre symphonique de Montréal (in 1989-10)
conductor:
Charles Dutoit (conductor) (in 1989-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1989-10)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (original version for orchestra) (in 1989-10)
composer:
Claude Debussy (composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:45
42 Arabesques (for piano): No. 1. Andante con moto
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Onno Scholtze (sound engineer)
piano:
Zoltán Kocsis (pianist) (in 1988-10)
balance engineer:
Onno Scholtze (sound engineer) (in 1988-10)
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label) (in 1990)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1988-10)
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano) (in 1988-10)
composer:
Claude Debussy (composer) (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
Claude Debussy3:55
52 Arabesques (for piano): No. 2. Allegretto scherzando
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Zoltán Kocsis (pianist) (in 1988-10)
balance engineer:
Onno Scholtze (sound engineer) (in 1988-10)
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label) (in 1990)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1988-10)
recording of:
Deux arabesques, L. 66, CD 74 : No. 2. Allegretto scherzando (for piano) (in 1988-10)
composer:
Claude Debussy (composer) (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
Claude Debussy2:54
6La plus que lente (piano version)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Hermine Sterringa
piano:
Zoltán Kocsis (pianist) (in 1997-02)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (in 1997-02)
recording of:
La plus que lente, L. 121, CD 128 (pour piano solo) (in 1997-02)
composer:
Claude Debussy (composer) (in 1910)
premiered at:
[concert] (1911-03-31)
publisher:
Durand et Cie (1909–1947) (in 1910-07)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 121) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 128)
Claude Debussy3:56
7La cathédrale engloutie (piano version)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Hermine Sterringa
piano:
Zoltán Kocsis (pianist) (in 1996-03)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (in 1996-03)
recording of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme (in 1996-03)
composer:
Claude Debussy (composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy6:22
8Petite Suite (for piano duet): I. En bateau
recording engineer:
Thijs Hoekstra
producer:
Hermine Sterringa and Stan Taal
editor:
Carl Schuurbiers
piano:
Katia Labèque (pianist) (in 1996-11) and Marielle Labèque (pianist) (in 1996-11)
piano four hands:
Katia & Marielle Labèque (in 1996-11)
balance engineer:
Stan Taal
recorded at:
Galaxy Studios in Mol, Antwerpen, Flanders, Belgium (in 1996-11)
recording of:
Petite Suite, L. 65, CD 71a : I. En bateau (for piano 4-hands) (in 1996-11)
composer:
Claude Debussy (composer) (from 1888 until 1889)
part of:
Petite Suite, L. 65, CD 71a (for piano 4-hands)
Claude Debussy2:52
9Petite Suite (for piano duet): II. Cortège
recording engineer:
Thijs Hoekstra
producer:
Hermine Sterringa and Stan Taal
editor:
Carl Schuurbiers
piano:
Katia Labèque (pianist) (in 1996-11) and Marielle Labèque (pianist) (in 1996-11)
piano four hands:
Katia & Marielle Labèque (in 1996-11)
balance engineer:
Stan Taal
recorded at:
Galaxy Studios in Mol, Antwerpen, Flanders, Belgium (in 1996-11)
recording of:
Petite Suite, L. 65, CD 71a : II. Cortège (for piano 4-hands) (in 1996-11)
composer:
Claude Debussy (composer) (from 1888 until 1889)
part of:
Petite Suite, L. 65, CD 71a (for piano 4-hands)
Claude Debussy2:33
10Petite Suite (for piano duet): III. Menuet
recording engineer:
Thijs Hoekstra
producer:
Hermine Sterringa and Stan Taal
editor:
Carl Schuurbiers
piano:
Katia Labèque (pianist) (in 1996-11) and Marielle Labèque (pianist) (in 1996-11)
piano four hands:
Katia & Marielle Labèque (in 1996-11)
balance engineer:
Stan Taal
recorded at:
Galaxy Studios in Mol, Antwerpen, Flanders, Belgium (in 1996-11)
recording of:
Petite Suite, L. 65, CD 71a : III. Menuet (for piano 4-hands) (in 1996-11)
composer:
Claude Debussy (composer) (from 1888 until 1889)
part of:
Petite Suite, L. 65, CD 71a (for piano 4-hands)
Claude Debussy2:35
11Petite Suite (for piano duet): IV. Ballet
recording engineer:
Thijs Hoekstra
producer:
Hermine Sterringa and Stan Taal
editor:
Carl Schuurbiers
piano:
Katia Labèque (pianist) (in 1996-11) and Marielle Labèque (pianist) (in 1996-11)
piano four hands:
Katia & Marielle Labèque (in 1996-11)
balance engineer:
Stan Taal
recorded at:
Galaxy Studios in Mol, Antwerpen, Flanders, Belgium (in 1996-11)
recording of:
Petite Suite, L. 65, CD 71a : IV. Ballet (for piano 4-hands) (in 1996-11)
composer:
Claude Debussy (composer) (from 1888 until 1889)
part of:
Petite Suite, L. 65, CD 71a (for piano 4-hands)
Claude Debussy2:40
123 Nocturnes (orchestral version): No. 1. Nuages
producer:
Ray Minshull (record producer)
cor anglais:
Pierre-Vincent Plante
orchestra:
Orchestre symphonique de Montréal (in 1988-10)
conductor:
Charles Dutoit (conductor) (in 1988-10)
balance engineer:
John Dunkerley (engineer) (in 1988-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1988-10)
recording of:
Nocturnes, L. 91, CD 98 : I. Nuages (in 1988-10)
composer:
Claude Debussy (composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy7:49
133 Nocturnes (orchestral version): No. 2. Fêtes
producer:
Ray Minshull (record producer)
orchestra:
Orchestre symphonique de Montréal (in 1988-10)
conductor:
Charles Dutoit (conductor) (in 1988-10)
balance engineer:
John Dunkerley (engineer) (in 1988-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1988-10)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (in 1988-10)
composer:
Claude Debussy (composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:17
143 Nocturnes (orchestral version): No. 3. Sirènes
producer:
Ray Minshull (record producer)
choir vocals:
Chœur des femmes de l’Orchestre symphonique de Montréal (in 1988-10)
orchestra:
Orchestre symphonique de Montréal (in 1988-10)
conductor:
Charles Dutoit (conductor) (in 1988-10)
balance engineer:
John Dunkerley (engineer) (in 1988-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1988-10)
recording of:
Nocturnes, L. 91, CD 98 : III. Sirènes (in 1988-10)
composer:
Claude Debussy (composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1901-10-27)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy10:53
▼ CD 2
#TitleArtistRatingLength
1Clair de lune (orchestral version)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1955-10)
conductor:
Ernest Ansermet (conductor) (in 1955-10)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland (in 1955-10)
recording of:
Clair de lune from Suite bergamasque (orch. Stokowski) (in 1955-10)
orchestrator:
Leopold Stokowski (conductor)
composer:
Claude Debussy (composer) (from 1890 until 1905)
orchestration of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano)
Claude Debussy4:15
2La terrasse des audiences du clair de lune (for piano)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Hermine Sterringa
piano:
Zoltán Kocsis (pianist) (in 1997-02)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (in 1997-02)
recording of:
Préludes, Livre II, L. 123: VII. La terrasse des audiences du clair de lune. Lent (in 1997-02)
composer:
Claude Debussy (composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy4:25
3Serenade for the Doll (for piano)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Hermine Sterringa
piano:
Zoltán Kocsis (pianist) (in 1996-03)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (in 1996-03)
recording of:
Children’s Corner, L. 113: III. Serenade for the Doll (original piano version) (in 1996-03)
composer:
Claude Debussy (composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:32
4The Snow is Dancing (for piano)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Hermine Sterringa
piano:
Zoltán Kocsis (pianist) (in 1996-03)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (in 1996-03)
recording of:
Children’s Corner, L. 113: IV. The Snow is Dancing (original piano version) (in 1996-03)
composer:
Claude Debussy (composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:14
5Golliwogg's Cake-Walk (for piano)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Hermine Sterringa
piano:
Zoltán Kocsis (pianist) (in 1996-03)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (in 1996-03)
recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake-Walk (original piano version) (in 1996-03)
composer:
Claude Debussy (composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:40
6Nocturne (for piano)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Hermine Sterringa
piano:
Zoltán Kocsis (pianist) (in 1997-02)
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (in 1997-02)
recording of:
Nocturne, L. 82, CD 89 (for piano) (in 1997-02)
composer:
Claude Debussy (composer) (in 1892)
publisher:
Paul Dupont (in 1892), Le Figaro musical (in 1892-08) and Société nouvelle d'éditions musicales (in 1903)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 82) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 89)
Claude Debussy7:24
7String Quartet: 3rd movement
string quartet:
Quatuor Ysaÿe (French string quartet, active 1984-2014)
recording of:
Quatuor à cordes en sol mineur, op. 10, L. 85, CD 91 : III. Andantino, doucement expressif
composer:
Claude Debussy (composer) (from 1892 until 1893)
part of:
Quatuor à cordes en sol mineur, op. 10, L. 85, CD 91
Claude Debussy8:03
8La plus que lente (orchestral version)
producer:
Christopher Pope (producer)
editor:
Matthew Hutchinson (engineer / editor)
cimbalom:
James Earl Barnes (in 1994-05)
hammered dulcimer:
James Earl Barnes
orchestra:
Orchestre symphonique de Montréal (in 1994-05)
conductor:
Charles Dutoit (conductor) (in 1994-05)
balance engineer:
John Dunkerley (engineer) (in 1994-05) and Philip Siney (sound engineer) (in 1994-05)
recording of:
La plus que lente, L. 121 (pour orchestre) (in 1994-05)
orchestrator and composer:
Claude Debussy (composer) (in 1910)
arrangement of:
La plus que lente, L. 121, CD 128 (pour piano solo)
Claude Debussy5:19
9Danse sacrée et danse profane (orchestral version): I. Danse sacrée
harp:
Vera Badings (Dutch harpist) (in 1977-12)
orchestra:
Royal Concertgebouw Orchestra (in 1977-12)
conductor:
Bernard Haitink (conductor) (in 1977-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1978)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1977-12)
recording of:
Deux danses pour Harpe et Orchestre, L. 103: Danse sacrée (in 1977-12)
composer:
Claude Debussy (composer) (from 1904-04 until 1904-05)
part of:
Deux danses pour Harpe et Orchestre, L. 103, CD 113
Claude Debussy4:37
10Danse sacrée et danse profane (orchestral version): II. Danse profane
harp:
Vera Badings (Dutch harpist) (in 1977-12)
orchestra:
Royal Concertgebouw Orchestra (in 1977-12)
conductor:
Bernard Haitink (conductor) (in 1977-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1978)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1977-12)
recording of:
Deux danses pour Harpe et Orchestre, L. 103: Danse profane (in 1977-12)
composer:
Claude Debussy (composer) (from 1904-04 until 1904-05)
part of:
Deux danses pour Harpe et Orchestre, L. 103, CD 113
Claude Debussy4:34
11La cathédrale engloutie (orchestral version)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1965-09-11)
conductor:
Leopold Stokowski (conductor) (on 1965-09-11)
balance engineer:
Arthur Lilley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-09-11)
recording of:
La Cathédrale engloutie (orch. Stokowski) (on 1965-09-11)
orchestrator:
Leopold Stokowski (conductor)
composer:
Claude Debussy (composer) (from 1909-12 until 1910-02)
orchestration of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme
Claude Debussy6:37
12La Mer (for orchestra): I. De l'aube à midi sur la mer
producer:
Ray Minshull (record producer)
orchestra:
Orchestre symphonique de Montréal (in 1989-05)
conductor:
Charles Dutoit (conductor) (in 1989-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1989-05)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (in 1989-05)
composer:
Claude Debussy (composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:49
13La Mer (for orchestra): II. Jeux de vagues
producer:
Ray Minshull (record producer)
orchestra:
Orchestre symphonique de Montréal (in 1989-05)
conductor:
Charles Dutoit (conductor) (in 1989-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1989-05)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (in 1989-05)
composer:
Claude Debussy (composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy6:11
14La Mer (for orchestra): III. Dialogue du vent et de la mer
producer:
Ray Minshull (record producer)
orchestra:
Orchestre symphonique de Montréal (in 1989-05)
conductor:
Charles Dutoit (conductor) (in 1989-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1989-05)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (in 1989-05)
composer:
Claude Debussy (composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:02