It Might as Well Be Swing

~ Release by Frank Sinatra & Count Basie (see all versions of this release, 9 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Fly Me to the Moon (In Other Words)
recorded in:
Hollywood, Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (producer, songwriter and Big Band leader)
cello:
Edgar Lustgarten (on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henry Coker (on 1964-06-09), Bill Hughes (trombone) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones (on 1964-06-09)
arranger:
Quincy Jones
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 75)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (on 1964-06-09)
lyricist and composer:
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. and Hampshire House Publishing Corp.
arrangement of:
Fly Me to the Moon
4.352:31
A2I Wish You Love
recorded in:
Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (producer, songwriter and Big Band leader)
cello:
Edgar Lustgarten (on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
piano:
Count Basie (pianist) (on 1964-06-10)
reeds:
Eric Dixon (woodwind) (on 1964-06-10), Frank Foster (saxophonist) (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henry Coker (on 1964-06-10), Bill Hughes (trombone) (on 1964-06-10), Grover Mitchell (trombone) (on 1964-06-10) and Ken Shroyer (trombonist) (on 1964-06-10)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
arranger:
Quincy Jones
cover recording of:
I Wish You Love (on 1964-06-10)
lyricist:
Charles Trenet
composer:
Léo Chauliac and Charles Trenet
translator:
Albert Beach
publisher:
Éditions Salabert France, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music, Inc., MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), On Backstreet Music Inc. and Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch and ユニバーサル・ミュージック・パブリッシング Synch事業部
translated version of:
Que reste-t-il de nos amours ?
2:58
A3I Believe in You
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (producer, songwriter and Big Band leader)
cello:
Edgar Lustgarten (on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henry Coker (on 1964-06-09), Bill Hughes (trombone) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
arranger:
Quincy Jones
cover recording of:
I Believe in You (How to Succeed in Business Without Really Trying) (on 1964-06-09)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
2:23
A4More (Theme From 'Mondo Cane')
engineer:
Lowell Frank (engineer) (on 1964-06-12)
producer:
Sonny Burke (producer, songwriter and Big Band leader) (on 1964-06-12)
cello:
Edgar Lustgarten (on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
piano:
Count Basie (pianist) (on 1964-06-12)
reeds:
Eric Dixon (woodwind) (on 1964-06-12), Frank Foster (saxophonist) (on 1964-06-12), Charlie Fowlkes (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henry Coker (on 1964-06-12), Bill Hughes (trombone) (on 1964-06-12), Grover Mitchell (trombone) (on 1964-06-12) and Ken Shroyer (trombonist) (on 1964-06-12)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
arranger:
Quincy Jones (on 1964-06-12)
recording of:
More (English translation) (on 1964-06-12)
lyricist:
Marcello Ciorciolini (Italian screenwriter, director, playwright, television/radio author & lyricist)
composer:
Nino Oliviero (Italian musician and composer) and Riz Ortolani
translator:
Norman Newell
publisher:
C.A.M. Creazioni Artistiche Musicali (company, do not use as label), Ortolani Creative Team Inc. and Sugar Song Publications, Inc.
part of:
The 36th Academy Award for Best Original Song (number: 2)
translated version of:
Ti guarderò nel cuore (“More”)
43:06
A5I Can't Stop Loving You
engineer:
Lowell Frank (engineer) (on 1964-06-12)
producer:
Sonny Burke (producer, songwriter and Big Band leader) (on 1964-06-12)
cello:
Edgar Lustgarten (on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
piano:
Count Basie (pianist) (on 1964-06-12)
reeds:
Eric Dixon (woodwind) (on 1964-06-12), Frank Foster (saxophonist) (on 1964-06-12), Charlie Fowlkes (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henry Coker (on 1964-06-12), Bill Hughes (trombone) (on 1964-06-12), Grover Mitchell (trombone) (on 1964-06-12) and Ken Shroyer (trombonist) (on 1964-06-12)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
arranger:
Quincy Jones (on 1964-06-12)
cover recording of:
I Can’t Stop Lovin’ You (on 1964-06-12)
lyricist and composer:
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (BMI) (on 1958-02-07)
3:02
B1Hello, Dolly!
recorded in:
Hollywood, Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (producer, songwriter and Big Band leader)
cello:
Edgar Lustgarten (on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
piano:
Count Basie (pianist) (on 1964-06-10)
reeds:
Eric Dixon (woodwind) (on 1964-06-10), Frank Foster (saxophonist) (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henry Coker (on 1964-06-10), Bill Hughes (trombone) (on 1964-06-10), Grover Mitchell (trombone) (on 1964-06-10) and Ken Shroyer (trombonist) (on 1964-06-10)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
arranger:
Quincy Jones
cover recording of:
Hello, Dolly! (on 1964-06-10)
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
2:47
B2I Wanna Be Around
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (producer, songwriter and Big Band leader)
cello:
Edgar Lustgarten (on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henry Coker (on 1964-06-09), Bill Hughes (trombone) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
arranger:
Quincy Jones
cover recording of:
I Wanna Be Around (on 1964-06-09)
lyricist:
Johnny Mercer and Sadie Vimmerstedt
composer:
Johnny Mercer
publisher:
Commander Publications
2:23
B3The Best Is Yet to Come
engineer:
Lowell Frank (engineer) (on 1964-06-09)
producer:
Sonny Burke (producer, songwriter and Big Band leader) (on 1964-06-09)
cello:
Edgar Lustgarten (on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henry Coker (on 1964-06-09), Bill Hughes (trombone) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
arranger:
Quincy Jones (on 1964-06-09)
recording of:
The Best Is Yet to Come (on 1964-06-09)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Company, Inc. and WB Music Corp. (1929–2019)
2:57
B4The Good Life
recorded in:
Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (producer, songwriter and Big Band leader)
cello:
Edgar Lustgarten (on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
piano:
Count Basie (pianist) (on 1964-06-10)
reeds:
Eric Dixon (woodwind) (on 1964-06-10), Frank Foster (saxophonist) (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henry Coker (on 1964-06-10), Bill Hughes (trombone) (on 1964-06-10), Grover Mitchell (trombone) (on 1964-06-10) and Ken Shroyer (trombonist) (on 1964-06-10)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
arranger:
Quincy Jones
cover recording of:
The Good Life (on 1964-06-10)
lyricist:
Jack Reardon
composer:
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. (publisher) and Prosadis
version of:
Marina
2:29
B5Wives and Lovers
recorded in:
Los Angeles, California, United States (on 1964-06-12)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (producer, songwriter and Big Band leader)
cello:
Edgar Lustgarten (on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
piano:
Count Basie (pianist) (on 1964-06-12)
reeds:
Eric Dixon (woodwind) (on 1964-06-12), Frank Foster (saxophonist) (on 1964-06-12), Charlie Fowlkes (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henry Coker (on 1964-06-12), Bill Hughes (trombone) (on 1964-06-12), Grover Mitchell (trombone) (on 1964-06-12) and Ken Shroyer (trombonist) (on 1964-06-12)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-12)
orchestra:
Count Basie and His Orchestra (on 1964-06-12)
arranger:
Quincy Jones
cover recording of:
Wives and Lovers (on 1964-06-12)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Virgin Music (Publishers) Ltd.
2:48