Tracklist

Medium 1
# Title Artist Rating Length
1 One Fine Day The Chiffons 2:09
2 Nowhere to Run Martha and the Vandellas 2:57
3 Soldier Boy The Shirelles 2:41
4 Baby Love The Supremes 4.7 2:37
5 You Don't Own Me Lesley Gore 2:32
6 Baby It's You The Shirelles 5 2:40
7 Too Many Fish in the Sea The Marvelettes 2:28
8 People Say The Dixie Cups 2:45
9 Remember (Walkin' in the Sand) The Shangri‐Las 2:20
10 Maybe The Chantels 2:54
11 You Beat Me to the Punch Mary Wells 2:43
12 Sweet Talkin' Guy The Chiffons 2:27
13 Judy's Turn to Cry Lesley Gore 2:12
14 I Wanna Love Him So Bad The Jelly Beans 2:45
15 I Love How You Love Me The Paris Sisters 2:08
16 Chains The Cookies 5 2:31
17 The Kind of Boy You Can't Forget The Raindrops 2:11
18 I Can't Stay Mad at You Skeeter Davis 2:09
19 'Til The Angels 2:28
20 Beechwood 4-5789 The Marvelettes 2:12

Credits

Medium 1

foot stomps [footstomps]:
Mikchael Valvano (1964-08-13) (track 4)
arranger:
Hank Levine (track 15)
Claus Ogerman (track 13)
Phil Spector (track 15)
background vocals:
Albeth Paris (track 15)
Sherrell Paris (track 15)
Phil Spector (track 15)
Florence Ballard (1964-08-13) (track 4)
Mary Wilson (1964-08-13) (track 4)
composer:
Burt Bacharach (track 6)
Lamont Dozier (track 4)
Brian Holland (Motown producer & songwriter) (track 4)
Carole King (tracks 1, 16)
engineer:
Stan Ross (Recording engineer) (track 15)
instruments:
The Funk Brothers (1964-08-13) (track 4)
lead vocals:
Diana Ross (1964-08-13) (track 4)
lead vocals [singing voice on 1st lead]:
Priscilla Paris (track 15)
lyricist:
Mack David (track 6)
Barney Williams (track 6)
Gerry Goffin (tracks 1, 16)
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team) (track 4)
producer:
Lamont Dozier (track 4)
Brian Holland (Motown producer & songwriter) (track 4)
Qunicy Jones (track 13)
Phil Spector (track 15)
Luther Dixon (1961) (track 6)
spoken vocals [spoken voice on 2nd lead over the instrumental break]:
Albeth Paris (track 15)
writer:
Barbara Baer (track 12)
Bob Elgin (track 3)
Eliot Greenberg (track 12)
Florence Greenberg (track 3)
Larry Kolber (track 15)
Edna Lewis (track 13)
Barry Mann (track 15)
Doug Morris (record executive) (track 12)
Kay Rogers (track 3)
Beverly Ross (track 13)
Robert Schwartz (track 12)
Barney Williams (track 3)
phonographic copyright by:
Gusto (UK dance/club/house) (track 6)
Motown Record Corporation (1964) (track 4)
UMG Recordings (Universal Music Group's legal name in the US) (1964) (track 4)
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label) (track 6)
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (tracks 1, 15–16)
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (track 6)
Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label) (track 6)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (1961-07 – 1961-08) (track 15)
Hitsville (Motown Records) in Detroit, Michigan, United States (1964-08-13) (track 4)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 324) (track 4)
cover recording of:
I Love How You Love Me (1961-07 – 1961-08) (track 15)
is the basis for:
NEW LOOK (track 4)
later translated versions:
Baby, c'est vous (track 6)
由你開始 (track 6)
later versions:
Chance (Sylvie Vartan song) (track 16)
Souviens-toi (de l'été dernier) (Remember) (track 9)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott) (tracks 3, 6)
recording of:
Chains (track 16)
Judy's Turn to Cry (track 13)
One Fine Day (Carole King song) (track 1)
Soldier Boy (track 3)
Sweet Talking Guy (track 12)
Baby It’s You (1961) (track 6)
Baby Love (1964-08-13) (track 4)