The Ultimate Eighties

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
CD 1
#TitleArtistRatingLength
1Power of Love
Huey Lewis & the News3:54
2Geno
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
writer:
Al Archer and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:27
3Young Guns
producer:
Steve Brown (engineer/music producer) and George Michael
music videos:
Young Guns (Go for It!) by Wham! (British pop-duo)
recording of:
Young Guns (Go for It!)
lyricist and composer:
George Michael
Wham!5:12
4Automatic
edit of:
Automatic by Pointer Sisters
recording of:
Automatic
composer:
Brock Patrick Walsh (singer, producer, songwriter) and Mark Goldenberg
The Pointer Sisters44:01
5Too Shy
drums (drum set) programming:
Jez Strode
engineer:
Colin Thurston
producer:
Nick Rhodes and Colin Thurston
bass guitar:
Nick Beggs
ebow [e bow] and guitar:
Steve Askew
synthesizer:
Stuart Croxford Neale
additional vocals:
Nick Beggs and Stuart Croxford Neale
lead vocals:
Limahl
arranger:
Kajagoogoo
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1982)
music videos:
Too Shy by Kajagoogoo
recording of:
Too Shy
lyricist:
Nick Beggs and Christopher Hamill
composer:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale and Jez Strode
Kajagoogoo43:43
6Caribbean Queen
recording of:
Caribbean Queen
writer:
Keith Diamond and Billy Ocean
Billy Ocean4:04
7Living in a Box
recording of:
Living in a Box
lyricist and composer:
Steve Piggott and Marcus Vere
publisher:
Brampton Music International and Empire Music Ltd.
Living in a Box3.353:04
8Respectable
recording of:
Respectable
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Mel & Kim2.53:20
9Never Gonna Give You Up
keyboard [Fairlight] programming:
Ian Curnow
engineer:
Mike Duffy (mixing for Nitzer Ebb) and Mark McGuire (UK producer/engineer)
producer:
Matt Aitken, Stock Aitken Waterman, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Mixmaster Pete Hammond (UK producer aka "Mixmaster")
guitar:
Matt Aitken (in 1986-10)
keyboard:
Matt Aitken (in 1986-10) and Mike Stock (of Stock Aitken Waterman) (in 1986-10)
background vocals [backing vocals]:
Dee Lewis, Shirley Lewis, Mae McKenna (vocalist) and Suzanne Rhatigan
lead vocals:
Rick Astley (English singer, songwriter and radio personality) (in 1986-10)
phonographic copyright (℗) by:
PWL (in 1987)
recorded at:
PWL Studios (London) in London (Greater London), England, United Kingdom (in 1986-10)
music videos:
Never Gonna Give You Up by Rick Astley (English singer, songwriter and radio personality)
part of:
Cachitos Nochevieja 2022 (number: 48)
recording of:
Never Gonna Give You Up (in 1986-10)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., BMG Music Publishing Ltd., Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Careers, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント, ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部 and Terrace Music (in 1987)
Rick Astley4.453:33
10Love Changes (Everything)
engineer:
Mike Ging and Bob Kraushaar
producer:
Stephen Hague
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
writer:
Simon Climie, Rob Fisher (British keyboardist and half of the 80s synthpop duo Naked Eyes) and Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.854:27
11Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
publisher:
Complete Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.453:27
12We Close Our Eyes
producer:
Gary Stevenson
recording of:
We Close Our Eyes
writer:
Peter Cox (Artist and songwriter) and Richard Drummie
Go West33:50
1319
producer:
Paul Hardcastle
music videos:
19 (music video) by Paul Hardcastle
recording of:
19
lyricist:
Bill Couturié, Paul Hardcastle and Jonas McCord
composer:
Paul Hardcastle
Paul Hardcastle3.63:39
14If I Was
recording of:
If I Was
writer:
Danny Mitchell (Scottish songwriter and member of Messengers) and Midge Ure
Midge Ure4:52
15Waiting for a Train
recording of:
Waiting for a Train
lyricist and composer:
Harry Vanda and George Young (Australian musician and producer)
Flash and the Pan3:44
16Our Lips Are Sealed
producer:
David Byrne (Talking Heads)
remixer:
Fun Boy Three and Jeremy Green
cover recording of:
Our Lips Are Sealed
writer:
The Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall and Jane Wiedlin
publisher:
Gotown Music and Plangent Visions Music
Fun Boy Three3.22:52
17Love Plus One
producer:
Bob Sargeant
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1982)
recording of:
Love Plus One
lyricist and composer:
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut One Hundred43:37
18Atomic
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
background vocals:
Ellie Greenwich (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Atomic (from 1979-05 until 1979-06)
writer:
Jimmy Destri and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
Blondie3.854:36
CD 2
#TitleArtistRatingLength
1U Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi-instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi-instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
is based on:
Super Freak
MC Hammer4.154:15
2Come Back and Stay
producer:
Laurie Latham
bass guitar:
Pino Palladino
guitar:
Paul Young (English pop singer and musician)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
cover recording of:
Come Back and Stay
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
Chrysalis Music Ltd. (music publisher) and Chrysalis Songs
Paul Young4.54:22
3Missing You
producer:
Gary Gersh, David Thoener and John Waite
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1984)
edit of:
Missing You by John Waite
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Everpop Songs, Markmeem Music (publisher), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), Paperwaite Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
John Waite3.43:31
4The Model
recording of:
The Model (Kraftwerk)
lyricist:
Ralf Hütter and Emil Schult
composer:
Karl Bartos and Ralf Hütter
additional translator:
Ralf Hütter and Emil Schult
translated version of:
Das Modell
Kraftwerk4.153:39
5Kiss
producer:
Art of Noise, Anne Dudley (English score composer) and J.J. Jeczalik
lead vocals:
Tom Jones (Welsh pop singer)
performer:
Art of Noise
arranger:
Art of Noise, Anne Dudley (English score composer) and J.J. Jeczalik
phonographic copyright (℗) by:
China Records (UK label founded by Derek Green) (in 1988)
samples:
Close (to the Edit) by Art of Noise, Dragnet by Art of Noise, Moments in Love by Art of Noise, Paranoimia (7″ mix) by The Art of Noise with Max Headroom (titular character from "Max Headroom") and Peter Gunn by The Art of Noise featuring Duane Eddy
cover recording of:
Kiss (by Prince)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Art of Noise feat. Tom Jones33:30
6French Kissin’ in the USA
recording of:
French Kissin’ in the USA
lyricist and composer:
Chuck Lorre (US TV director, writer, producer & composer)
publisher:
Home Grown Music (formerly Home Grown Music Network), Home Grown Music, Inc. (work publisher) and Theodello Profunct Publishers
Deborah Harry5:08
7Killer
recording of:
Killer
lyricist:
Seal (English-born singer and songwriter)
writer:
Seal (English-born singer and songwriter) and Adam Paul Tinley
publisher:
EMI Virgin Music Publishing Germany GmbH & Co. KG (ended), Virgin Music (Publishers) Ltd. (ended), Beethoven Street Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), MCA Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing GmbH
Adamski4:09
8My Prerogative
recording of:
My Prerogative
writer:
Bobby Brown (R&B singer, New Edition member), Gene Griffin and Teddy Riley (US R&B singer & producer)
publisher:
Bobby Brown Music, Cal-Gene Music, Donril Music, EMI Virgin Songs, Inc., Universal Music – Z Tunes LLC and Universal Music Corp. (USA, affiliated with ASCAP)
Bobby Brown4:49
9Could It Be I’m Falling in Love
cover recording of:
Could It Be I’m Falling in Love
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
David Grant & Jaki Graham4:20
10The Tide Is High
assistant engineer:
Gary Boatner (Engineer) and Doug Schwartz
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett and Tyrone Evans
writer:
John Holt
publisher:
B & C Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.154:33
11Bette Davis EyesKim Carnes3:41
12Ghost Town
engineer:
John A. Rivers
trombone:
Rico Rodriguez (Jamaican trombonist)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 217)
recording of:
Ghost Town
lyricist and composer:
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use!)
The Specials3.93:39
13War Baby
recording of:
War Baby
lyricist and composer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
Tom Robinson4:12
14Love & Pride
producer:
Richard James Burgess
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
recording of:
Love & Pride
writer:
Paul King (British-Irish singer/musician/VJ) and Mick Roberts
publisher:
EMI Songs Ltd. and King Songs
King43:21
15Hold Me Now
engineer and mixer:
Phil Thornalley
producer:
Tom Bailey (Thompson Twins) and Alex Sadkin
music videos:
Hold Me Now by Thompson Twins
recording of:
Hold Me Now (Thompson Twins song)
writer:
Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey (Thompson Twins)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. and Point Music (publisher)
Thompson Twins4.54:45
16Vienna
recording of:
Vienna
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox4:37
17Wouldn’t It Be Good
recording of:
Wouldn’t It Be Good
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw4:28
18Is Vic There?
Department S3:04