Peace & Love ’60: 1967–1

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Non in vendita Allegato a "Peace & Love" n. 1

Annotation last modified on 2019-02-28 18:44 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1The Beat Goes On
engineer:
Stan Ross (recording engineer, mixer & producer)
producer:
Sonny Bono
conductor:
Harold Battiste
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California, United States
recording of:
The Beat Goes On (in 1967)
lyricist and composer:
Sonny Bono
publisher:
Chris Marc Music, Cotillion, Cotillion Music, Inc. (BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sonny & Cher4.653:27
2San Francisco
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
Scott McKenzie2:58
3Good Times
Eric Burdon3:01
4Bye Bye Baby
producer:
Robert A. Shad
drums (drum set):
Dave Getz (on 1966-12-13)
electric bass guitar:
Peter Albin (on 1966-12-13)
electric guitar:
Sam Andrew (on 1966-12-13) and James Gurley (on 1966-12-13)
lead vocals:
Janis Joplin (on 1966-12-13)
recording of:
Bye, Bye Baby (on 1966-12-13)
lyricist and composer:
Powell St. John
Big Brother & the Holding Company32:37
5Omaha
recorded in:
Hollywood, Los Angeles, California, United States (in 1967-04)
producer:
David Rubinson
bass:
Bob Mosley (bass player from Moby Grape) (in 1967-04)
drums (drum set):
Don Stevenson (Drummer, Moby Grape) (in 1967-04)
guitar:
Peter Lewis (member of The Cornells and Moby Grape) (in 1967-04), Jerry Miller (US songwriter, guitarist & vocalist) (in 1967-04) and Alexander “Skip” Spence (in 1967-04)
vocals:
Peter Lewis (member of The Cornells and Moby Grape) (in 1967-04), Jerry Miller (US songwriter, guitarist & vocalist) (in 1967-04), Bob Mosley (bass player from Moby Grape) (in 1967-04), Alexander “Skip” Spence (in 1967-04) and Don Stevenson (Drummer, Moby Grape) (in 1967-04)
recording of:
Omaha (in 1967-04)
lyricist and composer:
Alexander “Skip” Spence
Moby Grape2:20
6Rock and Roll Woman
recording engineer:
Jim Messina (from 1967-06-22 until 1967-08-08)
producer:
Stephen Stills and Neil Young (Canadian singer, songwriter & musician)
mixer:
Jim Messina (on 1967-10-03)
bass and bass guitar:
Bruce Palmer (from 1967-06-22 until 1967-08-08)
drums (drum set):
Dewey Martin (from 1967-06-22 until 1967-08-08)
electric piano, electric piano, guitar and organ, guitar [lead], organ and lead vocals:
Stephen Stills (from 1967-06-22 until 1967-08-08)
guitar and background vocals:
Richie Furay (from 1967-06-22 until 1967-08-08) and Neil Young (Canadian singer, songwriter & musician) (from 1967-06-22 until 1967-08-08)
vocals:
Richie Furay (from 1967-06-22 until 1967-08-08) and Neil Young (Canadian singer, songwriter & musician) (from 1967-06-22 until 1967-08-08)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-06-22 until 1967-08-08)
mixed at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1967-10-03)
recording of:
Rock & Roll Woman (from 1967-06-22 until 1967-08-08)
lyricist and composer:
Stephen Stills
publisher:
Cotillion Music Inc. (BMI), Greene Knight Music (BMI), Richie Furay Music (BMI), Sound Harmonics (BMI), Springalo Toones (BMI) and Ten‐East Music (BMI)
Buffalo Springfield42:45
7So You Want to Be a Rock ’n’ Roll Star
recording of:
So You Want to Be a Rock ’n’ Roll Star
writer:
Chris Hillman and Roger McGuinn
The Byrds2:06
8Morning Glory
recording of:
Morning Glory
lyricist and composer:
Larry Beckett and Tim Buckley (1960s~1970s US vocalist, songwriter, guitarist & producer)
publisher:
Third Story Music, Inc.
Tim Buckley2:51
9Love You Till Tuesday
engineer:
Gus Dudgeon
producer:
Mike Vernon
acoustic guitar:
John Renbourn (on 1967-02-25)
bass:
Dek Fearnley (bassist) (on 1967-02-25)
drums (drum set):
John Eager (drummer) (on 1967-02-25)
piano:
Derek Boyes (pianist) (on 1967-02-25)
lead vocals:
David Bowie (English singer‐songwriter) (on 1967-02-25)
arranger:
David Bowie (English singer‐songwriter) and Arthur Greenslade
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1967)
recorded at:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, United Kingdom (on 1967-02-25)
recording of:
Love You Till Tuesday (on 1967-02-25)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Onward Music Ltd.
David Bowie3.653:12
10Judy in Disguise
John Fred & His Playboy Band2:54
11Day Tripper
recorded in:
Memphis, Tennessee, United States (on 1966-09-13)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1966-09-13)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1966-09-13)
guitar:
Steve Cropper (on 1966-09-13)
tenor saxophone:
Gilbert Caples (on 1966-09-13) and Andrew Love (on 1966-09-13)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1966-09-13)
vocals:
Otis Redding (on 1966-09-13)
cover recording of:
Day Tripper (on 1966-09-13)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC and ソニー・ミュージックパブリッシング A事業部
Otis Redding3.52:46
12Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World and New York Post: 100 Greatest Covers (2007) (number: 52)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Aretha Franklin3.92:27
13Soul Man
producer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
instruments:
Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
lead vocals:
Sam Moore (singer, ex "Sam and Dave") (in 1967) and David Prater (soul artist) (in 1967)
phonographic copyright (℗) by:
HHO Recordings Ltd.
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 458)
recording of:
Soul Man (on 1967-08-10)
writer:
Isaac Hayes (in 1967) and David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:33
14Everybody Needs Somebody
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
producer:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music") and Jerry Wexler
bass [electric bass]:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-10-12)
drums (drum set):
Roger Hawkins (on 1966-10-12)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1966-10-12)
guitar [lead guitar]:
Lincoln "Chips" Moman (on 1966-10-12)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (on 1966-10-12)
tenor saxophone:
Gilbert Caples (on 1966-10-12), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1966-10-12) and Eddie Logan (on 1966-10-12)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1966-10-12)
vocals:
Wilson Pickett (on 1966-10-12)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1966-10-12)
cover recording of:
Everybody Needs Somebody to Love (on 1966-10-12)
writer:
Bert Russell Berns, Solomon Burke and Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC and Musical Lights Tokyo
Wilson Pickett32:18
15You Keep Me Hangin’ On
Vanilla Fudge3:00