1492: Conquest of Paradise

~ Release by Vangelis (see all versions of this release, 11 available)

Tracklist

CD 1
#TitleRatingLength
1Opening
recording engineer and mixer:
Philippe Colonna
assistant producer:
Frederick Rousseau
producer:
Vangelis (Greek composer of electronic, new age and classical)
classical guitar [Spanish guitar]:
Bruno Manjarrés and Pepe Martinez (flamenco guitar player)
flute:
Didier Malherbe
mandolin and violin:
Francis Darizcuren
choir vocals:
English Chamber Choir
vocals:
Bruno Manjarrés, Pepe Martinez (flamenco guitar player) and Guy Protheroe
conductor:
Guy Protheroe
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (choir vocals) and Epsilon Laboratory in Paris, Île-de-France, France
mixed at:
Epsilon Laboratory in Paris, Île-de-France, France
recording of:
Opening (1492: Conquest of Paradise)
composer:
Vangelis (Greek composer of electronic, new age and classical)
31:22
2Conquest of Paradise
recording engineer and mixer:
Philippe Colonna
assistant producer:
Frederick Rousseau
producer:
Vangelis (Greek composer of electronic, new age and classical)
classical guitar [Spanish guitar]:
Bruno Manjarrés and Pepe Martinez (flamenco guitar player)
flute:
Didier Malherbe
mandolin and violin:
Francis Darizcuren
choir vocals:
English Chamber Choir
vocals:
Bruno Manjarrés, Pepe Martinez (flamenco guitar player) and Guy Protheroe
conductor:
Guy Protheroe
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographic copyright (℗) by:
Warner Music U.K. Ltd. (not for release label use!) (in 1992)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (choir vocals) and Epsilon Laboratory in Paris, Île-de-France, France
mixed at:
Epsilon Laboratory in Paris, Île-de-France, France
recording of:
Conquest of Paradise (1492: Conquest of Paradise)
composer:
Vangelis (Greek composer of electronic, new age and classical)
publisher:
Spheric BV
44:48
3Monastery of La Rabida
recording engineer and mixer:
Philippe Colonna
assistant producer:
Frederick Rousseau
producer:
Vangelis (Greek composer of electronic, new age and classical)
classical guitar [Spanish guitar]:
Bruno Manjarrés and Pepe Martinez (flamenco guitar player)
flute:
Didier Malherbe
mandolin and violin:
Francis Darizcuren
choir vocals:
English Chamber Choir
vocals:
Bruno Manjarrés, Pepe Martinez (flamenco guitar player) and Guy Protheroe
conductor:
Guy Protheroe
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (choir vocals) and Epsilon Laboratory in Paris, Île-de-France, France
mixed at:
Epsilon Laboratory in Paris, Île-de-France, France
recording of:
Monastery of La Rabida (1492: Conquest of Paradise)
composer:
Vangelis (Greek composer of electronic, new age and classical)
3:39
4City of Isabel
recording engineer and mixer:
Philippe Colonna
assistant producer:
Frederick Rousseau
producer:
Vangelis (Greek composer of electronic, new age and classical)
classical guitar [Spanish guitar]:
Bruno Manjarrés and Pepe Martinez (flamenco guitar player)
flute:
Didier Malherbe
mandolin and violin:
Francis Darizcuren
choir vocals:
English Chamber Choir
vocals:
Bruno Manjarrés, Pepe Martinez (flamenco guitar player) and Guy Protheroe
conductor:
Guy Protheroe
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (choir vocals) and Epsilon Laboratory in Paris, Île-de-France, France
mixed at:
Epsilon Laboratory in Paris, Île-de-France, France
recording of:
City of Isabel (1492: Conquest of Paradise)
composer:
Vangelis (Greek composer of electronic, new age and classical)
2.752:16
5Light and Shadow
recording engineer and mixer:
Philippe Colonna
assistant producer:
Frederick Rousseau
producer:
Vangelis (Greek composer of electronic, new age and classical)
classical guitar [Spanish guitar]:
Bruno Manjarrés and Pepe Martinez (flamenco guitar player)
flute:
Didier Malherbe
mandolin and violin:
Francis Darizcuren
choir vocals:
English Chamber Choir
vocals:
Bruno Manjarrés, Pepe Martinez (flamenco guitar player) and Guy Protheroe
conductor:
Guy Protheroe
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (choir vocals) and Epsilon Laboratory in Paris, Île-de-France, France
mixed at:
Epsilon Laboratory in Paris, Île-de-France, France
recording of:
Light and Shadow (1492: Conquest of Paradise)
composer:
Vangelis (Greek composer of electronic, new age and classical)
3:47
6Deliverance
recording engineer and mixer:
Philippe Colonna
assistant producer:
Frederick Rousseau
producer:
Vangelis (Greek composer of electronic, new age and classical)
classical guitar [Spanish guitar]:
Bruno Manjarrés and Pepe Martinez (flamenco guitar player)
flute:
Didier Malherbe
mandolin and violin:
Francis Darizcuren
choir vocals:
English Chamber Choir
vocals:
Bruno Manjarrés, Pepe Martinez (flamenco guitar player) and Guy Protheroe
conductor:
Guy Protheroe
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (choir vocals) and Epsilon Laboratory in Paris, Île-de-France, France
mixed at:
Epsilon Laboratory in Paris, Île-de-France, France
recording of:
Deliverance (1492: Conquest of Paradise)
composer:
Vangelis (Greek composer of electronic, new age and classical)
33:29
7West Across the Ocean Sea
recording engineer and mixer:
Philippe Colonna
assistant producer:
Frederick Rousseau
producer:
Vangelis (Greek composer of electronic, new age and classical)
classical guitar [Spanish guitar]:
Bruno Manjarrés and Pepe Martinez (flamenco guitar player)
flute:
Didier Malherbe
mandolin and violin:
Francis Darizcuren
choir vocals:
English Chamber Choir
vocals:
Bruno Manjarrés, Pepe Martinez (flamenco guitar player) and Guy Protheroe
conductor:
Guy Protheroe
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (choir vocals) and Epsilon Laboratory in Paris, Île-de-France, France
mixed at:
Epsilon Laboratory in Paris, Île-de-France, France
recording of:
West Across the Ocean Sea (1492: Conquest of Paradise)
composer:
Vangelis (Greek composer of electronic, new age and classical)
32:53
8Eternity
recording engineer and mixer:
Philippe Colonna
assistant producer:
Frederick Rousseau
producer:
Vangelis (Greek composer of electronic, new age and classical)
classical guitar [Spanish guitar]:
Bruno Manjarrés and Pepe Martinez (flamenco guitar player)
flute:
Didier Malherbe
mandolin and violin:
Francis Darizcuren
choir vocals:
English Chamber Choir
vocals:
Bruno Manjarrés, Pepe Martinez (flamenco guitar player) and Guy Protheroe
conductor:
Guy Protheroe
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (choir vocals) and Epsilon Laboratory in Paris, Île-de-France, France
mixed at:
Epsilon Laboratory in Paris, Île-de-France, France
recording of:
Eternity (1492: Conquest of Paradise)
composer:
Vangelis (Greek composer of electronic, new age and classical)
2:00
9Hispanola
recording engineer and mixer:
Philippe Colonna
assistant producer:
Frederick Rousseau
producer:
Vangelis (Greek composer of electronic, new age and classical)
classical guitar [Spanish guitar]:
Bruno Manjarrés and Pepe Martinez (flamenco guitar player)
flute:
Didier Malherbe
mandolin and violin:
Francis Darizcuren
choir vocals:
English Chamber Choir
vocals:
Bruno Manjarrés, Pepe Martinez (flamenco guitar player) and Guy Protheroe
conductor:
Guy Protheroe
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (choir vocals) and Epsilon Laboratory in Paris, Île-de-France, France
mixed at:
Epsilon Laboratory in Paris, Île-de-France, France
recording of:
Hispanola (1492: Conquest of Paradise)
composer:
Vangelis (Greek composer of electronic, new age and classical)
4:57
10Moxica and the Horse
recording engineer and mixer:
Philippe Colonna
assistant producer:
Frederick Rousseau
producer:
Vangelis (Greek composer of electronic, new age and classical)
classical guitar [Spanish guitar]:
Bruno Manjarrés and Pepe Martinez (flamenco guitar player)
flute:
Didier Malherbe
mandolin and violin:
Francis Darizcuren
choir vocals:
English Chamber Choir
vocals:
Bruno Manjarrés, Pepe Martinez (flamenco guitar player) and Guy Protheroe
conductor:
Guy Protheroe
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographic copyright (℗) by:
Warner Music U.K. Ltd. (not for release label use!) (in 1992)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (choir vocals) and Epsilon Laboratory in Paris, Île-de-France, France
mixed at:
Epsilon Laboratory in Paris, Île-de-France, France
recording of:
Moxica and the Horse (1492: Conquest of Paradise)
composer:
Vangelis (Greek composer of electronic, new age and classical)
publisher:
Spheric BV
47:07
11Twenty Eighth Parallel
recording engineer and mixer:
Philippe Colonna
assistant producer:
Frederick Rousseau
producer:
Vangelis (Greek composer of electronic, new age and classical)
classical guitar [Spanish guitar]:
Bruno Manjarrés and Pepe Martinez (flamenco guitar player)
flute:
Didier Malherbe
mandolin and violin:
Francis Darizcuren
choir vocals:
English Chamber Choir
vocals:
Bruno Manjarrés, Pepe Martinez (flamenco guitar player) and Guy Protheroe
conductor:
Guy Protheroe
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (choir vocals) and Epsilon Laboratory in Paris, Île-de-France, France
mixed at:
Epsilon Laboratory in Paris, Île-de-France, France
recording of:
Twenty Eighth Parallel (1492: Conquest of Paradise)
composer:
Vangelis (Greek composer of electronic, new age and classical)
55:14
12Pinta, Nina, Santa Maria (Into Eternity)
recording engineer and mixer:
Philippe Colonna
assistant producer:
Frederick Rousseau
producer:
Vangelis (Greek composer of electronic, new age and classical)
classical guitar [Spanish guitar]:
Bruno Manjarrés and Pepe Martinez (flamenco guitar player)
flute:
Didier Malherbe
mandolin and violin:
Francis Darizcuren
choir vocals:
English Chamber Choir
vocals:
Bruno Manjarrés, Pepe Martinez (flamenco guitar player) and Guy Protheroe
conductor:
Guy Protheroe
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (choir vocals) and Epsilon Laboratory in Paris, Île-de-France, France
mixed at:
Epsilon Laboratory in Paris, Île-de-France, France
recording of:
Pinta, Nina, Santa Maria (Into Eternity) (1492: Conquest of Paradise)
composer:
Vangelis (Greek composer of electronic, new age and classical)
413:20