Our Shining Hour

~ Release by Sammy Davis Jr. & Count Basie (see all versions of this release, 5 available)

Tracklist

▼ CD 1
#TitleRatingLength
1My Shining Hour
recorded in:
New York, New York, United States (from 1964-09-02 until 1964-09-05)
producer:
Jim Davis (jazz producer)
alto saxophone and clarinet:
Marshall Royal (from 1964-09-02 until 1964-09-05)
baritone saxophone:
Charlie Fowlkes (from 1964-09-02 until 1964-09-05)
double bass:
Ray Brown (jazz bassist) (from 1964-09-02 until 1964-09-05)
drums (drum set):
Sonny Payne (from 1964-09-02 until 1964-09-05)
guitar:
Freddie Green (from 1964-09-02 until 1964-09-05)
percussion:
Emil Richards (from 1964-09-02 until 1964-09-05)
piano:
Count Basie (pianist) (from 1964-09-02 until 1964-09-05)
saxophone:
Frank Wess (from 1964-09-02 until 1964-09-05)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-09-02 until 1964-09-05)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1964-09-02 until 1964-09-05)
vocals:
Sammy Davis Jr. (from 1964-09-02 until 1964-09-05)
orchestra:
The Count Basie Orchestra (from 1964-09-02 until 1964-09-05)
conductor:
Quincy Jones (from 1964-09-02 until 1964-09-05)
arranger:
Quincy Jones
cover recording of:
My Shining Hour (The Sky’s the Limit)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (ended), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Harwin Music Corporation
part of:
The 16th Academy Award for Best Original Song (number: 2)
part of:
The Sky’s the Limit (1943 film)
2:12
2Teach Me Tonight
recorded in:
New York, New York, United States (from 1964-09-02 until 1964-09-05)
producer:
Jim Davis (jazz producer)
alto saxophone and clarinet:
Marshall Royal (from 1964-09-02 until 1964-09-05)
baritone saxophone:
Charlie Fowlkes (from 1964-09-02 until 1964-09-05)
double bass:
Ray Brown (jazz bassist) (from 1964-09-02 until 1964-09-05)
drums (drum set):
Sonny Payne (from 1964-09-02 until 1964-09-05)
guitar:
Freddie Green (from 1964-09-02 until 1964-09-05)
percussion:
Emil Richards (from 1964-09-02 until 1964-09-05)
piano:
Count Basie (pianist) (from 1964-09-02 until 1964-09-05)
saxophone:
Frank Wess (from 1964-09-02 until 1964-09-05)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-09-02 until 1964-09-05)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1964-09-02 until 1964-09-05)
vocals:
Sammy Davis Jr. (from 1964-09-02 until 1964-09-05)
orchestra:
The Count Basie Orchestra (from 1964-09-02 until 1964-09-05)
conductor:
Quincy Jones (from 1964-09-02 until 1964-09-05)
arranger:
Quincy Jones
recording of:
Teach Me Tonight
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Company, Hub Music Co Inc, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 and 日音 Synch事業部
3:07
3Work Song
recorded in:
New York, New York, United States (from 1964-09-02 until 1964-09-05)
producer:
Jim Davis (jazz producer)
alto saxophone and clarinet:
Marshall Royal (from 1964-09-02 until 1964-09-05)
baritone saxophone:
Charlie Fowlkes (from 1964-09-02 until 1964-09-05)
double bass:
Ray Brown (jazz bassist) (from 1964-09-02 until 1964-09-05)
drums (drum set):
Sonny Payne (from 1964-09-02 until 1964-09-05)
guitar:
Freddie Green (from 1964-09-02 until 1964-09-05)
percussion:
Emil Richards (from 1964-09-02 until 1964-09-05)
piano:
Count Basie (pianist) (from 1964-09-02 until 1964-09-05)
saxophone:
Frank Wess (from 1964-09-02 until 1964-09-05)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-09-02 until 1964-09-05)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1964-09-02 until 1964-09-05)
vocals:
Sammy Davis Jr. (from 1964-09-02 until 1964-09-05)
orchestra:
The Count Basie Orchestra (from 1964-09-02 until 1964-09-05)
conductor:
Quincy Jones (from 1964-09-02 until 1964-09-05)
arranger:
Quincy Jones
cover recording of:
Work Song (original instrumental)
composer:
Nat Adderley
2:14
4Why Try to Change Me Now
recorded in:
New York, New York, United States (from 1964-09-02 until 1964-09-05)
producer:
Jim Davis (jazz producer)
alto saxophone and clarinet:
Marshall Royal (from 1964-09-02 until 1964-09-05)
baritone saxophone:
Charlie Fowlkes (from 1964-09-02 until 1964-09-05)
double bass:
Ray Brown (jazz bassist) (from 1964-09-02 until 1964-09-05)
drums (drum set):
Sonny Payne (from 1964-09-02 until 1964-09-05)
guitar:
Freddie Green (from 1964-09-02 until 1964-09-05)
percussion:
Emil Richards (from 1964-09-02 until 1964-09-05)
piano:
Count Basie (pianist) (from 1964-09-02 until 1964-09-05)
saxophone:
Frank Wess (from 1964-09-02 until 1964-09-05)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-09-02 until 1964-09-05)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1964-09-02 until 1964-09-05)
vocals:
Sammy Davis Jr. (from 1964-09-02 until 1964-09-05)
orchestra:
The Count Basie Orchestra (from 1964-09-02 until 1964-09-05)
conductor:
Quincy Jones (from 1964-09-02 until 1964-09-05)
arranger:
Quincy Jones
cover recording of:
Why Try to Change Me Now
lyricist:
Joseph McCarthy, Jr. (Joseph Allen McCarthy, 1922–1975)
composer:
Cy Coleman
publisher:
Notable Music Company, Inc.
3:26
5Blues for Mr. Charlie
recorded in:
New York, New York, United States (from 1964-09-02 until 1964-09-05)
producer:
Jim Davis (jazz producer)
alto saxophone and clarinet:
Marshall Royal (from 1964-09-02 until 1964-09-05)
baritone saxophone:
Charlie Fowlkes (from 1964-09-02 until 1964-09-05)
double bass:
Ray Brown (jazz bassist) (from 1964-09-02 until 1964-09-05)
drums (drum set):
Sonny Payne (from 1964-09-02 until 1964-09-05)
guitar:
Freddie Green (from 1964-09-02 until 1964-09-05)
percussion:
Emil Richards (from 1964-09-02 until 1964-09-05)
piano:
Count Basie (pianist) (from 1964-09-02 until 1964-09-05)
saxophone:
Frank Wess (from 1964-09-02 until 1964-09-05)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-09-02 until 1964-09-05)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1964-09-02 until 1964-09-05)
vocals:
Sammy Davis Jr. (from 1964-09-02 until 1964-09-05)
orchestra:
The Count Basie Orchestra (from 1964-09-02 until 1964-09-05)
conductor:
Quincy Jones (from 1964-09-02 until 1964-09-05)
arranger:
George Rhodes
3:45
6April in Paris
recorded in:
New York, New York, United States (from 1964-09-02 until 1964-09-05)
producer:
Jim Davis (jazz producer)
alto saxophone and clarinet:
Marshall Royal (from 1964-09-02 until 1964-09-05)
baritone saxophone:
Charlie Fowlkes (from 1964-09-02 until 1964-09-05)
double bass:
Ray Brown (jazz bassist) (from 1964-09-02 until 1964-09-05)
drums (drum set):
Sonny Payne (from 1964-09-02 until 1964-09-05)
guitar:
Freddie Green (from 1964-09-02 until 1964-09-05)
percussion:
Emil Richards (from 1964-09-02 until 1964-09-05)
piano:
Count Basie (pianist) (from 1964-09-02 until 1964-09-05)
saxophone:
Frank Wess (from 1964-09-02 until 1964-09-05)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-09-02 until 1964-09-05)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1964-09-02 until 1964-09-05)
vocals:
Sammy Davis Jr. (from 1964-09-02 until 1964-09-05)
orchestra:
The Count Basie Orchestra (from 1964-09-02 until 1964-09-05)
conductor:
Quincy Jones (from 1964-09-02 until 1964-09-05)
arranger:
Quincy Jones
cover recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
2:47
7New York City Blues
recorded in:
New York, New York, United States (from 1964-09-02 until 1964-09-05)
producer:
Jim Davis (jazz producer)
alto saxophone and clarinet:
Marshall Royal (from 1964-09-02 until 1964-09-05)
baritone saxophone:
Charlie Fowlkes (from 1964-09-02 until 1964-09-05)
double bass:
Ray Brown (jazz bassist) (from 1964-09-02 until 1964-09-05)
drums (drum set):
Sonny Payne (from 1964-09-02 until 1964-09-05)
guitar:
Freddie Green (from 1964-09-02 until 1964-09-05)
percussion:
Emil Richards (from 1964-09-02 until 1964-09-05)
piano:
Count Basie (pianist) (from 1964-09-02 until 1964-09-05)
saxophone:
Frank Wess (from 1964-09-02 until 1964-09-05)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-09-02 until 1964-09-05)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1964-09-02 until 1964-09-05)
vocals:
Sammy Davis Jr. (from 1964-09-02 until 1964-09-05)
orchestra:
The Count Basie Orchestra (from 1964-09-02 until 1964-09-05)
conductor:
Quincy Jones (from 1964-09-02 until 1964-09-05)
arranger:
Quincy Jones
cover recording of:
New York City Blues
writer:
Quincy Jones and Peggy Lee (jazz vocalist)
2:53
8You’re Nobody Till Somebody Loves You
recorded in:
New York, New York, United States (from 1964-09-02 until 1964-09-05)
producer:
Jim Davis (jazz producer)
alto saxophone and clarinet:
Marshall Royal (from 1964-09-02 until 1964-09-05)
baritone saxophone:
Charlie Fowlkes (from 1964-09-02 until 1964-09-05)
double bass:
Ray Brown (jazz bassist) (from 1964-09-02 until 1964-09-05)
drums (drum set):
Sonny Payne (from 1964-09-02 until 1964-09-05)
guitar:
Freddie Green (from 1964-09-02 until 1964-09-05)
percussion:
Emil Richards (from 1964-09-02 until 1964-09-05)
piano:
Count Basie (pianist) (from 1964-09-02 until 1964-09-05)
saxophone:
Frank Wess (from 1964-09-02 until 1964-09-05)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-09-02 until 1964-09-05)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1964-09-02 until 1964-09-05)
vocals:
Sammy Davis Jr. (from 1964-09-02 until 1964-09-05)
orchestra:
The Count Basie Orchestra (from 1964-09-02 until 1964-09-05)
conductor:
Quincy Jones (from 1964-09-02 until 1964-09-05)
arranger:
Quincy Jones
cover recording of:
You’re Nobody Till Somebody Loves You
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:00
9She’s a Woman (W‐O‐M‐A‐N)
recorded in:
New York, New York, United States (from 1964-09-02 until 1964-09-05)
producer:
Jim Davis (jazz producer)
alto saxophone and clarinet:
Marshall Royal (from 1964-09-02 until 1964-09-05)
baritone saxophone:
Charlie Fowlkes (from 1964-09-02 until 1964-09-05)
double bass:
Ray Brown (jazz bassist) (from 1964-09-02 until 1964-09-05)
drums (drum set):
Sonny Payne (from 1964-09-02 until 1964-09-05)
guitar:
Freddie Green (from 1964-09-02 until 1964-09-05)
percussion:
Emil Richards (from 1964-09-02 until 1964-09-05)
piano:
Count Basie (pianist) (from 1964-09-02 until 1964-09-05)
saxophone:
Frank Wess (from 1964-09-02 until 1964-09-05)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-09-02 until 1964-09-05)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1964-09-02 until 1964-09-05)
vocals:
Sammy Davis Jr. (from 1964-09-02 until 1964-09-05)
orchestra:
The Count Basie Orchestra (from 1964-09-02 until 1964-09-05)
conductor:
Quincy Jones (from 1964-09-02 until 1964-09-05)
arranger:
Quincy Jones
2:25
10The Girl From Ipanema
recorded in:
New York, New York, United States (from 1964-09-02 until 1964-09-05)
producer:
Jim Davis (jazz producer)
alto saxophone and clarinet:
Marshall Royal (from 1964-09-02 until 1964-09-05)
baritone saxophone:
Charlie Fowlkes (from 1964-09-02 until 1964-09-05)
double bass:
Ray Brown (jazz bassist) (from 1964-09-02 until 1964-09-05)
drums (drum set):
Sonny Payne (from 1964-09-02 until 1964-09-05)
guitar:
Freddie Green (from 1964-09-02 until 1964-09-05)
percussion:
Emil Richards (from 1964-09-02 until 1964-09-05)
piano:
Count Basie (pianist) (from 1964-09-02 until 1964-09-05)
saxophone:
Frank Wess (from 1964-09-02 until 1964-09-05)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-09-02 until 1964-09-05)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1964-09-02 until 1964-09-05)
vocals:
Sammy Davis Jr. (from 1964-09-02 until 1964-09-05)
orchestra:
The Count Basie Orchestra (from 1964-09-02 until 1964-09-05)
conductor:
Quincy Jones (from 1964-09-02 until 1964-09-05)
arranger:
George Rhodes
cover recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc., Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Windswept Music (London) Ltd.
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
4:09
11Keepin’ Out the Mischief Now
recorded in:
New York, New York, United States (from 1964-09-02 until 1964-09-05)
producer:
Jim Davis (jazz producer)
alto saxophone and clarinet:
Marshall Royal (from 1964-09-02 until 1964-09-05)
baritone saxophone:
Charlie Fowlkes (from 1964-09-02 until 1964-09-05)
double bass:
Ray Brown (jazz bassist) (from 1964-09-02 until 1964-09-05)
drums (drum set):
Sonny Payne (from 1964-09-02 until 1964-09-05)
guitar:
Freddie Green (from 1964-09-02 until 1964-09-05)
percussion:
Emil Richards (from 1964-09-02 until 1964-09-05)
piano:
Count Basie (pianist) (from 1964-09-02 until 1964-09-05)
saxophone:
Frank Wess (from 1964-09-02 until 1964-09-05)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-09-02 until 1964-09-05)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1964-09-02 until 1964-09-05)
vocals:
Sammy Davis Jr. (from 1964-09-02 until 1964-09-05)
orchestra:
The Count Basie Orchestra (from 1964-09-02 until 1964-09-05)
conductor:
Quincy Jones (from 1964-09-02 until 1964-09-05)
arranger:
Quincy Jones
cover recording of:
Keepin’ Out of Mischief Now
lyricist:
Andy Razaf
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Razaf Music
2:53
12Bill Basie Won’t You Please Come Home
recorded in:
New York, New York, United States (from 1964-09-02 until 1964-09-05)
producer:
Jim Davis (jazz producer)
alto saxophone and clarinet:
Marshall Royal (from 1964-09-02 until 1964-09-05)
baritone saxophone:
Charlie Fowlkes (from 1964-09-02 until 1964-09-05)
double bass:
Ray Brown (jazz bassist) (from 1964-09-02 until 1964-09-05)
drums (drum set):
Sonny Payne (from 1964-09-02 until 1964-09-05)
guitar:
Freddie Green (from 1964-09-02 until 1964-09-05)
percussion:
Emil Richards (from 1964-09-02 until 1964-09-05)
piano:
Count Basie (pianist) (from 1964-09-02 until 1964-09-05)
saxophone:
Frank Wess (from 1964-09-02 until 1964-09-05)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-09-02 until 1964-09-05)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1964-09-02 until 1964-09-05)
vocals:
Sammy Davis Jr. (from 1964-09-02 until 1964-09-05)
orchestra:
The Count Basie Orchestra (from 1964-09-02 until 1964-09-05)
conductor:
Quincy Jones (from 1964-09-02 until 1964-09-05)
arranger:
Quincy Jones
recording of:
Baby Won’t You Please Come Home
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
2:39

Credits

Release

ASIN:US: B00000478I [info]
discography entry:en: Our Shining Hour [info]