Requiem / Organ Symphony

~ Release by Saint‐Saëns; London Philharmonic Orchestra, Geoffrey Simon (see all versions of this release, 1 available)

Tracklist

▼ Medium 1
#TitleArtistRatingLength
1Overture to La Princesse Jaune
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Geoffrey Simon (conductor)
Camille Saint‐Saëns6:46
2Requiem: Kyrie
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
organ:
James O’Donnell (organist and choir master) (on 1993-04-15)
bass vocals:
Simon Kirkbride (bassbaritone) (from 1993-01-14 until 1993-04-02)
choir vocals:
East London Chorus (from 1993-01-14 until 1993-04-02), Harlow Chorus (from 1993-01-14 until 1993-04-02) and The Hertfordshire Chorus (from 1993-01-14 until 1993-04-02)
contralto vocals:
Catherine Wyn-Rogers (mezzo-soprano) (from 1993-01-14 until 1993-04-02)
soprano vocals:
Tinuke O̱lafimihan (from 1993-01-14 until 1993-04-02)
tenor vocals:
Anthony Roden (Australian operatic tenor) (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (LPO) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
chorus master:
Michael Kibblewhite (from 1993-01-14 until 1993-04-02)
additionally recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (on 1993-04-15)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Réquiem, op. 54: I. Requiem & Kyrie (from 1993-01-14 until 1993-04-15)
composer:
Camille Saint‐Saëns (composer) (in 1878)
part of:
Réquiem, op. 54
Camille Saint‐Saëns5:56
3Requiem: Dies Irae
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
organ:
James O’Donnell (organist and choir master) (on 1993-04-15)
bass vocals:
Simon Kirkbride (bassbaritone) (from 1993-01-14 until 1993-04-02)
choir vocals:
East London Chorus (from 1993-01-14 until 1993-04-02), Harlow Chorus (from 1993-01-14 until 1993-04-02) and The Hertfordshire Chorus (from 1993-01-14 until 1993-04-02)
contralto vocals:
Catherine Wyn-Rogers (mezzo-soprano) (from 1993-01-14 until 1993-04-02)
soprano vocals:
Tinuke O̱lafimihan (from 1993-01-14 until 1993-04-02)
tenor vocals:
Anthony Roden (Australian operatic tenor) (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (LPO) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
chorus master:
Michael Kibblewhite (from 1993-01-14 until 1993-04-02)
additionally recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (on 1993-04-15)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Réquiem, op. 54: II. Dies Irae (from 1993-01-14 until 1993-04-15)
composer:
Camille Saint‐Saëns (composer) (in 1878)
part of:
Réquiem, op. 54
Camille Saint‐Saëns7:27
4Requiem: Rex tremendae
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
organ:
James O’Donnell (organist and choir master) (on 1993-04-15)
choir vocals:
East London Chorus (from 1993-01-14 until 1993-04-02), Harlow Chorus (from 1993-01-14 until 1993-04-02) and The Hertfordshire Chorus (from 1993-01-14 until 1993-04-02)
tenor vocals:
Anthony Roden (Australian operatic tenor) (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (LPO) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
chorus master:
Michael Kibblewhite (from 1993-01-14 until 1993-04-02)
additionally recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (on 1993-04-15)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Réquiem, op. 54: III. Rex tremendae (from 1993-01-14 until 1993-04-15)
composer:
Camille Saint‐Saëns (composer) (in 1878)
part of:
Réquiem, op. 54
Camille Saint‐Saëns3:05
5Requiem: Oro supplex
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
organ:
James O’Donnell (organist and choir master) (on 1993-04-15)
bass vocals:
Simon Kirkbride (bassbaritone) (from 1993-01-14 until 1993-04-02)
choir vocals:
East London Chorus (from 1993-01-14 until 1993-04-02), Harlow Chorus (from 1993-01-14 until 1993-04-02) and The Hertfordshire Chorus (from 1993-01-14 until 1993-04-02)
contralto vocals:
Catherine Wyn-Rogers (mezzo-soprano) (from 1993-01-14 until 1993-04-02)
soprano vocals:
Tinuke O̱lafimihan (from 1993-01-14 until 1993-04-02)
tenor vocals:
Anthony Roden (Australian operatic tenor) (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (LPO) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
chorus master:
Michael Kibblewhite (from 1993-01-14 until 1993-04-02)
additionally recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (on 1993-04-15)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Réquiem, op. 54: IV. Oro supplex (from 1993-01-14 until 1993-04-15)
composer:
Camille Saint‐Saëns (composer) (in 1878)
part of:
Réquiem, op. 54
Camille Saint‐Saëns5:08
6Requiem: Hostias
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
organ:
James O’Donnell (organist and choir master) (on 1993-04-15)
choir vocals:
East London Chorus (from 1993-01-14 until 1993-04-02), Harlow Chorus (from 1993-01-14 until 1993-04-02) and The Hertfordshire Chorus (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (LPO) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
chorus master:
Michael Kibblewhite (from 1993-01-14 until 1993-04-02)
additionally recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (on 1993-04-15)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Réquiem, op. 54: V. Hostias (from 1993-01-14 until 1993-04-15)
composer:
Camille Saint‐Saëns (composer) (in 1878)
part of:
Réquiem, op. 54
Camille Saint‐Saëns2:34
7Requiem: Sanctus
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
organ:
James O’Donnell (organist and choir master) (on 1993-04-15)
choir vocals:
East London Chorus (from 1993-01-14 until 1993-04-02), Harlow Chorus (from 1993-01-14 until 1993-04-02) and The Hertfordshire Chorus (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (LPO) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
chorus master:
Michael Kibblewhite (from 1993-01-14 until 1993-04-02)
additionally recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (on 1993-04-15)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Réquiem, op. 54: VI. Sanctus (from 1993-01-14 until 1993-04-15)
composer:
Camille Saint‐Saëns (composer) (in 1878)
part of:
Réquiem, op. 54
Camille Saint‐Saëns1:25
8Requiem: Benedictus
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
organ:
James O’Donnell (organist and choir master) (on 1993-04-15)
choir vocals:
East London Chorus (from 1993-01-14 until 1993-04-02), Harlow Chorus (from 1993-01-14 until 1993-04-02) and The Hertfordshire Chorus (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (LPO) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
chorus master:
Michael Kibblewhite (from 1993-01-14 until 1993-04-02)
additionally recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (on 1993-04-15)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Réquiem, op. 54: VII. Benedictus (from 1993-01-14 until 1993-04-15)
composer:
Camille Saint‐Saëns (composer) (in 1878)
part of:
Réquiem, op. 54
Camille Saint‐Saëns1:46
9Requiem: Agnus Dei
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
organ:
James O’Donnell (organist and choir master) (on 1993-04-15)
bass vocals:
Simon Kirkbride (bassbaritone) (from 1993-01-14 until 1993-04-02)
choir vocals:
East London Chorus (from 1993-01-14 until 1993-04-02), Harlow Chorus (from 1993-01-14 until 1993-04-02) and The Hertfordshire Chorus (from 1993-01-14 until 1993-04-02)
contralto vocals:
Catherine Wyn-Rogers (mezzo-soprano) (from 1993-01-14 until 1993-04-02)
soprano vocals:
Tinuke O̱lafimihan (from 1993-01-14 until 1993-04-02)
tenor vocals:
Anthony Roden (Australian operatic tenor) (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (LPO) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
chorus master:
Michael Kibblewhite (from 1993-01-14 until 1993-04-02)
additionally recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (on 1993-04-15)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Réquiem, op. 54: VIII. Agnus Dei (from 1993-01-14 until 1993-04-15)
composer:
Camille Saint‐Saëns (composer) (in 1878)
part of:
Réquiem, op. 54
Camille Saint‐Saëns8:26
10Symphony no. 3 in C minor, op. 78 "Organ Symphony": I. Adagio - Allegro
organ:
James O’Donnell (organist and choir master)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Geoffrey Simon (conductor)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: I. Adagio — Allegro moderato — Poco adagio
composer:
Camille Saint‐Saëns (composer) (in 1886)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns9:49
11Symphony no. 3 in C minor, op. 78 "Organ Symphony": II. Adagio
organ:
James O’Donnell (organist and choir master)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Geoffrey Simon (conductor)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: I. Adagio — Allegro moderato — Poco adagio
composer:
Camille Saint‐Saëns (composer) (in 1886)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns10:51
12Symphony no. 3 in C minor, op. 78 "Organ Symphony": III. Allegro
organ:
James O’Donnell (organist and choir master)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Geoffrey Simon (conductor)
recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro
composer:
Camille Saint‐Saëns (composer) (in 1886)
publisher:
Éditions Durand (1947–present)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns15:12

Credits

Release

ASIN:UK: B000PSJA3K [info]