Verdi: The Greatest Operas

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

Cd's are contained in individual plastic sleeves within a closed box.

Release links include two operas that are not actually in the box set. Two others are included instead.

Annotation last modified on 2017-08-05 12:24 UTC.

Tracklist

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CD 1: Macbeth (Live, Vienna, 1970-04-18; Böhm)
#TitleRatingLength
1Macbeth: Atto I. “Che faceste? Dite su!”
choir vocals [Streghe]:
Chor der Wiener Staatsoper (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto I. N°2a Coro d'introduzione “Che faceste? dite su!” (Streghe) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
2:36
2Macbeth: Atto I. “Giorno non vidi mai si fiero e bello!”
baritone vocals [Macbeth]:
Sherrill Milnes (baritone) (on 1970-04-18)
bass vocals [Banco]:
Karl Ridderbusch (operatic bass) (on 1970-04-18)
choir vocals [Streghe, Messageri]:
Chor der Wiener Staatsoper (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto I. N°2b Scena "Giorno non vidi mai sì fiero e bello!" (Macbeth, Banco, Streghe, Messaggeri) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
3:42
3Macbeth: Atto I. “Due vaticini compiuti or sono”
baritone vocals [Macbeth]:
Sherrill Milnes (baritone) (on 1970-04-18)
bass vocals [Banco]:
Karl Ridderbusch (operatic bass) (on 1970-04-18)
choir vocals:
Chor der Wiener Staatsoper (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto I. N°2d Duetto “Due vaticini compiuti or sono.. …” (Macbeth, Banco, Coro) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
4:06
4Macbeth: Atto I. “S'allontanarono! N'accozzeremo”
choir vocals [Streghe]:
Chor der Wiener Staatsoper (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto I. N°2e Coro “S'allontanarono! - N'accozzeremo” (Streghe) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
2:12
5Macbeth: Atto I. “Nel dì della vittoria io le incontrai... Vieni t'affretta!”
mezzo-soprano vocals [Lady Macbeth]:
Christa Ludwig (mezzo-soprano) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto I. N°3a Scena “Nel dì della vittoria io le incontrai” … “Ambizioso spirto” (Lady) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto I
part of:
Macbeth: Atto I
live recording of:
Macbeth: Atto I. N°3b Cavatina “Vieni! t'affretta!” … “Or tutti sorgete” (Lady) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
5:42
6Macbeth: Atto I. “Or tutti sporgete”
mezzo-soprano vocals [Lady Macbeth]:
Christa Ludwig (mezzo-soprano) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto I. N°3d Cabaletta "Or tutti sorgete, ministri infernali" (Lady) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
4:06
7Macbeth: Atto I. “Oh donna mia”
baritone vocals [Macbeth]:
Sherrill Milnes (baritone) (on 1970-04-18)
mezzo-soprano vocals [Lady Macbeth]:
Christa Ludwig (mezzo-soprano) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto I. N°4a Scena “Oh donna mia! - Caudore!” (Macbeth, Lady) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
2:55
8Macbeth: Atto I. “Mi si affaccia un pugnal!”
baritone vocals [Macbeth]:
Sherrill Milnes (baritone) (on 1970-04-18)
mezzo-soprano vocals [Lady Macbeth]:
Christa Ludwig (mezzo-soprano) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto I. N°5b Duetto "Regna il sonno su tutti" (Lady, Macbeth) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
4:25
9Macbeth: Atto I. “Fatal mia donna!”
baritone vocals [Macbeth]:
Sherrill Milnes (baritone) (on 1970-04-18)
mezzo-soprano vocals [Lady Macbeth]:
Christa Ludwig (mezzo-soprano) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto I. N°5c Duetto “Fatal mia donna! un murmure” (Macbeth, Lady) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
4:32
10Macbeth: Atto I. “Il pugnal là riportate”
baritone vocals [Macbeth]:
Sherrill Milnes (baritone) (on 1970-04-18)
mezzo-soprano vocals [Lady Macbeth]:
Christa Ludwig (mezzo-soprano) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto I. N°5e “Il pugnal là riportate” (Lady, Macbeth) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
1:48
11Macbeth: Atto I. “Di desstarlo per tempo il re m'impose”
baritone vocals [Macbeth]:
Sherrill Milnes (baritone) (on 1970-04-18)
bass vocals [Banco]:
Karl Ridderbusch (operatic bass) (on 1970-04-18)
mezzo-soprano vocals [Lady Macbeth]:
Christa Ludwig (mezzo-soprano) (on 1970-04-18)
tenor vocals [Macduff]:
Carlo Cossutta (tenor) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto I. N°6a Finale primo “Di destarlo per tempo il re m'impose” (Macduff, Banco, Lady, Macbeth) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
2:48
12Macbeth: Atto I. “Schiudi, inferno, la bocca”
baritone vocals [Macbeth]:
Sherrill Milnes (baritone) (on 1970-04-18)
baritone vocals [Malcolm]:
Ewald Aichberger (Classical baritone vocalist) (on 1970-04-18)
bass vocals [Banco]:
Karl Ridderbusch (operatic bass) (on 1970-04-18)
choir vocals:
Chor der Wiener Staatsoper (on 1970-04-18)
mezzo-soprano vocals [Lady Macbeth]:
Christa Ludwig (mezzo-soprano) (on 1970-04-18)
soprano vocals [Dama]:
Gildis Flossmann (mezzo-soprano) (on 1970-04-18)
tenor vocals [Macduff]:
Carlo Cossutta (tenor) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto I. N°6b Sestetto "Schiudi, inferno, la bocca, ed inghiotti" (Lady, Dama, Macduff, Macbeth, Malcolm, Banco, Coro) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
5:25
13Macbeth: Atto II. “Perchè mi sfuggi”
baritone vocals [Macbeth]:
Sherrill Milnes (baritone) (on 1970-04-18)
mezzo-soprano vocals [Lady Macbeth]:
Christa Ludwig (mezzo-soprano) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto II. N°7a Scena “Perché mi sfuggi, e fiso” (Lady, Macbeth) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
2:41
14Macbeth: Atto II. “La luce langue”
mezzo-soprano vocals [Lady Macbeth]:
Christa Ludwig (mezzo-soprano) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto II. N°7b Aria “La luce langue, il faro spegnesi” (Lady) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto II
4:21
15Macbeth: Atto II. “Chi v'impose unirvi a noi?”
choir vocals [Sicari]:
Chor der Wiener Staatsoper (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto II. N°8a Coro “Chi v'impose unirvi a noi?” (Sicari) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
4:14
16Macbeth: Atto II. “Come dal chiel precipita”
bass vocals [Banco]:
Karl Ridderbusch (operatic bass) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto II. N°8c Adagio "Come dal ciel precipita" (Banco) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
3:51
17Macbeth: Atto II. “Salve, o Re!”
baritone vocals [Macbeth]:
Sherrill Milnes (baritone) (on 1970-04-18)
choir vocals:
Chor der Wiener Staatsoper (on 1970-04-18)
mezzo-soprano vocals [Lady Macbeth]:
Christa Ludwig (mezzo-soprano) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto II. N°9a Convito “Salve, o re!” … “Voi pur salvete” (Coro, Macbeth, Lady) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
1:31
18Macbeth: Atto II. “Si colmi il calice”
choir vocals:
Chor der Wiener Staatsoper (on 1970-04-18)
mezzo-soprano vocals [Lady Macbeth]:
Christa Ludwig (mezzo-soprano) (on 1970-04-18)
soprano vocals [Dama]:
Gildis Flossmann (mezzo-soprano) (on 1970-04-18)
tenor vocals [Macduff]:
Carlo Cossutta (tenor) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto II. N°9b Brindisi “Si colmi il calice di vino eletto” (Lady, Dama, Macduff, coro) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
3:41
19Macbeth: Atto II. “Voi siete demente!”
choir vocals:
Chor der Wiener Staatsoper (on 1970-04-18)
mezzo-soprano vocals [Lady Macbeth]:
Christa Ludwig (mezzo-soprano) (on 1970-04-18)
soprano vocals [Dama]:
Gildis Flossmann (mezzo-soprano) (on 1970-04-18)
tenor vocals [Macduff]:
Carlo Cossutta (tenor) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live partial recording of:
Macbeth: Atto II. N°9b Brindisi “Si colmi il calice di vino eletto” (Lady, Dama, Macduff, coro) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
3:50
20Macbeth: Atto II. “Sangue a me quell'ombra chiede”
baritone vocals [Macbeth]:
Sherrill Milnes (baritone) (on 1970-04-18)
choir vocals:
Chor der Wiener Staatsoper (on 1970-04-18)
mezzo-soprano vocals [Lady Macbeth]:
Christa Ludwig (mezzo-soprano) (on 1970-04-18)
soprano vocals [Dama]:
Gildis Flossmann (mezzo-soprano) (on 1970-04-18)
tenor vocals [Macduff]:
Carlo Cossutta (tenor) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto II. N°9f Quartetto “Sangue a me quell'ombra chiede” … “Spirto d'abisso” (Macbeth, Lady, Macduff, Dama, Coro) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
4:38
CD 2: Macbeth (Live, Vienna, 1970-04-18; Böhm)
#TitleRatingLength
1Macbeth: Atto III. “Tre volte miagola la gatta in fregola”
choir vocals [Streghe]:
Chor der Wiener Staatsoper (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto III. N°10a Incantesimo “Tre volte miagola la gatta in fregola” (Streghe) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto III
4:06
2Macbeth: Atto III. “Che fate voi, misteriose donne?”
baritone vocals [Macbeth]:
Sherrill Milnes (baritone) (on 1970-04-18)
choir vocals [Streghe, Apparizioni]:
Chor der Wiener Staatsoper (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto III. N°11a Scena “Finché appelli, silenti m'attendete” (Macbeth, Streghe, Apparizioni) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto III
7:35
3Macbeth: Atto III. “Fuggi, regal fantasima”
baritone vocals [Macbeth]:
Sherrill Milnes (baritone) (on 1970-04-18)
choir vocals [Streghe]:
Chor der Wiener Staatsoper (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto III. N°11b Apparizioni “Fuggi, regal fantasima” (Macbeth, Streghe) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto III
4:01
4Macbeth: Atto III. “Ove son io? Svaniro!”
baritone vocals [Macbeth]:
Sherrill Milnes (baritone) (on 1970-04-18)
mezzo-soprano vocals [Lady Macbeth]:
Christa Ludwig (mezzo-soprano) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto III. N°11d Scena “Ove son io? Svaniro!” (Macbeth, Araldo, Lady) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto III
3:35
5Macbeth: Atto IV. “Patria oppressa!”
choir vocals [Profughi scozzesi]:
Chor der Wiener Staatsoper (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto IV. N°12 Coro “Patria oppressa! il dolce nome” (Profughi scozzesi) (Chorus of Scottish Exiles) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer) (in 1847)
librettist:
Andrea Maffei (19th century poet, translator and librettist) and Francesco Maria Piave
part of:
Macbeth: Atto IV
6:37
6Macbeth: Atto IV. “Ah, la paterna mano”
tenor vocals [Macduff]:
Carlo Cossutta (tenor) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
4:07
7Macbeth: Atto IV. “Dove siam? che bosco è quello?”
baritone vocals [Malcolm]:
Ewald Aichberger (Classical baritone vocalist) (on 1970-04-18)
choir vocals:
Chor der Wiener Staatsoper (on 1970-04-18)
tenor vocals [Macduff]:
Carlo Cossutta (tenor) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto IV. N°13c Tempo di mezzo "Dove siam? che bosco è quello?" (Malcolm, Macduff, Coro) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto IV
2:47
8Macbeth: Atto IV. “Vegliammo invan due notti”
bass vocals [Medico]:
Ljubomir Pantscheff (operatic bass) (on 1970-04-18)
soprano vocals [Dama]:
Gildis Flossmann (mezzo-soprano) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto IV. N°14b Recitativo "Vegliammo invan due notti" (Medico, Dama) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto IV
5:13
9Macbeth: Atto IV. “Una macchia è qui tuttora”
bass vocals [Medico]:
Ljubomir Pantscheff (operatic bass) (on 1970-04-18)
mezzo-soprano vocals [Lady Macbeth]:
Christa Ludwig (mezzo-soprano) (on 1970-04-18)
soprano vocals [Dama]:
Gildis Flossmann (mezzo-soprano) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto IV. N°14c Scena del sonnambulismo "Una macchia è qui tuttora..." (Lady, Dama, Medico) (Sleepwalking Scene) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
7:10
10Macbeth: Atto IV. “Perfidi! All'anglo... Pietà, rispetto, amore”
baritone vocals [Macbeth]:
Sherrill Milnes (baritone) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto IV. N°15a Scena “Perfidi! All'anglo contro me v'unite!” (Macbeth) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
live recording of:
Macbeth: Atto IV. N°15b Aria “Pietà, rispetto, amore” (Macbeth) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto IV
5:46
11Macbeth: Atto IV. “Ella è morta!”
baritone vocals [Macbeth]:
Sherrill Milnes (baritone) (on 1970-04-18)
choir vocals [Donne, Guerrieri]:
Chor der Wiener Staatsoper (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto IV. N°15c Scena "Ella è morta!" (Donne, Macbeth, Guerrieri) (Woman, Soldiers, Macbeth) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto IV
3:29
12Macbeth: Atto IV. “Mal per me che m'affidai”
baritone vocals [Macbeth]:
Sherrill Milnes (baritone) (on 1970-04-18)
choir vocals [Soldati]:
Chor der Wiener Staatsoper (on 1970-04-18)
tenor vocals [Macduff]:
Carlo Cossutta (tenor) (on 1970-04-18)
orchestra:
Orchester der Wiener Staatsoper (on 1970-04-18)
conductor:
Karl Böhm (Austrian conductor) (on 1970-04-18)
live recording of:
Macbeth: Atto IV. N°15d Scena "All'armi! all'armi!...Carnefice de' figli miei, t'ho giunto" (Soldati, Macduff, Macbeth) (on 1970-04-18)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto IV
2:33
CD 3: Rigoletto (Live, Florence, 1966-11-19; Giulini)
#TitleRatingLength
1Rigoletto: Preludio
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: N°1 Preludio (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
part of:
Rigoletto (german lyrics)
part of:
Rigoletto (english lyrics)
part of:
Rigoletto
2:37
2Rigoletto: Atto I, scena 1. “Della mia bella incognita borghese”
tenor vocals [Borsa]:
Enzo Guagni (tenor) (on 1966-11-19)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto I, scena 1. N°2 Introduzione “Della mia bella incognita borghese” (Duca, Borsa) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
1:49
3Rigoletto: Atto I, scena 1. “Questa o quella”
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
7:15
4Rigoletto: Atto I, scena 1. “Ch'io gli parli”
baritone vocals [Marullo]:
Arturo La Porta (baritone) (on 1966-11-19)
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
bass vocals [Ceprano]:
Mario Frosini (bass-baritone) (on 1966-11-19)
bass vocals [Monterone]:
Plinio Clabassi (operatic bass) (on 1966-11-19)
choir vocals:
Coro del Teatro Comunale di Firenze (on 1966-11-19)
tenor vocals [Borsa]:
Enzo Guagni (tenor) (on 1966-11-19)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto I, scena 1. “Ch'io gli parli” (Monterone, Duca, Borsa, Rigoletto, Marullo, Ceprano, Coro) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
4:54
5Rigoletto: Atto I, scena 2. “Quel vecchio maledivami!”
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
bass vocals [Sparafucile]:
Paolo Washington (operatic bass) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto I, scena 2. N°3 Duetto “Quel vecchio maledivami!” - “Signor?” (Rigoletto, Sparafucile) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
5:02
6Rigoletto: Atto I, scena 2. “Pari siamo!”
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto I, scena 2. N°4 Aria “Pari siamo!” (Rigoletto) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
4:34
7Rigoletto: Atto I, scena 2. “Figlia!... Mio padre!”
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto I, scena 2. Duetto “Figlia!” ... “Mio padre!” … “Deh, non parlare al misero” (Rigoletto, Gilda) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
5:40
8Rigoletto: Atto I, scena 2. “Già da tre lune”
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
mezzo-soprano vocals [Giovanna]:
Rita Bezzi (mezzo-soprano) (on 1966-11-19)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto I, scena 2. "Già da tre lune son qui venuta" - "Olà?" (Gilda, Rigoletto) / "Signor?" (Rigoletto, Giovanna) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
7:29
9Rigoletto: Atto I, scena 2. “Giovanna, ho dei rimorsi”
mezzo-soprano vocals [Giovanna]:
Rita Bezzi (mezzo-soprano) (on 1966-11-19)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano) (on 1966-11-19)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto I, scena 2. N°5 “Giovanna, ho dei rimorsi …” (Gilda, Giovanna) / Duetto “T'amo! T'amo” (Duca, Gilda) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
translated version of:
Rigoletto: Act I, Scene II. “Giovanna, I should have told him” (Gilda, Giovanna, Duke)
part of:
Rigoletto: Atto I
3:03
10Rigoletto: Atto I, scena 2. “È il sol dell'anima”
bass vocals [Ceprano]:
Mario Frosini (bass-baritone) (on 1966-11-19)
mezzo-soprano vocals [Giovanna]:
Rita Bezzi (mezzo-soprano) (on 1966-11-19)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano) (on 1966-11-19)
tenor vocals [Borsa]:
Enzo Guagni (tenor) (on 1966-11-19)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto I, scena 2. “È il sol dell’anima” (Duca, Gilda, Ceprano, Borsa, Giovanna) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (in 1850)
librettist:
Francesco Maria Piave (in 1850)
part of:
Rigoletto: Atto I
3:30
11Rigoletto: Atto I, scena 2. “Che m'ami, deh, ripetimi”
bass vocals [Ceprano]:
Mario Frosini (bass-baritone) (on 1966-11-19)
mezzo-soprano vocals [Giovanna]:
Rita Bezzi (mezzo-soprano) (on 1966-11-19)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano) (on 1966-11-19)
tenor vocals [Borsa]:
Enzo Guagni (tenor) (on 1966-11-19)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto I, scena 2. “Che m'ami, deh, ripetimi” (Duca, Gilda, Ceprano, Borsa, Giovanna) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
2:43
12Rigoletto: Atto I, scena 2. “Caro nome”
baritone vocals [Marullo]:
Arturo La Porta (baritone) (on 1966-11-19)
bass vocals [Ceprano]:
Mario Frosini (bass-baritone) (on 1966-11-19)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano) (on 1966-11-19)
tenor vocals [Borsa]:
Enzo Guagni (tenor) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
6:57
13Rigoletto: Atto I, scena 2. “Riedo!... Perché?”
baritone vocals [Marullo]:
Arturo La Porta (baritone) (on 1966-11-19)
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
bass vocals [Ceprano]:
Mario Frosini (bass-baritone) (on 1966-11-19)
tenor vocals [Borsa]:
Enzo Guagni (tenor) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto I, scena 2. “Riedo!... perchè?...Silenzio!” (Rigoletto, Borsa, Ceprano, Marullo) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
2:21
14Rigoletto: Atto I, scena 2. “Zitti, zitti”
choir vocals:
Coro del Teatro Comunale di Firenze (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto I, scena 2. Coro “Zitti, zitti, moviamo a vendetta” (Coro) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
3:08
CD 4: Rigoletto (Live, Florence, 1966-11-19; Giulini)
#TitleRatingLength
1Rigoletto: Atto II. “Ella mi fu rapita”
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
2:31
2Rigoletto: Atto II. “Parmi veder le lagrime”
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto II. "Parmi veder le lagrime" (Duca) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
3:16
3Rigoletto: Atto II. “Duca, Duca!”
baritone vocals [Marullo]:
Arturo La Porta (baritone) (on 1966-11-19)
bass vocals [Ceprano]:
Mario Frosini (bass-baritone) (on 1966-11-19)
choir vocals:
Coro del Teatro Comunale di Firenze (on 1966-11-19)
tenor vocals [Borsa]:
Enzo Guagni (tenor) (on 1966-11-19)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto II. “Duca, duca! … Ebben? … Scorrendo uniti” (Borsa, Marullo, Ceprano, Duca, Coro) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
2:32
4Rigoletto: Atto II. “Povero Rigoletto!”
baritone vocals [Marullo]:
Arturo La Porta (baritone) (on 1966-11-19)
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
bass vocals [Ceprano]:
Mario Frosini (bass-baritone) (on 1966-11-19)
choir vocals:
Coro del Teatro Comunale di Firenze (on 1966-11-19)
soprano vocals [un paggio]:
Marta Taddei (soprano) (on 1966-11-19)
tenor vocals [Borsa]:
Enzo Guagni (tenor) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto II. "Povero Rigoletto!" (Marullo, Rigoletto, Coro, Borsa, Ceprano, Paggio) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
3:48
5Rigoletto: Atto II. “Cortigiani, vil razza dannata”
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto II. Aria "Cortigiani, vil razza dannata" (Rigoletto) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
5:32
6Rigoletto: Atto II. “Mio padre!”
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto II. Duetto. "Mio padre!...Dio! mia Gilda!" (Gilda, Rigoletto) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
2:19
7Rigoletto: Atto II. “Tutte le feste al tempio”
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto II. Recitativo “Parla … Siam soli …” / “Tutte le feste al tempio” (Rigoletto, Gilda) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
3:37
8Rigoletto: Atto II. “Ah! Solo per me l'infamia”
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto II, no.10. Scena e Duetto. "Ah! Solo per me l'infamia" (Rigoletto, Gilda, Usciere) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto II
5:03
9Rigoletto: Atto II. “Poiché fosti invano da me maledetto”
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
bass vocals [Monterone]:
Plinio Clabassi (operatic bass) (on 1966-11-19)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto II, no.10. Scena e Duetto. "Poiché fosti invano da me maledetto" (Monterone, Rigoletto, Gilda) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto II
3:20
10Rigoletto: Atto III. “E l'ami?... Sempre”
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
bass vocals [Sparafucile]:
Paolo Washington (operatic bass) (on 1966-11-19)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano) (on 1966-11-19)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto III. N°11 “E l'ami? … Sempre” (Rigoletto, Gilda, Duca, Sparafucile) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
2:14
11Rigoletto: Atto III. “La donna è mobile”
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
3:15
12Rigoletto: Atto III. “Un dì, se ben rammentomi”
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
mezzo-soprano vocals [Maddalena]:
Rosa Laghezza (mezzo soprano) (on 1966-11-19)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano) (on 1966-11-19)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto III. N°12 Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
1:43
13Rigoletto: Atto III. Quartet. “Bella figlia dell'amore”
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
mezzo-soprano vocals [Maddalena]:
Rosa Laghezza (mezzo soprano) (on 1966-11-19)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano) (on 1966-11-19)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
4:43
14Rigoletto: Atto III. “M'odi! Ritorna a casa”
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano) (on 1966-11-19)
orchestra:
Orchestra del Teatro Comunale di Firenze (on 1966-11-19) and Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (on 1966-11-19, in 1966-12)
live recording of:
Rigoletto: Atto III, N°12. Quartetto "M'odi! ritorna a casa" (Rigoletto, Gilda) (on 1966-11-19)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto III
recording of:
Rigoletto: Atto III, N°12. Quartetto "M'odi! ritorna a casa" (Rigoletto, Gilda) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto III
1:26
15Rigoletto: Atto III. “Maddalena?”
bass vocals [Sparafucile]:
Paolo Washington (operatic bass) (on 1966-11-19)
mezzo-soprano vocals [Maddalena]:
Rosa Laghezza (mezzo soprano) (on 1966-11-19)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1966-11-19)
orchestra:
Orchestra del Teatro Comunale di Firenze (on 1966-11-19) and Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (on 1966-11-19, in 1966-12)
live recording of:
Rigoletto: Atto III, N°13. Scena, terzetto e tempesta. “Maddalena?” / “Aspettate …“ (Duca, Maddalena, Sparafucile) (on 1966-11-19)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto III
recording of:
Rigoletto: Atto III, N°13. Scena, terzetto e tempesta. “Maddalena?” / “Aspettate …“ (Duca, Maddalena, Sparafucile) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto III
2:51
16Rigoletto: Atto III. “È amabile invero”
bass vocals [Sparafucile]:
Paolo Washington (operatic bass) (on 1966-11-19)
choir vocals:
Coro del Teatro Comunale di Firenze (on 1966-11-19)
mezzo-soprano vocals [Maddalena]:
Rosa Laghezza (mezzo soprano) (on 1966-11-19)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto III. Terzetto e Tempesta. "È amabile invero cotal giovinotto" (Maddalena, Sparafucile, Gilda, Coro) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto III
6:21
17Rigoletto: Atto III. “Della vendetta alfin giunge l'instante...”
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
bass vocals [Sparafucile]:
Paolo Washington (operatic bass) (on 1966-11-19)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto III. Scena e Duetto Finale. "Della vendetta alfin giunge l'istante!" (Rigoletto, Sparafucile, Duca) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
4:47
18Rigoletto: Atto III. “Chi è mai, chi è qui in sua vece?”
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto III. Scena e Duetto Finale. "Chi è mai, chi è qui in sua vece?" (Rigoletto, Gilda) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
1:59
19Rigoletto: Atto III. “V'ho ingannato... Colpevole fui”
baritone vocals [Rigoletto]:
Kostas Paskalis (baritone) (on 1966-11-19)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano) (on 1966-11-19)
orchestra:
Orchestra of the Teatro Comunale of Florence (in 1966-12)
conductor:
Carlo Maria Giulini (conductor) (in 1966-12)
recording of:
Rigoletto: Atto III. "V'ho ingannato, colpevole fui" (Gilda, Rigoletto) (in 1966-12)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
5:18
CD 5: Il trovatore (Live, Salzburg, 1962-07-31; Karajan)
#TitleRatingLength
1Il trovatore: Atto I. “All'erta! All'erta! Il Conte n'è d'uopo”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 1. “All'erta! All'erta!” (Ferrando, retainers, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
2:41
2Il trovatore: Atto I. “Di due figli vivea padre beato... Abbietta zingara”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, retainers, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
live recording of:
Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, retainers, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
7:26
3Il trovatore: Atto I. “Che più t'arresti? l'ora è tardi: vieni... Tacea la notte placida”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
live recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
9:17
4Il trovatore: Atto I. “Tace la notte! Immersa nel sonno... Deserto sulla terra”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 2. “Il Trovator! lo fremo!” ... “Deserto sulla terra” (Manrico, Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
live recording of:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
5:15
5Il trovatore: Atto I. “No! Di geloso amor sprezzato”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 2. “Di geloso amor sprezzato” (Conte Luna, Leonora, Manrico) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
2:54
6Il trovatore: Atto II. “Vedi le fosche notturne spoglie”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
2:52
7Il trovatore: Atto II. “Stride la vampa!”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
4:44
8Il trovatore: Atto II. “Soli or siamo; deh narra... condotta ell'era in ceppi”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
live recording of:
Il trovatore: Atto II, scena 1. “Soli or siamo” (Manrico, Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
8:26
9Il trovatore: Atto II. “Mal reggendo all'aspro assalto”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
4:44
10Il trovatore: Atto II. “Perigliarti ancor languente”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 1. “Perigliarti ancor languente” (Azucena, Manrico) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
2:49
11Il trovatore: Atto II. “Tutto è deserto... Il balen del suo sorriso”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
live recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
5:25
12Il trovatore: Atto II. “Ardire! Andiam! Celiamoci... Per me ora fatale”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 2. “Per me ora fatale” (Conte Luna, Ferrando, retainers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
6:34
13Il trovatore: Atto II. “E deggio e posso crederlo?”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
5:26
CD 6: Il trovatore (Live, Salzburg, 1962-07-31; Karajan)
#TitleRatingLength
1Il trovatore: Atto III. “Or co' dadi, ma fra poco giuocherem”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
4:04
2Il trovatore: Atto III. “In braccio al mio rival”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
2:03
3Il trovatore: Atto III. “Giorni poveri vivea”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
3:03
4Il trovatore: Atto III. “Deh, rallentate, o barbari”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Azucena, Ferrando, Conte Luna, soldati) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
2:44
5Il trovatore: Atto III. “Quale d'armi fragor poc'anzi intesi?... Ah, sì, ben mio”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
live recording of:
Il trovatore: Atto III, scena 2. “Di qual tetra luce” (Leonora, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
7:17
6Il trovatore: Atto III. “Manrico? Che?... Di quella pira”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
live partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
3:58
7Il trovatore: Atto IV. “Siam giunti... D'amor sull'ali rosee“
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
live recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
7:56
8Il trovatore: Atto IV. “Miserere d'un'alma già vicina”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
4:50
9Il trovatore: Atto IV. “Udiste? Come albeggi, la scure al figlio”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
8:04
10Il trovatore: Atto IV. “Madre, non dormi?”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
5:49
11Il trovatore: Atto IV. “Sì, la stanchezza m'opprime... Ai nostri monti”3:34
12Il trovatore: Atto IV. “Ciel! Non m'inganno!”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto I, scena 2. “Non m'inganno… Infida! Qual voce!” (Conte Luna, Leonora, Manrico) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
5:17
13Il trovatore: Atto IV. “Prima che d'altri vivere”
orchestra:
Wiener Philharmoniker (on 1962-07-31)
conductor:
Herbert von Karajan (conductor) (on 1962-07-31)
live recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (on 1962-07-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
3:59
CD 7: La traviata (Live, Tokyo, 1973-09-18; Verchi)
CD 8: La traviata (Live, Tokyo, 1973-09-18; Verchi)
CD 9: Ernani (Live, Milano, 1969-12-07; Votto)
CD 10: Ernani (Live, Milano, 1969-12-07; Votto)
CD 11: Un ballo in maschera (Live, Milano, 1957; Gavazzeni)
CD 12: Un ballo in maschera (Live, Milano, 1957; Gavazzeni)
CD 13: Falstaff (Live, Napoli, 1962-12-01; Rossi)
CD 14: Falstaff (Live, Napoli, 1962-12-01; Rossi)