Orff: Carmina Burana / Ravel: Boléro

~ Release by Orff, Ravel; Popp, Unger, Wolansky, Noble, New Philharmonia Orchestra, New Philharmonia Chorus, Rafael Frühbeck de Burgos (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:49
2Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:51
3Carmina Burana: I. Primo vere: Veris leta facies
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff3:53
4Carmina Burana: I. Primo vere: Omnia Sol temperat
producer:
Peter Andry (producer)
baritone vocals:
Raymond Wolansky (American operatic baritone) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff1:44
5Carmina Burana: I. Primo vere: Ecce gratum
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:54
6Carmina Burana: Uf dem Anger: Tanz
producer:
Peter Andry (producer)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:59
7Carmina Burana: Uf dem Anger: Floret silva
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:31
8Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:36
9Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum geselle min / Swaz hie gat umbe
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff5:12
10Carmina Burana: Uf dem Anger: Were diu werlt alle min
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:55
11Carmina Burana: II. In taberna: Estuans interius
producer:
Peter Andry (producer)
baritone vocals:
Raymond Wolansky (American operatic baritone) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:24
12Carmina Burana: II. In taberna: Olim lacus colueram
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
tenor vocals:
Gerhard Unger (tenor) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:24
13Carmina Burana: II. In taberna: Ego sum abbas
producer:
Peter Andry (producer)
baritone vocals:
Raymond Wolansky (American operatic baritone) (from 1965-06-12 until 1965-06-16)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:16
14Carmina Burana: II. In taberna: In taberna quando sumus
producer:
Peter Andry (producer)
baritone vocals:
Raymond Wolansky (American operatic baritone) (from 1965-06-12 until 1965-06-16)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:22
15Carmina Burana: III. Cours d’amour: Amor volat undique
producer:
Peter Andry (producer)
choir vocals:
Wandsworth School Boys’ Choir (from 1965-06-12 until 1965-06-16)
soprano vocals:
Lucia Popp (soprano) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Russell Burgess (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff3:16
16Carmina Burana: III. Cours d’amour: Dies, nox et omnia
producer:
Peter Andry (producer)
baritone vocals:
John Noble (baritone) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:07
17Carmina Burana: III. Cours d’amour: Stetit puella
producer:
Peter Andry (producer)
soprano vocals:
Lucia Popp (soprano) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:02
18Carmina Burana: III. Cours d’amour: Circa mea pectora
producer:
Peter Andry (producer)
baritone vocals:
Raymond Wolansky (American operatic baritone) (from 1965-06-12 until 1965-06-16)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:12
19Carmina Burana: III. Cours d’amour: Si puer cum puellula
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:58
20Carmina Burana: III. Cours d’amour: Veni, veni, venias
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:55
21Carmina Burana: III. Cours d’amour: In trutina
producer:
Peter Andry (producer)
soprano vocals:
Lucia Popp (soprano) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:08
22Carmina Burana: III. Cours d’amour: Tempus est iocundum
producer:
Peter Andry (producer)
baritone vocals:
Raymond Wolansky (American operatic baritone) (from 1965-06-12 until 1965-06-16)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16) and Wandsworth School Boys’ Choir (from 1965-06-12 until 1965-06-16)
soprano vocals:
Lucia Popp (soprano) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Russell Burgess (from 1965-06-12 until 1965-06-16) and Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:25
23Carmina Burana: III. Cours d’amour: Dulcissime
producer:
Peter Andry (producer)
soprano vocals:
Lucia Popp (soprano) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:33
24Carmina Burana: Blanziflor et Helena: Ave formosissima
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff1:43
25Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff3:01
26Boléro
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970)
conductor:
Rafael Frühbeck de Burgos (conductor) (in 1970)
recording of:
Boléro (in 1970)
composer:
Maurice Ravel (classical composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel17:06