Richard Wagner: Wesendonck-Lieder / Anton Bruckner: Symphonie Nr. 4 Es-Dur

~ Release by Richard Wagner, Anton Bruckner; Internationale Junge Orchesterakademie, Matthias Foremny, Kathrin Göring (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Fünf Lieder auf Texte von Mathilde Wesendonck: I. Der Engel
sound engineer:
Klaus Brand (engineer) and Rainer Kraft (engineer)
editor:
Jürgen Rummel (engineer, producer)
solo mezzo-soprano vocals:
Kathrin Göring (from 2019-04-19 until 2019-04-22)
orchestra:
Internationale Junge Orchesterakademie (from 2019-04-19 until 2019-04-22)
conductor:
Matthias Foremny (from 2019-04-19 until 2019-04-22)
recorded at:
Max-Reger-Halle in Weiden in der Oberpfalz, Bayern, Germany (from 2019-04-19 until 2019-04-22)
recording of:
Wesendonck-Lieder: I. Der Engel (for voice and large orchestra, Mottl) (from 2019-04-19 until 2019-04-22)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: I. Der Engel (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner2:58
2Fünf Lieder auf Texte von Mathilde Wesendonck: II. Stehe still!
sound engineer:
Klaus Brand (engineer) and Rainer Kraft (engineer)
editor:
Jürgen Rummel (engineer, producer)
solo mezzo-soprano vocals:
Kathrin Göring (from 2019-04-19 until 2019-04-22)
orchestra:
Internationale Junge Orchesterakademie (from 2019-04-19 until 2019-04-22)
conductor:
Matthias Foremny (from 2019-04-19 until 2019-04-22)
recorded at:
Max-Reger-Halle in Weiden in der Oberpfalz, Bayern, Germany (from 2019-04-19 until 2019-04-22)
recording of:
Wesendonck-Lieder: II. Stehe still (for voice and large orchestra, Mottl) (from 2019-04-19 until 2019-04-22)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: II. Stehe still (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner3:22
3Fünf Lieder auf Texte von Mathilde Wesendonck: III. Im Treibhaus
sound engineer:
Klaus Brand (engineer) and Rainer Kraft (engineer)
editor:
Jürgen Rummel (engineer, producer)
solo mezzo-soprano vocals:
Kathrin Göring (from 2019-04-19 until 2019-04-22)
orchestra:
Internationale Junge Orchesterakademie (from 2019-04-19 until 2019-04-22)
conductor:
Matthias Foremny (from 2019-04-19 until 2019-04-22)
recorded at:
Max-Reger-Halle in Weiden in der Oberpfalz, Bayern, Germany (from 2019-04-19 until 2019-04-22)
recording of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and large orchestra, Mottl) (from 2019-04-19 until 2019-04-22)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner5:36
4Fünf Lieder auf Texte von Mathilde Wesendonck: IV. Schmerzen
sound engineer:
Klaus Brand (engineer) and Rainer Kraft (engineer)
editor:
Jürgen Rummel (engineer, producer)
solo mezzo-soprano vocals:
Kathrin Göring (from 2019-04-19 until 2019-04-22)
orchestra:
Internationale Junge Orchesterakademie (from 2019-04-19 until 2019-04-22)
conductor:
Matthias Foremny (from 2019-04-19 until 2019-04-22)
recorded at:
Max-Reger-Halle in Weiden in der Oberpfalz, Bayern, Germany (from 2019-04-19 until 2019-04-22)
recording of:
Wesendonck-Lieder: IV. Schmerzen (for voice and large orchestra, Mottl) (from 2019-04-19 until 2019-04-22)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: IV. Schmerzen (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner1:54
5Fünf Lieder auf Texte von Mathilde Wesendonck: V. Träume
sound engineer:
Klaus Brand (engineer) and Rainer Kraft (engineer)
editor:
Jürgen Rummel (engineer, producer)
solo mezzo-soprano vocals:
Kathrin Göring (from 2019-04-19 until 2019-04-22)
orchestra:
Internationale Junge Orchesterakademie (from 2019-04-19 until 2019-04-22)
conductor:
Matthias Foremny (from 2019-04-19 until 2019-04-22)
recorded at:
Max-Reger-Halle in Weiden in der Oberpfalz, Bayern, Germany (from 2019-04-19 until 2019-04-22)
recording of:
Wesendonck-Lieder: V. Träume (for voice and large orchestra, Wagner) (from 2019-04-19 until 2019-04-22)
orchestrator and composer:
Richard Wagner (composer)
lyricist:
Mathilde Wesendonck
arrangement of:
Wesendonck-Lieder: V. Träume (for voice and piano)
is based on:
Träume, WWV 91b (for violin and orchestra)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner4:49
6Symphonie Nr. 4 Es-Dur: I. Bewegt, nicht zu schnell
sound engineer:
Klaus Brand (engineer) and Rainer Kraft (engineer)
editor:
Jürgen Rummel (engineer, producer)
orchestra:
Internationale Junge Orchesterakademie (from 2019-04-19 until 2019-04-22)
conductor:
Matthias Foremny (from 2019-04-19 until 2019-04-22)
recorded at:
Max-Reger-Halle in Weiden in der Oberpfalz, Bayern, Germany (from 2019-04-19 until 2019-04-22)
recording of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: I. Bewegt, nicht zu schnell (1886 (aka 1878/1880) version, ed. Nowak, 1953) (from 2019-04-19 until 2019-04-22)
composer:
Anton Bruckner (composer) (from 1873 until 1874)
revised by:
Anton Bruckner (composer) (from 1878 until 1880)
part of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (1886 (aka 1878/1880) version, ed. Nowak, 1953)
Anton Bruckner16:46
7Symphonie Nr. 4 Es-Dur: II. Andante, quasi allegretto
sound engineer:
Klaus Brand (engineer) and Rainer Kraft (engineer)
editor:
Jürgen Rummel (engineer, producer)
orchestra:
Internationale Junge Orchesterakademie (from 2019-04-19 until 2019-04-22)
conductor:
Matthias Foremny (from 2019-04-19 until 2019-04-22)
recorded at:
Max-Reger-Halle in Weiden in der Oberpfalz, Bayern, Germany (from 2019-04-19 until 2019-04-22)
recording of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: II. Andante, quasi allegretto (1886 (aka 1878/1880) version, ed. Nowak, 1953) (from 2019-04-19 until 2019-04-22)
composer:
Anton Bruckner (composer) (from 1873 until 1874)
revised by:
Anton Bruckner (composer) (from 1878 until 1880)
part of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (1886 (aka 1878/1880) version, ed. Nowak, 1953)
Anton Bruckner14:04
8Symphonie Nr. 4 Es-Dur: III. Scherzo: Bewegt
sound engineer:
Klaus Brand (engineer) and Rainer Kraft (engineer)
editor:
Jürgen Rummel (engineer, producer)
orchestra:
Internationale Junge Orchesterakademie (from 2019-04-19 until 2019-04-22)
conductor:
Matthias Foremny (from 2019-04-19 until 2019-04-22)
recorded at:
Max-Reger-Halle in Weiden in der Oberpfalz, Bayern, Germany (from 2019-04-19 until 2019-04-22)
recording of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: III. Scherzo (Bewegt) - Trio (Nicht zu schnell, Keinesfalls schleppend) (1886 (aka 1878/1880) version, ed. Nowak, 1953) (from 2019-04-19 until 2019-04-22)
composer:
Anton Bruckner (composer) (from 1873 until 1874)
revised by:
Anton Bruckner (composer) (from 1878 until 1880)
part of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (1886 (aka 1878/1880) version, ed. Nowak, 1953)
Anton Bruckner10:17
9Symphonie Nr. 4 Es-Dur: IV. Finale: Bewegt, doch nicht zu schnell
sound engineer:
Klaus Brand (engineer) and Rainer Kraft (engineer)
editor:
Jürgen Rummel (engineer, producer)
orchestra:
Internationale Junge Orchesterakademie (from 2019-04-19 until 2019-04-22)
conductor:
Matthias Foremny (from 2019-04-19 until 2019-04-22)
recorded at:
Max-Reger-Halle in Weiden in der Oberpfalz, Bayern, Germany (from 2019-04-19 until 2019-04-22)
recording of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: IV. Finale. Bewegt, doch nicht zu schnell (1886 (aka 1878/1880) version, ed. Nowak, 1953) (from 2019-04-19 until 2019-04-22)
composer:
Anton Bruckner (composer) (from 1873 until 1874)
revised by:
Anton Bruckner (composer) (from 1878 until 1880)
part of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (1886 (aka 1878/1880) version, ed. Nowak, 1953)
Anton Bruckner20:03