80s Dancefloor: The Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

Digital Media 1
#TitleArtistRatingLength
1The Sun Always Shines on TV
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth-pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
part of:
TV Cream: Real 100 Best Singles Ever (number: 11) and The Downloader’s Music Source Book (number: 283)
recording of:
The Sun Always Shines on T.V.
lyricist and composer:
Paul Waaktaar-Savoy
publisher:
ATV Music Ltd. and Sony ATV Publishing
a‐ha4.355:08
2Dancing With Tears in My Eyes (2009 Remastered version)Ultravox4:40
3Rio
producer:
Colin Thurston
recording of:
Rio
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran45:15
4To Cut a Long Story Short
producer:
Richard James Burgess
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint)
mixed at:
Jam Studios in Islington, London (Greater London), England, United Kingdom
recording of:
To Cut a Long Story Short
lyricist and composer:
Gary Kemp
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Reformation Publishing Co. Ltd.
Spandau Ballet3.53:21
5Don’t Leave Me This Way
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble, Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards with Sarah Jane Morris4:48
6Money’s Too Tight (To Mention)
mastering:
Bernie Grundman
additional producer:
Mick Hucknall (lead singer of Simply Red)
producer:
Stewart Levine (record producer and saxophonist)
earliest release:
Money’s Too Tight (to Mention) by Simply Red
cover recording of:
Money’s Too Tight (to Mention)
writer:
Billy Valentine (United States soul funk singer), John Valentine (Valentine Brothers) and Carolyn Wiggins
publisher:
Songs for Today Ltd
Simply Red4:29
7Everywhere
recording of:
Everywhere
lyricist and composer:
Christine McVie
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac3:44
8Talk Talk (1997 Remastered version)
recording of:
Talk Talk (Talk Talk)
lyricist and composer:
Ed Hollis (British songwriter and producer) and Mark Hollis
Talk Talk3:23
9Temptation (Remastered version)
recording of:
Temptation (New Order)
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
New Order25:26
10Why?Bronski Beat4:03
11Kids in America
recording engineer:
Jeo
programming:
Jörn‐Uwe Fahrenkrog‐Petersen and Derek von Krogh
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Jörn‐Uwe Fahrenkrog‐Petersen and Ricky Wilde
additional keyboard:
Nick Priessnitz
bass guitar:
Derek von Krogh and Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981)
drums (drum set):
Bernhard Hahn, Tobias Wörner and Chris North (UK drummer of The Enid) (from 1980 until 1981)
guitar:
Thomas Hahn, Charlotte Hatherley, Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen, Derek von Krogh, Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz, M. Janz, N. Janz and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1996, in 2001) and EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio, RAK Studios in London (Greater London), England, United Kingdom, Soundmastaz Studios, Studio 77 in Stuttgart, Baden-Württemberg, Germany and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (in 1980)
writer:
Marty Wilde and Ricky Wilde
publisher:
Finchley Music Corp.
Kim Wilde4.453:26
12Disorder
recording of:
Disorder
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
live recording of:
Disorder
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
Joy Division3:29
13All Right
recording engineer and mixer:
Chet Himes
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
assistant producer:
Rob Meurer and Michael Ostin
producer:
Michael Omartian
solo guitar:
Steve Lukather
additional vocals:
Michael McDonald (R&B & soul singer)
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
produced for:
Free Flow Productions
recorded at:
Pop ’n’ Roll Studios in Santa Monica, California, United States, Studio South in Austin, Texas, United States, The Aspen Studios in Aspen, Colorado, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
All Right
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Christopher Cross54:15
14International Rescue
engineer:
Richard Manwaring (Producer)
recording of:
International Rescue
writer:
Joanne Dunne, Margaret Dunne (Fuzzbox), Tina O'Neill and Liam Sternberg
Fuzzbox3:29
15I Promised Myself
recording of:
I Promised Myself
lyricist and composer:
Nick Kamen
Nick Kamen3:53
16Living on the Ceiling (Remastered version)
Blancmange3:59
17Love Changes (Everything)
engineer:
Mike Ging and Bob Kraushaar
producer:
Stephen Hague
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
writer:
Simon Climie, Rob Fisher (British keyboardist and half of the 80s synthpop duo Naked Eyes) and Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.854:28
18Cruel Summer (Remastered version)
recording of:
Cruel Summer
lyricist:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) and Keren Woodward
composer:
Leo Birenberg, Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) and Keren Woodward
publisher:
Reverb Music Ltd., Sony Music Publishing (UK) Ltd., Sony/ATV Music Publishing (UK) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama3:30
19Our Lips Are Sealed
producer:
David Byrne (Talking Heads)
remixer:
Fun Boy Three and Jeremy Green
cover recording of:
Our Lips Are Sealed
writer:
The Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall and Jane Wiedlin
publisher:
Gotown Music and Plangent Visions Music
Fun Boy Three3.22:51
20Just What I Always Wanted
Mari Wilson3:26
21RespectAdeva2.354:01
22Ain’t Nobody
additional synthesizer:
James Newton Howard (American score composer)
alto saxophone:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
bass:
Bobby Watson (bassist)
drums (drum set):
John “JR” Robinson (session drummer)
flute:
Gary Herbig, Ernie Watts (jazz and blues saxophonist) and Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
guitar:
Tony Maiden
keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) and David “Hawk” Wolinski
percussion:
Paulinho da Costa (Brazilian percussionist)
tenor saxophone:
Gary Herbig and Ernie Watts (jazz and blues saxophonist)
trumpet:
Jerry Hey
vocals:
Chaka Khan and Tony Maiden
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 403)
recording of:
Ain’t Nobody
lyricist and composer:
David Wolinski
publisher:
Overdue Music
Chaka Khan4.14:40
23Respectable
recording of:
Respectable
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Mel & Kim2.53:22
24Dancin’ in the Key of LifeSteve Arrington4:57
25Nightline
Randy Crawford3:48
26Only in My Dreams
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) and Don Feinberg
programming and producer:
Fred Zarr
assistant engineer:
Bill Esses
mixer:
Doc Dougherty and “Little” Louie Vega (US house DJ/producer)
bass:
Gary Down
guitar:
Ira Siegel
keyboard and synthesizer:
Fred Zarr
percussion:
Bashiri Johnson
saxophone:
Jeff Smith (US saxophonist)
tom-tom:
Billy Amendola
background vocals:
La‐Rita Gaskin and Norma Jean Wright
background vocals and lead vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987)
recorded at:
Z Studio in Brooklyn, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
recording of:
Only in My Dreams
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (from 1987 to ????) and Deborah Ann’s Music (from 1987 to ????)
Debbie Gibson43:56
27Candy Girl
co-producer:
Arthur Baker (American record producer and DJ) and Michael Jonzun
percussion:
Bashiri Johnson
recording of:
Candy Girl
composer:
Michael Jonzun and Maurice Starr
New Edition43:55
28That’s the Way Love Is (Underground mix) [Edited version]Ten City4:15
29Keep Your Body Workin’
producer:
Dennis King (mastering engineer Atlantic Recording Studios)
recording of:
Keeep Your Body Workin' ('Keeep' is not a typo)
lyricist and composer:
Norman Durham
Kleeer35:20
30Dancing Tight
recording of:
Dancing Tight
lyricist and composer:
Phil Fearon
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Handle Music Ltd. and Imagem Songs Ltd.
Phil Fearon & Galaxy53:35
31Cupid / I’ve Loved You for a Long Time
edit of:
Medley: Cupid/I've Loved You For A Long Time by The Spinners (US R&B/soul group, aka The Detroit Spinners)
medley including a cover recording of:
Cupid
lyricist and composer:
Sam Cooke
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
medley including a recording of:
I've Loved You for a Long Time
lyricist and composer:
Michael Zager
The Spinners43:56
32Best Years of Our LivesModern Romance2:35
33Set Me Free
recording of:
Set Me Free
lyricist and composer:
Derek Bramble
Jaki Graham33:36
34Self Control
executive producer:
Jack White (German producer Horst Nußbaum)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) and Harold Faltermeier
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
music videos:
Self Control by Laura Branigan
recording of:
Self Control
lyricist:
Steve Piccolo
additional writer:
Harro Steffen
composer:
Giancarlo Bigazzi and Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Music SpA (publisher, use Sugar for releases) and Sugar Musik Verlags GmbH (publisher)
version of:
Self Control
Laura Branigan4.84:07
35No Lookin’ Back
producer:
Michael McDonald (R&B & soul singer) and Ted Templeman
Michael McDonald3:49
36Hand Held in Black and WhiteDollar3:22
37Take It While It’s Hot
Sweet Sensation4:59
38We Call It Acieed
recording of:
We Call It Acieed
lyricist and composer:
Danny Poku (British DJ, producer, remixer and A&R)
D Mob feat. Gary Haisman3:24
39Planet Rock
recording of:
Planet Rock
writer:
Robert Darrell Allen, Arthur Baker (American record producer and DJ), Afrika Bambaataa (US DJ singer, songwriter & producer), John Miller (MC G.L.O.B.E. (Soulsonic Force)), John Robie and Ellis Williams
publisher:
Bambaataa Music, No Hassle Music, Shakin’ Baker Music, Sony/ATV Songs (SOCAN) and T-Girl Music LLC
Afrika Bambaataa & Soulsonic Force5:20
40Ghost Town
engineer:
John A. Rivers
trombone:
Rico Rodriguez (Jamaican trombonist)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 217)
recording of:
Ghost Town
lyricist and composer:
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use!)
The Specials3.93:39
41Stand
additional engineer:
Thom Cadley, George Cowan (US engineer) and Tom Laune
assistant engineer:
Jeff Kahan and Chris Laidlaw
engineer and mixer:
Jay Healy and Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1988) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
mixed at:
Bearsville Studios in Bearsville, New York, United States
recording of:
Stand
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.43:11
42Birdhouse in Your Soul
recording engineer and mixer:
Roger Moutenot
producer:
Clive Langer and Alan Winstanley (English record producer)
electric guitar:
John Flansburgh
keyboard, background vocals and lead vocals:
John Linnell
trumpet [sampled]:
Frank London
violin:
Mark Feldman (American violinist)
recording of:
Birdhouse in Your Soul
writer:
John Flansburgh and John Linnell
publisher:
TMBG Music
They Might Be Giants4.453:18
43Veronica
recording of:
Veronica
writer:
Declan Patrick MacManus and Paul McCartney (The Beatles)
Elvis Costello3:08
44The Cutter
engineer:
David Bascombe, Colin Fairley, Paul Cobald, Steve Prestige, Steve Short (sound engineer & producer) and Dave Wooley
producer:
Kingbird
bass:
Les Pattinson
drums (drum set):
Pete de Freitas
guest strings:
Shankar (L. Shankar)
guitar:
Ian McCulloch (Echo & the Bunnymen) and Will Sergeant
vocals:
Ian McCulloch (Echo & the Bunnymen)
recording of:
The Cutter
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen43:52
45Walk Out to Winter
engineer:
John Brand (engineer)
producer:
John Brand (engineer) and Bernie Clarke
bass guitar:
Campbell Owens
drums (drum set) and percussion:
Dave Ruffy
guitar:
Roddy Frame
vocals:
Roddy Frame
arranger:
Roddy Frame
recording of:
Walk Out to Winter
lyricist and composer:
Roddy Frame
Aztec Camera33:24
46She Drives Me Crazy
engineer:
David Z. (producer/engineer David Rivkin)
co-producer:
Fine Young Cannibals and David Z. (producer/engineer David Rivkin)
bass, drum machine and keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, guitar and tambourine:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographic copyright (℗) by:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
writer:
Roland Gift and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
Fine Young Cannibals43:34
47Brass in Pocket
engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1987, in 2000)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 389)
recording of:
Brass in Pocket
writer:
James Honeyman‐Scott and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, Hynde House of Hits Music and Modern Music Publishing Co., Inc.
Pretenders4.253:03
48You’re HistoryShakespears Sister4:26
49Good Tradition
recording of:
Good Tradition
lyricist and composer:
Tanita Tikaram
Tanita Tikaram2:51
50The Whole of the Moon (2004 Remastered version)
recording of:
The Whole of the Moon
lyricist and composer:
Mike Scott (The Waterboys)
The Waterboys4.455:02
51Things Can Only Get Better
recording engineer and mixer:
Stephen W. Tayler (UK engineer)
programming:
Howard Jones (English singer, songwriter)
producer:
Rupert Hine
brass:
The TKO Horns
instruments:
Howard Jones (English singer, songwriter)
background vocals:
Claudia Fontaine (vocals, background vocals), Naomi Thompson and Caron Wheeler (English singer, songwriter, and record producer)
lead vocals:
Howard Jones (English singer, songwriter)
recorded at and mixed at:
Farmyard Studios in Buckinghamshire, England, United Kingdom
recording of:
Things Can Only Get Better
lyricist and composer:
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones53:55
52Cath
recording of:
Cath
lyricist and composer:
Robert Hodgens
The Bluebells3:49
53Come On, Let’s Go
Los Lobos2:11
54Twist and Shout
cover recording of:
Twist and Shout
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Robert Mellin Ltd., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
David Lindley2:44
55Blister in the Sun
recording engineer:
Glenn Lorbiecki (in 1982-07)
engineer and mixer:
John Tanner
producer:
Mark Van Hecke
bass:
Brian Ritchie (in 1982-07)
drums (drum set) and percussion:
Victor DeLorenzo (in 1982-07)
guitar and lead vocals:
Gordon Gano (in 1982-07)
vocals:
Victor DeLorenzo (in 1982-07) and Brian Ritchie (in 1982-07)
recorded at:
Castle Productions in Lake Geneva, Wisconsin, United States (in 1982-07)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 17)
recording of:
Blister in the Sun (in 1982-07)
lyricist and composer:
Gordon Gano
publisher:
Gorno Music Publishing, Gorno Music (in 1980) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1982)
Violent Femmes4.452:24
56Bound to BeThe Dream Academy43:08
57Legs
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
lead vocals:
Billy Gibbons
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Legs
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Music of Stage Three, Songs of Mosaic and Hamstein Music Co. (publisher) (in 1983)
ZZ Top4.354:35
58Jolene
cover recording of:
Jolene
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Owepar Publishing Inc. and Velvet Apple Music
Strawberry Switchblade6:14
59Should I Say Yes?
Nu Shooz4:51
60Lip Up Fatty
producer:
Roger Lomas
phonographic copyright (℗) by:
Magnet Records Ltd.
recording of:
Lip Up Fatty
writer:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) and Brian Tuitt
publisher:
Magnet Music Ltd. (publisher)
Bad Manners42:46

Credits

Release

ASIN:UK: B00ODJVZ8K [info]