Big Fish: Music From the Motion Picture

~ Release by Danny Elfman (see all versions of this release, 2 available)

Annotation

Track 8-22:
Music Editor: Ellen Segal, M.P.S.E.
Assistant Music Editor: Shie Rozow, M.P.S.E.
Additional Orchestrations: Jeff Atmajian, David Slonaker,Edgardo Simone
Synth Prep & Recording: Marc Mann
Conducted by Nick Ingman
Score recorded at Air Studios, Lyndhurst Hall, London, England
Score Mixed at Signet Sound

Annotation last modified on 2010-05-08 07:58 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Man of the Hour
engineer:
Sam Hofstedt
producer:
Adam Kasper
recorded at:
Studio X in Seattle, Washington, United States
recording of:
Man of the Hour
lyricist and composer:
Eddie Vedder
Pearl Jam3.53:46
2Dinah
recording of:
Dinah
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
Bing Crosby2:18
3Everyday
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-05-29)
celesta:
Vi Petty (on 1957-05-29)
guitar and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
percussion [cardboard box percussion]:
Jerry Allison (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-29)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 236)
recording of:
Everyday (on 1957-05-27)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Peer International Corporation (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly4.852:09
4All Shook Up
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-12 until 1957-01-13)
drums (drum set):
D.J. Fontana (from 1957-01-12 until 1957-01-13)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-12 until 1957-01-13) and Elvis Presley (“The King of Rock and Roll”) (from 1957-01-12 until 1957-01-13)
piano:
Gordon Stoker (from 1957-01-12 until 1957-01-13)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) and The Jordanaires (from 1957-01-12 until 1957-01-13)
remixer:
Dennis Ferrante
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-01-12 until 1957-01-13) and Bloch Arena in Honolulu, Hawaii, United States (on 1961-03-25)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 18) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 353)
cover recording of:
All Shook Up (on 1957-01-12)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) and Shalimar Music Corp.
Elvis Presley3.651:59
5Five O’Clock World
recording of:
Five O’Clock World
lyricist and composer:
Allen Reynolds
The Vogues2:10
6Ramblin’ Man
recording of:
Ramblin’ Man
lyricist and composer:
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc. and Warner Chappell Music, Inc.
The Allman Brothers Band4:58
7Let’s Work Together
engineer:
David Weichman
producer:
Canned Heat and Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
International Sound Studios in Los Angeles, California, United States (on 1969-12-03)
engineered at:
Annex Studios (aka Music Annex or Annex Digital) in San Mateo, California, United States
cover recording of:
Let’s Work Together (on 1969-12-03)
lyricist:
Wilbert Harrison
publisher:
EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Mozella Music Inc., SBK United Partnership Ltd. and United Artists Musik GmbH
Canned Heat3.53:14
8Pictures
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Chris Barrett (engineer) and Jake Jackson (recording engineer)
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Tom Hardisty (film score engineer) and Noah Snyder
assistant editor:
Shie Rozow
editor:
Ellen Segal
conductor:
Nick Ingman
orchestrator:
Steve Bartek
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Pictures (Big Fish)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
Danny Elfman0:45
9Big Fish (Titles)
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Chris Barrett (engineer) and Jake Jackson (recording engineer)
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Tom Hardisty (film score engineer) and Noah Snyder
assistant editor:
Shie Rozow
editor:
Ellen Segal
conductor:
Nick Ingman
orchestrator:
Steve Bartek
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Big Fish (Titles)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
Danny Elfman4:33
10Shoe Stealing
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Chris Barrett (engineer) and Jake Jackson (recording engineer)
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Tom Hardisty (film score engineer) and Noah Snyder
assistant editor:
Shie Rozow
editor:
Ellen Segal
conductor:
Nick Ingman
orchestrator:
Steve Bartek
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Shoe Stealing (Big Fish)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
Danny Elfman0:54
11Underwater
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Chris Barrett (engineer) and Jake Jackson (recording engineer)
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Tom Hardisty (film score engineer) and Noah Snyder
assistant editor:
Shie Rozow
editor:
Ellen Segal
conductor:
Nick Ingman
orchestrator:
Steve Bartek
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Underwater (Big Fish)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
Danny Elfman1:53
12Sandra’s Theme
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Chris Barrett (engineer) and Jake Jackson (recording engineer)
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Tom Hardisty (film score engineer) and Noah Snyder
assistant editor:
Shie Rozow
editor:
Ellen Segal
conductor:
Nick Ingman
orchestrator:
Steve Bartek
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Sandra's Theme (Big Fish)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
Danny Elfman2:23
13The Growing Montage
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Chris Barrett (engineer) and Jake Jackson (recording engineer)
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Tom Hardisty (film score engineer) and Noah Snyder
assistant editor:
Shie Rozow
editor:
Ellen Segal
conductor:
Nick Ingman
orchestrator:
Steve Bartek
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Growing Montage (Big Fish)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
Danny Elfman2:41
14Leaving Spectre
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Chris Barrett (engineer) and Jake Jackson (recording engineer)
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Tom Hardisty (film score engineer) and Noah Snyder
assistant editor:
Shie Rozow
editor:
Ellen Segal
conductor:
Nick Ingman
orchestrator:
Steve Bartek
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Leaving Spectre (Big Fish)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
Danny Elfman2:00
15Return to Spectre
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Chris Barrett (engineer) and Jake Jackson (recording engineer)
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Tom Hardisty (film score engineer) and Noah Snyder
assistant editor:
Shie Rozow
editor:
Ellen Segal
conductor:
Nick Ingman
orchestrator:
Steve Bartek
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Return to Spectre (Big Fish)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
Danny Elfman2:12
16Rebuilding
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Chris Barrett (engineer) and Jake Jackson (recording engineer)
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Tom Hardisty (film score engineer) and Noah Snyder
assistant editor:
Shie Rozow
editor:
Ellen Segal
conductor:
Nick Ingman
orchestrator:
Steve Bartek
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Rebuilding (Big Fish)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
Danny Elfman1:19
17The Journey Home
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Chris Barrett (engineer) and Jake Jackson (recording engineer)
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Tom Hardisty (film score engineer) and Noah Snyder
assistant editor:
Shie Rozow
editor:
Ellen Segal
conductor:
Nick Ingman
orchestrator:
Steve Bartek
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Journey Home (Big Fish)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
Danny Elfman2:10
18In the Tub
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Chris Barrett (engineer) and Jake Jackson (recording engineer)
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Tom Hardisty (film score engineer) and Noah Snyder
assistant editor:
Shie Rozow
editor:
Ellen Segal
conductor:
Nick Ingman
orchestrator:
Steve Bartek
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
In the Tub (Big Fish)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
Danny Elfman1:18
19Sandra’s Farewell
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Chris Barrett (engineer) and Jake Jackson (recording engineer)
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Tom Hardisty (film score engineer) and Noah Snyder
assistant editor:
Shie Rozow
editor:
Ellen Segal
conductor:
Nick Ingman
orchestrator:
Steve Bartek
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Sandra's Farewell (Big Fish)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
Danny Elfman1:17
20Finale
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Chris Barrett (engineer) and Jake Jackson (recording engineer)
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Tom Hardisty (film score engineer) and Noah Snyder
assistant editor:
Shie Rozow
editor:
Ellen Segal
conductor:
Nick Ingman
orchestrator:
Steve Bartek
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Finale (Big Fish)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
Danny Elfman11:11
21End Titles
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Chris Barrett (engineer) and Jake Jackson (recording engineer)
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Tom Hardisty (film score engineer) and Noah Snyder
assistant editor:
Shie Rozow
editor:
Ellen Segal
conductor:
Nick Ingman
orchestrator:
Steve Bartek
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
End Titles (Big Fish)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
Danny Elfman2:41
22Jenny’s Theme
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Chris Barrett (engineer) and Jake Jackson (recording engineer)
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Tom Hardisty (film score engineer) and Noah Snyder
assistant editor:
Shie Rozow
editor:
Ellen Segal
conductor:
Nick Ingman
orchestrator:
Steve Bartek
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Jenny's Theme (Big Fish)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
Danny Elfman1:45
23Twice the Love (Siamese Twins’ Song)
producer:
Danny Elfman (American singer and score composer)
recording of:
Twice the Love (Siamese Twins' Song) (Big Fish)
lyricist:
John August (screenwriter and film director)
composer:
Danny Elfman (American singer and score composer)
Bobbi Page and Candice Rumph1:49