# | Title | Artist | Rating | Length |
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1 | Hohe Messe in h‐Moll, BWV 232: IIIa. Coro “Credo in unum Deum”- recording engineer:
- Walter Alfred Wettler
- producer:
- Karl-Heinz Schneider
- bassoon:
- Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
- cello:
- Oswald Uhl (in 1961-02, in 1961-04)
- double bass:
- Franz Ortner (in 1961-02, in 1961-04)
- flute:
- Walther Theurer (in 1961-02, in 1961-04)
- horn [corno da caccia]:
- Kurt Richter (in 1961-02, in 1961-04)
- oboe d'amore:
- Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
- organ:
- Hedwig Bilgram (in 1961-02, in 1961-04)
- trumpet:
- Adolf Scherbaum (in 1961-02, in 1961-04)
- violin:
- Otto Büchner (in 1961-02, in 1961-04)
- choir vocals:
- Münchener Bach‐Chor (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (in 1961-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:40 |
2 | Hohe Messe in h‐Moll, BWV 232: IIIb. Coro “Patrem omnipotentem”- recording engineer:
- Walter Alfred Wettler
- producer:
- Karl-Heinz Schneider
- bassoon:
- Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
- cello:
- Oswald Uhl (in 1961-02, in 1961-04)
- double bass:
- Franz Ortner (in 1961-02, in 1961-04)
- flute:
- Walther Theurer (in 1961-02, in 1961-04)
- horn [corno da caccia]:
- Kurt Richter (in 1961-02, in 1961-04)
- oboe d'amore:
- Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
- organ:
- Hedwig Bilgram (in 1961-02, in 1961-04)
- trumpet:
- Adolf Scherbaum (in 1961-02, in 1961-04)
- violin:
- Otto Büchner (in 1961-02, in 1961-04)
- choir vocals:
- Münchener Bach‐Chor (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1961-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:09 |
3 | Hohe Messe in h‐Moll, BWV 232: IIIc. Duetto (Soprano I, Alto) “Et in unum Dominum”- recording engineer:
- Walter Alfred Wettler
- producer:
- Karl-Heinz Schneider
- bassoon:
- Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
- cello:
- Oswald Uhl (in 1961-02, in 1961-04)
- double bass:
- Franz Ortner (in 1961-02, in 1961-04)
- flute:
- Walther Theurer (in 1961-02, in 1961-04)
- horn [corno da caccia]:
- Kurt Richter (in 1961-02, in 1961-04)
- oboe d'amore:
- Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
- organ:
- Hedwig Bilgram (in 1961-02, in 1961-04)
- trumpet:
- Adolf Scherbaum (in 1961-02, in 1961-04)
- violin:
- Otto Büchner (in 1961-02, in 1961-04)
- alto vocals:
- Hertha Töpper (in 1961-02, in 1961-04)
- soprano vocals:
- Maria Stader (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- performer:
- Maria Stader (in 1961-04)
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (in 1961-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 5:26 |
4 | Hohe Messe in h‐Moll, BWV 232: IIId. Coro “Et incarnatus est”- recording engineer:
- Walter Alfred Wettler
- producer:
- Karl-Heinz Schneider
- bassoon:
- Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
- cello:
- Oswald Uhl (in 1961-02, in 1961-04)
- double bass:
- Franz Ortner (in 1961-02, in 1961-04)
- flute:
- Walther Theurer (in 1961-02, in 1961-04)
- horn [corno da caccia]:
- Kurt Richter (in 1961-02, in 1961-04)
- oboe d'amore:
- Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
- organ:
- Hedwig Bilgram (in 1961-02, in 1961-04)
- trumpet:
- Adolf Scherbaum (in 1961-02, in 1961-04)
- violin:
- Otto Büchner (in 1961-02, in 1961-04)
- choir vocals:
- Münchener Bach‐Chor (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (in 1961-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:41 |
5 | Hohe Messe in h‐Moll, BWV 232: IIIe. Coro “Crucifixus”- recording engineer:
- Walter Alfred Wettler
- producer:
- Karl-Heinz Schneider
- bassoon:
- Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
- cello:
- Oswald Uhl (in 1961-02, in 1961-04)
- double bass:
- Franz Ortner (in 1961-02, in 1961-04)
- flute:
- Walther Theurer (in 1961-02, in 1961-04)
- horn [corno da caccia]:
- Kurt Richter (in 1961-02, in 1961-04)
- oboe d'amore:
- Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
- organ:
- Hedwig Bilgram (in 1961-02, in 1961-04)
- trumpet:
- Adolf Scherbaum (in 1961-02, in 1961-04)
- violin:
- Otto Büchner (in 1961-02, in 1961-04)
- choir vocals:
- Münchener Bach‐Chor (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1961-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:05 |
6 | Hohe Messe in h‐Moll, BWV 232: IIIf. Coro “Et resurrexit”- recording engineer:
- Walter Alfred Wettler
- producer:
- Karl-Heinz Schneider
- bassoon:
- Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
- cello:
- Oswald Uhl (in 1961-02, in 1961-04)
- double bass:
- Franz Ortner (in 1961-02, in 1961-04)
- flute:
- Walther Theurer (in 1961-02, in 1961-04)
- horn [corno da caccia]:
- Kurt Richter (in 1961-02, in 1961-04)
- oboe d'amore:
- Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
- organ:
- Hedwig Bilgram (in 1961-02, in 1961-04)
- trumpet:
- Adolf Scherbaum (in 1961-02, in 1961-04)
- violin:
- Otto Büchner (in 1961-02, in 1961-04)
- choir vocals:
- Münchener Bach‐Chor (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (in 1961-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 4:28 |
7 | Hohe Messe in h‐Moll, BWV 232: IIIg. Aria (Basso) “Et in Spiritum Sanctum”- recording engineer:
- Walter Alfred Wettler
- producer:
- Karl-Heinz Schneider
- bassoon:
- Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
- cello:
- Oswald Uhl (in 1961-02, in 1961-04)
- double bass:
- Franz Ortner (in 1961-02, in 1961-04)
- flute:
- Walther Theurer (in 1961-02, in 1961-04)
- horn [corno da caccia]:
- Kurt Richter (in 1961-02, in 1961-04)
- oboe d'amore:
- Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
- organ:
- Hedwig Bilgram (in 1961-02, in 1961-04)
- trumpet:
- Adolf Scherbaum (in 1961-02, in 1961-04)
- violin:
- Otto Büchner (in 1961-02, in 1961-04)
- bass vocals:
- Dietrich Fischer‐Dieskau (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (in 1961-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 5:38 |
8 | Hohe Messe in h‐Moll, BWV 232: IIIh. Coro “Confiteor unum baptisma”- recording engineer:
- Walter Alfred Wettler
- producer:
- Karl-Heinz Schneider
- bassoon:
- Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
- cello:
- Oswald Uhl (in 1961-02, in 1961-04)
- double bass:
- Franz Ortner (in 1961-02, in 1961-04)
- flute:
- Walther Theurer (in 1961-02, in 1961-04)
- horn [corno da caccia]:
- Kurt Richter (in 1961-02, in 1961-04)
- oboe d'amore:
- Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
- organ:
- Hedwig Bilgram (in 1961-02, in 1961-04)
- trumpet:
- Adolf Scherbaum (in 1961-02, in 1961-04)
- violin:
- Otto Büchner (in 1961-02, in 1961-04)
- choir vocals:
- Münchener Bach‐Chor (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (in 1961-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 5:06 |
9 | Hohe Messe in h‐Moll, BWV 232: IIIi. Coro “Et expecto”- recording engineer:
- Walter Alfred Wettler
- producer:
- Karl-Heinz Schneider
- bassoon:
- Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
- cello:
- Oswald Uhl (in 1961-02, in 1961-04)
- double bass:
- Franz Ortner (in 1961-02, in 1961-04)
- flute:
- Walther Theurer (in 1961-02, in 1961-04)
- horn [corno da caccia]:
- Kurt Richter (in 1961-02, in 1961-04)
- oboe d'amore:
- Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
- organ:
- Hedwig Bilgram (in 1961-02, in 1961-04)
- trumpet:
- Adolf Scherbaum (in 1961-02, in 1961-04)
- violin:
- Otto Büchner (in 1961-02, in 1961-04)
- choir vocals:
- Münchener Bach‐Chor (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1961-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:14 |
10 | Hohe Messe in h‐Moll, BWV 232: IVa. Coro “Sanctus”- recording engineer:
- Walter Alfred Wettler
- producer:
- Karl-Heinz Schneider
- bassoon:
- Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
- cello:
- Oswald Uhl (in 1961-02, in 1961-04)
- double bass:
- Franz Ortner (in 1961-02, in 1961-04)
- flute:
- Walther Theurer (in 1961-02, in 1961-04)
- horn [corno da caccia]:
- Kurt Richter (in 1961-02, in 1961-04)
- oboe d'amore:
- Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
- organ:
- Hedwig Bilgram (in 1961-02, in 1961-04)
- trumpet:
- Adolf Scherbaum (in 1961-02, in 1961-04)
- violin:
- Otto Büchner (in 1961-02, in 1961-04)
- choir vocals:
- Münchener Bach‐Chor (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- h-Moll-Messe, BWV 232: III. Sanctus (in 1961-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 5:47 |
11 | Hohe Messe in h‐Moll, BWV 232: IVb. Coro “Hosanna”- recording engineer:
- Walter Alfred Wettler
- producer:
- Karl-Heinz Schneider
- bassoon:
- Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
- cello:
- Oswald Uhl (in 1961-02, in 1961-04)
- double bass:
- Franz Ortner (in 1961-02, in 1961-04)
- flute:
- Walther Theurer (in 1961-02, in 1961-04)
- horn [corno da caccia]:
- Kurt Richter (in 1961-02, in 1961-04)
- oboe d'amore:
- Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
- organ:
- Hedwig Bilgram (in 1961-02, in 1961-04)
- trumpet:
- Adolf Scherbaum (in 1961-02, in 1961-04)
- violin:
- Otto Büchner (in 1961-02, in 1961-04)
- choir vocals:
- Münchener Bach‐Chor (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1961-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:55 |
12 | Hohe Messe in h‐Moll, BWV 232: IVc. Aria (Tenore) “Benedictus”- recording engineer:
- Walter Alfred Wettler
- producer:
- Karl-Heinz Schneider
- bassoon:
- Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
- cello:
- Oswald Uhl (in 1961-02, in 1961-04)
- double bass:
- Franz Ortner (in 1961-02, in 1961-04)
- flute:
- Walther Theurer (in 1961-02, in 1961-04)
- horn [corno da caccia]:
- Kurt Richter (in 1961-02, in 1961-04)
- oboe d'amore:
- Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
- organ:
- Hedwig Bilgram (in 1961-02, in 1961-04)
- trumpet:
- Adolf Scherbaum (in 1961-02, in 1961-04)
- violin:
- Otto Büchner (in 1961-02, in 1961-04)
- tenor vocals:
- Ernst Haefliger (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1961-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 4:56 |
13 | Hohe Messe in h‐Moll, BWV 232: IVd. Coro “Hosanna”- recording engineer:
- Walter Alfred Wettler
- producer:
- Karl-Heinz Schneider
- bassoon:
- Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
- cello:
- Oswald Uhl (in 1961-02, in 1961-04)
- double bass:
- Franz Ortner (in 1961-02, in 1961-04)
- flute:
- Walther Theurer (in 1961-02, in 1961-04)
- horn [corno da caccia]:
- Kurt Richter (in 1961-02, in 1961-04)
- oboe d'amore:
- Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
- organ:
- Hedwig Bilgram (in 1961-02, in 1961-04)
- trumpet:
- Adolf Scherbaum (in 1961-02, in 1961-04)
- violin:
- Otto Büchner (in 1961-02, in 1961-04)
- choir vocals:
- Münchener Bach‐Chor (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1961-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:56 |
14 | Hohe Messe in h‐Moll, BWV 232: IVe. Aria (Alto) “Agnus Dei”- recording engineer:
- Walter Alfred Wettler
- producer:
- Karl-Heinz Schneider
- bassoon:
- Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
- cello:
- Oswald Uhl (in 1961-02, in 1961-04)
- double bass:
- Franz Ortner (in 1961-02, in 1961-04)
- flute:
- Walther Theurer (in 1961-02, in 1961-04)
- horn [corno da caccia]:
- Kurt Richter (in 1961-02, in 1961-04)
- oboe d'amore:
- Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
- organ:
- Hedwig Bilgram (in 1961-02, in 1961-04)
- trumpet:
- Adolf Scherbaum (in 1961-02, in 1961-04)
- violin:
- Otto Büchner (in 1961-02, in 1961-04)
- alto vocals:
- Hertha Töpper (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1961-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 6:36 |
15 | Hohe Messe in h‐Moll, BWV 232: IVf. Coro “Dona nobis pacem”- recording engineer:
- Walter Alfred Wettler
- producer:
- Karl-Heinz Schneider
- bassoon:
- Fritz Henker (in 1961-02, in 1961-04) and Karl Kolbinger (in 1961-02, in 1961-04)
- cello:
- Oswald Uhl (in 1961-02, in 1961-04)
- double bass:
- Franz Ortner (in 1961-02, in 1961-04)
- flute:
- Walther Theurer (in 1961-02, in 1961-04)
- horn [corno da caccia]:
- Kurt Richter (in 1961-02, in 1961-04)
- oboe d'amore:
- Kurt Hausmann (in 1961-02, in 1961-04) and Edgar Shann (in 1961-02, in 1961-04)
- organ:
- Hedwig Bilgram (in 1961-02, in 1961-04)
- trumpet:
- Adolf Scherbaum (in 1961-02, in 1961-04)
- violin:
- Otto Büchner (in 1961-02, in 1961-04)
- choir vocals:
- Münchener Bach‐Chor (in 1961-02, in 1961-04)
- orchestra:
- Münchener Bach‐Orchester (in 1961-02, in 1961-04)
- conductor:
- Karl Richter (in 1961-02, in 1961-04)
- recorded at:
- Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1961-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Dona nobis pacem
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:25 |