| # | Title | Artist | Rating | Length |
|---|
| 1 | We Will Rock You- engineer:
- Mike Stone
- assistant producer and co-producer:
- Mike Stone
- producer:
- Queen
- electric guitar:
- Brian May
- foot stomps [footstomps] and handclaps:
- John Deacon (from 1977-08 until 1977-09), Brian May (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (from 1977-08 until 1977-09)
- guitar:
- Brian May (from 1977-08 until 1977-09)
- background vocals:
- Brian May (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (from 1977-08 until 1977-09)
- lead vocals:
- Freddie Mercury (from 1977-08 until 1977-09)
- phonographic copyright (℗) by:
- Elektra Records (in 1977), Hollywood Records, Inc. (in 1977) and Queen Productions Ltd. (in 1977, in 2001, in 2011)
- recorded at:
- Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom (from 1977-08 until 1977-09)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 338)
- recording of:
- We Will Rock You (from 1977-08 until 1977-09)
- lyricist and composer:
- Brian May
- publisher:
- Beechwood Music Corporation, EMI Music Publishing Ltd. and Queen Music Ltd.
- part of:
- We Will Rock You
- part of:
- We Will Rock You
| Queen | 3.9 | 2:04 |
| 2 | Speed King | Deep Purple | 5 | 5:52 |
| 3 | Easy Livin’- recording engineer:
- Peter Gallen (from 1972-03 until 1972-04)
- assistant engineer:
- Ashley Howe
- engineer:
- Peter Gallen
- producer:
- Gerry Bron
- mixer:
- Rafe McKenna
- drums (drum set):
- Lee Kerslake (from 1972-03 until 1972-04)
- electric bass guitar:
- Gary Thain (from 1972-03 until 1972-04)
- guitar:
- Mick Box (from 1972-03 until 1972-04)
- organ:
- Ken Hensley (from 1972-03 until 1972-04)
- vocals:
- David Byron (from 1972-03 until 1972-04)
- arranger:
- Uriah Heep
- phonographic copyright (℗) by:
- Bronze (in 1972), Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972), Legacy Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (in 1972, in 2017)
- recorded at:
- Lansdowne Studios in London , England, United Kingdom (from 1972-03 until 1972-04) and Astoria Theatre in Westminster, London , England, United Kingdom (on 2003-11-08)
- produced at:
- Lansdowne Studios in London , England, United Kingdom
- recording of:
- Easy Livin’ (from 1972-03 until 1972-04)
- lyricist and composer:
- Ken Hensley
- publisher:
- A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing , EMI Music Publishing Ltd. , EMI Publishing Ltd., S. Bron Music Co. Ltd. and Umble Tunes Ltd.
- live recording of:
- Easy Livin’ (on 2003-11-08)
- lyricist and composer:
- Ken Hensley
- publisher:
- A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing , EMI Music Publishing Ltd. , EMI Publishing Ltd., S. Bron Music Co. Ltd. and Umble Tunes Ltd.
| Uriah Heep | 4.35 | 2:38 |
| 4 | Locomotive Breath | Jethro Tull | 4.35 | 4:25 |
| 5 | I Want You to Want Me- recording engineer:
- 鈴木智雄 (from 1978-04-28 until 1978-04-30)
- assistant engineer:
- Mike Beriger
- engineer:
- Gary Ladinsky
- producer:
- Cheap Trick and Jack Douglas
- mixer:
- Cheap Trick, Gary Ladinsky and Jay Messina (in 1978)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1978), EPC (in 1978), Epic/Sony Inc. (in 1978, in 1979), Sony BMG Music Entertainment (in 1978) and Sony Music Entertainment Inc. (in 1978)
- recorded at:
- Nippon Budokan in Kitanomaru Kōen, Chiyoda, Tokyo, Japan (from 1978-04-28 until 1978-04-30)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (in 1978)
- live recording of:
- I Want You to Want Me (from 1978-04-28 until 1978-04-30)
- lyricist and composer:
- Rick Nielsen
- publisher:
- Gil Music Corporation, Adult Music (in 1977, in 1978), Screen Gems-EMI Music Incorporated (in 1977) and Screen Gems–EMI Music, Inc. (in 1978)
- part of:
- 10 Things I Hate About You
| Cheap Trick | 4 | 3:39 |
| 6 | Black Betty | Ram Jam | 3.8 | 3:58 |
| 7 | Bastard | Ian Hunter | | 6:36 |
| 8 | Rock You Like a Hurricane- engineer:
- Mike Beiriger, Dieter Dierks, David Hewitt and Gerd Rautenbach
- producer:
- Dieter Dierks
- mixer:
- Mike Beiriger, Dieter Dierks and Scorpions
- acoustic guitar:
- Rudolf Schenker
- bass guitar:
- Francis Buchholz
- drums (drum set) and percussion:
- Herman Rarebell
- electric guitar:
- Rudolf Schenker (in 1984)
- electric guitar [lead guitar] and electric guitar [rhythm guitar]:
- Matthias Jabs and Rudolf Schenker
- slide guitar:
- Matthias Jabs
- background vocals:
- Francis Buchholz, Matthias Jabs, Klaus Meine, Herman Rarebell and Rudolf Schenker
- lead vocals:
- Klaus Meine
- arranger:
- Dieter Dierks
- phonographic copyright (℗) by:
- BMG Rights Management GmbH (in 1984, in 2018), Breeze Music (in 1984), EMI (in 1984) and The Island Def Jam Music Group (in 1984)
- recorded at:
- Dierks Studios in Pulheim, Nordrhein-Westfalen, Germany (from 1983 until 1984)
- part of:
- Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 36)
- recording of:
- Rock You Like a Hurricane (in 1984)
- lyricist:
- Klaus Meine and Herman Rarebell
- composer:
- Rudolf Schenker
- publisher:
- Arabella Musikverlag GmbH
| Scorpions | 4.05 | 4:13 |
| 9 | Bat Out of Hell | Meat Loaf | 4.4 | 9:50 |
| 10 | Freeze Frame- engineer:
- Dave Thoener
- producer:
- Seth Justman
- brass [horns]:
- Alan Rubin, Randy Brecker, Ronnie Cuber, Lou Marini, Tom Melone and George Young
- arranger:
- Seth Justman
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1981) and EMI Catalog (in 2006)
- recorded at:
- Long View Farm in North Brookfield, Massachusetts, United States
- mixed at:
- Mix Room, Record Plant in New York, New York, United States
- recording of:
- Freeze-Frame
- writer:
- Seth Justman and Peter Wolf
| The J. Geils Band | 4.2 | 3:58 |
| 11 | Voices | Russ Ballard | | 5:28 |
| 12 | Hey You | The Quireboys | | 3:20 |
| 13 | Poison- recording engineer:
- Sir Arthur Payson (from 1988 until 1989)
- synthesizer programming:
- Steve Deutsch
- assistant engineer:
- George Cowan , Ben Fowler, Lolly Grodner, Robert Hart , John Herman , Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
- producer:
- Desmond Child
- mixer:
- Michael Barbiero and Steve Thompson
- additional keyboard:
- Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
- additional other instruments [special effects]:
- Gregg Mangiafico (from 1988 until 1989)
- bass guitar:
- Hugh McDonald (from 1988 until 1989)
- drums (drum set):
- Bobby Chouinard (from 1988 until 1989)
- guitar:
- John McCurry (from 1988 until 1989)
- keyboard:
- Alan St. John (from 1988 until 1989)
- background vocals:
- Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
- lead vocals:
- Alice Cooper (from 1988 until 1989)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Epic Records (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
- recording of:
- Poison (from 1988 until 1989)
- writer:
- Desmond Child, Alice Cooper and John McCurry
- publisher:
- Desmobile Inc., Desmobile Music Co., Inc. , EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc., Sony Music Publishing , Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal , Universal Music Publishing , Universal Music Publishing Group, Universal PolyGram International Publishing, Inc. , Universal/MCA Music Publishing Scandinavia AB, Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.45 | 4:30 |
| 14 | The Final Countdown | Europe | 4.1 | 3:59 |
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