Il barbiere di Siviglia

~ Release by Gioachino Rossini; Vittorio Gui, Glyndebourne Festival Chorus, Royal Philharmonic Orchestra, Victoria de los Ángeles, Bruscantini, Alva (see all versions of this release, 2 available)

Annotation

Recorded 4-7, 9-11.IX.1962 at No.1 Studio, Abbey Road, London

Conductor - Vittorio Gui
Orchestra - Royal Philharmonic Orchestra
Chorus - Glyndebourne Festival Chorus

Figaro - Sesto Bruscantini
Il Conte Almaviva - Luigi Alva
Rosina - Victoria de los Ángeles
Dr. Bartolo - Ian Wallace
Don Basilio - Carlo Cava
Berta - Laura Sarti
Fiorello - Duncan Robertson

Annotation last modified on 2021-08-16 23:51 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Il barbiere di Siviglia: Ouverture
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Sinfonia (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini7:34
2Il barbiere di Siviglia: Atto I, scena 1. “Piano, pianissimo, senza parlar”
choir vocals:
Glyndebourne Festival Chorus (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
tenor vocals [Fiorello]:
Duncan Robertson (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°1a. Introduzione “Piano, pianissimo” (Fiorello, Coro, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:02
3Il barbiere di Siviglia: Atto I, scena 1. “Ecco ridente in cielo”
tenor vocals [Conte]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°1b. Cavatina “Ecco ridente in cielo” (Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:20
4Il barbiere di Siviglia: Atto I, scena 1. “Ehi, Fiorello?...Mio Signore”
choir vocals:
Glyndebourne Festival Chorus (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
tenor vocals [Fiorello]:
Duncan Robertson (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°1c. Recitativo “Ehi, Fiorello” (Coro, Fiorello, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:10
5Il barbiere di Siviglia: Atto I, scena 1. “Mille grazie, mio signore”
choir vocals:
Glyndebourne Festival Chorus (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
tenor vocals [Fiorello]:
Duncan Robertson (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°1d. “Mille grazie, mio signore” (Coro, Conte, Fiorello) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:50
6Il barbiere di Siviglia: Atto I, scena 1. “Gente indiscreta!”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
tenor vocals [Fiorello]:
Duncan Robertson (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°1e. “Gente indiscreta!” (Conte, Fiorello, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:29
7Il barbiere di Siviglia: Atto I, scena 1. “La ran la le ra ... Largo al factotum”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:45
8Il barbiere di Siviglia: Atto I, scena 1. “Ah, che bella vita!”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°2b. “Ah che bella vita!” (Figaro, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:19
9Il barbiere di Siviglia: Atto I, scena 1. “Non è venuto ancora”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°2c. “Non è venuto ancora” (Rosina, Conte, Bartolo, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:32
10Il barbiere di Siviglia: Atto I, scena 1. “Le vostre assidue premure”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°2d. “Le vostre assidue premure” (Figaro, Conte, Bartolo) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:12
11Il barbiere di Siviglia: Atto I, scena 1. “Se il mio nome saper voi bramate”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°3a. Canzone “Se il mio nome saper voi bramate” (Conte, Rosina, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:54
12Il barbiere di Siviglia: Atto I, scena 1. “Oh cielo!... Nella stanza convien”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°3b. “Oh cielo!” (Conte, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:11
13Il barbiere di Siviglia: Atto I, scena 1. “All'idea di quel metallo”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini8:11
14Il barbiere di Siviglia: Atto I, scena 2. “Una voce poco fa”
solo soprano vocals and soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” (Rosina) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:29
15Il barbiere di Siviglia: Atto I, scena 2. “Sì, sì la vincerò”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°5b. “Sì, sì, la vincerò” (Rosina, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:15
16Il barbiere di Siviglia: Atto I, scena 2. “Ah, disgraziato Figaro!”
baritone vocals [Ambrogio]:
Harold Williams (Baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°5c. “Ah, disgraziato Figaro!” (Bartolo, Rosina, Berta, Ambrogio) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:31
17Il barbiere di Siviglia: Atto I, scena 2. “Ah! Barbiere d'inferno”
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°5d. “Ah! Barbiere d’inferno” (Bartolo, Basilio) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:50
18Il barbiere di Siviglia: Atto I, scena 2. “ La calunnia è un venticello”
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°6a. “La calunnia è un venticello” (Basilio) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:29
19Il barbiere di Siviglia: Atto I, scena 2. “Ah! Che ne dite?”
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°6b. “Ah che ne dite?” (Basilio, Bartolo) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:38
20Il barbiere di Siviglia: Atto I, scena 2. “Ma bravi! Ma benone!”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°6c. “Ma bravi! Ma benone!” (Figaro, Rosina) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:43
21Il barbiere di Siviglia: Atto I, scena 2. “Dunque io son”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:04
22Il barbiere di Siviglia: Atto I, scena 2. “Ora mi sento meglio”
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°7b. “Ora mi sento meglio” (Rosina, Bartolo) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:30
23Il barbiere di Siviglia: Atto I, scena 2. “A un dottor della mia sorte”
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°8a. Aria “A un dottor della mia sorte” (Bartolo) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:20
▼ CD 2
#TitleArtistRatingLength
1Il barbiere di Siviglia: Atto I, scena 2. “Finora in questa camera”
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°8b. “Finora in questa camera” (Berta, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:36
2Il barbiere di Siviglia: Atto I, scena 2. “Ehi, di casa, buona gente”
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°9a. Finale I “Ehi di casa… buona gente” (Conte, Bartolo, Rosina, Berta, Basilio) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini9:03
3Il barbiere di Siviglia: Atto I, scena 2. “Che cosa accadde”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
baritone vocals [un ufficiale]:
John Rhys Evans (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
choir vocals:
Glyndebourne Festival Chorus (from 1962-09-04 until 1962-09-11)
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°9b. Finale I “Che cosa accadde, signori miei” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Uffiziale) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:42
4Il barbiere di Siviglia: Atto I, scena 2. “Freddo ed immobile”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°9d. “Fredda ed immobile” (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:44
5Il barbiere di Siviglia: Atto I, scena 2. “Ma signor...ma un dottor”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
choir vocals:
Glyndebourne Festival Chorus (from 1962-09-04 until 1962-09-11)
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto I, N°9e. Finale I “Ma signor… ma un dottor” … “Mi par d'essere con la testa” (Bartolo, Coro, Rosina, Basilio, Berta, Conte, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:03
6Il barbiere di Siviglia: Atto II. “Ma vedi il mio destino!”
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Ma vedi il mio destino!” (Bartolo) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:49
7Il barbiere di Siviglia: Atto II. “Pace e gioia sia con voi”
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 10. Duetto: “Pace e gioia sia con voi” (Conte, Bartolo) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:27
8Il barbiere di Siviglia: Atto II. “Insomma, mio signore”
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma, mio signore” (Bartolo, Conte, Rosina) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:09
9Il barbiere di Siviglia: Atto II. “Venite, signorina”
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. “Venite, signorina” (Bartolo, Rosina, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:45
10Il barbiere di Siviglia: Atto II. “Contro un cor che accende amore”
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:15
11Il barbiere di Siviglia: Atto II. “Bella voce! Bravissima!”
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bella voce! Bravissima!” (Conte, Rosina, Bartolo) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:38
12Il barbiere di Siviglia: Atto II. “Quando mi sei vicina”
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 12. Arietta “Quando mi sei vicina” (Bartolo) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:05
13Il barbiere di Siviglia: Atto II. “Bravo, signor barbiere”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bravo signor Barbiere” (Bartolo, Figaro, Rosina, Conte) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:47
14Il barbiere di Siviglia: Atto II. “Don Basilio!...Cosa veggo!”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini9:58
15Il barbiere di Siviglia: Atto II. “Che vecchio sospettoso!”
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. “Che vecchio sospettoso!” (Berta) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:34
16Il barbiere di Siviglia: Atto II. “Il vecchiotto cerca moglie”
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 14. Aria “Il vecchiotto cerca moglie” (Berta) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:40
17Il barbiere di Siviglia: Atto II. “Dunque voi Don Alonso”
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Dunque voi” - “Per forza o per amore” (Bartolo, Basilio, Rosina) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:01
18Il barbiere di Siviglia: Atto II. Temporale
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 15. Temporale (Thunderstorm) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:59
19Il barbiere di Siviglia: Atto II. “Alfine eccoci qua”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Alfine eccoci qua” (Figaro, Conte, Rosina) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:01
20Il barbiere di Siviglia: Atto II. “Ah, qual colpo inaspettato!”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:58
21Il barbiere di Siviglia: Atto II. “Ah, disgraziati noi!”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
baritone vocals [un ufficiale]:
John Rhys Evans (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Recitativo: “Ah, disgraziati noi! come si fa?” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:38
22Il barbiere di Siviglia: Atto II. “Insomma io ho tutti i torti”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma io ho tutti i torti!” (Bartolo, Figaro, Basilio, Conte, Rosina) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:44
23Il barbiere di Siviglia: Atto II. “Di sì felice innesto”
baritone vocals [Figaro]:
Sesto Bruscantini (bass-baritone) (from 1962-09-04 until 1962-09-11)
bass vocals [Bartolo]:
Ian Wallace (English bass-baritone opera singer) (from 1962-09-04 until 1962-09-11)
bass vocals [Basilio]:
Carlo Cava (operatic bass) (from 1962-09-04 until 1962-09-11)
choir vocals:
Glyndebourne Festival Chorus (from 1962-09-04 until 1962-09-11)
mezzo-soprano vocals [Berta]:
Laura Sarti (mezzo-soprano) (from 1962-09-04 until 1962-09-11)
soprano vocals [Rosina]:
Victoria de los Ángeles (soprano) (from 1962-09-04 until 1962-09-11)
tenor vocals [Conte] and tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (from 1962-09-04 until 1962-09-11)
orchestra:
Royal Philharmonic Orchestra (from 1962-09-04 until 1962-09-11)
conductor:
Vittorio Gui (conductor and composer) (from 1962-09-04 until 1962-09-11)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-09-04 until 1962-09-11)
recording of:
Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (from 1962-09-04 until 1962-09-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:19