The Sound of TV

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Mockin' Bird Hill
Roots Syndicate3:07
2Wild Things
cover recording of:
Wild Thing
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present) and April Music (publisher) (in 1981)
The Troggs2:34
3In the Summertime
producer:
Barry Murray (producer, associated with Mungo Jerry)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1970)
earliest release:
In the Summertime by Mungo Jerry
music videos:
In the Summertime by Mungo Jerry
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 40)
recording of:
In the Summertime
lyricist and composer:
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC and Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.53:33
4Try a Little Tenderness
cover recording of:
Try a Little Tenderness
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Campbell Connelly & Co. Ltd. (on 1932-11-04)
Otis Redding3:47
5The Joker
producer:
Steve Miller (leader of Steve Miller Band)
acoustic guitar, slide guitar and lead vocals [vocals]:
Steve Miller (leader of Steve Miller Band)
bass:
Gerald Johnson
drums (drum set):
John King (drums)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
recording of:
The Joker
writer:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) and Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc. and Warner Chappell Music, Inc.
Steve Miller Band4.14:25
6Driver's Seat
acoustic guitar:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
bass guitar:
Chris Birkin
drums (drum set):
Luigi Salvoni
guitar:
Mick Dyche and Loz Netto
vocals:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
recording of:
Driver’s Seat (Sniff ’n’ the Tears song)
composer:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
Sniff ’n’ the Tears44:00
7Deeply Dippy
programming and producer:
Tommy D.
engineer:
Graham Bonnett (Sound Engineer)
bass guitar:
Phil Spalding
lead vocals:
Richard Fairbrass
arranger:
Tommy D.
recording of:
Deeply Dippy
writer:
Fred Fairbrass, Richard Fairbrass and Robert Manzoli
Right Said Fred53:23
8See See Rider
Jerry Lee Lewis2:37
9(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-02-16)
drums (drum set):
Gene Chrisman (on 1967-02-16)
piano:
Spooner Oldham (on 1967-02-16)
trumpet:
Bernie Glow (on 1967-02-16), Melvin Lastie (on 1967-02-16) and Joe Newman (US jazz trumpeter) (on 1967-02-16)
choir vocals:
Carolyn Franklin (on 1967-02-16), Erma Franklin (on 1967-02-16) and The Sweet Inspirations (on 1967-02-16)
vocals:
Aretha Franklin (on 1967-02-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-16)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 10) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 90)
cover recording of:
(You Make Me Feel Like) A Natural Woman (on 1967-02-16)
lyricist:
Gerry Goffin
additional writer:
Jerry Wexler
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部
Aretha Franklin4.252:41
10What a Difference a Day Makes
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (on 1959-02-19)
arranger:
Belford Hendricks
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music – Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington3.352:32
11Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Bobby Hatfield and Bill Medley
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:37
12You Are So Beautiful
cover recording of:
You Are So Beautiful
writer:
Bruce Fisher and Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) and Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker2:41
13When Will I See You Again
recording of:
When Will I See You Again
writer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell
The Three Degrees2:38
14The More I See You
Chris Montez2:40
15I'm in the Mood for Love
sound engineer:
Ron McMaster (US mastering & cutting engineer)
audio engineer:
Dieter Dirks (German audio engineer) (on 1977-03-20), Martin Rushent (on 1977-03-20) and Peter Wolsey (German audio engineer) (on 1977-03-20)
producer:
Tim Read (producer) (in 1977-03) and Martin Rushent (in 1977-03)
baritone saxophone:
Roger Lewis (Sax Player - Dirty Dozen Brass Band) (on 1977-03-20)
bass guitar:
Carlton McWilliams (guitar player) (on 1977-03-20)
drums (drum set):
Smokey Johnson (on 1977-03-20)
guitar:
David Douglas (guitar) (on 1977-03-20) and Roy Montrell (on 1977-03-20)
piano and lead vocals:
Fats Domino (on 1977-03-20)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1977-03-20), Fred Kemp (on 1977-03-20) and Walter Kimble (sax player) (on 1977-03-20)
trumpet:
Dave Bartholomew (on 1977-03-20) and Thomas Johnson (trumpet player) (on 1977-03-20)
conductor:
Dave Bartholomew (on 1977-03-20)
phonographic copyright (℗) by:
United Artists Records Ltd. (from 1977 to present)
recorded at:
Deutsches Museum in München, Bayern, Germany (on 1977-03-20)
mixed at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom (in 1977)
engineered at:
EMI Studio in Hollywood, Los Angeles, California, United States (in 1977)
live cover recording of:
I’m in the Mood for Love (on 1977-03-20)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Fats Domino3:14
16Ritmo Latino
Matthijs Koene3:37
17Girls, Girls, Girls
engineer:
Jeffrey Lesser and Al Scott (Oysterband, engineer, song writer)
associate producer:
Rupert Holmes
producer:
Georg Kajanus, Jeffrey Lesser and Al Scott (Oysterband, engineer, song writer)
mixer:
Jeffrey Lesser
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1975-10)
part of:
TV Cream: Real 100 Best Singles Ever (number: 51)
recording of:
Girls, Girls, Girls (in 1975-10)
lyricist and composer:
Georg Kajanus
Sailor33:04
18River Come Down
David Lee Johnson4:31
19Ring of Fire
recording of:
Ring of Fire
writer:
June Carter Cash (American Country singer and songwriter) and Merle Kilgore
publisher:
Painted Desert Music Corporation
Johnny Cash2:37
20I've Got Dreams to Remember
Delbert McClinton4:29

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Arcade Benelux B.V. (Brussels-based branch of Dutch "Arcade" label that served the Benelux market; this is not an imprint!) (in 1994)
Discogs:https://www.discogs.com/release/605863 [info]