Sternstunden der Musik: J. S. Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

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▼ Vinyl 1
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1Kantate "Tönet ihr Pauken! Erschallet, Trompeten!", BWV 214: Eingangschor, Nr. 1 (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
orchestra:
Neues Bachisches Collegium Musicum
conductor:
Max Pommer (conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (in 1984)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!" (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen, Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
7:31
2Brandenburgisches Konzert Nr. 2 in F-Dur, BWV 1047: Andante (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
orchestra:
Neues Bachisches Collegium Musicum
conductor:
Max Pommer (conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
3:36
3Motette, BWV 227: Jesu, meine Freude (feat. conductor: Hans Grüss)
choir vocals:
Rostocker Motettenchor
conductor:
Hartwig Eschenburg (choir master and conductor) and Hans Grüß (German musicologist, musician and conductor)
performer:
Capella Fidicinia
partial recording of:
Jesu, meine Freude, BWV 227
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Bach Compendium (number: C5) and Bach-Werke-Verzeichnis (number: BWV 227)
2:15
4Choralbearbeitung, BWV 645: Wachet auf, ruft uns die Stimme
producer:
Horst Kunze (balance engineer)
organ:
Hannes Kästner (German organist and cembalist) (in 1981)
recorded at:
St. Thomas Church in Leipzig, Sachsen, Germany (in 1981)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1981)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
5:00
5Aria di Giovannini, BWV 518: Willst du dein Herz mir schenken (Capella Fidicinia Leipzig feat. conductor: Hans Grüss)
conductor:
Hans Grüß (German musicologist, musician and conductor)
performer:
Capella Fidicinia
recording of:
Aria di Giovannini, BWV 518: Willst du dein Herz mir schenken
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 518)
3:10
6Zweistimmige Invention Nr. 1 in C-Dur, BWV 772 (feat. cembalo: Ton Koopman)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist)
recording of:
Inventio Nr. 1 C-Dur, BWV 772 (in 1987)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1720 until 1723)
part of:
15 Inventions, BWV 772-786 (number: 1), Bach Compendium (number: L27) and Bach-Werke-Verzeichnis (number: BWV 772)
1:23
7Ouvertüre in h-Moll, BWV 1067: Badinerie (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
bassoon:
Gerd Schulze (bassoonist)
cello:
Burkhard Schmidt (cellist)
double bass:
Rainer Hucke (double bass player)
flute:
Karl-Heinz Passin (flutist)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist)
orchestra:
Neues Bachisches Collegium Musicum Leipzig
conductor:
Max Pommer (conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
1:27
8Toccata und Fuge in d-Moll, BWV 565 (feat. organ: Hannes Kästner)
producer:
Horst Kunze (balance engineer)
organ:
Hannes Kästner (German organist and cembalist) (in 1981)
recorded at:
St. Thomas Church in Leipzig, Sachsen, Germany (in 1981)
recording of:
Toccata und Fuge d-Moll, BWV 565 (in 1981)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 565)
9:25
9Kantate "Ich liebe den Höchsten von ganzem Herzen", BWV 174: Sinfonia Nr. 1 (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
cello:
Siegfried Hunger (cellist) (in 1984), Burkhard Schmidt (cellist) (in 1984) and Matthias Schreiber (cellist) (in 1984)
trumpet:
Kurt Sandau (trumpet player) (in 1984)
viola:
Eberhard Freiberger (violist) (in 1984), Wolfgang Gränitz (violist) (in 1984) and Olaf Hallmann (violist) (in 1984)
violin:
Gunar Kaltofen (in 1984), Roald Reinecke (violinist) (in 1984) and Karl Suske (violinist) (in 1984)
orchestra:
Neues Bachisches Collegium Musicum (in 1984)
conductor:
Max Pommer (conductor) (in 1984)
performer:
Ludwig Güttler (trumpet player) (in 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (in 1984)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
6:14
10Choralsatz "Jesu, meines Herzens Freud", BWV 361 (Instrumentalsolisten der Capella Fidicinia Leipzig feat. conductor: Hans Grüss)
choir vocals:
Rostocker Motettenchor
orchestra:
Capella Fidicinia
conductor:
Hartwig Eschenburg (choir master and conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (from 1982 until 1983)
recording of:
Choralsatz, BWV 361 "Jesu, meines Herzens Freud"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 202) and Bach-Werke-Verzeichnis (number: BWV 361)
3:10
11Konzert für Oboe, Streicher und Basso continuo in d-Moll, BWV35/1 & 5, BWV 156/1, BWV 1056/2, BWV 1059: Adagio (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
oboe:
Burkhard Glaetzner (oboist)
orchestra:
Neues Bachisches Collegium Musicum
conductor:
Max Pommer (conductor)
recording of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R
23:05
12Menuett in d-Moll, BWV Anh. 132 (Capella Fidicinia Leipzig feat. conductor: Hans Grüss)
conductor:
Hans Grüß (German musicologist, musician and conductor)
performer:
Capella Fidicinia
recording of:
Menuett in d-Moll, BWV Anh. 132
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Bach-Werke-Verzeichnis (number: BWV Anh. 132)
1:14
13Aria "Bist du bei mir", BWV 508 (Capella Fidicinia feat. conductor: Hans Grüss)
orchestra and performer:
Capella Fidicinia
conductor:
Hans Grüß (German musicologist, musician and conductor)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 508)
2:36
14Menuett in G-Dur BWV Anh. 116
harpsichord and virginal:
Walter Heinz Bernstein (harpsichordist and organist)
recording of:
Minuet in G major, BWV Anh. 116
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV Anh. 116)
2:11
15Ouvertüre Nr. 1 in C-Dur, BWV 1066: VII Passepied I alternativement - Passepied II - Passepied I da capo (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
bassoon:
Gerd Schulze (bassoonist) (from 1982 until 1984)
cello:
Burkhard Schmidt (cellist)
double bass:
Rainer Hucke (double bass player)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist)
oboe:
Günter Heidrich (oboist) (from 1982 until 1984) and Uwe Kleinsorge (oboist) (from 1982 until 1984)
orchestra:
New Bach Collegium Musicum
conductor:
Max Pommer (conductor)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (from 1982 until 1984)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied I / Passepied II (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066
3:10
16Kantate "Herz und Mund und Tat und Leben", BWV 147: Choral Nr. 10 "Jesu bleibet meine Freude" (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
choir vocals:
Leipziger Universitätschor (from 1982 until 1984)
orchestra:
Neues Bachisches Collegium Musicum (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (from 1982 until 1984)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1982 until 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:36
▼ Vinyl 2
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1Ouvertüre in D-Dur, BWV 1069: Réjouissance (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
bassoon:
Gerd Schulze (bassoonist) (from 1982 until 1984)
cello:
Burkhard Schmidt (cellist) (from 1982 until 1984)
double bass:
Rainer Hucke (double bass player) (from 1982 until 1984)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist) (from 1982 until 1984)
oboe:
Günter Heidrich (oboist) (from 1982 until 1984), Uwe Kleinsorge (oboist) (from 1982 until 1984) and Hans Ludwig Mörchen (oboist) (from 1982 until 1984)
timpani:
Werner Legutke (percussionist) (from 1982 until 1984)
trumpet:
Ludwig Güttler (trumpet player) (from 1982 until 1984), Roland Rudolph (trumpet player) (from 1982 until 1984) and Heinz Stiefel (from 1982 until 1984)
violin:
Eberhard Palm (violinist) (from 1982 until 1984)
orchestra:
New Bach Collegium Musicum (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (from 1982 until 1984)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069
2:25
2Aria "Jauchzet Gott in allen Landen", BWV 51 (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
soprano vocals:
Monika Frimmer (soprano)
orchestra:
Neues Bachisches Collegium Musicum
conductor:
Max Pommer (conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
4:35
3Choral "In dulci jubilo", BWV 751 (feat. organ: Felix Friedrich)
organ:
Felix Friedrich (organist, church musician)
recording of:
Choral "In dulci jubilo" (wrongly attributed to Johann Sebastian Bach, as BWV 751)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 751)
version of:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
1:54
4Ouvertüre in D-Dur, BWV 1068: Air (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
bassoon:
Gerd Schulze (bassoonist) (from 1982 until 1984)
cello:
Burkhard Schmidt (cellist) (from 1982 until 1984)
double bass:
Rainer Hucke (double bass player) (from 1982 until 1984)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist) (from 1982 until 1984)
oboe:
Günter Heidrich (oboist) (from 1982 until 1984) and Uwe Kleinsorge (oboist) (from 1982 until 1984)
timpani:
Werner Legutke (percussionist) (from 1982 until 1984)
trumpet:
Ludwig Güttler (trumpet player) (from 1982 until 1984), Roland Rudolph (trumpet player) (from 1982 until 1984) and Heinz Stiefel (from 1982 until 1984)
violin:
Eberhard Palm (violinist) (from 1982 until 1984)
orchestra:
Neues Bachisches Collegium Musicum (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (from 1982 until 1984)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
4:08
5Weihnachtsoratorium, BWV 248: Grosser Herr, o starker König: Aria Nr. 8 (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Neues Bachisches Collegium Musicum
conductor:
Max Pommer (conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (in 1984)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
4:52
6Konzert für Violine und Orchester in E-Dur, BWV 1042: Adagio (Gewandhausorchester Leipzig feat. conductor: Kurt Masur)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042
6:23
7Matthaus-Passion, BWV 244: Wir setzen uns mit Tränen nieder (Chor und Orchester des Berliner Rundfunks feat. conductor: Dietrich Knothe) (live)
choir vocals:
Großer Chor des Berliner Rundfunks
conductor:
Dietrich Knothe (conductor)
live recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:46
8Osteroratorium, BWV 249: Sinfonia Nr. 1 (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
orchestra:
Neues Bachisches Collegium Musicum
conductor:
Max Pommer (conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (in 1984)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249
3:57
9Kantate "Lobe den Herrn, meine Seele", BWV 143: Halleluja (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
trumpet:
Ludwig Güttler (trumpet player) and Kurt Sandau (trumpet player)
choir vocals:
Thomaner Kreuzchor
vocals:
Heinz Heinisch
orchestra:
Neues Bachisches Collegium Musicum
conductor and chorus master:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VII. Coro "Alleluja. Gedenk Herr, jetzund an dein Amt"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
2:13
10Brandenburgischen Konzert Nr. 1 in F-Dur, BWV 1046: Adagio (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
orchestra:
Neues Bachisches Collegium Musicum
conductor:
Max Pommer (conductor)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046
4:06
11Praeludium in c-Moll, BWV 999 (feat. guitar: Jürgen Rost)
classical guitar:
Jürgen Rost (classical guitarist)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1984)
recording of:
Prelude in C minor, BWV 999 (catch all for arrangements) (in 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Prelude in C minor, BWV 999 (original for lute)
1:57
12Klavierbüchlein für Anna Magdalene Bach: Nr. 20 B "Erbauliche Gedanken eines Tobackrauchers", BWV 515 A (feat. tenor: Peter Schreier)
tenor vocals:
Peter Schreier (German tenor and conductor)
recording of:
Klavierbüchlein für Anna Magdalene Bach: Nr. 20 B "Erbauliche Gedanken eines Tobackrauchers", BWV 515a
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
3:43
13Zweistimmige Invention Nr. 8 in F-Dur, BWV 779 (feat. cembalo: Ton Koopman)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist)
recording of:
Inventio Nr. 8 F-Dur, BWV 779 (in 1987)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 8) and Bach-Werke-Verzeichnis (number: BWV 779)
1:00
14Choralvorspiel für Trompete und Orgel, BWV 650: Kommst du nun, Jesu, vom Himmel herunter (feat. trumpet: Ludwig Güttler, organ: Friedrich Kircheis)
co-recording engineer:
Hugo Gneipelt
recording engineer:
Bernd Runge
organ:
Friedrich Kircheis (organist) (in 1981-08)
trumpet:
Ludwig Güttler (trumpet player) (in 1981-08)
recorded at:
Predigerkirche Erfurt in Erfurt, Thüringen, Germany (in 1981-08)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (catch all for arrangements) (in 1981-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650
3:49
15Ouvertüre in h-Moll, BWV 1067: Polonaise ab initio (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
bassoon:
Gerd Schulze (bassoonist)
cello:
Burkhard Schmidt (cellist)
double bass:
Rainer Hucke (double bass player)
flute:
Karl-Heinz Passin (flutist)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist)
orchestra:
Neues Bachisches Collegium Musicum
conductor:
Max Pommer (conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
3:12
16Kantate "Bringet dem Herrn Ehre seines Namens", BWV 148: Eingangschor Nr. 1 (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Hans-Joachim Rotzsch)
trumpet:
Ludwig Güttler (trumpet player)
choir vocals:
Thomanerchor Leipzig
orchestra:
Neues Bachisches Collegium Musicum
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": I. Coro "Bringet dem Herrn Ehre seines Namens" (in 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
3:39

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