Legends

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

| |
▼ CD 1
#TitleRatingLength
1To Be Young, Gifted and Black
phonographic copyright (℗) by:
BMG Music (in 1969)
recording of:
To Be Young, Gifted and Black (in 1969-08)
lyricist:
Weldon Irvine
composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
42:49
2I Loves You Porgy
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
3:38
3In the Morning
cover recording of:
In the Morning (aka “Morning of My Life”)
lyricist and composer:
Barry Gibb (in 1965)
publisher:
Bramsdene Music Corporation, Careers‐BMG Music Publishing, Inc., Connelly Musikverlag and Gibb Brothers Music
2:43
4I Think It’s Gonna Rain Today
recording engineer:
Ray Hall (engineer)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
cover recording of:
I Think It’s Going to Rain Today
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Unichappell Music, Inc.
4.53:21
5Angel of the Morning
cover recording of:
Angel of the Morning
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music (publisher), EMI Blackwood (1989-07-24–present), EMI Songs Ltd. and Unichappell Music
4.53:34
6Go to Hell
recording of:
Go to Hell
writer:
Morris Bailey (Philadelphia-based composer, producer, saxophonist)
3.52:51
7I Wish I Knew How It Would Feel to Be Free
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
mixer:
Mark Hartry
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
conductor:
Sammy Lowe
arranger:
Sammy Lowe
part of:
CBC Music: 10 Songs That Have Changed the World
cover recording of:
I Wish I Knew How It Would Feel to Be Free
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
4.353:11
8Suzanne
cover recording of:
Suzanne (English original song by Leonard Cohen)
lyricist:
Leonard Cohen (Canadian singer-songwriter and poet) (in 1966)
composer:
Leonard Cohen (Canadian singer-songwriter and poet)
publisher:
Sony/ATV Music Publishing, LLC (1995–2020)
35:13
9The Backlash Blues
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
recording of:
Backlash Blues (on 1967-01-05)
lyricist:
Langston Hughes
composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) and Rolls Royce Music (publisher; do NOT use as release label)
4.652:29
10Cherish
cover recording of:
Cherish
lyricist and composer:
Terry Kirkman
publisher:
Beechwood Music Corp., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
33:23
11Revolution, Parts 1 & 2
5:04
12Just Like Tom Thumb’s Blues
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
bass [Fender bass] and electric bass guitar:
Gene A Perla
drums (drum set) [drums]:
Charles D. Alias
guitar:
Al Schackman
organ:
Weldon J. Irvine, Jr.
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
background vocals and background vocals [vocalist]:
Virdia Crawford and Doris Willingham
conductor:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
cover recording of:
Just Like Tom Thumb’s Blues
lyricist and composer:
Bob Dylan (from 1965-06 until 1965-07)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020), Warner/Chappell (from 1965 until 1993) and Special Rider Music (from 1993 to present)
34:49
13Sunday in Savannah
cover recording of:
Sunday in Savannah
lyricist and composer:
Hugh M. MacKay
3:17
14I Get Along Without You Very Well (Except Sometimes)
recording engineer:
Ray Hall (engineer)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
cover recording of:
I Get Along Without You Very Well
lyricist:
Jane Brown Thompson
composer:
Hoagy Carmichael (in 1939)
publisher:
Songs of Peer, Ltd. (ASCAP) and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部
3.54:55
15Everyone’s Gone to the Moon
recording engineer:
Ray Hall (engineer)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
cover recording of:
Everyone’s Gone to the Moon
lyricist and composer:
Jonathan King (in 1965)
53:06
16The Gin House Blues
recording of:
Gin House Blues
composer:
Fletcher Henderson (in 1925) and Henry Troy (in 1925)
publisher:
Carlin Music Corp
3:11
17Blues for Mama
recording engineer:
Mickey Crofford (on 1966-12-22) and Ray Hall (engineer) (on 1966-12-22)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1966-12-22)
recording of:
Blues for Mama (on 1966-12-22)
writer:
Abbey Lincoln and Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Ninandy Music (publisher; do NOT use as release label)
43:58
▼ CD 2
#TitleRatingLength
1Here Comes the Sun
lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
Here Comes the Sun
lyricist and composer:
George Harrison (The Beatles)
publisher:
Harrisongs Ltd.
4.43:36
2I Want a Little Sugar in My Bowl
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (on 1967-01-05)
writer:
James “Tim” Brymn, Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist), Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
4.42:34
3I Can’t See Nobody
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
conductor:
Jimmy Wisner
arranger:
Jimmy Wisner
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
cover recording of:
I Can’t See Nobody
written in:
Brisbane, Queensland, Australia
writer:
Barry Gibb and Robin Gibb
publisher:
Abigail Music, BMG Music, Careers Music, Inc., Careers‐BMG Music Publishing, Inc. and Gibb Brothers Music
33:07
4Just Like a Woman
producer:
Nat Shapiro and Harold Wheeler
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) and Harold Wheeler
cover recording of:
Just Like a Woman
lyricist and composer:
Bob Dylan (on 1965-11-25)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons and Dwarf Music (from 1966 to present)
54:53
5Nobody’s Fault but Mine
recording engineer:
Ray Hall (engineer)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
cover recording of:
It’s Nobody’s Fault but Mine (Blind Willie Johnson song)
lyricist, composer and arranger:
Blind Willie Johnson
previously attributed to:
[traditional] (special purpose artist)
33:01
6I Shall Be Released
cover recording of:
I Shall Be Released (original lyrics)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 and Dwarf Music (from 1967 to present)
4:01
7Do What You Gotta Do
cover recording of:
Do What You Gotta Do
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing, LLC (1995–2020) and Sosahamu Music Inc. (publisher; do NOT use as release label)
3:40
8My Man’s Gone Now
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (on 1967-01-05)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019)
is based on:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
44:15
9Turning Point
2:01
10It Be’s That Way Sometimes
recording of:
It Be’s That Way Sometime
composer:
Sam Waymon
2:56
11Please Read Me
cover recording of:
Please Read Me
writer:
Barry Gibb and Robin Gibb
publisher:
Abigail Music and Gibb Brothers Music
2:48
12Day and Night
recording engineer:
Mickey Crofford (on 1966-12-19) and Ray Hall (engineer) (on 1966-12-19)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1966-12-19)
recording of:
Day and Night
writer:
Rudy Stevenson
32:32
13Do I Move You
recording engineer:
Mickey Crofford (on 1966-12-19) and Ray Hall (engineer) (on 1966-12-19)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1966-12-19)
recording of:
Do I Move You? (on 1966-12-19)
lyricist and composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
4.652:45
14Since I Fell for You
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
cover recording of:
Since I Fell for You (on 1967-01-05)
lyricist and composer:
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (ended), Warner Bros., Inc. (not for release label use!) (ended) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
42:49
15Mississippi Goddam
recording of:
Mississippi Goddam
lyricist and composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Co. (LDN) Ltd. and Sam Fox Publishing Company (publisher; do NOT use as release label)
5:34
16My Sweet Lord
cover recording of:
My Sweet Lord
lyricist and composer:
George Harrison (The Beatles)
publisher:
Harrisongs Ltd.
version of:
He’s So Fine
4:36
17Mr. Bojangles
phonographic copyright (℗) by:
BMG Music (in 1971)
cover recording of:
Mr. Bojangles
lyricist and composer:
Jerry Jeff Walker
publisher:
Gotillion Music (BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3.55:05
▼ CD 3
#TitleRatingLength
1To Love Somebody
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
drums (drum set):
Don Alias (in 1967)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1967)
conductor:
Jimmy Wisner
arranger:
Jimmy Wisner
phonographic copyright (℗) by:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
cover recording of:
To Love Somebody (in 1967)
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. and Universal Music Careers
part of:
50/50
42:41
2Seems I’m Never Tired of Loving You
recording engineer:
Ray Hall (engineer)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
43:01
3Turn! Turn! Turn! (To Everything There Is a Season)
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
bass [Fender bass] and electric bass guitar:
Gene A Perla
drums (drum set) [drums]:
Charles D. Alias
guitar:
Al Schackman
organ:
Weldon J. Irvine, Jr.
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
background vocals and background vocals [vocalist]:
Virdia Crawford and Doris Willingham
conductor:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season)
lyricist:
[traditional] (special purpose artist)
composer:
Pete Seeger (in 1959)
publisher:
TRO Essex Music Ltd.
33:38
4Black Is the Colour of My True Love’s Hair
cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arrangement of:
Black Is the Colour (of My True Love’s Hair)
3:03
5Ooh Child
cover recording of:
O‐o‐h Child
lyricist and composer:
Stan Vincent (1960s/70s pop songwriter)
publisher:
Flamingo Music, Kama Sutra Music Inc. (USA branch), Stan Vincent Music, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
43:16
6The Pusher
cover recording of:
The Pusher
lyricist and composer:
Hoyt Axton
publisher:
Lady Jane Music, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
4:48
7Ain’t Got No, I Got Life
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1968-05-13)
producer:
Joe René
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1968-05-13)
phonographic copyright (℗) by:
BMG Music (in 1968)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-05-13)
recording of:
Ain’t Got No, I Got Life (on 1968-05-13)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
I Got Life (from “Hair”)
medley of:
Ain’t Got No (from “Hair”)
42:11
8The House of the Rising Sun
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
cover recording of:
House of the Rising Sun
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music and Sonet Publishing Ltd.
33:53
9The Times They Are A-Changin’
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
bass [Fender bass] and electric bass guitar:
Gene A Perla
drums (drum set) [drums]:
Charles D. Alias
guitar:
Al Schackman
organ:
Weldon J. Irvine, Jr.
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
background vocals and background vocals [vocalist]:
Virdia Crawford and Doris Willingham
conductor:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
cover recording of:
The Times They Are A‐Changin’
lyricist and composer:
Bob Dylan (in 1963)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (from 1963 until 1991) and Special Rider Music (from 1991 to present)
35:58
10Turn Me On
phonographic copyright (℗) by:
BMG Music (in 1967)
cover recording of:
Turn Me On
lyricist and composer:
John D. Loudermilk
publisher:
Loudermilk Music, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 and Acuff-Rose Publications, Inc. (BMI) (on 1961-08-09)
2:27
11New World Coming
cover recording of:
New World Coming
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
4:52
12The Look of Love
cover recording of:
The Look of Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
3.252:24
13Save Me
cover recording of:
Save Me (Aretha Franklin song)
writer:
Aretha Franklin, Carolyn Franklin and Curtis Ousley
publisher:
Kilynn Music and Pronto Music
3:25
14The Desperate Ones
cover recording of:
The Desperate Ones (Les Deséspérés)
lyricist:
Jacques Brel
composer:
Gérard Jouannest (French musician & songwriter)
translator:
Eric Blau and Mort Shuman (US singer, pianist & songwriter)
translated version of:
Les Désespérés
4:41
15My Baby Just Cares for Me (live)
live cover recording of:
My Baby Just Cares for Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
4:29
16My Way
cover recording of:
My Way (Frank Sinatra song)
lyricist:
Paul Anka
composer:
Claude François and Jacques Revaux
previously attributed to:
Gilles Thibaut
translator:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
translated version of:
Comme d’habitude
5:09

Credits

Release

ASIN:UK: B000A1G9FE [info]