Tracklist

CD 1
#TitleArtistRatingLength
1Symphonie “Mathis der Maler”: I. Engelkonzert
recording engineer:
Günter Hermanns (producer/engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra
conductor:
William Steinberg (conductor)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
recording of:
Mathis der Maler: I. Engelkonzert. Ruhig bewegt
composer:
Paul Hindemith (German composer, 1895–1963) (in 1934)
part of:
Mathis der Maler
Paul Hindemith8:30
2Symphonie “Mathis der Maler”: II. Grablegung
recording engineer:
Günter Hermanns (producer/engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra
conductor:
William Steinberg (conductor)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
recording of:
Mathis der Maler: II. Grablegung. Sehr langsam
composer:
Paul Hindemith (German composer, 1895–1963) (in 1934)
part of:
Mathis der Maler
Paul Hindemith4:15
3Symphonie “Mathis der Maler”: III. Versuchung des heiligen Antonius
recording engineer:
Günter Hermanns (producer/engineer)
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra
conductor:
William Steinberg (conductor)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
recording of:
Mathis der Maler: III. Versuchung des heiligen Antonius. Sehr langsam, frei im Zeitmaß - Sehr lebhaft
composer:
Paul Hindemith (German composer, 1895–1963) (in 1934)
part of:
Mathis der Maler
Paul Hindemith13:15
4Doktor Faust, First Scene: Symphonic Intermezzo
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Manfred Richter (Producer for Deutsche Grammophon)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1969-05)
conductor:
Ferdinand Leitner (conductor) (in 1969-05)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1969-05)
recording of:
Doktor Faust: Symphonisches Intermezzo (Sarabande) (in 1969-05)
composer:
Ferruccio Busoni
part of:
Doktor Faust (Jarnach completion)
Ferruccio Busoni7:16
5Palestrina. Musical Legend in Three Acts: Prelude to Act I. Ruhig (Andante)
orchestra:
Berliner Philharmoniker
conductor:
Ferdinand Leitner (conductor)
recording of:
Palestrina - Musical Legend in Three Acts: Prelude to Act I. Ruhig (Andante) (version for concert performance)
composer:
Hans Pfitzner (composer)
version of:
Palestrina: 1. Akt. Vorspiel
part of:
Palestrina: 3 Vorspiele (versions for concert performance)
Hans Pfitzner7:30
6Palestrina. Musical Legend in Three Acts: Prelude to Act II. Mit Wucht und Wildheit
orchestra:
Berliner Philharmoniker
conductor:
Ferdinand Leitner (conductor)
recording of:
Palestrina - Musical Legend in Three Acts: Prelude to Act II. Mit Wucht und Wildheit (version for concert performance)
composer:
Hans Pfitzner (composer)
version of:
Palestrina: 2. Akt. Vorspiel
part of:
Palestrina: 3 Vorspiele (versions for concert performance)
Hans Pfitzner7:03
7Palestrina. Musical Legend in Three Acts: Prelude to Act III. Langsam, sehr getragen
orchestra:
Berliner Philharmoniker
conductor:
Ferdinand Leitner (conductor)
recording of:
Palestrina - Musical Legend in Three Acts: Prelude to Act III. Langsam, sehr getragen (version for concert performance)
composer:
Hans Pfitzner (composer)
version of:
Palestrina: 3. Akt. Vorspiel
part of:
Palestrina: 3 Vorspiele (versions for concert performance)
Hans Pfitzner7:44
8Suite for Wind Orchestra From “The Threepenny Opera” (1928): I. Overture: Maestoso
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (conductor) (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London (Greater London), England, United Kingdom (in 1975-09)
recording of:
Kleine Dreigroschenmusik: I. Ouvertüre: Maestoso (in 1975-09)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill1:51
9Suite for Wind Orchestra From “The Threepenny Opera” (1928): II. The Ballad of Mack the Knife: Moderato assai
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (conductor) (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London (Greater London), England, United Kingdom (in 1975-09)
recording of:
Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer: Moderato assai (in 1975-09)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:16
10Suite for Wind Orchestra From “The Threepenny Opera” (1928): III. Instead‐Of Song: Moderato
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (conductor) (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London (Greater London), England, United Kingdom (in 1975-09)
recording of:
Kleine Dreigroschenmusik: III. Anstatt-dass-Song: Moderato (in 1975-09)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill1:48
11Suite for Wind Orchestra From “The Threepenny Opera” (1928): IV. The Ballad of Pleasant Living: Foxtrott
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (conductor) (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London (Greater London), England, United Kingdom (in 1975-09)
recording of:
Kleine Dreigroschenmusik: IV. Die Ballade vom angenehmen Leben: Foxtrott (in 1975-09)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:57
12Suite for Wind Orchestra From “The Threepenny Opera” (1928): V. Polly’s Song: Andante con moto
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (conductor) (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London (Greater London), England, United Kingdom (in 1975-09)
recording of:
Kleine Dreigroschenmusik: V. Pollys Lied: Andante con moto (in 1975-09)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:21
13Suite for Wind Orchestra From “The Threepenny Opera” (1928): Va. Tango‐Ballad
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (conductor) (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London (Greater London), England, United Kingdom (in 1975-09)
recording of:
Kleine Dreigroschenmusik: VI. Tango-Ballade (in 1975-09)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:42
14Suite for Wind Orchestra From “The Threepenny Opera” (1928): VI. Cannon Song: Charleston‐Tempo
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (conductor) (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London (Greater London), England, United Kingdom (in 1975-09)
recording of:
Kleine Dreigroschenmusik: VII. Kanonen-Song: Charleston-Tempo (in 1975-09)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:20
15Suite for Wind Orchestra From “The Threepenny Opera” (1928): VII. Dreigroschen‐Finale
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (conductor) (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London (Greater London), England, United Kingdom (in 1975-09)
recording of:
Kleine Dreigroschenmusik: VIII. Dreigroschen-Finale (in 1975-09)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill5:12

Credits

Release

part of:Classikon (Deutsche Grammophon) (number: 96) (order: 68)
Discogs:https://www.discogs.com/release/629075 [info]
other databases:https://www.musik-sammler.de/media/1244781/ [info]

Release group

included in:The History of Classical Music, Part 5: Modern: From Sibelius to Glass by Various Artists (add compilations to this artist)