Just the Way I Am

~ Release by June Christy (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
#TitleRatingLength
1Stompin' at the Savoy
producer:
Bill Miller (US producer at Capitol Records)
alto saxophone:
Bud Shank (on 1962-11-05)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1962-11-05)
bass:
Joe Mondragon (on 1962-11-05)
bass trombone:
Ken Shroyer (trombonist) (on 1962-11-05)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1962-11-05)
piano:
Jimmy Rowles (on 1962-11-05)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1962-11-05) and Bill Perkins (jazz saxophonist) (on 1962-11-05)
trombone:
Vern Friley (“Derf”) (on 1962-11-05), Lew McCreary (on 1962-11-05) and Frank Rosolino (on 1962-11-05)
trumpet:
Conte Candoli (on 1962-11-05), Lee Katzman (on 1962-11-05), Al Porcino (on 1962-11-05) and Ray Triscari (on 1962-11-05)
remixer:
Ron McMaster (US mastering & cutting engineer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1962-11-05)
recording of:
Stompin’ at the Savoy (on 1962-11-05)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
2:32
2It Don't Mean a Thing
producer:
Bill Miller (US producer at Capitol Records)
alto saxophone:
Charlie Kennedy (saxophonist) (on 1962-10-25)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1962-10-25)
bass:
Joe Mondragon (on 1962-10-25)
bass trombone:
Ken Shroyer (trombonist) (on 1962-10-25)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1962-10-25)
piano:
Jimmy Rowles (on 1962-10-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1962-10-25) and Bill Perkins (jazz saxophonist) (on 1962-10-25)
trombone:
Vern Friley (“Derf”) (on 1962-10-25), John Halliburton (on 1962-10-25) and Lew McCreary (on 1962-10-25)
trumpet:
Conte Candoli (on 1962-10-25), Lee Katzman (on 1962-10-25), Al Porcino (on 1962-10-25) and Ray Triscari (on 1962-10-25)
remixer:
Ron McMaster (US mastering & cutting engineer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1962-10-25)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1962-10-25)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
1:46
3Swingin' on Nothin'
producer:
Bill Miller (US producer at Capitol Records)
alto saxophone:
Bud Shank (on 1962-11-19)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1962-11-19)
bass:
Joe Mondragon (on 1962-11-19)
bass trombone:
Ken Shroyer (trombonist) (on 1962-11-19)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1962-11-19)
piano:
Jimmy Rowles (on 1962-11-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1962-11-19) and Bill Perkins (jazz saxophonist) (on 1962-11-19)
trombone:
John Halliburton (on 1962-11-19), Lew McCreary (on 1962-11-19) and Dick Nash (on 1962-11-19)
trumpet:
Conte Candoli (on 1962-11-19), Lee Katzman (on 1962-11-19), Al Porcino (on 1962-11-19) and Ray Triscari (on 1962-11-19)
remixer:
Ron McMaster (US mastering & cutting engineer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1962-11-19)
2:25
4Time Was (Duerme)
producer:
Bill Miller (US producer at Capitol Records)
alto saxophone:
Bud Shank
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player)
bass:
Joe Mondragon
bass trombone:
Ken Shroyer (trombonist)
drums (drum set):
Mel Lewis (American jazz drummer)
piano:
Jimmy Rowles
tenor saxophone:
Bob Cooper (US jazz saxophonist) and Bill Perkins (jazz saxophonist)
trombone:
Lew McCreary and Dick Nash
trumpet:
Conte Candoli, Lee Katzman, Al Porcino and Ray Triscari
remixer:
Ron McMaster (US mastering & cutting engineer)
arranger:
Bill Holman and Shorty Rogers (trumpet)
2:57
5Frenesi
producer:
Bill Miller (US producer at Capitol Records)
alto saxophone:
Bud Shank (on 1962-11-19)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1962-11-19)
bass:
Joe Mondragon (on 1962-11-19)
bass trombone:
Ken Shroyer (trombonist) (on 1962-11-19)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1962-11-19)
piano:
Jimmy Rowles (on 1962-11-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1962-11-19) and Bill Perkins (jazz saxophonist) (on 1962-11-19)
trombone:
Lew McCreary (on 1962-11-19) and Dick Nash (on 1962-11-19)
trumpet:
Conte Candoli (on 1962-11-19), Lee Katzman (on 1962-11-19), Al Porcino (on 1962-11-19) and Ray Triscari (on 1962-11-19)
remixer:
Ron McMaster (US mastering & cutting engineer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1962-11-19)
recording of:
Frenesi (on 1962-11-19)
lyricist and composer:
Alberto Domínguez
2:22
6The Merriest
2:09
7Until (The Mole)
producer:
Bill Miller (US producer at Capitol Records)
alto saxophone:
Bud Shank (on 1962-11-05)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1962-11-05)
bass:
Joe Mondragon (on 1962-11-05)
bass trombone:
Ken Shroyer (trombonist) (on 1962-11-05)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1962-11-05)
piano:
Jimmy Rowles (on 1962-11-05)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1962-11-05) and Bill Perkins (jazz saxophonist) (on 1962-11-05)
trombone:
Vern Friley (“Derf”) (on 1962-11-05), Lew McCreary (on 1962-11-05) and Frank Rosolino (on 1962-11-05)
trumpet:
Conte Candoli (on 1962-11-05), Lee Katzman (on 1962-11-05), Al Porcino (on 1962-11-05) and Ray Triscari (on 1962-11-05)
remixer:
Ron McMaster (US mastering & cutting engineer)
arranger:
Bob Cooper (US jazz saxophonist) and Bill Holman
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1962-11-05)
2:48
8A Night in Tunisia
producer:
Bill Miller (US producer at Capitol Records)
alto saxophone:
Charlie Kennedy (saxophonist) (on 1962-10-25)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1962-10-25)
bass:
Joe Mondragon (on 1962-10-25)
bass trombone:
Ken Shroyer (trombonist) (on 1962-10-25)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1962-10-25)
piano:
Jimmy Rowles (on 1962-10-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1962-10-25) and Bill Perkins (jazz saxophonist) (on 1962-10-25)
trombone:
Vern Friley (“Derf”) (on 1962-10-25), John Halliburton (on 1962-10-25) and Lew McCreary (on 1962-10-25)
trumpet:
Conte Candoli (on 1962-10-25), Lee Katzman (on 1962-10-25), Al Porcino (on 1962-10-25) and Ray Triscari (on 1962-10-25)
remixer:
Ron McMaster (US mastering & cutting engineer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1962-10-25)
recording of:
A Night in Tunisia (song version with English lyrics by Jon Hendricks) (on 1962-10-25)
lyricist:
Jon Hendricks
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal‐MCA Music Publishing (US) and シンコーミュージック・エンタテイメント
version of:
Night in Tunisia (instrumental)
2:52
9Is You Is or Is You Ain't My Baby
producer:
Bill Miller (US producer at Capitol Records)
alto saxophone:
Charlie Kennedy (saxophonist) (on 1962-10-25)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1962-10-25)
bass:
Joe Mondragon (on 1962-10-25)
bass trombone:
Ken Shroyer (trombonist) (on 1962-10-25)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1962-10-25)
piano:
Jimmy Rowles (on 1962-10-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1962-10-25) and Bill Perkins (jazz saxophonist) (on 1962-10-25)
trombone:
Vern Friley (“Derf”) (on 1962-10-25), John Halliburton (on 1962-10-25) and Lew McCreary (on 1962-10-25)
trumpet:
Conte Candoli (on 1962-10-25), Lee Katzman (on 1962-10-25), Al Porcino (on 1962-10-25) and Ray Triscari (on 1962-10-25)
remixer:
Ron McMaster (US mastering & cutting engineer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1962-10-25)
recording of:
Is You Is or Is You Ain’t My Baby? (on 1962-10-25)
writer:
Bill Austin (in 1944) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (in 1944)
publisher:
Universal‐MCA Music Publishing (US)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:49
10You Came a Long Way From St. Louis
producer:
Bill Miller (US producer at Capitol Records)
alto saxophone:
Bud Shank (on 1962-11-19)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1962-11-19)
bass:
Joe Mondragon (on 1962-11-19)
bass trombone:
Ken Shroyer (trombonist) (on 1962-11-19)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1962-11-19)
piano:
Jimmy Rowles (on 1962-11-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1962-11-19) and Bill Perkins (jazz saxophonist) (on 1962-11-19)
trombone:
John Halliburton (on 1962-11-19), Lew McCreary (on 1962-11-19) and Dick Nash (on 1962-11-19)
trumpet:
Conte Candoli (on 1962-11-19), Lee Katzman (on 1962-11-19), Al Porcino (on 1962-11-19) and Ray Triscari (on 1962-11-19)
remixer:
Ron McMaster (US mastering & cutting engineer)
arranger:
Shorty Rogers (trumpet)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1962-11-19)
recording of:
You Came a Long Way From St. Louis (on 1962-11-19)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
John Benson Brooks
2:18
11Just the Way I Am (From 'Duet')
piano:
Stan Kenton
vocals:
June Christy
3:54
12Prelude to a Kiss
producer:
Bill Miller (US producer at Capitol Records)
alto saxophone:
Bud Shank (on 1962-11-19)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1962-11-19)
bass:
Joe Mondragon (on 1962-11-19)
bass trombone:
Ken Shroyer (trombonist) (on 1962-11-19)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1962-11-19)
piano:
Jimmy Rowles (on 1962-11-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1962-11-19) and Bill Perkins (jazz saxophonist) (on 1962-11-19)
trombone:
John Halliburton (on 1962-11-19), Lew McCreary (on 1962-11-19) and Dick Nash (on 1962-11-19)
trumpet:
Conte Candoli (on 1962-11-19), Lee Katzman (on 1962-11-19), Al Porcino (on 1962-11-19) and Ray Triscari (on 1962-11-19)
remixer:
Ron McMaster (US mastering & cutting engineer)
arranger:
Shorty Rogers (trumpet)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1962-11-19)
recording of:
Prelude to a Kiss (on 1962-11-19)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
3:56
13It's Always You (From 'Fair and Warmer')
recording of:
It’s Always You
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:52
14Seven Shades of Snow
3:32
15Winter's Got Spring Up It's Sleeve
2:36
16This Time of Year
recording of:
This Time of Year
writer:
Arnold Miller and Connie Pearce
3:34
17Ring a Merry Bell
3:05
18Christmas Heart
2:57
19The Magic Gift
3:26
20Shadow Women (From ''Ballads for Night People'')
3:14

Credits

Release

ASIN:FR: B00TENB9BI [info]