Tracklist

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CD 1
#TitleArtistRatingLength
1Draw Near, You Lovers
bass vocals:
Michael George (operatic bass)
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
Draw near, you lovers, Z. 462
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 462)
Henry Purcell4:33
2While Thirsis, Wrapped in Downy Sleep
countertenor vocals:
James Bowman (UK countertenor)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
While Thyrsis, wrapt in downy sleep, Z. 437
composer:
Henry Purcell (baroque composer) (in 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 437)
Henry Purcell2:17
3Love, Thou Canst Hear, Tho' Thou Art Blind
tenor vocals:
Charles Daniels (tenor)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
Love, thou canst hear, tho' thou art blind, Z. 396
composer:
Henry Purcell (baroque composer) (in 1695)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 396)
Henry Purcell5:22
4I Loved Fair Celia
tenor vocals:
Rogers Covey‐Crump (tenor)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
I Lov'd Fair Celia, Z. 381
composer:
Henry Purcell (baroque composer) (in 1694)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 381)
Henry Purcell1:56
5What Hope Remains Now He Is Gone?
bass vocals:
Michael George (operatic bass)
soprano vocals:
Susan Gritton (soprano)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
What hope for us remains now he is gone?, Z. 472
composer:
Henry Purcell (baroque composer) (in 1679)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 472)
Henry Purcell3:09
6Pastora's Beauties When Unblown
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
Pastora's beauties when unblown, Z. 407
composer:
Henry Purcell (baroque composer) (in 1681)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 407)
Henry Purcell2:27
7A Thousand Sev'ral Ways I Tried
tenor vocals:
Rogers Covey‐Crump (tenor)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
A thousand sev'ral ways I tried, Z. 359
composer:
Henry Purcell (baroque composer) (in 1684)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 359)
Henry Purcell0:49
8Urge Me No More
soprano vocals:
Susan Gritton (soprano)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
Urge me no more, Z. 426
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 426)
Henry Purcell3:17
9Farewell, All Joys
countertenor vocals:
James Bowman (UK countertenor)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
Farewell, all joys, Z. 368
composer:
Henry Purcell (baroque composer) (in 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 368)
Henry Purcell1:30
10If Music Be the Food of Love
engineer:
Philip Hobbs (engineer/producer), Antony Howell (engineer) and Nicholas Parker (classical violinist, producer, engineer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
bass viol:
Mark Caudle (cellist and bass violist)
organ:
Robert King (conductor and harpsichordist)
theorbo:
David Miller (UK period lutist / guitarist)
tenor vocals:
Rogers Covey‐Crump (tenor)
conductor:
Robert King (conductor and harpsichordist)
recording of:
If Music Be the Food of Love, Z. 379
lyricist:
Col. Henry Heveningham
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 379)
Henry Purcell2:01
11Admidst the Shades and Cool Refreshing Streams
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
Amidst the shades and cool refreshing streams, Z. 355
composer:
Henry Purcell (baroque composer) (in 1687)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 355)
Henry Purcell3:47
12They Say You're Angry
tenor vocals:
Charles Daniels (tenor)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
They say you're angry, Z. 422
composer:
Henry Purcell (baroque composer) (in 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 422)
Henry Purcell2:33
13Let Each Gallant Heart
countertenor vocals:
James Bowman (UK countertenor)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
Let each gallant heart, Z. 390
composer:
Henry Purcell (baroque composer) (in 1693)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 390)
Henry Purcell1:52
14This Poet Sings to the Trojan War
bass vocals:
Michael George (operatic bass)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
This Poet Sings the Trojan Wars, Z. 423
composer:
Henry Purcell (baroque composer) (in 1688)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 423)
Henry Purcell4:11
15Ah, How Pleasant 'tis to Love
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
Ah! how pleasant 'tis to love, Z. 353
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 353)
Henry Purcell1:18
16My Heart, Whenever You Appear
tenor vocals:
Rogers Covey‐Crump (tenor)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
My heart, wherever you appear, Z. 399
composer:
Henry Purcell (baroque composer) (in 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 399)
Henry Purcell1:50
17On the Brow of Richmond Hill
countertenor vocals:
James Bowman (UK countertenor)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
On the brow of Richmond Hill, Z. 405
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 405)
Henry Purcell1:38
18Rashly I Swore I Would Disown
tenor vocals:
Charles Daniels (tenor)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
Rashly I swore I would disown, Z. 411
composer:
Henry Purcell (baroque composer) (in 1683)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 411)
Henry Purcell1:05
19Since the Pox or the Plague
bass vocals:
Michael George (operatic bass)
tenor vocals:
Charles Daniels (tenor)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
Since the pox or the plague, Z. 471
composer:
Henry Purcell (baroque composer) (in 1679)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 471)
Henry Purcell1:33
20Beneath a Dark and Melancholy Grave
bass vocals:
Michael George (operatic bass)
soprano vocals:
Susan Gritton (soprano)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
Beneath a dark and melancholy grove, Z. 461
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 461)
Henry Purcell3:42
21Musing on Cares of Human Fate
bass vocals:
Michael George (operatic bass)
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
Musing on cares of human fate, Z. 467
composer:
Henry Purcell (baroque composer) (in 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 467)
Henry Purcell2:15
22Whils Synthia Sun, All Angry Winds Lay Still
tenor vocals:
Rogers Covey‐Crump (tenor)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
Whilst Cynthia sung, all angry winds lay still, Z. 438
composer:
Henry Purcell (baroque composer) (in 1686)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 438)
Henry Purcell1:58
23How I Sigh When I Think of the Charms of My Swain
soprano vocals:
Susan Gritton (soprano)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
How I sigh when I think of the charms, Z. 374
composer:
Henry Purcell (baroque composer) (in 1681)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 374)
Henry Purcell0:32
24Ye Happy Swains, Whose Nymphs Are Kind
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
Ye happy swains, whose nymphs are kind, Z. 443
composer:
Henry Purcell (baroque composer) (in 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 443)
Henry Purcell1:52
25Beware Poor Shepherds
tenor vocals:
Charles Daniels (tenor)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
Beware, poor Shepherds, Z. 361
composer:
Henry Purcell (baroque composer) (in 1684)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 361)
Henry Purcell1:32
26See How the Fading Glories of the Year
bass vocals:
Michael George (operatic bass)
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
See how the fading glories of the year, Z. 470
composer:
Henry Purcell (baroque composer) (in 1689)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 470)
Henry Purcell2:57
27Cease, Anxious World,, Your Fruitless Pain
soprano vocals:
Susan Gritton (soprano)
conductor:
Robert King (conductor and harpsichordist)
performer:
The King’s Consort
recording of:
Cease, anxious world, Z. 362
composer:
Henry Purcell (baroque composer) (in 1687)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 362)
Henry Purcell2:23
28O! Fair Cedaria, Hide Those Eyes
engineer:
Philip Hobbs (engineer/producer), Antony Howell (engineer) and Nicholas Parker (classical violinist, producer, engineer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
bass viol:
Mark Caudle (cellist and bass violist)
chamber organ:
Robert King (conductor and harpsichordist)
theorbo:
David Miller (UK period lutist / guitarist)
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
recording of:
Song, Z 402: "O! fair Cedaria, hide those eyes"
composer:
Henry Purcell (baroque composer)
Henry Purcell5:17
CD 2
#TitleArtistRatingLength
1I Love and I Must
instruments:
The King’s Consort
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
recording of:
I love and I must, Z. 382
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 382)
Henry Purcell2:54
2When Her Languishing Eyes Said "Love"
instruments:
The King’s Consort
tenor vocals:
Charles Daniels (tenor)
conductor:
Robert King (conductor and harpsichordist)
recording of:
When her languishing eyes said 'love', Z. 432
composer:
Henry Purcell (baroque composer) (in 1681)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 432)
Henry Purcell0:58
3Not All My Torments Can Your Pity Move
instruments:
The King’s Consort
soprano vocals:
Susan Gritton (soprano)
conductor:
Robert King (conductor and harpsichordist)
recording of:
Not All My Torments Can Your Pity Move, Z. 400
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 400)
Henry Purcell2:33
4Ah! Cruel Nymph
instruments:
The King’s Consort
tenor vocals:
Rogers Covey‐Crump (tenor)
conductor:
Robert King (conductor and harpsichordist)
recording of:
Ah! Cruel nymph, you give despair, Z. 352
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 352)
Henry Purcell2:38
5Sylvia, Now Your Scorn Give Over
instruments:
The King’s Consort
countertenor vocals:
James Bowman (UK countertenor)
conductor:
Robert King (conductor and harpsichordist)
recording of:
Sylvia, now your scorn give over, Z. 420
composer:
Henry Purcell (baroque composer) (in 1688)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 420)
Henry Purcell0:31
6Since One Poor View Has Drawn My Heart
instruments:
The King’s Consort
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell0:35
7I Resolve Against Cringing and Whining
instruments:
The King’s Consort
tenor vocals:
Charles Daniels (tenor)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell0:58
8Gentle Shepherds
instruments:
The King’s Consort
bass vocals:
Michael George (operatic bass)
soprano vocals:
Susan Gritton (soprano)
conductor:
Robert King (conductor and harpsichordist)
recording of:
Pastoral Elegy on the Death of John Playford "Gently shepherds, you that know", Z. 464
composer:
Henry Purcell (baroque composer) (in 1687)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 464)
Henry Purcell6:10
9If Grief Has Any Power to Kill
instruments:
The King’s Consort
tenor vocals:
Rogers Covey‐Crump (tenor)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell1:39
10She That Would Gain a Faithful Lover
instruments:
The King’s Consort
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell2:26
11Fly Swift, Ye Hours
instruments:
The King’s Consort
tenor vocals:
Charles Daniels (tenor)
conductor:
Robert King (conductor and harpsichordist)
recording of:
Fly swift, ye hours, Z. 369
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 369)
Henry Purcell5:19
12Hears Not My Phillis How the Birds
instruments:
The King’s Consort
soprano vocals:
Susan Gritton (soprano)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell2:33
13Phillis, Talk No More of Passion
instruments:
The King’s Consort
tenor vocals:
Rogers Covey‐Crump (tenor)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell2:04
14Celia's Fond
instruments:
The King’s Consort
countertenor vocals:
James Bowman (UK countertenor)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell1:45
15In Vain We Dissemble
instruments:
The King’s Consort
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell2:17
16When My Amelia Smiles
instruments:
The King’s Consort
tenor vocals:
Rogers Covey‐Crump (tenor)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell2:12
17Farewell, Ye Rocks
instruments:
The King’s Consort
bass vocals:
Michael George (operatic bass)
tenor vocals:
Charles Daniels (tenor)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell3:16
18What a Sad Fate Is Mine
instruments:
The King’s Consort
soprano vocals:
Susan Gritton (soprano)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell2:46
19I Take No Pleasure
instruments:
The King’s Consort
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell1:51
20Love's Power in My Heart
instruments:
The King’s Consort
tenor vocals:
Rogers Covey‐Crump (tenor)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell0:41
21How Delightful's the Life
instruments:
The King’s Consort
bass vocals:
Michael George (operatic bass)
soprano vocals:
Susan Gritton (soprano)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell2:20
22She, Who My Poor Heart Possesses
instruments:
The King’s Consort
countertenor vocals:
James Bowman (UK countertenor)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell1:47
23Love Arms Himself in Celia's Eyes
instruments:
The King’s Consort
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell2:57
24When First My Shepherdess and I
instruments:
The King’s Consort
tenor vocals:
Charles Daniels (tenor)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell1:28
25Through Mornful Shades and Solitary Groves
instruments:
The King’s Consort
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell3:23
26If Music Be the Food of Love (2nd version)
instruments:
The King’s Consort
tenor vocals:
Rogers Covey‐Crump (tenor)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell2:01
27Scarce Had the Rising Sun Appeared
instruments:
The King’s Consort
bass vocals:
Michael George (operatic bass)
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell1:05
28Who but a Slave Can Well Express
instruments:
The King’s Consort
soprano vocals:
Susan Gritton (soprano)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell2:09
29High on a Throne
instruments:
The King’s Consort
bass vocals:
Michael George (operatic bass)
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
Henry Purcell5:19
30Incassum Lesbia
instruments:
The King’s Consort
soprano vocals:
Susan Gritton (soprano)
conductor:
Robert King (conductor and harpsichordist)
recording of:
The Queen's Epicedium, Z. 383 "Incassum Lesbia, incassum rogas"
lyricist:
George Herbert (Church poet)
composer:
Henry Purcell (baroque composer) (in 1695)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 383)
Henry Purcell7:54
CD 3
#TitleArtistRatingLength
1She Loves and She Confesses Too
soprano vocals:
Susan Gritton (soprano)
performer:
The King’s Consort
recording of:
Song, Z 413 "She Loves and she Confesses too"
composer:
Henry Purcell (baroque composer) (in 1683)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 413)
Henry Purcell2:24
2Amintas, to My Grief I See
tenor vocals:
Rogers Covey‐Crump (tenor)
performer:
The King’s Consort
recording of:
Amintas, to my grief I see, Z. 356
composer:
Henry Purcell (baroque composer) (in 1679)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 356)
Henry Purcell1:35
3Corinna Is Divinely Fair
soprano vocals:
Barbara Bonney (soprano)
performer:
The King’s Consort
recording of:
Corinna is divinely fair, Z. 365
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 365)
Henry Purcell1:47
4Amintor, Heedless of His Flocks
tenor vocals:
Charles Daniels (tenor)
performer:
The King’s Consort
recording of:
Amintor, heedless of his flocks, Z. 357
composer:
Henry Purcell (baroque composer) (in 1681)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 357)
Henry Purcell2:26
5He Himself Courts His Own Ruin
countertenor vocals:
James Bowman (UK countertenor)
performer:
The King’s Consort
recording of:
He himself courts his own ruin, Z. 372
composer:
Henry Purcell (baroque composer) (in 1684)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 372)
Henry Purcell1:12
6No, to What Purpose Should I Speak
bass vocals:
Michael George (operatic bass)
soprano vocals:
Susan Gritton (soprano)
performer:
The King’s Consort
recording of:
No, to what purpose should I speak, Z. 468
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 468)
Henry Purcell4:25
7Sylvia, 'tis True You're Fair
bass vocals:
Michael George (operatic bass)
tenor vocals:
Charles Daniels (tenor)
performer:
The King’s Consort
recording of:
Sylvia, 'tis true you're fair, Z. 512
composer:
Henry Purcell (baroque composer) (in 1686)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 512)
Henry Purcell1:42
8Lovely Albina's Come Ashore
soprano vocals:
Barbara Bonney (soprano)
performer:
The King’s Consort
recording of:
Lovely Albina's come ashore, Z. 394
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 394)
Henry Purcell2:28
9Spite of the Godhead Pow'rful Love
tenor vocals:
Rogers Covey‐Crump (tenor)
performer:
The King’s Consort
recording of:
Spite of the godhead, pow'rful love, Z. 417
composer:
Henry Purcell (baroque composer) (in 1687)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 417)
Henry Purcell1:01
10If Music Be the Food of Love
soprano vocals:
Barbara Bonney (soprano)
performer:
The King’s Consort
recording of:
If Music Be the Food of Love, Z. 379
lyricist:
Col. Henry Heveningham
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 379)
Henry Purcell3:51
11Phillis, I Can Ne'er Forgive It
tenor vocals:
Charles Daniels (tenor)
performer:
The King’s Consort
recording of:
Phyllis, I can ne'er forgive it, Z. 408
composer:
Henry Purcell (baroque composer) (in 1688)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 408)
Henry Purcell0:37
12Bacchus Is a Pow'r Divine
bass vocals:
Michael George (operatic bass)
performer:
The King’s Consort
recording of:
Bacchus is a pow'r divine, Z. 360
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 360)
Henry Purcell3:04
13From Silent Shades
soprano vocals:
Susan Gritton (soprano)
performer:
The King’s Consort
recording of:
Mad Bess of Bedlam, Z. 370 "From Silent Shades and the Elysian Groves"
composer:
Henry Purcell (baroque composer) (in 1683)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 370)
Henry Purcell4:18
14Let Formal Lovers Still Pursue
countertenor vocals:
James Bowman (UK countertenor)
performer:
The King’s Consort
recording of:
Let formal lovers still pursue, Z. 391
composer:
Henry Purcell (baroque composer) (in 1687)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 391)
Henry Purcell1:10
15I Came, I Saw, and Was Undone
soprano vocals:
Barbara Bonney (soprano)
performer:
The King’s Consort
recording of:
I came, I saw, and was undone, Z. 375
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 375)
Henry Purcell4:38
16Who Can Behold Florella's Charms
tenor vocals:
Charles Daniels (tenor)
performer:
The King’s Consort
recording of:
Who can behold Florella's charms?, Z. 441
composer:
Henry Purcell (baroque composer) (in 1695)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 441)
Henry Purcell2:09
17Cupid, the Slyest Rogue Alive
tenor vocals:
Rogers Covey‐Crump (tenor)
performer:
The King’s Consort
recording of:
Cupid, the slyest rogue alive, Z. 367
composer:
Henry Purcell (baroque composer) (in 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 367)
Henry Purcell2:34
18If Pray'rs and Tears
soprano vocals:
Susan Gritton (soprano)
performer:
The King’s Consort
recording of:
If pray'rs and tears, Z. 380
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 380)
Henry Purcell7:44
19In Cloris All Soft Charms Agree
tenor vocals:
Rogers Covey‐Crump (tenor)
performer:
The King’s Consort
recording of:
In Cloris all soft charms, Z. 384
composer:
Henry Purcell (baroque composer) (in 1684)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 384)
Henry Purcell2:31
20Let Us, Kind Lesbia, Give Away
bass vocals:
Michael George (operatic bass)
soprano vocals:
Barbara Bonney (soprano)
performer:
The King’s Consort
recording of:
Let us, kind Lesbia, give away, Z. 466
composer:
Henry Purcell (baroque composer) (in 1684)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 466)
Henry Purcell1:26
21Love Is Now Become a Trade
tenor vocals:
Charles Daniels (tenor)
performer:
The King’s Consort
recording of:
Love is now become a trade, Z. 393
composer:
Henry Purcell (baroque composer) (in 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 393)
Henry Purcell1:08
22Ask Me to Love No More
countertenor vocals:
James Bowman (UK countertenor)
performer:
The King’s Consort
recording of:
Ask me to love no more, Z. 358
composer:
Henry Purcell (baroque composer) (in 1694)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 358)
Henry Purcell1:38
23O Solitude, My Sweetest Choice
soprano vocals:
Susan Gritton (soprano)
performer:
The King’s Consort
recording of:
O Solitude, Z. 406
lyricist:
Katherine Philips (17th century poet)
composer:
Henry Purcell (baroque composer) (from 1684 until 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 406)
is based on:
O Solitude
Henry Purcell5:36
24Olinda in the Shades Unseen
soprano vocals:
Barbara Bonney (soprano)
performer:
The King’s Consort
recording of:
Olinda in the shades unseen, Z. 404
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 404)
Henry Purcell1:05
25Pious Celinda Goes to Prayers
tenor vocals:
Rogers Covey‐Crump (tenor)
performer:
The King’s Consort
recording of:
Pious Celinda goes to pray'rs, Z. 410
composer:
Henry Purcell (baroque composer) (in 1695)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 410)
Henry Purcell1:02
26When Strephon Found His Passion Vain
bass vocals:
Michael George (operatic bass)
soprano vocals:
Barbara Bonney (soprano)
performer:
The King’s Consort
recording of:
When Strephon found his passion vain, Z. 435
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 435)
Henry Purcell1:11
27The Fatal Hour Comes On Apace
soprano vocals:
Susan Gritton (soprano)
performer:
The King’s Consort
recording of:
The fatal hour comes on apace, Z. 421
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 421)
Henry Purcell3:51
28Sawney Is a Bonny Lad
tenor vocals:
Rogers Covey‐Crump (tenor)
performer:
The King’s Consort
recording of:
Sawney Is a Bonny Lad, Z. 412
composer:
Henry Purcell (baroque composer) (in 1694)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 412)
Henry Purcell1:54
29Toung Thirsis' Fate
bass vocals:
Michael George (operatic bass)
soprano vocals:
Susan Gritton (soprano)
performer:
The King’s Consort
recording of:
Young Thyrsis' fate, ye hills and groves, deplore, Z. 473
writer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 473)
Henry Purcell5:49

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ASIN:UK: B0000DJENT [info]