Old But Gold 90’s

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Countries excluded (Spotify)

(As of 2020-09-09).

  • Caribbean: 🇩🇴 Dominican Republic (do)
  • Western Europe: 🇱🇮 Liechtenstein (li) 🇲🇨 Monaco (mc)
  • Southern Europe: 🇦🇩 Andorra (ad)
  • Northern Africa: 🇹🇳 Tunisia (tn)
  • Western Asia: 🇯🇴 Jordan (jo) 🇵🇸 Palestinian Territory, Occupied (ps)
Annotation last modified on 2020-09-16 04:01 UTC.

Tracklist

Digital Media 1
#TitleArtistRatingLength
1Wannabe
assistant recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
programming and producer:
Richard Stannard and Matt Rowe
mixer:
Mark “Spike” Stent (producer, engineer)
keyboard:
Richard Stannard and Matt Rowe
publisher:
SSO
recording of:
Wannabe
writer:
Melanie Brown, Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe and Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. and Windswept Pacific Music Ltd.
Spice Girls3.852:53
2Man! I Feel Like a Woman!
additional programming:
Bjorn Thornsrud
assistant programming:
Jay Alvarez and James Somberg
programming, mixer and editor:
Olle Romo
producer:
Robert John “Mutt” Lange
fiddle:
Glen Duncan (bluegrass multi-instrument musician), Rob Hajacos, Aubrey Haynie and Joe Spivey
arranger:
Robert John “Mutt” Lange
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) and Mercury Records (The Holding. Use for ©/℗ credits only!) (in 2022)
music videos:
Man! I Feel Like a Woman! by Shania Twain
recording of:
Man! I Feel Like a Woman!
writer:
Eilleen Regina Lange and Robert John Lange
publisher:
Out-of-Pocket Productions Ltd.
Shania Twain4.153:55
3Mmmbop - (single version)
programming and engineer:
Mac Quale
additional producer:
Stephen Lironi
executive producer:
Steve Greenberg (Record producer)
producer:
The Dust Brothers (production duo John King & Mike Simpson)
mixer:
Tom Lord‐Alge
drums (drum set):
Zac Hanson
keyboard:
Taylor Hanson
vocals:
Isaac Hanson, Taylor Hanson and Zac Hanson
recording of:
MMMbop
writer:
Isaac Hanson, Taylor Hanson and Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Hanson3.654:27
4Ice Ice Baby - (radio edit)
phonographic copyright (℗) by:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Ice Ice Baby
lyricist:
Floyd Brown (Floyd Brown), Mario Lavell Johnson (90s US rapper) and Vanilla Ice
composer:
David Bowie (English singer‐songwriter), Floyd Brown (Floyd Brown), John R. Deacon, Mario Lavell Johnson (90s US rapper), Brian May (Queen guitarist), Freddie Mercury, Roger Taylor (Queen drummer) and Vanilla Ice
publisher:
Aftershock Music, EMI Blackwood Music Inc. (1989-07-24–present), Fernhill Publishing, Ice Baby Music, Knightlife Productions, QPM Music Inc., Queen Music Ltd. and Sony/ATV Songs LLC
is based on:
Under Pressure
Vanilla Ice4.53:52
5Pump Up the Jam
engineer:
Spencer Henderson (engineer)
producer:
Jo "Thomas de Quincey" Bogaert (Belgian producer)
additional synthesizer:
Patrick de Meyer (Belgian electronic music producer)
vocals:
Ya Kid K (Belgian–Congolese singer Manuela Kamosi)
phonographic copyright (℗) by:
ARS Productions Belgium (in 1989) and ARS Productions (in 1990)
recorded at and mixed at:
Swanyard Studios in Islington, London (Greater London), England, United Kingdom and The Haunted House (private home studio of Jo Bogaert) in Aalst, Oost-Vlaanderen, Flanders, Belgium
engineered at:
Swanyard Studios in Islington, London (Greater London), England, United Kingdom
recording of:
Pump Up the Jam
lyricist:
Manuela Kamosi (Belgian–Congolese singer Manuela Kamosi)
composer:
Patrick de Meyer (Belgian electronic music producer) and Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
is based on:
Technotronic
Technotronic4.155:20
6This Is How We Do It
samples:
Children’s Story by Slick Rick
recording of:
This Is How We Do It
writer:
Montell Jordan, Oji Pierce and Ricky Walters (US rapper Slick Rick)
publisher:
Chrysalis Music Ltd. (music publisher), Songs of Universal, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Montell Jordan4.53:55
7Breakfast at Tiffany’sDeep Blue Something3.74:18
8Tubthumping
drum machine programming:
Harry “Daz” Hamer
engineer and producer:
Chumbawamba and Neil Ferguson (Chumbawamba)
bass:
Paul Greco (former bassist of British band Chumbawamba) (from 1996-08 until 1997-02)
drums (drum set):
Harry “Daz” Hamer (from 1996-08 until 1997-02)
guitar:
Neil Ferguson (Chumbawamba) (from 1996-08 until 1997-02) and Boff Whalley (from 1996-08 until 1997-02)
keyboard:
Neil Ferguson (Chumbawamba) (from 1996-08 until 1997-02) and Lou Watts (from 1996-08 until 1997-02)
percussion:
Dunstan Bruce (from 1996-08 until 1997-02)
trumpet:
Jude Abbott (from 1996-08 until 1997-02)
vocals:
Jude Abbott (from 1996-08 until 1997-02), Dunstan Bruce (from 1996-08 until 1997-02), Danbert Nobacon (from 1996-08 until 1997-02), Alice Nutter (from 1996-08 until 1997-02), Lou Watts (from 1996-08 until 1997-02) and Boff Whalley (from 1996-08 until 1997-02)
arranger:
Chumbawamba
recorded at and mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (from 1996-08 until 1997-02)
music videos:
Tubthumping by Chumbawamba
recording of:
Tubthumping (in 1996)
publisher:
Chumbawamba (in 1997)
writer:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts and Boff Whalley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Leosong (publisher) (in 1997)
Chumbawamba3.94:39
9I Turn to You
co-producer:
Rob Playford (in 1999)
producer:
Rick Nowels (in 1999)
mixer:
Pat McCarthy (in 1999)
mixed at:
O’Henry Sound Studios in Burbank, California, United States (in 1999)
recording of:
I Turn to You (in 1999)
writer:
Melanie Chisholm, Rick Nowels and Billy Steinberg
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) and Future Furniture Music
Melanie C45:50
10A Thousand Miles
additional recording engineer:
Bill Schnee
recording engineer:
Tal Herzberg and Michael C. Ross (US engineer, active 1980s–present)
engineer:
Tal Herzberg
producer:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
mixer:
Jack Joseph Puig
piano and lead vocals:
Vanessa Carlton
conductor:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
concertmaster:
Endre Granat (Hungarian violinist)
music videos:
A Thousand Miles by Vanessa Carlton
recording of:
A Thousand Miles
lyricist and composer:
Vanessa Carlton
Vanessa Carlton3.753:57
11Bitter Sweet Symphony - 2004 Digital Remaster
recording engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
additional producer and additional mixer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Andrew Loog Oldham, The Verve and Youth (producer/bassist Martin Glover)
lead vocals:
Richard Ashcroft
orchestra:
The Andrew Oldham Orchestra
additional strings arranger:
Wil Malone
samples:
The Last Time by The Andrew Oldham Orchestra
music videos:
Bitter Sweet Symphony by The Verve
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 18), Indie 88: Top 500 Indie Rock Songs (number: 22) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 382)
recording of:
Bitter Sweet Symphony
lyricist and composer:
Richard Ashcroft
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Verve4.455:59
12Always
engineer:
Kevin Shirley (producer & mixer)
producer:
Peter Collins (producer)
mixer:
Bob Clearmountain
bass guitar:
Alec John Such
drums (drum set):
Tico Torres
guitar and background vocals:
Richie Sambora
piano:
David Bryan (keyboardist for Bon Jovi)
lead vocals:
Jon Bon Jovi
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arranger and orchestrator:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1994)
recording of:
Always
lyricist and composer:
Jon Bon Jovi
publisher:
Bon Jovi Publishing (in 1994) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1994)
Bon Jovi3.755:53
13Gypsy Woman (She’s Homeless) - (radio edit)
engineer:
Jay Steinhour
executive producer:
Bruce Carbone
producer and mixer:
The Basement Boys (house music production team)
drums (drum set) and percussion:
The Basement Boys (house music production team)
keyboard and organ:
Neal Conway
strings arranger:
Neal Conway
arranger:
The Basement Boys (house music production team)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1991)
recorded at and mixed at:
The Basement Boys Studio in Baltimore, Maryland, United States
recording of:
Gypsy Woman (She’s Homeless) (a.k.a. “Gypsy Woman (la da dee la da da)”)
writer:
Neal Conway and Crystal Waters
publisher:
Basement Boys Music and BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it)
Crystal Waters3.63:38
14Finally
phonographic copyright (℗) by:
A&M Records, Inc. (in 1982)
recording of:
Finally (CeCe Peniston song)
writer:
Cecilia Peniston, Felipe Delgado, Elbert Linnear and R. K. Jackson
publisher:
Blue Zephyr, Ce Ce Peniston Music, Mainlot Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (AU subsidiary of Universal Music Publishing Group), Urban Tracks Music and Wax Museum Music
CeCe Peniston44:04
15Would I Lie to You?
performer:
Charles & Eddie
recording of:
Would I Lie to You?
writer:
Michael Leeson (songwriter) and Peter Vale (writer/arranger)
publisher:
BMG VM Music Ltd. (from 2013-05-16 to present)
Charles & Eddie4.254:37
16Don’t Speak
recording engineer:
Phil Kaffel
producer:
Matthew Wilder
mixer:
Holman and Paul Palmer (engineer)
bass guitar:
Tony Kanal
cello:
Melissa Hasin
drums (drum set) [drums] and percussion:
Adrian Young (drummer for No Doubt)
guitar:
Tom Dumont
keyboard and piano:
Eric Stefani
lead vocals:
Gwen Stefani
phonographic copyright (℗) by:
Interscope Records (in 1995) and Interscope Records, Inc. (not for release label use!) (in 1996)
recorded at:
York Street Studios in Auckland, Auckland, North Island, New Zealand
mixed at:
Cactus Studios in California, United States
recording of:
Don’t Speak
writer:
Eric Stefani and Gwen Stefani
publisher:
Knock Yourself Out Music and Universal‐MCA Music Publishing (US)
No Doubt4.154:23
17No Matter What
recorded in:
London (Greater London), England, United Kingdom and Los Angeles, California, United States
keyboard programming:
Lee McCutcheon
programming:
Simon Franglen (English score composer)
assistant engineer:
Alex Black (engineer) and Tom (assistant engineeer)
engineer:
Simon Franglen (English score composer), Steve Rinkoff and Robin Sellars (British recording engineer)
additional producer:
Simon Franglen (English score composer) and Lupino
executive producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Jim Steinman
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman and Nigel Wright (British producer, orchestrator and songwriter)
mixer:
Mick Guzauski and Steve Rinkoff
acoustic guitar [acoustic guitars] and electric guitar [electric guitars]:
Michael Thompson (session guitarist)
bass:
Angela Lupino
guitar:
Fridrik Karlsson
keyboard [keyboards]:
Simon Franglen (English score composer) and Nigel Wright (British producer, orchestrator and songwriter)
background vocals [backing vocals]:
Tracy Ackerman and Andy Caine
vocals:
Boyzone
arranger:
Simon Franglen (English score composer) and Lupino
phonographic copyright (℗) by:
Polydor Ireland (in 1998)
recorded at:
FLM Studios in Hollywood, Los Angeles, California, United States, Metropolis Studios (London) in London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
engineered at:
Barking Dog Studios in New York, New York, United States
music videos:
No Matter What by Boyzone
recording of:
No Matter What
lyricist:
Jim Steinman
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (ended), Universal–Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. (BMI affiliated) and The Really Useful Group Limited (not for release label use!)
part of:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:33
18Say You’ll Be There - (single mix)
assistant recording engineer:
Adam Brown (UK engineer)
recording engineer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
producer:
Absolute (UK house/garage/production/songwriting team)
mixer:
Mark “Spike” Stent (producer, engineer)
harmonica:
Judd Lander
instruments:
Absolute (UK house/garage/production/songwriting team)
publisher:
Windswept Pacific Music
recording of:
Say You’ll Be There
lyricist:
Melanie Brown, Emma Bunton, Geri Halliwell, Melanie Chisholm and Victoria Beckham (née Adams)
composer:
Eliot Kennedy (songwriter, producer) and Jon B.
publisher:
Sony ATV Music Publishing (1995–2020) and Windswept Pacific Music Ltd.
Spice Girls3.454:00
19That’s the Way Love Goes
recording engineer:
Steve Hodge
producer:
Janet Jackson and Jimmy Jam & Terry Lewis
mixer:
Dave Rideau and Steve Hodge
background vocals and lead vocals:
Janet Jackson
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1993) and Virgin Records Inc. (in 2018)
samples:
Impeach the President by The Honey Drippers (70s US funk band, backing band for Roy C. Hammond) and Papa Don't Take No Mess by James Brown (“The Godfather of Soul”)
recording of:
That’s the Way Love Goes
writer:
Charles Bobbitt, James Brown (“The Godfather of Soul”), Janet Jackson, James Harris (James Harris of Jam & Lewis), Terry Lewis (US hip-hop/soul songwriter, producer & label owner), John Starks and Fred Wesley
publisher:
Black Ice Publishing, Dynatone Publishing Co., Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 and 大洋音楽
Janet Jackson3.754:26
20Fired Up!
Funky Green Dogs3:37
21Barbie Girl
producer and mixer:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
phonographic copyright (℗) by:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group) (in 1997)
music videos:
Barbie Girl by Aqua (Danish Euro-dance group)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 48) and Cachitos Nochevieja 2022 (number: 157)
recording of:
Barbie Girl
writer:
Lene Grawford Nystrøm, Claus Norreen, Søren Rasted and René Dif
publisher:
MCA Music Scandinavia AB and Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.93:15
22La Tribu de Dana
Manau1:15
23Casanova
cover recording of:
Casanova
lyricist and composer:
Reginald Calloway
Ultimate Kaos3:51
24U Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi-instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi-instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
is based on:
Super Freak
MC Hammer4.154:18
25The Bad Touch
producer:
Jimmy Pop (member of Bloodhound Gang)
mixer:
Raahu
drums (drum set):
Spanky G
guitar:
Lüpüs Thünder
Moog and lead vocals and spoken vocals:
Jimmy Pop (member of Bloodhound Gang)
background vocals:
DJ Q-Ball
music videos:
The Bad Touch by Bloodhound Gang
recording of:
The Bad Touch
lyricist and composer:
James Franks
publisher:
Universal–Songs of PolyGram International, Inc., PolyGram Music Publishing (from 2000 to ????), Hey Rudy Music Publishing (from 2000 to present) and The Jimmy Franks Publishing Company (from 2000 to present)
Bloodhound Gang3.754:21
26Shiny Happy People
engineer:
Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
bass and organ:
Mike Mills (R.E.M. bass player)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
electric guitar:
Peter Buck (R.E.M. guitarist)
guest acoustic guitar:
Peter Holsapple
guest vocals:
Kate Pierson
vocals:
Mike Mills (R.E.M. bass player) and Michael Stipe
strings arranger:
Mark Bingham
phonographic copyright (℗) by:
R.E.M./Athens Ltd. (in 1991)
music videos:
Shiny Happy People (music video) by R.E.M. (American rock band)
recording of:
Shiny Happy People
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
R.E.M.4.13:46
27Let’s Talk About Sex
producer:
Hurby Luv Bug and The Invincibles (Production Team)
background vocals:
Alpha, Omega (US rapper) and Hurby Luv Bug
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
recording of:
Let’s Talk About Sex
lyricist and composer:
Fingerprints
publisher:
Next Plateau Music Inc. and Sons of K-oss Music
Salt-N-Pepa33:33
28Boombastic
recording engineer:
"Tootie" Wayne Nicholson (Engineer (recording & mixing))
miscellaneous support:
Dennis Halliburton (Engineer, producer, session musician) (task: track layed by) and Robert Livingston (task: track layed by)
producer:
Robert Livingston and Shaun "Sting Int'l" Pizzonia
mixer:
Sting Int'l
produced for:
Big Yard Production
recorded at and mixed at:
HC&F Recording Studio, Long Island, N.Y. (defunct) in Freeport, Hempstead, New York, United States
samples:
Baby Let Me Kiss You by King Floyd
recording of:
Boombastic
writer:
King Floyd, Robert Livingston and Orville Richard Burrell (Orville Richard Burrell, dancehall and reggae singer)
publisher:
Jobete Music Co., Inc., Malaco Music Company, Pedigree Ranch Music, Peermusic III, Ltd. (BMI), Roffignac Music Co., Scikron Music Publishing and Stone Diamond Music Corp.
Shaggy3.554:09
29Zombie
assistant engineer and assistant producer:
Julie Gardiner
engineer and producer:
Stephen Street (famous producer, songwriter)
acoustic guitar and electric guitar:
Noel Hogan and Dolores O’Riordan
bass guitar:
Mike Hogan (bassist for The Cranberries)
drums (drum set) and percussion:
Fergal Lawler
keyboard and lead vocals:
Dolores O’Riordan
background vocals:
Noel Hogan
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label), Island Records, Inc. (US) (in 1994), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (from 1993-11 until 1994-08) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1993-11 until 1994-08)
mixed at:
The Manor in Oxfordshire, England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
part of:
Indie 88: Top 500 Indie Rock Songs (number: 234)
recording of:
Zombie
lyricist and composer:
Dolores O’Riordan
publisher:
Island Music Ltd.
The Cranberries4.355:07
30What’s Up?
recording engineer, producer and mixer:
David Tickle
additional engineer:
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Kent Mactke, Laurent Tardy and Paul Dieter (American sound engineer and producer.)
engineer:
Mark Hensley
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981-2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
music videos:
What’s Up? by 4 Non Blondes
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 46) and Indie 88: Top 500 Indie Rock Songs (number: 486)
recording of:
What’s Up? (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Sony/ATV Harmony UK and Stuck in the Throat
4 Non Blondes3.74:54