A Purcell Companion

~ Release by Purcell (see all versions of this release, 1 available)

Annotation

CD 5:
Alfred Deller, contra-tenor
Wieland Kuijken, bass viol
William Christie, harpsichord
Roderick Skeaping, baroque violin (1)
Robert Elliott, organ (14)
Jane Ryan, bass viol (14)


CD 2 - Solistes:
- Tessa Bonner, Patrizia Kwella, sopranos
- Kai Wessel, alto
- Paul Agnew, William Kendall, tenors
- Peter Kooy, bass

Annotation last modified on 2014-10-20 13:00 UTC.

Tracklist

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CD 1: Dido & Aeneas (opera)
#TitleArtistRatingLength
1Dido & Aeneas, Z. 626: Overture - Act I
recording engineer:
Alain Duchemin (in 1985-07)
baritone vocals [Aeneas]:
Philippe Cantor (bass‐baritone) (in 1985-07)
mezzo-soprano vocals [Dido]:
Guillemette Laurens (mezzo-soprano) (in 1985-07)
mezzo-soprano vocals [Second Woman]:
Agnès Mellon (soprano) (in 1985-07)
soprano vocals [Belinda]:
Jill Feldman (soprano) (in 1985-07)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1985-07)
conductor:
William Christie (harpsichordist and conductor) (in 1985-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1986)
recorded at:
Église Saint-Martin d'Arles (Chapelle du Méjan) in Arles, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1985-07)
recording of:
Dido and Aeneas, Z. 626: Act I (in 1985-07)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626
recording of:
Dido and Aeneas, Z. 626: Overture (in 1985-07)
composer:
Henry Purcell (baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626
Henry Purcell16:24
2Dido & Aeneas, Z. 626: Act II, Scene I
recording engineer:
Alain Duchemin (in 1985-07)
countertenor vocals [Sorceress]:
Dominique Visse (countertenor) (in 1985-07)
mezzo-soprano vocals [Witch]:
Barbara Borden (operatic soprano) (in 1985-07) and Agnès Mellon (soprano) (in 1985-07)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1985-07)
conductor:
William Christie (harpsichordist and conductor) (in 1985-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1986)
recorded at:
Église Saint-Martin d'Arles (Chapelle du Méjan) in Arles, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1985-07)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (in 1985-07)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (in 1985-07)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (in 1985-07)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) (in 1985-07)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) (in 1985-07)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) (in 1985-07)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (in 1985-07)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (in 1985-07)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (in 1985-07)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell7:55
3Dido & Aeneas, Z. 626: Act II, Scene II
recording engineer:
Alain Duchemin (in 1985-07)
baritone vocals [Aeneas]:
Philippe Cantor (bass‐baritone) (in 1985-07)
countertenor vocals [Spirit]:
Étienne Lestringant (in 1985-07)
mezzo-soprano vocals [Dido]:
Guillemette Laurens (mezzo-soprano) (in 1985-07)
mezzo-soprano vocals [Second Woman]:
Agnès Mellon (soprano) (in 1985-07)
soprano vocals [Belinda]:
Jill Feldman (soprano) (in 1985-07)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1985-07)
conductor:
William Christie (harpsichordist and conductor) (in 1985-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1986)
recorded at:
Église Saint-Martin d'Arles (Chapelle du Méjan) in Arles, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1985-07)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (in 1985-07)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) (in 1985-07)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (in 1985-07)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (in 1985-07)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (in 1985-07)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (in 1985-07)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell9:59
4Dido & Aeneas, Z. 626: Act III, until "Great minds against themselves conspire"
recording engineer:
Alain Duchemin (in 1985-07)
baritone vocals [Aeneas]:
Philippe Cantor (bass‐baritone) (in 1985-07)
countertenor vocals [Sorceress]:
Dominique Visse (countertenor) (in 1985-07)
mezzo-soprano vocals [Dido]:
Guillemette Laurens (mezzo-soprano) (in 1985-07)
mezzo-soprano vocals [Witch]:
Barbara Borden (operatic soprano) (in 1985-07) and Agnès Mellon (soprano) (in 1985-07)
soprano vocals [Belinda]:
Jill Feldman (soprano) (in 1985-07)
tenor vocals [First Sailor]:
Michel Laplénie (tenor, and conductor of the baroque choral Ensemble Sagittarius) (in 1985-07)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1985-07)
conductor:
William Christie (harpsichordist and conductor) (in 1985-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1986)
recorded at:
Église Saint-Martin d'Arles (Chapelle du Méjan) in Arles, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1985-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (in 1985-07)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (in 1985-07)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (in 1985-07)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) (in 1985-07)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (in 1985-07)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (in 1985-07)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido) (in 1985-07)
composer:
Henry Purcell (baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) (in 1985-07)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell11:18
5Dido & Aeneas, Z. 626: Act III, Monologue & Dido's Death
recording engineer:
Alain Duchemin (in 1985-07)
mezzo-soprano vocals [Dido]:
Guillemette Laurens (mezzo-soprano) (in 1985-07)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1985-07)
conductor:
William Christie (harpsichordist and conductor) (in 1985-07)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1986)
recorded at:
Église Saint-Martin d'Arles (Chapelle du Méjan) in Arles, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1985-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (in 1985-07)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1985-07)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (in 1985-07)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell8:17
CD 2: Funeral Sentences (Musique funèbre pour la Reine Mary), Te Deum, Anthems
#TitleArtistRatingLength
1Rejoice in the Lord Always, Z. 49
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Rejoice in the Lord Always, Z. 49 (verse anthem)
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 49)
Henry Purcell8:10
2Remember Not, Lord, Our Offences, Z. 50
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Remember not, Lord, our offences, Z. 50
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 50)
Henry Purcell3:09
3Blow up the Trumpet in Sion, Z. 10
choir vocals:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Blow up the trumpet in Sion, Z. 10
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 10)
Henry Purcell6:37
4Hear My Prayer, O Lord, Z. 15
choir vocals:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Hear My Prayer, O Lord, Z. 15
lyricist:
[anonymous] (special purpose artist)
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 15)
Henry Purcell2:27
5My Heart Is Inditing, Z. 30
choir vocals:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
My heart is inditing, Z. 30
composer:
Henry Purcell (baroque composer) (in 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 30)
Henry Purcell14:33
6Funeral Sentences for the Death of Queen Mary II: March, Z. 860 / "Man that is born of a woman", Z. 27 / Canzona, Z. 860 / "In the midst of life", Z. 17 / Canzona, Z. 860/ "Thou knowest, Lord", Z. 58C / March, Z. 860
choir vocals:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Music for the Funeral of Queen Mary, Z. 860
composer:
Henry Purcell (baroque composer) (in 1695)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 860)
arrangement of:
Funeral of Queen Mary
Henry Purcell15:01
7O Lord God of Hosts, Z. 37
choir vocals:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
O Lord God of Hosts, Z. 37
composer:
Henry Purcell (baroque composer) (from 1680 until 1682)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 37)
Henry Purcell4:38
8Te Deum in D major, Z. 232Henry Purcell13:07
CD 3: Chamber Music: Trio Sonatas, Pavans, Overtures, Suites in G, Three Parts upon a Ground
#TitleArtistRatingLength
1Three Parts upon a Ground in D major, Z 731
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Fantasia, 3 parts on a Ground for three recorders, Z. 731
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 731)
Henry Purcell4:31
2Sonata in 4 parts in G minor, Z. 807
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Trio Sonata in 4 parts no. 6 in G minor (Chaconne), Z. 807
composer:
Henry Purcell (baroque composer) (in 1683)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 807)
Henry Purcell6:19
3Pavan in 4 parts (for 3 violins) in G minor, Z. 752
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Pavan for 3 violins and basso continuo in G minor, Z. 752
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 752)
Henry Purcell5:01
4Chacony in 4 parts in G minor, Z. 730
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Chacony in G minor for 2 violins, viola and continuo, Z. 730
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 730)
Henry Purcell4:26
5Pavan of 3 parts in B-flat major, Z. 750
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Pavan for 2 violins and basso continuo in B-flat major, Z. 750
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 750)
Henry Purcell3:30
6Pavan of 3 parts in G minor, Z. 751
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Pavan for 2 violins and basso continuo in G minor, Z. 751
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 751)
Henry Purcell2:58
7Pavan of 3 parts in A minor, Z. 749
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Pavan for 2 violins and basso continuo in A minor, Z. 749
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 749)
Henry Purcell3:56
8Pavan of 3 parts in A major, Z. 748
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Pavan for 2 violins and basso continuo in A major, Z. 748
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 748)
Henry Purcell4:00
9Sonata of 3 parts No. 7 in E minor, Z. 796: I. Adagio
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Trio Sonata of 3 parts no. 7 in E minor, Z. 796: I. Adagio
composer:
Henry Purcell (baroque composer) (in 1683)
part of:
Trio Sonata in 3 parts no. 7 in E minor, Z. 796
Henry Purcell1:35
10Sonata of 3 parts No. 7 in E minor, Z. 796: II. Canzona
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Trio Sonata of 3 parts no. 7 in E minor, Z. 796: II. Canzona
composer:
Henry Purcell (baroque composer) (in 1683)
part of:
Trio Sonata in 3 parts no. 7 in E minor, Z. 796
Henry Purcell1:28
11Sonata of 3 parts No. 7 in E minor, Z. 796: III. Largo
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Trio Sonata of 3 parts no. 7 in E minor, Z. 796: III. Largo
composer:
Henry Purcell (baroque composer) (in 1683)
part of:
Trio Sonata in 3 parts no. 7 in E minor, Z. 796
Henry Purcell1:28
12Sonata of 3 parts No. 7 in E minor, Z. 796: IV. Grave
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Trio Sonata of 3 parts no. 7 in E minor, Z. 796: IV. Grave
composer:
Henry Purcell (baroque composer) (in 1683)
part of:
Trio Sonata in 3 parts no. 7 in E minor, Z. 796
Henry Purcell1:08
13Sonata of 3 parts No. 7 in E minor, Z. 796: V. Vivace
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Trio Sonata of 3 parts no. 7 in E minor, Z. 796: V. Vivace
composer:
Henry Purcell (baroque composer) (in 1683)
part of:
Trio Sonata in 3 parts no. 7 in E minor, Z. 796
Henry Purcell1:42
14Sonata of 3 parts No. 12 in D major, Z. 801: I. Adagio
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Trio Sonata of 3 parts no. 12 in D major, Z. 801: I. Adagio
composer:
Henry Purcell (baroque composer) (in 1683)
part of:
Trio Sonata in 3 parts no. 12 in D major, Z. 801
Henry Purcell0:38
15Sonata of 3 parts No. 12 in D major, Z. 801: II. Canzona
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Trio Sonata of 3 parts no. 12 in D major, Z. 801: II. Canzona
composer:
Henry Purcell (baroque composer) (in 1683)
part of:
Trio Sonata in 3 parts no. 12 in D major, Z. 801
Henry Purcell1:01
16Sonata of 3 parts No. 12 in D major, Z. 801: III. Poco largo
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Trio Sonata of 3 parts no. 12 in D major, Z. 801: III. Poco Largo
composer:
Henry Purcell (baroque composer) (in 1683)
part of:
Trio Sonata in 3 parts no. 12 in D major, Z. 801
Henry Purcell1:12
17Sonata of 3 parts No. 12 in D major, Z. 801: IV. Grave
orchestra:
London Baroque (founded 1978 by Charles Medlam)
partial recording of:
Trio Sonata of 3 parts no. 12 in D major, Z. 801: IV. Grave, Presto
composer:
Henry Purcell (baroque composer) (in 1683)
part of:
Trio Sonata in 3 parts no. 12 in D major, Z. 801
Henry Purcell0:29
18Sonata of 3 parts No. 12 in D major, Z. 801: V. Presto
orchestra:
London Baroque (founded 1978 by Charles Medlam)
partial recording of:
Trio Sonata of 3 parts no. 12 in D major, Z. 801: IV. Grave, Presto
composer:
Henry Purcell (baroque composer) (in 1683)
part of:
Trio Sonata in 3 parts no. 12 in D major, Z. 801
Henry Purcell0:51
19Sonata of 3 parts No. 12 in D major, Z. 801: VI. Allegro
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Trio Sonata of 3 parts no. 12 in D major, Z. 801: V. Allegro
composer:
Henry Purcell (baroque composer) (in 1683)
part of:
Trio Sonata in 3 parts no. 12 in D major, Z. 801
Henry Purcell1:06
20Overture of 4 parts in D minor, Z. 771
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Overture for 2 violins, viola, and basso continuo in D minor, Z. 771
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 771)
Henry Purcell3:22
21Overture of 4 parts in G major, Z. 336
orchestra:
London Baroque (founded 1978 by Charles Medlam)
Henry Purcell2:50
22Overture of 5 parts in G minor, Z. 772
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Overture for 2 violins, 2 violas, and basso continuo in G minor, Z. 772
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 772)
Henry Purcell2:51
23Suite of 4 parts in G major, Z. 770: I. Overture
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Suite of 4 parts in G major, Z. 770: I. Overture
composer:
Henry Purcell (baroque composer)
part of:
Suite for 2 violins, viola, and basso continuo in G major, Z. 770
Henry Purcell2:29
24Suite of 4 parts in G major, Z. 770: II. SarabandeHenry Purcell1:48
25Suite of 4 parts in G major, Z. 770: III. BourréeHenry Purcell0:54
26Suite of 4 parts in G major, Z. 770: IV. Minuet
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Suite of 4 parts in G major, Z. 770: IV. Minuet
composer:
Henry Purcell (baroque composer)
part of:
Suite for 2 violins, viola, and basso continuo in G major, Z. 770
Henry Purcell1:33
27Suite of 4 parts in G major, Z. 770: V. Jig
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Suite of 4 parts in G major, Z. 770: V. Jig
composer:
Henry Purcell (baroque composer)
part of:
Suite for 2 violins, viola, and basso continuo in G major, Z. 770
Henry Purcell0:35
CD 4: King Arthur (extraits)
#TitleArtistRatingLength
1King Arthur, Z. 628: Overture & Aria
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (from 1979 to present)
Henry Purcell2:41
2King Arthur, Z. 628: Act I, Scene II
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (from 1979 to present)
Henry Purcell16:17
3King Arthur, Z. 628: Act II, Scene II
audio engineer:
Alberto Paulin (in 1978-10)
soprano vocals:
Rosemary Hardy (soprano) and Jean Knibbs
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (from 1979 to present)
recording of:
King Arthur, Z. 628: Act II. "How blest are shepherds" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act II. "Shepherd, shepherd, leave decoying" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell9:54
4King Arthur, Z. 628: Act III, Scene II (beginning)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (from 1979 to present)
Henry Purcell10:58
5King Arthur, Z. 628: Act V, Scene II. Aria "Ye blust'ring brethren of the skies"
audio engineer:
Alberto Paulin (in 1978-10)
baritone vocals:
Maurice Bevan (bass-baritone)
orchestra:
The King’s Musick
conductor:
Alfred Deller (countertenor)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (from 1979 to present)
recording of:
King Arthur, Z. 628: Act V. "Ye Blust'ring brethren" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
recording of:
King Arthur, Z. 628: Act V. Trumpet Tune (in 1978-10)
composer:
Henry Purcell (baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell3:27
6King Arthur, Z. 628: Act V, Scene II. Symphony
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (from 1979 to present)
Henry Purcell1:57
7King Arthur, Z. 628: Act V, Scene II. Song Tune
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (from 1979 to present)
Henry Purcell2:42
8King Arthur, Z. 628: Act V, Scene II. Aria "Fairest isle"
audio engineer:
Alberto Paulin (in 1978-10)
soprano vocals:
Honor Sheppard (soprano)
orchestra:
The King’s Musick
conductor:
Alfred Deller (countertenor)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (from 1979 to present)
recording of:
King Arthur, Z. 628: Act V. "Fairest isle" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell3:38
9King Arthur, Z. 628: Act V, Scene II. Trumpet Tune
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (from 1979 to present)
Henry Purcell0:39
10King Arthur, Z. 628: Act V, Scene II. Aria & Chorus "St. George, the patron of our isle"
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (from 1979 to present)
Henry Purcell3:50
11King Arthur, Z. 628: Act V, Scene II. Chaconne
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (from 1979 to present)
Henry Purcell3:41
CD 5: Music for a While and Other Songs
#TitleArtistRatingLength
1The Fairy Queen, Z. 629 No. 40: "The plaint (O let me weep)"
bass viol:
Wieland Kuijken (Belgian cellist) (in 1979-04)
harpsichord:
William Christie (harpsichordist and conductor) (in 1979-04)
violin:
Roderick Skeaping (in 1979-04)
countertenor vocals:
Alfred Deller (countertenor) (in 1979-04)
recording of:
The Fairy Queen, Z. 629: Part III "The sweet passion": "The Plaint: O let me weep, for ever weep!" (in 1979-04)
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell7:26
2If Music Be the Food of Love, Z. 379
bass viol:
Wieland Kuijken (Belgian cellist) (in 1979-04)
harpsichord:
William Christie (harpsichordist and conductor) (in 1979-04)
countertenor vocals:
Alfred Deller (countertenor) (in 1979-04)
recording of:
If Music Be the Food of Love, Z. 379 (in 1979-04)
lyricist:
Col. Henry Heveningham
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 379)
Henry Purcell2:19
3The Indian Queen, Z. 630 No. 17h: "I attempt from love's sickness to fly"
bass viol:
Wieland Kuijken (Belgian cellist) (in 1979-04)
harpsichord:
William Christie (harpsichordist and conductor) (in 1979-04)
countertenor vocals:
Alfred Deller (countertenor) (in 1979-04)
recording of:
The Indian Queen, Z. 630: Act III: 17h. "I Attempt From Love's Sickness to Fly" (in 1979-04)
lyricist:
John Dryden (English poet)
composer:
Henry Purcell (baroque composer)
part of:
The Indian Queen, Z. 630: Act III
Henry Purcell2:01
4King Arthur, Z. 628 No. 38: Aria "Fairest isle"
bass viol and viola da gamba:
Wieland Kuijken (Belgian cellist) (in 1979-04)
harpsichord:
William Christie (harpsichordist and conductor) (in 1979-04)
countertenor vocals:
Alfred Deller (countertenor) (in 1979-04)
recording of:
King Arthur, Z. 628: Act V. "Fairest isle" (in 1979)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell2:44
5Pausanius, Z. 585 No. 1: "Sweeter than roses"
bass viol:
Wieland Kuijken (Belgian cellist) (in 1979-04)
harpsichord:
William Christie (harpsichordist and conductor) (in 1979-04)
countertenor vocals:
Alfred Deller (countertenor) (in 1979-04)
recording of:
Pausanias, the Betrayer of his Country, Z. 585: I. "Sweeter than roses" (in 1979-04)
composer:
Henry Purcell (baroque composer)
part of:
Pausanias, the Betrayer of his Country, Z. 585
Henry Purcell3:17
6Not All My Torments Can Your Pity Move, Z. 400
bass viol:
Wieland Kuijken (Belgian cellist) (in 1979-04)
harpsichord:
William Christie (harpsichordist and conductor) (in 1979-04)
countertenor vocals:
Alfred Deller (countertenor) (in 1979-04)
recording of:
Not All My Torments Can Your Pity Move, Z. 400 (in 1979-04)
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 400)
Henry Purcell1:58
7The Fairy Queen, Z. 629 No. 39bc: "Thrice happy lovers"
bass viol:
Wieland Kuijken (Belgian cellist) (in 1979-04)
harpsichord:
William Christie (harpsichordist and conductor) (in 1979-04)
countertenor vocals:
Alfred Deller (countertenor) (in 1979-04)
recording of:
The Fairy Queen, Z. 629: Part IV "Epithalamium": "Thrice Happy Lovers" (in 1979-04)
composer:
Henry Purcell (baroque composer)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:49
8An Evening Hymn "Now that the sun hath veiled his light", Z. 193
bass viol:
Wieland Kuijken (Belgian cellist) (in 1979-04)
harpsichord:
William Christie (harpsichordist and conductor) (in 1979-04)
countertenor vocals:
Alfred Deller (countertenor) (in 1979-04)
recording of:
An Evening Hymn, Z. 193 "Now that the sun hath veiled his light" (in 1979-04)
lyricist:
Dr. William Fuller
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 193)
Henry Purcell5:01
9Don Quixote, Z. 578 No. 9: "From Rosy Bow'rs"
bass viol:
Wieland Kuijken (Belgian cellist) (in 1979-04)
harpsichord:
William Christie (harpsichordist and conductor) (in 1979-04)
countertenor vocals:
Alfred Deller (countertenor) (in 1979-04)
recording of:
The Comical History of Don Quixote, Z. 578: Part III. "From rosy bow'rs" (in 1979-04)
composer:
Henry Purcell (baroque composer)
part of:
The Comical History of Don Quixote, Z. 578
Henry Purcell7:09
10Bonduca, Z. 574 No. 17: "O lead me to some peaceful gloom"
bass viol:
Wieland Kuijken (Belgian cellist) (in 1979-04)
harpsichord:
William Christie (harpsichordist and conductor) (in 1979-04)
countertenor vocals:
Alfred Deller (countertenor) (in 1979-04)
recording of:
Bonduca, or the British Heroine, Z. 574: “Oh! Lead me to some peaceful gloom” (Bonvica) (in 1979-04)
composer:
Henry Purcell (baroque composer)
part of:
Bonduca, or the British Heroine, Z. 574
Henry Purcell2:51
11The History of King Richard II, Z. 581 No. 1: "Retir'd from any mortal's sight"
bass viol:
Wieland Kuijken (Belgian cellist) (in 1979-04)
harpsichord:
William Christie (harpsichordist and conductor) (in 1979-04)
countertenor vocals:
Alfred Deller (countertenor) (in 1979-04)
recording of:
The History of King Richard the Second, Z. 581: Retir'd from mortal's sight
composer:
Henry Purcell (baroque composer)
part of:
The History of King Richard the Second, Z. 581
Henry Purcell2:51
12Oedipus, Z. 583 No. 2: "Music for awhile"
bass viol and viola da gamba:
Wieland Kuijken (Belgian cellist) (in 1979-04)
harpsichord:
William Christie (harpsichordist and conductor) (in 1979-04)
countertenor vocals:
Alfred Deller (countertenor) (in 1979-04)
recording of:
Oedipus, King of Thebes, Z. 583: II. "Music for a While" (in 1979-04)
lyricist:
John Dryden (English poet)
composer:
Henry Purcell (baroque composer)
part of:
Oedipus, King of Thebes, Z. 583
Henry Purcell4:00
13Prophetess, Z. 627 No. 31: "Since from my dear Astrea's sight"
bass viol:
Wieland Kuijken (Belgian cellist) (in 1979-04)
harpsichord:
William Christie (harpsichordist and conductor) (in 1979-04)
countertenor vocals:
Alfred Deller (countertenor) (in 1979-04)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Song "Since from my dear Astrea's sight" (Soprano ("sung in the last act", probably alternate number for "Still I'm wishing")) (in 1979-04)
composer:
Henry Purcell (baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell3:51
14O Solitude, My Sweetest Choice, Z. 406
bass viol and viola da gamba:
Jane Ryan (in 1979-04)
organ:
Robert Elliott (harpsichord / organist) (in 1979-04)
countertenor vocals:
Alfred Deller (countertenor) (in 1979-04)
recording of:
O Solitude, Z. 406 (in 1979-04)
lyricist:
Katherine Philips (17th century poet)
composer:
Henry Purcell (baroque composer) (from 1684 until 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 406)
is based on:
O Solitude
Henry Purcell5:53
CD 6: Organ Works (with Voluntaries by Blow & Locke)
#TitleArtistRatingLength
1Voluntary in G major, Z. 720
organ:
John Butt (conductor and organist)
recording of:
Voluntary for Organ in G major, Z. 720
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 720)
Henry Purcell3:19
2Voluntary in D minor for Double organ, Z. 19
organ:
John Butt (conductor and organist)
recording of:
Voluntary for double organ in D minor, Z. 719
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 719)
Henry Purcell4:54
3Verse in F major, Z. 716
organ:
John Butt (conductor and organist)
recording of:
Verse in F major, Z. 716
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 716)
Henry Purcell1:48
4Voluntary in C major, Z. 717
organ:
John Butt (conductor and organist)
recording of:
Voluntary for Organ in C major, Z. 717
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 717)
Henry Purcell1:42
5Voluntary in D minor, Z. 718
organ:
John Butt (conductor and organist)
recording of:
Voluntary for Organ in D minor, Z. 718
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 718)
Henry Purcell3:29
6A Ground in Gamut in G major, Z. 645
organ:
John Butt (conductor and organist)
recording of:
Ground in gamut, Z. 645
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 645)
Henry Purcell4:12
7March in C major, ZT. 687
organ:
John Butt (conductor and organist)
recording of:
March, ZT. 687
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: ZT. 687)
Henry Purcell1:24
8Trumpet Tune in C major, ZT. 698
organ:
John Butt (conductor and organist)
recording of:
Trumpet tune, ZT. 698
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: ZT. 698)
Henry Purcell0:48
9Chaconne in G minor, ZT. 68
organ:
John Butt (conductor and organist)
recording of:
Chaconne, ZT. 680
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: ZT. 680)
Henry Purcell3:39
10Trumpet Tune in C major, called "The Cibell", ZT. 678
organ:
John Butt (conductor and organist)
recording of:
Trumpet tune called the Cibell, ZT. 678
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: ZT. 678)
Henry Purcell1:32
11Ground in C minor, ZD. 221
organ:
John Butt (conductor and organist)
recording of:
Ground in C minor, ZD. 221
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: ZD. 221)
Henry Purcell2:44
12Voluntary on The Old 100th, Z. 721
organ:
John Butt (conductor and organist)
recording of:
Voluntary in A major on the 100th Psalm, Z. 721
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 721)
Henry Purcell3:33
13Trumpet Voluntary in D major
organ:
John Butt (conductor and organist)
Henry Purcell2:21
14Voluntary in D minor
organ:
John Butt (conductor and organist)
John Blow3:04
15Voluntary in A major
organ:
John Butt (conductor and organist)
John Blow3:21
16Voluntary in G major
organ:
John Butt (conductor and organist)
John Blow2:05
17Voluntary in C major
organ:
John Butt (conductor and organist)
John Blow2:45
18Voluntary in G minor
organ:
John Butt (conductor and organist)
John Blow2:07
19Double Voluntary in D minor
organ:
John Butt (conductor and organist)
John Blow3:44
20Voluntary No. 62 in A minor from Melothesia
organ:
John Butt (conductor and organist)
Matthew Locke1:19
21Voluntary No. 63 in F major from Melothesia
organ:
John Butt (conductor and organist)
Matthew Locke1:40
22Voluntary No. 64 in A minor from Melothesia
organ:
John Butt (conductor and organist)
Matthew Locke3:00
23Voluntary No. 65 in D minor from Melothesia
organ:
John Butt (conductor and organist)
Matthew Locke1:29
24Voluntary No. 66 in G major from Melothesia
organ:
John Butt (conductor and organist)
Matthew Locke1:14
25Voluntary No. 67 in A minor from Melothesia
organ:
John Butt (conductor and organist)
Matthew Locke0:59
26Voluntary No. 68 in D minor for Double organ from Melothesia
organ:
John Butt (conductor and organist)
Matthew Locke2:47

Credits

Release

bass:Wieland Kuijken (Belgian cellist)
harpsichord:William Christie (harpsichordist and conductor)
orchestra:Deller Consort (UK vocal & instrumental early music ensemble)
The King’s Musick
additional conductor:Roderick Skeaping
conductor:Alfred Deller (countertenor)
choir vocals:Deller Consort (UK vocal & instrumental early music ensemble)
countertenor vocals:Alfred Deller (countertenor)
ASIN:UK: B0000007HP [info]